La Danse: The Paris Opera Ballet Archives - Hammer to Nail

ALL THESE SONS

TIGRE GENTE

THE KIDS

WILD MEN

POSER

LAST FILM SHOW

MARK, MARY & SOME OTHER PEOPLE

CITY HALL

A Conversation with Jen Rainin & Rivkah Beth Medow (AHEAD OF THE CURVE)

A Conversation with Alex Noyer & James Jagger (THE SOUND OF VIOLENCE)

UNDINE

BAD TALES (FAVOLACCE)

THE SOUND OF IDENTITY

TRUE MOTHERS

PORT AUTHORITY

WYRM

A Conversation with Morgan Ingari, Candice Kuwahara & Molly Bernard (MILKWATER)

PARADIES

FOUR GOOD DAYS

DEMI LOVATO: DANCING WITH THE DEVIL

FINAL ACCOUNT

Curbside Criterion

THE CURBSIDE CRITERION: TRANCES

THERE IS NO EVIL

THE KILLING OF TWO LOVERS

Science Fiction

A Conversation with Albert Birney & Kentucker Audley (STRAWBERRY MANSION)

A Conversation with Haifaa al-Mansour (THE PERFECT CANDIDATE)

A Conversation with Charlène Favier (SLALOM)

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TO ME MANQUES

THE WATER MAN

DOPE IS DEATH

THE PAPER TIGERS

WE’RE ALL GOING TO THE WORLD’S FAIR

Small Town Life

A Conversation with Jonathan Wysocki (DRAMARAMA)

Science Fiction

THE PINK CLOUD

LIMBO

Stream Free Now

NOMADLAND

A Conversation with Justin Monroe & Tim Carey (HOLY FRIT)

CENSOR

SHORT FILM CONTEST

THE RIDER (Chloé Zhao)

A Conversation with Sonia Kennebeck (ENEMIES OF THE STATE)

A Conversation with Mickey Keating (OFFSEASON)

CPH:DOX 2021: A Man and a Camera

MISHA AND THE WOLVES

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THE POWER

GUNDA

Science Fiction

A Conversation with Nathaniel Kahn (THE HUNT FOR PLANET B)

ENEMIES OF THE STATE

THE TRUTH BEHIND LOVEMOBIL? A CONVERSATION WITH ELKE LEHRENKRAUSS

SLALOM

WOJNAROWICZ

FUNNY FACE INTERROGATES THE REVENGE GENRE

Curbside Criterion

THE CURBSIDE CRITERION: DEFENDING YOUR LIFE

QUO VADIS, AIDA?

WOODLANDS DARK AND DAYS BEWITCHED

A Conversation with Jeremy Workman & Lily Hevesh (LILY TOPPLES THE WORLD)

SHIVA BABY

ERIC ROHMER’S “TALES OF THE FOUR SEASONS”

VIOLET

HERE BEFORE

THIS IS NOT A WAR STORY

WHO WE ARE: A CHRONICLE OF RACISM IN AMERICA

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TINA

A Conversation with Mary Wharton (TOM PETTY, SOMEWHERE YOU FEEL FREE)

BERLIN ALEXANDERPLATZ

BEST SUMMER EVER

NOT GOING QUIETLY

A Conversation with Ursula Macfarlane (THE LOST SONS)

ALONE TOGETHER

THE HUNT FOR PLANET B

WITHOUT GETTING KILLED OR CAUGHT: THE LIFE AND MUSIC OF GUY CLARK

MY FAVORITE WAR

THE SOUND OF VIOLENCE

POTATO DREAMS OF AMERICA

LILY TOPPLES THE WORLD

On the Festival Circuit

A Conversation with Mari Walker, Pooya Mohseni & Lynn Chen (SEE YOU THEN)

LUDI

THE FALLOUT

THE SPINE OF NIGHT

THE LOST SONS

POLY STYRENE: I AM A CLICHÉ

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WEWORK: OR THE MAKING AND BREAKING OF A $47 BILLION UNICORN

I’M FINE (THANKS FOR ASKING)

TOM PETTY, SOMEWHERE YOU FEEL FREE

Science Fiction

ALIEN ON STAGE

WHOSE TRUTH? ALLEN V. FARROW

WOMEN IS LOSERS

KID CANDIDATE

THE GEORGE EASTMAN MUSEUM PRESENTS A RESTORATION OF ORSON WELLES’ “TOO MUCH JOHNSON”

LUCKY

PROMISING YOUNG WOMAN GRABS RAPE CULTURE BY THE BALLS

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A Conversation With Jayro Bustamante (LA LLORONA)

BISBEE ’17 IS ROBERT GREENE’S MOST AUDACIOUS EXPERIMENT

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OWN THE ROOM

Stream Free Now

MY BEAUTIFUL STUTTER

ROBERT GREENE’S “KATE PLAYS CHRISTINE” IS ANOTHER DOCUMENTARY EXPERIMENT

Curbside Criterion

THE CURBSIDE CRITERION: THE PARALLAX VIEW

ROBERT GREENE DECONSTRUCTS THE DOCUMENTARY IN “ACTRESS”

A Conversation with Harry Macqueen (SUPERNOVA)

A BRIXTON TALE

STRAY

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