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	<title>Interviews Archives - Hammer to Nail</title>
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	<title>Interviews Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Hirokazu Kore-eda (SHEEP IN THE BOX)</title>
		<link>https://www.hammertonail.com/interviews/kore-eda/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 06 Aug 2026 19:19:58 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2026 film]]></category>
		<category><![CDATA[AI resurrection]]></category>
		<category><![CDATA[Artificial Intelligence]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Daigo Yamamoto]]></category>
		<category><![CDATA[family drama]]></category>
		<category><![CDATA[film interview]]></category>
		<category><![CDATA[grief and loss]]></category>
		<category><![CDATA[grieving parents]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[Haruka Ayase]]></category>
		<category><![CDATA[Hirokazu Kore-eda]]></category>
		<category><![CDATA[humanoid robot]]></category>
		<category><![CDATA[Jack Schenker]]></category>
		<category><![CDATA[Japanese cinema]]></category>
		<category><![CDATA[Marriage Story]]></category>
		<category><![CDATA[NEON release]]></category>
		<category><![CDATA[Palme d'Or winner]]></category>
		<category><![CDATA[parental grief]]></category>
		<category><![CDATA[robot child]]></category>
		<category><![CDATA[sci-fi drama]]></category>
		<category><![CDATA[Sheep in the Box]]></category>
		<category><![CDATA[Shoplifters director]]></category>
		<category><![CDATA[The Little Prince reference]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56170</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2026/08/Hirokazu-Kore-eda-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/08/Hirokazu-Kore-eda-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/08/Hirokazu-Kore-eda-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/08/Hirokazu-Kore-eda-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/08/Hirokazu-Kore-eda-1536x1024.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Hirokazu Kore-eda has spent his career making quiet, humane films about families, and he won the Palme d’Or for one of them, Shoplifters, in 2018. Sheep in the Box, his seventeenth feature, keeps its attention on parents and children but [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/kore-eda/">A Conversation with Hirokazu Kore-eda (SHEEP IN THE BOX)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Kent Jones (LATE FAME)</title>
		<link>https://www.hammertonail.com/interviews/kent-jones/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Tue, 04 Aug 2026 19:21:31 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Arthur Schnitzler Late Fame]]></category>
		<category><![CDATA[Brecht Weill Surabaya Johnny movie]]></category>
		<category><![CDATA[Carissa Kelly costume design Late Fame]]></category>
		<category><![CDATA[Diane director new film]]></category>
		<category><![CDATA[Edmund Donovan Late Fame]]></category>
		<category><![CDATA[Enthusiasm Society movie]]></category>
		<category><![CDATA[forgotten genius film]]></category>
		<category><![CDATA[Greta Lee Late Fame]]></category>
		<category><![CDATA[Hitchcock/Truffaut director new project]]></category>
		<category><![CDATA[indie film New York City]]></category>
		<category><![CDATA[Jake Lacy Late Fame agent scene]]></category>
		<category><![CDATA[Kent Jones director interview]]></category>
		<category><![CDATA[Kent Jones interview]]></category>
		<category><![CDATA[Late Fame film 2026]]></category>
		<category><![CDATA[Late Fame Hammer to Nail interview]]></category>
		<category><![CDATA[Late Fame movie release date]]></category>
		<category><![CDATA[Late Fame movie review]]></category>
		<category><![CDATA[Magnolia Pictures August 7]]></category>
		<category><![CDATA[May December screenwriter new film]]></category>
		<category><![CDATA[New York Film Festival 2025]]></category>
		<category><![CDATA[Samy Burch adaptation]]></category>
		<category><![CDATA[SoHo West Village filming locations]]></category>
		<category><![CDATA[Venice Film Festival Late Fame]]></category>
		<category><![CDATA[Willem Dafoe new movie]]></category>
		<category><![CDATA[Willem Dafoe poet role]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56141</guid>

