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IL GRIDO Restoration Trailer: Michelangelo Antonioni’s Underseen Masterpiece Gets the 4K Treatment

Michelangelo Antonioni's IL GRIDO

Before breaking the mold of cinema with his sensations L’avventura and Blow-Out, Michelangelo Antonioni examined a rootless life in his 1957 neorealist drama, Il Grido. Restored by The Film Foundation, Cineteca di Bologna, and Compass Film, it follows mechanic Aldo who – after his partner leaves him – travels with his young daughter from village to village looking for love, to no avail. Janus Films is set to release it in NYC’s Film Forum on November 18, before its eventual Criterion Collection release.

Here’s the official synopsis:

Years before L’avventura, his international breakthrough, Michelangelo Antonioni crafted his first masterpiece with Il Grido, a raw expression of anguish that remains one of Italian cinema’s great underappreciated gems. Bridging Antonioni’s early, neorealism-inspired work and his hallmark stories of existential rootlessness Il Grido centers on Aldo (Steve Cochran), a sugar-refinery worker in the Po Valley. When Irma (Alida Valli), his lover of seven years, learns that her estranged husband has died abroad, Aldo hopes they can finally marry. These plans are ruined, however, when Irma declares she’s fallen in love with another man. Shocked and demoralized, Aldo leaves town with his daughter, Rosina (Mirna Girardi), and attempts to woo an old girlfriend (Betsy Blair), only to find himself rebuffed. As Aldo continues to drift through the Po’s small villages, his prospects dwindle and his connections with other women—including a gas station owner (Dorian Gray) and a sex worker (Lyn Shaw)—fizzle out into alienation and despair. Strikingly composed and boldly using environment to convey character—like Antonioni’s later classics—Il Grido reveals a director in the process of discovering his artistic signature and applying it to this most personal of statements about the human condition.

See the restoration trailer and poster below:

Il Grido 4K Restoration Poster

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M.J. O'Toole began writing for HtN in early 2021 during the Sundance Film Festival. An NYC native and lifelong cinephile, his favorite films include Chungking Express, The Three Colors Trilogy, Hiroshima Mon Amour, Lovers on the Bridge, and Midnight Cowboy. He is the Digital Marketing Manager for the agency 3rd Impression - working alongside Editor-at-large Matt Delman - that specializes in digital marketing for independent film. He holds a BA from Adelphi University and a Masters in Digital Photography from the School of Visual Arts. You can check out his portrait and street photography on Instagram.

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