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Pick of the Week

Eclipse Series 39: Early Fassbinder (Criterion) — Werner Rainer Fassbinder arrived onto the filmmaking scene in 1969 straight from the theater, using the tropes of the French New Wave to carve narratives of Brechtian alienation onto the big screen. His prolific dedication to working with his company of collaborators, learning his craft and forging his own artistic identity is highlighted in Criterion’s Eclipse Series Early Fassbinder, a five-film box set of films from Fassbinder’s formative years. Purposefully bereft of Criterion’s usual bonus features, the Eclipse box allows the films not only to speak for themselves, but collectively in this case, as a sort of artistic growth chart. Spanning only two years (!), the box includes five (!!) of Fassbinder’s first seven films made between 1969 and 1971 (!!!). From the Kafkan French New Wave homage of his debut Love Is Colder Than Death (1969) to the casually devastating portrait of German bourgeoise xenophobia in Katzelmacher (1969) to the portrait of a criminal seeking reintegration into an unforgiving society in Gods of the Plague (1969) and Fassbinder’s wonderfully perverse, theatrical film noir The American Soldier, this collection finds the young filmmaker experimenting with the line between the stage and the screen, his distinctive sense of mise en scène flowering with each passing project. But there is a huge leap in style and purpose with 1970’s Beware Of A Holy Whore, finished two films after The American Soldier; the story of a film crew struggling to organize itself amidst the economic and creative degradation of the production process, the film is a scintillating transition from Fassbinder’s earlier films into the language and invention of the modern cinema includes Love Is Colder Than Death, Katzelmacher, Gods of the Plague, The American Soldier, and Beware of a Holy Whore. Available on DVD.

New/Old to DVD/Blu-ray

To Be Or Not To Be (Criterion) — Available on DVD and Blu-ray.

Stones in Exile (Eagle Rock) — Available on Blu-ray.

Have Not Seen Yet But Really/Kinda/Sorta/Maybe Wanna

At Any Price (Sony Classics) — Available on Blu-ray.

Kon-Tiki (Starz/Anchor Bay) — Available on DVD and Blu-ray/DVD Combo.

Iceberg Slim: Portrait of a Pimp (Phase 4) — Available on DVD and at Amazon Instant.

Pawn Shop Chronicles (Anchor Bay) — Available on DVD, Blu-ray/DVD Combo, and at Amazon Instant.

The Painting (New Video) — Available on DVD, Blu-ray/DVD Combo Pack, and at Amazon Instant.

Koch (Zeitgeist Films) — Available on DVD.

A Company Man (Well Go USA) — Available on DVD and Blu-ray.

The Great Gatsby (Warner) — Available on 2-Disc Special Edition DVD/Ultraviolet, DVD/Blu-ray/UltraViolet Combo, DVD/Blu-ray/Blu-ray 3D/UltraViolet Combo, and at Amazon Instant.

Pain & Gain (Paramount) — Available on DVD and DVD/Blu-ray + Digital Copy.

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Michael Tully is an award-winning writer/director whose films have garnered widespread critical acclaim, his projects having premiered at some of the most renowned film festivals across the globe. He is also the former (and founding) editor of this site. In 2006, Michael's first feature, COCAINE ANGEL, chronicling a tragic week in the life of a young drug addict, world premiered at the International Film Festival Rotterdam. The film immediately solidified the director as one of Filmmaker Magazine’s "25 New Faces of Independent Film,” a reputation that was reinforced a year later when his follow-up feature, SILVER JEW, a documentary capturing the late David Berman's rare musical performances in Tel Aviv, world-premiered at SXSW and landed distribution with cult indie-music label Drag City. In 2011, Michael wrote, directed, and starred in his third feature, SEPTIEN, which debuted at the 27th annual Sundance Film Festival before being acquired by IFC Films' Sundance Selects banner. A few years later, in 2014, Michael returned to Sundance with the world premiere of his fourth feature, PING PONG SUMMER, an ‘80s set coming-of-age tale that was quickly picked up for theatrical distribution by Gravitas Ventures. In 2018, Michael wrote and directed the dread-inducing genre film DON'T LEAVE HOME, which has been described as "Get Out with Catholic guilt in the Irish countryside" (IndieWire). The film premiered at SXSW and was subsequently acquired by Cranked Up Films and Shudder.

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