					<description><![CDATA[<div><img width="300" height="110" src="https://www.hammertonail.com/wp-content/uploads/2026/08/kjcover-300x110.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/08/kjcover-300x110.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/08/kjcover-1024x374.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/08/kjcover-768x280.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/08/kjcover-1536x561.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Arthur Schnitzler wrote Late Fame in the 1890s and never published it. The manuscript sat in his archive for more than a century before it surfaced, which makes it fitting material for a movie about an artist rediscovered decades too [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/kent-jones/">A Conversation with Kent Jones (LATE FAME)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Charles Melton &#038; Nicolas Winding Refn (HER PRIVATE HELL)</title>
		<link>https://www.hammertonail.com/interviews/refn-melton/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Tue, 28 Jul 2026 20:22:47 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[alter ego characters in cinema]]></category>
		<category><![CDATA[Charles Melton]]></category>
		<category><![CDATA[Charles Melton acting process]]></category>
		<category><![CDATA[dystopian cinema]]></category>
		<category><![CDATA[father-daughter themes in film]]></category>
		<category><![CDATA[film costume and character development]]></category>
		<category><![CDATA[Her Private Hell ending explained]]></category>
		<category><![CDATA[Her Private Hell interview]]></category>
		<category><![CDATA[Her Private Hell movie]]></category>
		<category><![CDATA[Her Private Hell spoilers]]></category>
		<category><![CDATA[Hidetoshi Nishijima collaboration]]></category>
		<category><![CDATA[indie film interview]]></category>
		<category><![CDATA[Nicolas Winding Refn]]></category>
		<category><![CDATA[Nicolas Winding Refn directing style]]></category>
		<category><![CDATA[Nicolas Winding Refn music in film]]></category>
		<category><![CDATA[on-set improvisation]]></category>
		<category><![CDATA[Private K character analysis]]></category>
		<category><![CDATA[sci-fi noir film]]></category>
		<category><![CDATA[Uncle Sam comics reference]]></category>
		<category><![CDATA[Woody Woodpecker movie reference]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56120</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2026/07/meltcover-300x200.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/07/meltcover-300x200.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2026/07/meltcover.jpeg 547w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Below is a spoilery add-on to Jack Scehnker&#8217;s earlier conversation with Nicolas Winding Refn and features one of the stars of Her Private Hell, Charles Melton. Be sure to check out the full Winding Refn interview here. &#160; ****SPOILER WARNING!!**** &#160; Hammer [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/refn-melton/">A Conversation with Charles Melton &#038; Nicolas Winding Refn (HER PRIVATE HELL)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Nicolas Winding Refn (HER PRIVATE HELL)</title>
		<link>https://www.hammertonail.com/interviews/nicolas-winding-refn/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Fri, 24 Jul 2026 20:47:55 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[BYNWR]]></category>
		<category><![CDATA[Cannes 2026]]></category>
		<category><![CDATA[Charles Melton]]></category>
		<category><![CDATA[Cliff Martinez]]></category>
		<category><![CDATA[Copenhagen Cowboy]]></category>
		<category><![CDATA[Dario Argento]]></category>
		<category><![CDATA[Diego Calva]]></category>
		<category><![CDATA[Drive]]></category>
		<category><![CDATA[existential cinema]]></category>
		<category><![CDATA[fetishization of surface]]></category>
		<category><![CDATA[fight choreography]]></category>
		<category><![CDATA[giallo]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[Her Private Hell]]></category>
		<category><![CDATA[Jack Schenker]]></category>
		<category><![CDATA[neon-noir]]></category>
		<category><![CDATA[Nicolas Winding Refn]]></category>
		<category><![CDATA[Only God Forgives]]></category>
		<category><![CDATA[Opera film]]></category>
		<category><![CDATA[Pino Donaggio]]></category>
		<category><![CDATA[Sophie Thatcher]]></category>
