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	<title>Michelangelo Antonioni Archives - Hammer to Nail</title>
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	<title>Michelangelo Antonioni Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/michelangelo-antonioni/</link>
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	<item>
		<title>IL GRIDO Restoration Trailer: Michelangelo Antonioni&#8217;s Underseen Masterpiece Gets the 4K Treatment</title>
		<link>https://www.hammertonail.com/trailer/il-grido-4k-restoration/</link>
		
		<dc:creator><![CDATA[M.J. O'Toole]]></dc:creator>
		<pubDate>Mon, 21 Oct 2024 20:27:06 +0000</pubDate>
				<category><![CDATA[Coming Soon]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[TRAILERS]]></category>
		<category><![CDATA[Alida Valli]]></category>
		<category><![CDATA[Betsy Blair]]></category>
		<category><![CDATA[Cineteca di Bologna]]></category>
		<category><![CDATA[Compass Film]]></category>
		<category><![CDATA[Criterion Collection]]></category>
		<category><![CDATA[Dorian Gray]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[Italian cinema]]></category>
		<category><![CDATA[Italian director]]></category>
		<category><![CDATA[Italian Film]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Italian-Neorealists]]></category>
		<category><![CDATA[Janus Films]]></category>
		<category><![CDATA[Lyn Shaw]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Mirna Girardi]]></category>
		<category><![CDATA[Steve Cochran]]></category>
		<category><![CDATA[The Criterion Collection]]></category>
		<category><![CDATA[The Film Foundation]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=51885</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2024/10/31434id_029_0004_31434id_178_w1600-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="Michelangelo Antonioni&#039;s IL GRIDO" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2024/10/31434id_029_0004_31434id_178_w1600-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2024/10/31434id_029_0004_31434id_178_w1600-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2024/10/31434id_029_0004_31434id_178_w1600-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2024/10/31434id_029_0004_31434id_178_w1600-1536x864.jpg 1536w, https://www.hammertonail.com/wp-content/uploads/2024/10/31434id_029_0004_31434id_178_w1600.jpg 1600w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Before breaking the mold of cinema with his sensations L’avventura and Blow-Out, Michelangelo Antonioni examined a rootless life in his 1957 neorealist drama, Il Grido. Restored by The Film Foundation, Cineteca di Bologna, and Compass Film, it follows mechanic Aldo [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/trailer/il-grido-4k-restoration/">IL GRIDO Restoration Trailer: Michelangelo Antonioni&#8217;s Underseen Masterpiece Gets the 4K Treatment</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>THE CURBSIDE CRITERION: BLOW OUT</title>
		<link>https://www.hammertonail.com/reviews/blow-out-criterion/</link>
		
		<dc:creator><![CDATA[Brad Cook]]></dc:creator>
		<pubDate>Tue, 20 Sep 2022 20:01:37 +0000</pubDate>
				<category><![CDATA[Curbside Criterion]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Blow Out]]></category>
		<category><![CDATA[Blow-Up]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Criterion]]></category>
		<category><![CDATA[Criterion 4k]]></category>
		<category><![CDATA[Criterion Blow Out]]></category>
		<category><![CDATA[Criterion Blu ray]]></category>
		<category><![CDATA[Garret Brown]]></category>
		<category><![CDATA[John Lithgow]]></category>
		<category><![CDATA[John Travolta]]></category>
		<category><![CDATA[Michael Sragow]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Murder a la Mod]]></category>
		<category><![CDATA[Nancy Allen]]></category>
		<category><![CDATA[Noah Baumbach]]></category>
		<category><![CDATA[Pauline Kael]]></category>
		<category><![CDATA[Rocky]]></category>
		<category><![CDATA[steadicam]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=37977</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2022/09/blowOut-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2022/09/blowOut-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2022/09/blowOut-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2022/09/blowOut-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2022/09/blowOut-600x338.jpg 600w, https://www.hammertonail.com/wp-content/uploads/2022/09/blowOut.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Here at Hammer to Nail, we are all about true independent cinema. But we also have to tip our hat to the great films of yesteryear that continue to inspire filmmakers and cinephiles alike. This week, Brad Cook looks and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/blow-out-criterion/">THE CURBSIDE CRITERION: BLOW OUT</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>Nelson Kim&#8217;s New Directors/New Films 2019 Report</title>
		<link>https://www.hammertonail.com/shorts-contest/nelson-kims-ndnf-19/</link>
		
