2019 SXSW Film Festival Archives - Hammer to Nail

Science Fiction

A Conversation with Albert Birney & Kentucker Audley (STRAWBERRY MANSION)

A Conversation with Haifaa al-Mansour (THE PERFECT CANDIDATE)

A Conversation with Charlène Favier (SLALOM)

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TO ME MANQUES

THE WATER MAN

DOPE IS DEATH

THE PAPER TIGERS

WE’RE ALL GOING TO THE WORLD’S FAIR

Small Town Life

A Conversation with Jonathan Wysocki (DRAMARAMA)

Science Fiction

THE PINK CLOUD

LIMBO

WYRM

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NOMADLAND

A Conversation with Justin Monroe & Tim Carey (HOLY FRIT)

CENSOR

SHORT FILM CONTEST

THE RIDER (Chloé Zhao)

A Conversation with Sonia Kennebeck (ENEMIES OF THE STATE)

A Conversation with Mickey Keating (OFFSEASON)

CPH:DOX 2021: A Man and a Camera

MISHA AND THE WOLVES

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THE POWER

GUNDA

Science Fiction

A Conversation with Nathaniel Kahn (THE HUNT FOR PLANET B)

ENEMIES OF THE STATE

THE TRUTH BEHIND LOVEMOBIL? A CONVERSATION WITH ELKE LEHRENKRAUSS

SLALOM

WOJNAROWICZ

FUNNY FACE INTERROGATES THE REVENGE GENRE

Curbside Criterion

THE CURBSIDE CRITERION: DEFENDING YOUR LIFE

QUO VADIS, AIDA?

WOODLANDS DARK AND DAYS BEWITCHED

A Conversation with Jeremy Workman & Lily Hevesh (LILY TOPPLES THE WORLD)

SHIVA BABY

ERIC ROHMER’S “TALES OF THE FOUR SEASONS”

VIOLET

HERE BEFORE

THIS IS NOT A WAR STORY

WHO WE ARE: A CHRONICLE OF RACISM IN AMERICA

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TINA

A Conversation with Mary Wharton (TOM PETTY, SOMEWHERE YOU FEEL FREE)

BERLIN ALEXANDERPLATZ

BEST SUMMER EVER

NOT GOING QUIETLY

A Conversation with Ursula Macfarlane (THE LOST SONS)

ALONE TOGETHER

THE HUNT FOR PLANET B

WITHOUT GETTING KILLED OR CAUGHT: THE LIFE AND MUSIC OF GUY CLARK

MY FAVORITE WAR

THE SOUND OF VIOLENCE

POTATO DREAMS OF AMERICA

LILY TOPPLES THE WORLD

On the Festival Circuit

A Conversation with Mari Walker, Pooya Mohseni & Lynn Chen (SEE YOU THEN)

LUDI

THE FALLOUT

THE SPINE OF NIGHT

THE LOST SONS

POLY STYRENE: I AM A CLICHÉ

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WEWORK: OR THE MAKING AND BREAKING OF A $47 BILLION UNICORN

I’M FINE (THANKS FOR ASKING)

TOM PETTY, SOMEWHERE YOU FEEL FREE

Science Fiction

ALIEN ON STAGE

WHOSE TRUTH? ALLEN V. FARROW

DEMI LOVATO: DANCING WITH THE DEVIL

WOMEN IS LOSERS

KID CANDIDATE

THE GEORGE EASTMAN MUSEUM PRESENTS A RESTORATION OF ORSON WELLES’ “TOO MUCH JOHNSON”

LUCKY

PROMISING YOUNG WOMAN GRABS RAPE CULTURE BY THE BALLS

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A Conversation With Jayro Bustamante (LA LLORONA)

BISBEE ’17 IS ROBERT GREENE’S MOST AUDACIOUS EXPERIMENT

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OWN THE ROOM

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MY BEAUTIFUL STUTTER

ROBERT GREENE’S “KATE PLAYS CHRISTINE” IS ANOTHER DOCUMENTARY EXPERIMENT

Curbside Criterion

THE CURBSIDE CRITERION: THE PARALLAX VIEW

ROBERT GREENE DECONSTRUCTS THE DOCUMENTARY IN “ACTRESS”

A Conversation with Harry Macqueen (SUPERNOVA)

A BRIXTON TALE

STRAY

A TINY RIPPLE OF HOPE

THE WORLD TO COME

MIA MISSES HER REVENGE

Science Fiction

NO TRACE

TOGETHER TOGETHER

TAIPEI SUICIDE STORY

A Conversation with David Shapiro (UNTITLED PIZZA MOVIE)

On the Festival Circuit

A Conversation with Sushmit Ghosh & Rintu Thomas (WRITING WITH FIRE)

A Conversation with Tony Zosherafatain & Trace Lysette (TRANS IN TRUMPLAND)

ISAAC

MASS

HOLY FRIT

A CONVERSATION WITH MONA FASTVOLD (THE WORLD TO COME)

DEMONLOVER

MA BELLE, MY BEAUTY

EVERYONE WANTS TO BE THE NEXT WEISMANN

MAN UNDER TABLE

CODE NAME: NAGASAKI

TEENAGE EMOTIONS

BLEEDING AUDIO

MY NAME IS PAULI MURRAY

WORKHORSE QUEEN

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