		<category><![CDATA[The Neon Demon]]></category>
		<category><![CDATA[Too Old to Die Young]]></category>
		<category><![CDATA[violence as ritual]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56112</guid>

					<description><![CDATA[<div><img width="300" height="147" src="https://www.hammertonail.com/wp-content/uploads/2026/07/nwr-300x147.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/07/nwr-300x147.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/07/nwr-1024x503.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/07/nwr-768x377.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/07/nwr-1536x755.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Nicolas Winding Refn has been one of my favorite filmmakers since I first saw Drive as a kid. In the years since, I have watched every Refn picture across every format he has worked in, from the grainy Copenhagen of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/nicolas-winding-refn/">A Conversation with Nicolas Winding Refn (HER PRIVATE HELL)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Reed Birney, Kieron Moore &#038; Elliot Tuttle (BLUE FILM)</title>
		<link>https://www.hammertonail.com/interviews/blue-film/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 09 Jul 2026 14:11:12 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sexuality]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[4K vs camcorder]]></category>
		<category><![CDATA[Augustine Villaronga influence]]></category>
		<category><![CDATA[Blue Film 2026]]></category>
		<category><![CDATA[cam boy film]]></category>
		<category><![CDATA[Catherine Breillat style]]></category>
		<category><![CDATA[controversial American debut]]></category>
		<category><![CDATA[Elliot Tuttle director]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[Hancock Park filming]]></category>
		<category><![CDATA[home video horror]]></category>
		<category><![CDATA[In a Glass Cage comparison]]></category>
		<category><![CDATA[independent psychological drama]]></category>
		<category><![CDATA[Isaac Eiger score]]></category>
		<category><![CDATA[Kieron Moore actor]]></category>
		<category><![CDATA[LA Airbnb thriller]]></category>
		<category><![CDATA[Lars von Trier inspiration]]></category>
		<category><![CDATA[LGBTQ+ chamber piece]]></category>
		<category><![CDATA[Mark Duplass producer]]></category>
		<category><![CDATA[Pasolini homage]]></category>
		<category><![CDATA[pervert park documentary]]></category>
		<category><![CDATA[Reed Birney performance]]></category>
		<category><![CDATA[role-play revenge story]]></category>
		<category><![CDATA[snuff film aesthetic]]></category>
		<category><![CDATA[teacher-student drama]]></category>
		<category><![CDATA[Tony winner Reed Birney]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55881</guid>

					<description><![CDATA[<div><img width="300" height="132" src="https://www.hammertonail.com/wp-content/uploads/2026/06/cover-300x132.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/06/cover-300x132.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/06/cover-1024x449.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/06/cover-768x337.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/06/cover-1536x674.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Blue Film is one of the most daring American debuts in recent memory. Written and directed by Elliot Tuttle, the film traps two men in a Los Angeles Airbnb for a single night and refuses to let either of them [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/blue-film/">A Conversation with Reed Birney, Kieron Moore &#038; Elliot Tuttle (BLUE FILM)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation with Joel Potrykus &#038; Joshua Burge (VULCANIZADORA)</title>
		<link>https://www.hammertonail.com/interviews/vulcanizadora/</link>
		
		<dc:creator><![CDATA[M.J. O'Toole]]></dc:creator>
		<pubDate>Tue, 07 Jul 2026 16:31:24 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2024 Tribeca]]></category>
		<category><![CDATA[2024 Tribeca Film Festival]]></category>
		<category><![CDATA[Adam J. Minnick]]></category>
		<category><![CDATA[Adam Minnick]]></category>
		<category><![CDATA[Chuck Potrykus]]></category>
		<category><![CDATA[Eddie Vedder]]></category>
		<category><![CDATA[Factory 25]]></category>
		<category><![CDATA[Gerry]]></category>