		<dc:creator><![CDATA[Nelson Kim]]></dc:creator>
		<pubDate>Wed, 01 May 2019 17:05:09 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[On the Festival Circuit]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Land Imagined]]></category>
		<category><![CDATA[Bait]]></category>
		<category><![CDATA[Before Sunrise]]></category>
		<category><![CDATA[Belonging]]></category>
		<category><![CDATA[Burak Cevik]]></category>
		<category><![CDATA[Chantal Akerman]]></category>
		<category><![CDATA[Christopher Nolan]]></category>
		<category><![CDATA[Direct Cinema]]></category>
		<category><![CDATA[End of the Century]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Guillermo del Toro]]></category>
		<category><![CDATA[Hou Hsiao-hsien]]></category>
		<category><![CDATA[Jorge Luis Borges]]></category>
		<category><![CDATA[Julio Cortazar]]></category>
		<category><![CDATA[L'Eclisse]]></category>
		<category><![CDATA[Laura Poitras]]></category>
		<category><![CDATA[Lee Chang-dong]]></category>
		<category><![CDATA[Lucio Castro]]></category>
		<category><![CDATA[Lynne Ramsay]]></category>
		<category><![CDATA[Mark Jenkin]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Pedro Almodovar]]></category>
		<category><![CDATA[Richard Linklater]]></category>
		<category><![CDATA[Spike Lee]]></category>
		<category><![CDATA[Yeo Siew Hua]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=31047</guid>

					<description><![CDATA[<p>The 48th annual edition of New Directors/New Films, jointly presented by the Museum of Modern Art and the Film Society of Lincoln Center, came to a close on April 7. Showcasing the work of first- and second-time directors from around [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/nelson-kims-ndnf-19/">Nelson Kim&#8217;s New Directors/New Films 2019 Report</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>New York Film Festival 2018 Report: THE OTHER SIDE OF THE WIND</title>
		<link>https://www.hammertonail.com/reviews/other-side-of-the-wind/</link>
		
		<dc:creator><![CDATA[Nelson Kim]]></dc:creator>
		<pubDate>Mon, 15 Oct 2018 14:34:01 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alfonso Cuaron]]></category>
		<category><![CDATA[Blow-Up]]></category>
		<category><![CDATA[Bob Murawski]]></category>
		<category><![CDATA[Bob Random]]></category>
		<category><![CDATA[Chimes at Midnight]]></category>
		<category><![CDATA[Citizen Kane]]></category>
		<category><![CDATA[Claire Denis]]></category>
		<category><![CDATA[Coen Brothers]]></category>
		<category><![CDATA[Dennis Hopper]]></category>
		<category><![CDATA[Ernest Hemingway]]></category>
		<category><![CDATA[F for Fake]]></category>
		<category><![CDATA[Filip Jan Rymsza]]></category>
		<category><![CDATA[Frank Marshall]]></category>
		<category><![CDATA[Gary Graver]]></category>
		<category><![CDATA[Hong Sang-soo]]></category>
		<category><![CDATA[Jafar Panahi]]></category>
		<category><![CDATA[James Agee]]></category>
		<category><![CDATA[John Huston]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[New York Film Festival]]></category>
		<category><![CDATA[NYFF]]></category>
		<category><![CDATA[Oja Kodar]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Othello]]></category>
		<category><![CDATA[Paul Mazursky]]></category>
		<category><![CDATA[Peter Bogdanovich]]></category>
		<category><![CDATA[Robert Evans]]></category>
		<category><![CDATA[The Hurt Locker]]></category>
		<category><![CDATA[The Other Side of the Wind]]></category>
		<category><![CDATA[The Trial]]></category>
		<category><![CDATA[Zabriskie Point]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=30250</guid>

