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INNKEEPERS, THE

(The Innkeepers world premiered at the 2011 SXSW Film Festival and was picked up for distribution by Magnolia Pictures/Magnet Releasing. It was released theatrically on Friday, February 3, 2012, and is currently also available on VOD through AT&T, Brighthouse, Cablevision, Charter, Comcast, Cox, Insight, RCN, Time Warner, Verizon, VUDU, Amazon Instant, Xbox, and at iTunes. Visit the film’s official website to learn more.)

It’s virtually impossible not to compare Ti West’s follow-up to The House of The Devil—particularly if you found that film to be as masterfully executed as I did—but in this case, I was able to check my expectations at the door and appreciate West’s latest as the fun ride that it is. At 100 minutes, West certainly pushes the boundaries of how many slowwww walkssss downnnnn hallwayssss weeee neeedddd tooooo geetttt theeeee pointtttt acrosssss, and many less patient viewers will undoubtedly check out. But what I find to be so exhilarating about an effort like this is how West updates the old-school haunted house movie for the modern generation—both Pat Healy and Sara Paxton are great at conveying the soul-sucking, time-numbing burden of service jobs like these. He also infuses the film with a genuine sense of humor. West’s recent films are in many ways intellectual filmmaking exercises, but his command of the craft and childlike enthusiasm for the visceral thrills inherent in his genre of choice help them to succeed as popcorn entertainment.

— Michael Tully

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Michael Tully is an award-winning writer/director whose films have garnered widespread critical acclaim, his projects having premiered at some of the most renowned film festivals across the globe. He is also the former (and founding) editor of this site. In 2006, Michael's first feature, COCAINE ANGEL, chronicling a tragic week in the life of a young drug addict, world premiered at the International Film Festival Rotterdam. The film immediately solidified the director as one of Filmmaker Magazine’s "25 New Faces of Independent Film,” a reputation that was reinforced a year later when his follow-up feature, SILVER JEW, a documentary capturing the late David Berman's rare musical performances in Tel Aviv, world-premiered at SXSW and landed distribution with cult indie-music label Drag City. In 2011, Michael wrote, directed, and starred in his third feature, SEPTIEN, which debuted at the 27th annual Sundance Film Festival before being acquired by IFC Films' Sundance Selects banner. A few years later, in 2014, Michael returned to Sundance with the world premiere of his fourth feature, PING PONG SUMMER, an ‘80s set coming-of-age tale that was quickly picked up for theatrical distribution by Gravitas Ventures. In 2018, Michael wrote and directed the dread-inducing genre film DON'T LEAVE HOME, which has been described as "Get Out with Catholic guilt in the Irish countryside" (IndieWire). The film premiered at SXSW and was subsequently acquired by Cranked Up Films and Shudder.

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