		<category><![CDATA[Gus Van Sant]]></category>
		<category><![CDATA[Jeff Ament]]></category>
		<category><![CDATA[Joel Potrykus]]></category>
		<category><![CDATA[Joshua Burge]]></category>
		<category><![CDATA[Pearl Jam]]></category>
		<category><![CDATA[Stone Gossard]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[Vulcanizadora]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=50986</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2024/06/Vulcanizadora-Still-7-300x200.webp" class="attachment-medium size-medium wp-post-image" alt="Joel Potrykus and Joshua Burge in VULCANIZADORA" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2024/06/Vulcanizadora-Still-7-300x200.webp 300w, https://www.hammertonail.com/wp-content/uploads/2024/06/Vulcanizadora-Still-7-1024x683.webp 1024w, https://www.hammertonail.com/wp-content/uploads/2024/06/Vulcanizadora-Still-7-768x512.webp 768w, https://www.hammertonail.com/wp-content/uploads/2024/06/Vulcanizadora-Still-7-1536x1024.webp 1536w, https://www.hammertonail.com/wp-content/uploads/2024/06/Vulcanizadora-Still-7.webp 1920w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>With a working relationship spanning over a decade, Michigan-based guerilla filmmaker Joel Potrykus and actor Joshua Burge have collaborated on five feature films. Such films that solidified their craft in the “metal slackerism” genre include Buzzard and Relaxer. Their most [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/vulcanizadora/">A Conversation with Joel Potrykus &#038; Joshua Burge (VULCANIZADORA)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation with Shalini Kantayya (LOVE APPTUALLY)</title>
		<link>https://www.hammertonail.com/interviews/kantayya-love-apptually/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 26 Jun 2026 17:00:00 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[AI dating apps]]></category>
		<category><![CDATA[Coded Bias director]]></category>
		<category><![CDATA[dating app documentary]]></category>
		<category><![CDATA[dating app misogyny]]></category>
		<category><![CDATA[dating app privacy laws]]></category>
		<category><![CDATA[dating apps algorithms]]></category>
		<category><![CDATA[DC/DOX Festival 2026]]></category>
		<category><![CDATA[Elo score dating apps]]></category>
		<category><![CDATA[heterosexual dating app statistics]]></category>
		<category><![CDATA[human connection technology]]></category>
		<category><![CDATA[Judith Duportail Tinder]]></category>
		<category><![CDATA[Love Apptually documentary]]></category>
		<category><![CDATA[male loneliness epidemic]]></category>
		<category><![CDATA[manosphere online dating]]></category>
		<category><![CDATA[Match Group critique]]></category>
		<category><![CDATA[modern dating culture]]></category>
		<category><![CDATA[Nevermet dating app]]></category>
		<category><![CDATA[online dating algorithms]]></category>
		<category><![CDATA[Shalini Kantayya interview]]></category>
		<category><![CDATA[TikTok Boom filmmaker]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55968</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2026/06/KANTAYYA-for-LOVE-APPTUALLY-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/06/KANTAYYA-for-LOVE-APPTUALLY-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/06/KANTAYYA-for-LOVE-APPTUALLY-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/06/KANTAYYA-for-LOVE-APPTUALLY-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/06/KANTAYYA-for-LOVE-APPTUALLY.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>In her latest documentary, Love Apptually, director Shalini Kantayya takes an informed look at how we date in the modern world. Through a series of character profiles, including of French journalist Judith Duportail—who has written extensively on the subject, based [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/kantayya-love-apptually/">A Conversation with Shalini Kantayya (LOVE APPTUALLY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation with Mark Jenkin (ROSE OF NEVADA)</title>
		<link>https://www.hammertonail.com/interviews/mark-jenkin/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 18 Jun 2026 17:04:14 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Bolex 16mm camera technique]]></category>
		<category><![CDATA[Callum Turner performance]]></category>
		<category><![CDATA[car chase scene]]></category>