					<description><![CDATA[<p>(The Other Side of the Wind screened at the New York Film Festival on September 29 and October 10, 2018. The film will premiere on Netflix on November 2, accompanied by limited theatrical screenings.) This review contains spoilers. The 2018 [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/other-side-of-the-wind/">New York Film Festival 2018 Report: THE OTHER SIDE OF THE WIND</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>MA</title>
		<link>https://www.hammertonail.com/reviews/ma-film-review/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Thu, 14 May 2015 19:08:40 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[On the Festival Circuit]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2015 Tribeca Film Festival]]></category>
		<category><![CDATA[Amy Seimetz]]></category>
		<category><![CDATA[Andrew Pastides]]></category>
		<category><![CDATA[Borscht Film Festival]]></category>
		<category><![CDATA[Celia Rowlson-Hall]]></category>
		<category><![CDATA[Ian Bloom]]></category>
		<category><![CDATA[Jen Dunlap]]></category>
		<category><![CDATA[Kentucker Audley]]></category>
		<category><![CDATA[Kickstarter]]></category>
		<category><![CDATA[Marie Ponsot]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[MoMA PS1]]></category>
		<category><![CDATA[Peter Vack]]></category>
		<category><![CDATA[Prom Night]]></category>
		<category><![CDATA[Si Nos Dejan]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=24551</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2015/05/MaThumb.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" /></div>
<p>(Ma was screened as a work-in-progress as part of MoMA PS1&#8217;s Sunday Sessions during the 2015 Tribeca Film Festival.) I first discovered Celia Rowlson-Hall’s work at the Borscht Film Festival in 2012. Borscht is less a film festival than a [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/ma-film-review/">MA</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>FYNBOS</title>
		<link>https://www.hammertonail.com/reviews/fynbos-film-review/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Sat, 19 Jan 2013 14:00:53 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[On the Festival Circuit]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[2013 Slamdance Film Festival]]></category>
		<category><![CDATA[Durban International Film Festival]]></category>
		<category><![CDATA[Fynbos]]></category>
		<category><![CDATA[Harry Patramanis]]></category>
		<category><![CDATA[Jessica Haines]]></category>
		<category><![CDATA[Jonathan Glatzer]]></category>
		<category><![CDATA[L'Avventura]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Peter Weir]]></category>
		<category><![CDATA[Picnic At Hanging Rock]]></category>
		<category><![CDATA[South Africa]]></category>
		<category><![CDATA[The Last Wave]]></category>
		<category><![CDATA[Warrick Grier]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=19610</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2013/01/Fynbosthumb.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" /></div>
<p>Named after the characteristic bush that grows in this land, Fynbos goes deep into its subjects’ psyches as they play for huge personal stakes, flirting with self-destruction over ownership of a piece of land that in a sense can’t be owned.</p>
<p>The post <a href="https://www.hammertonail.com/reviews/fynbos-film-review/">FYNBOS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Richard Peña</title>
		<link>https://www.hammertonail.com/interviews/a-conversation-with-richard-pena/</link>
		
		<dc:creator><![CDATA[Nelson Kim]]></dc:creator>
		<pubDate>Mon, 08 Oct 2012 12:00:40 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Abbas Kiarostami]]></category>
		<category><![CDATA[Amos Vogel]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Beijing Film Academy]]></category>
		<category><![CDATA[Bong Joon-Ho]]></category>
		<category><![CDATA[Chen Kaige]]></category>
		<category><![CDATA[Cinema Village]]></category>
		<category><![CDATA[Claude Chabrol]]></category>
		<category><![CDATA[Columbia University]]></category>
		<category><![CDATA[David Bordwell]]></category>
		<category><![CDATA[David Denby]]></category>
		<category><![CDATA[Elinor Bunin Munroe Film Center]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[Film Society of Lincoln Center]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Hou Hsiao-hsien]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Jacques Doillon]]></category>
		<category><![CDATA[Jacques Rivette]]></category>
		<category><![CDATA[Japan Society]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Kent Jones]]></category>
		<category><![CDATA[L'Avventura]]></category>
		<category><![CDATA[Loulou]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Maurice Pialat]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Museum of Modern Art]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[New Directors New Films]]></category>
		<category><![CDATA[New York Film Festival]]></category>
		<category><![CDATA[Nicolae Ceausescu]]></category>
		<category><![CDATA[Park Chan-wook]]></category>
		<category><![CDATA[Philippe Garrel]]></category>
		<category><![CDATA[Richard Pena]]></category>
		<category><![CDATA[Richard Roud]]></category>
		<category><![CDATA[Robert Koehler]]></category>
		<category><![CDATA[Romanian New Wave]]></category>
		<category><![CDATA[Rose Kuo]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[The Death of Mr. Lazarescu]]></category>
		<category><![CDATA[Walter Reade Theater]]></category>
		<category><![CDATA[Xie Jin]]></category>
		<category><![CDATA[Zhang Yimou]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=18616</guid>

					<description><![CDATA[<p>This year, the New York Film Festival celebrates its 50th anniversary, and its 25th with Richard Peña at the helm. Hired in 1988 to replace Richard Roud, the NYFF’s founding director, Peña has served as both the festival’s Selection Committee [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/a-conversation-with-richard-pena/">A Conversation with Richard Peña</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation With Calvin Lee Reeder (THE OREGONIAN)</title>
		<link>https://www.hammertonail.com/interviews/a-conversation-with-calvin-lee-reeder-the-oregonian/</link>
		
