(Raphael Sbarge's Only in Theaters opens Friday, January 20 in New York before making it's way across the U.S. Seen it? Join the conversation with HtN on our Letterboxd Page.) In a theatrical model where only the latest blockbusters find a home, what

One of 15 docs shortlisted for the Oscar Documentary category this year and winner of Best International Film at DocAviv and the Best Director Award at IDFA, Ha Le Diem's Children of the Mist is slowly rolling out in theaters

(Check out Chris Reed’s movie review of Return to Seoul, which was Oscar shortlisted for international features. It opens in more theaters this month. Seen it? Join the conversation with HtN on our Letterboxd Page.) Not since Ann Hui’s criminally underseen 1990

(Moonage Daydream arrives in theaters and IMAX today! Check out Jack Schenker’s review. Seen it? Join the conversation with HtN on our Letterboxd Page.) Director Brett Morgan was not lying when he said Moonage Daydream is more of a cinematic experience than a

(Check out Ray Lobo's review of Masking Threshold, in select theaters September 30th & Available on Digital October 7th via Drafthouse Films. Seen it? Join the conversation with HtN on our Letterboxd Page.) Masking Threshold is the result of a bizarre alchemy.

(Check out Chris Reed's movie review of Vesper, available now in theaters and on-demand via IFC Films. Seen it? Join the conversation with HtN on our Letterboxd Page.) Indie sci-fi, when done right, is often a creature of great, innovative beauty, and I

In his new documentary, Santa Camp (which I reviewed out of DOC NYC 2022), director Nick Sweeney (AKA Jane Roe) follows the New England Santa Society as they attempt to diversify their membership and plan for the upcoming Christmas season.

Director/writer/producer Travis Stevens’ gonzo horror-genre bender, A Wounded Fawn, had its World Premiere at Tribeca and made the festival rounds (Fantastic Fest and FrightFest London) earlier this year. His film is a startlingly colorful and splashy genre piece exploring contemporary

  Tuscan writer Carlo Collodi published The Adventures of Pinocchio in 1883, and since then the tale has seen many adaptations on the page and screen, the best-known of which is probably Walt Disney’s, released in 1940. Now, in late 2022, comes the second