		<category><![CDATA[child actor directing]]></category>
		<category><![CDATA[coastal village setting]]></category>
		<category><![CDATA[Cornwall film locations]]></category>
		<category><![CDATA[film production on a budget]]></category>
		<category><![CDATA[George MacKay acting]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[handheld camera shots]]></category>
		<category><![CDATA[indie film sound design]]></category>
		<category><![CDATA[labor and sacrifice themes]]></category>
		<category><![CDATA[Mark Jenkin editing process]]></category>
		<category><![CDATA[Mark Jenkin filmmaking style]]></category>
		<category><![CDATA[Mark Jenkin interview]]></category>
		<category><![CDATA[nonlinear editing approach]]></category>
		<category><![CDATA[post-production dialogue replacement]]></category>
		<category><![CDATA[practical effects in film]]></category>
		<category><![CDATA[Rose of Nevada movie]]></category>
		<category><![CDATA[storm sequence filmmaking]]></category>
		<category><![CDATA[tape loop audio technique]]></category>
		<category><![CDATA[time slip movie plot]]></category>
		<category><![CDATA[Toronto Film Festival 2025]]></category>
		<category><![CDATA[Venice Film Festival 2025]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55928</guid>

					<description><![CDATA[<div><img width="300" height="171" src="https://www.hammertonail.com/wp-content/uploads/2026/06/mark-300x171.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/06/mark-300x171.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/06/mark-1024x584.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/06/mark-768x438.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/06/mark-1536x876.png 1536w, https://www.hammertonail.com/wp-content/uploads/2026/06/mark.png 1870w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>There is no working filmmaker whose process is more inseparable from his images than Mark Jenkin&#8217;s. All three of his features have been shot in Cornwall on 16mm using a clockwork Bolex, a camera that runs roughly twenty-seven seconds before [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mark-jenkin/">A Conversation with Mark Jenkin (ROSE OF NEVADA)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Gar O’Rourke (THE SIEGE OF PARADISE)</title>
		<link>https://www.hammertonail.com/interviews/gar-orourke/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Wed, 17 Jun 2026 18:35:08 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2026 Tribeca Fest]]></category>
		<category><![CDATA[authentic travel experiences]]></category>
		<category><![CDATA[Bartalo Cinque Terre vigneron]]></category>
		<category><![CDATA[Canon C400 cinematography]]></category>
		<category><![CDATA[Cinque Terre five villages]]></category>
		<category><![CDATA[Cinque Terre infrastructure strain]]></category>
		<category><![CDATA[Cinque Terre local perspectives]]></category>
		<category><![CDATA[Cinque Terre overtourism]]></category>
		<category><![CDATA[DC/DOX]]></category>
		<category><![CDATA[DC/DOX Film Festival]]></category>
		<category><![CDATA[Gar O’Rourke interview]]></category>
		<category><![CDATA[Grace influencer documentary]]></category>
		<category><![CDATA[influencer culture criticism]]></category>
		<category><![CDATA[Irish filmmaker documentary]]></category>
		<category><![CDATA[Italian tourism crisis]]></category>
		<category><![CDATA[Lukas Gut cinematography]]></category>
		<category><![CDATA[overtourism in Italy]]></category>
		<category><![CDATA[preserving cultural heritage]]></category>
		<category><![CDATA[responsible travel tips]]></category>
		<category><![CDATA[Rick Steves Cinque Terre effect]]></category>
		<category><![CDATA[social media travel impact]]></category>
		<category><![CDATA[sustainable tourism documentary]]></category>
		<category><![CDATA[The Siege of Paradise documentary]]></category>
		<category><![CDATA[travel documentary 2026]]></category>
		<category><![CDATA[travel in age of influencers]]></category>
		<category><![CDATA[travel vs tourism debate]]></category>
		<category><![CDATA[Tribeca Festival 2026]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55917</guid>