		<dc:creator><![CDATA[Alex Ross Perry]]></dc:creator>
		<pubDate>Thu, 07 Jun 2012 16:11:41 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2011 Sundance Film Festival]]></category>
		<category><![CDATA[Alex Ross Perry]]></category>
		<category><![CDATA[Andrei Tarkovsky]]></category>
		<category><![CDATA[Andrzej Zulawski]]></category>
		<category><![CDATA[Calvin Lee Reeder]]></category>
		<category><![CDATA[Cinemad Presents]]></category>
		<category><![CDATA[Factory 25]]></category>
		<category><![CDATA[Kickstarter]]></category>
		<category><![CDATA[L'Avventura]]></category>
		<category><![CDATA[La Femme Publique]]></category>
		<category><![CDATA[Lindsay Pulsipher]]></category>
		<category><![CDATA[Little Farm]]></category>
		<category><![CDATA[Matt Grady]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Mike Plante]]></category>
		<category><![CDATA[My Nights Are More Beautiful Than Your Days]]></category>
		<category><![CDATA[reRun Gastropub]]></category>
		<category><![CDATA[Sarasota Film Festival]]></category>
		<category><![CDATA[shaman]]></category>
		<category><![CDATA[Stalker]]></category>
		<category><![CDATA[The Color Wheel]]></category>
		<category><![CDATA[The Oregonian]]></category>
		<category><![CDATA[The Rambler]]></category>
		<category><![CDATA[The Snake Mountain Colada]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=17444</guid>

					<description><![CDATA[<p>Calvin Lee Reeder’s The Oregonian is a horrifying film, if not what is commonly perceived as a “horror” film. It is deeply and fundamentally upsetting in an off-putting way that will sicken and alarm you if your idea of pure [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/a-conversation-with-calvin-lee-reeder-the-oregonian/">A Conversation With Calvin Lee Reeder (THE OREGONIAN)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>ADVENTURE, THE</title>
		<link>https://www.hammertonail.com/reviews/the-adventure-film-review/</link>
					<comments>https://www.hammertonail.com/reviews/the-adventure-film-review/#comments</comments>
		
		<dc:creator><![CDATA[Michael Tully]]></dc:creator>
		<pubDate>Mon, 23 May 2011 13:00:00 +0000</pubDate>
				<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Short Film]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[Adam Pinney]]></category>
		<category><![CDATA[Alex Orr]]></category>
		<category><![CDATA[Blood Car]]></category>
		<category><![CDATA[Cache]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Michael Haneke]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Mike Brune]]></category>
		<category><![CDATA[mimes]]></category>
		<category><![CDATA[The Adventure]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=1280</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2008/05/TheAdventurethumb1.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" /></div>
<p>Mike Brune’s debut as a writer/director combines a Haneke-esque tension with a dose of off-kilter humor to produce The Adventure, a work that can be most effectively (albeit awkwardly) described as an existentialist mystery/comedy/thriller.</p>
<p>The post <a href="https://www.hammertonail.com/reviews/the-adventure-film-review/">ADVENTURE, THE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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			</item>
		<item>
		<title>ROBERTO ROSSELLINI’S WAR TRILOGY</title>
		<link>https://www.hammertonail.com/reviews/drama/roberto-rossellinis-war-trilogy-film-review/</link>
		
		<dc:creator><![CDATA[Nelson Kim]]></dc:creator>
		<pubDate>Wed, 27 Jan 2010 13:04:35 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[On DVD]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Anna Magnani]]></category>
		<category><![CDATA[Battleship Potemkin]]></category>
		<category><![CDATA[Berlin International Film Festival]]></category>
		<category><![CDATA[Criterion Collection]]></category>
		<category><![CDATA[Federico Fellini]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Germany Year Zero]]></category>
		<category><![CDATA[Ingrid Bergman]]></category>
		<category><![CDATA[Italian cinema]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[L'Avventura]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Nelson Kim]]></category>
		<category><![CDATA[Paisan]]></category>
		<category><![CDATA[Pier Paolo Pasolini]]></category>
		<category><![CDATA[Psycho]]></category>
		<category><![CDATA[Roberto Rossellini]]></category>
		<category><![CDATA[Roberto Rossellini's War Trilogy]]></category>
		<category><![CDATA[Rome]]></category>
		<category><![CDATA[Rome Open City]]></category>
		<category><![CDATA[Voyage to Italy]]></category>
		<category><![CDATA[World War II]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=2238</guid>

					<description><![CDATA[<div></div>
<p>(Roberto Rossellini’s War Trilogy is available from Amazon.) The challenge is to see things with a fresh eye. When a film has been called a “classic” for too long, it comes to us cloaked in a fog of received opinion, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/drama/roberto-rossellinis-war-trilogy-film-review/">ROBERTO ROSSELLINI’S WAR TRILOGY</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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