					<description><![CDATA[<div><img width="300" height="150" src="https://www.hammertonail.com/wp-content/uploads/2026/06/Gar-ORourke-pillarboxed-300x150.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/06/Gar-ORourke-pillarboxed-300x150.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/06/Gar-ORourke-pillarboxed-1024x511.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/06/Gar-ORourke-pillarboxed-768x383.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/06/Gar-ORourke-pillarboxed-1300x650.jpg 1300w, https://www.hammertonail.com/wp-content/uploads/2026/06/Gar-ORourke-pillarboxed.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>In the documentary The Siege of Paradise, Irish director Gar O’Rourke examines the toll that rapidly rising rates of tourism take on Italy’s beautiful Cinque Terre region. Comprised of five separate villages—Corniglia, Manarola, Monterosso, Riomaggiore, and Vernazza—along the northern Mediterranean [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/gar-orourke/">A Conversation with Gar O’Rourke (THE SIEGE OF PARADISE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Harry Dodge &#038; Silas Howard (BY HOOK OR BY CROOK)</title>
		<link>https://www.hammertonail.com/interviews/dodge-howard/</link>
		
		<dc:creator><![CDATA[Bears Rebecca Fonte]]></dc:creator>
		<pubDate>Tue, 16 Jun 2026 16:54:19 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[LBGTQ+]]></category>
		<category><![CDATA[Queer]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[4K restoration]]></category>
		<category><![CDATA[Altered Innocence]]></category>
		<category><![CDATA[anarchist queer cinema]]></category>
		<category><![CDATA[anti-assimilationist]]></category>
		<category><![CDATA[anti-authoritarian cinema]]></category>
		<category><![CDATA[butch representation]]></category>
		<category><![CDATA[By Hook or by Crook]]></category>
		<category><![CDATA[chosen family]]></category>
		<category><![CDATA[criminal intimacy]]></category>
		<category><![CDATA[cult classic]]></category>
		<category><![CDATA[DIY queer art]]></category>
		<category><![CDATA[found family narrative]]></category>
		<category><![CDATA[Frameline 2001]]></category>
		<category><![CDATA[gender-expansive]]></category>
		<category><![CDATA[Harry Dodge]]></category>
		<category><![CDATA[LGBTQ+ independent film]]></category>
		<category><![CDATA[queer film history]]></category>
		<category><![CDATA[queer film restoration]]></category>
		<category><![CDATA[queer friendship]]></category>
		<category><![CDATA[queer fugitivity]]></category>
		<category><![CDATA[queer independent cinema]]></category>
		<category><![CDATA[queer self-representation]]></category>
		<category><![CDATA[queer storytelling]]></category>
		<category><![CDATA[queer temporality]]></category>
		<category><![CDATA[queer worldmaking]]></category>
		<category><![CDATA[San Francisco queer scene]]></category>
		<category><![CDATA[Silas Howard]]></category>
		<category><![CDATA[Sundance 2002]]></category>
		<category><![CDATA[trans cinema]]></category>
		<category><![CDATA[trans representation]]></category>
		<category><![CDATA[transmasculine]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55903</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2026/06/Film-Still-9-BHOBC-Silas-Howard-left-and-Harry-Dodge-Photo-by-Chloe-Sherman-Courtesy-of-Altered-Innocence-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/06/Film-Still-9-BHOBC-Silas-Howard-left-and-Harry-Dodge-Photo-by-Chloe-Sherman-Courtesy-of-Altered-Innocence-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/06/Film-Still-9-BHOBC-Silas-Howard-left-and-Harry-Dodge-Photo-by-Chloe-Sherman-Courtesy-of-Altered-Innocence-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/06/Film-Still-9-BHOBC-Silas-Howard-left-and-Harry-Dodge-Photo-by-Chloe-Sherman-Courtesy-of-Altered-Innocence-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/06/Film-Still-9-BHOBC-Silas-Howard-left-and-Harry-Dodge-Photo-by-Chloe-Sherman-Courtesy-of-Altered-Innocence-1536x1024.jpg 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>By Hook or by Crook arrived in 2001 as the kind of film queer and trans cinema needed before the culture knew how to ask for it. Written, directed by, and starring Silas Howard and Harry Dodge, the film emerged from [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/dodge-howard/">A Conversation with Harry Dodge &#038; Silas Howard (BY HOOK OR BY CROOK)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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