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	<title>Interviews Archives - Hammer to Nail</title>
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	<title>Interviews Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Mark Jenkin (ROSE OF NEVADA)</title>
		<link>https://www.hammertonail.com/interviews/mark-jenkin/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 18 Jun 2026 17:04:14 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Bolex 16mm camera technique]]></category>
		<category><![CDATA[Callum Turner performance]]></category>
		<category><![CDATA[car chase scene]]></category>
		<category><![CDATA[child actor directing]]></category>
		<category><![CDATA[coastal village setting]]></category>
		<category><![CDATA[Cornwall film locations]]></category>
		<category><![CDATA[film production on a budget]]></category>
		<category><![CDATA[George MacKay acting]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[handheld camera shots]]></category>
		<category><![CDATA[indie film sound design]]></category>
		<category><![CDATA[labor and sacrifice themes]]></category>
		<category><![CDATA[Mark Jenkin editing process]]></category>
		<category><![CDATA[Mark Jenkin filmmaking style]]></category>
		<category><![CDATA[Mark Jenkin interview]]></category>
		<category><![CDATA[nonlinear editing approach]]></category>
		<category><![CDATA[post-production dialogue replacement]]></category>
		<category><![CDATA[practical effects in film]]></category>
		<category><![CDATA[Rose of Nevada movie]]></category>
		<category><![CDATA[storm sequence filmmaking]]></category>
		<category><![CDATA[tape loop audio technique]]></category>
		<category><![CDATA[time slip movie plot]]></category>
		<category><![CDATA[Toronto Film Festival 2025]]></category>
		<category><![CDATA[Venice Film Festival 2025]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55928</guid>

					<description><![CDATA[<div><img width="300" height="171" src="https://www.hammertonail.com/wp-content/uploads/2026/06/mark-300x171.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/06/mark-300x171.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/06/mark-1024x584.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/06/mark-768x438.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/06/mark-1536x876.png 1536w, https://www.hammertonail.com/wp-content/uploads/2026/06/mark.png 1870w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>There is no working filmmaker whose process is more inseparable from his images than Mark Jenkin&#8217;s. All three of his features have been shot in Cornwall on 16mm using a clockwork Bolex, a camera that runs roughly twenty-seven seconds before [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mark-jenkin/">A Conversation with Mark Jenkin (ROSE OF NEVADA)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Gar O’Rourke (THE SIEGE OF PARADISE)</title>
		<link>https://www.hammertonail.com/interviews/gar-orourke/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Wed, 17 Jun 2026 18:35:08 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2026 Tribeca Fest]]></category>
		<category><![CDATA[authentic travel experiences]]></category>
		<category><![CDATA[Bartalo Cinque Terre vigneron]]></category>
		<category><![CDATA[Canon C400 cinematography]]></category>
		<category><![CDATA[Cinque Terre five villages]]></category>
		<category><![CDATA[Cinque Terre infrastructure strain]]></category>
		<category><![CDATA[Cinque Terre local perspectives]]></category>
		<category><![CDATA[Cinque Terre overtourism]]></category>
		<category><![CDATA[DC/DOX]]></category>
		<category><![CDATA[DC/DOX Film Festival]]></category>
		<category><![CDATA[Gar O’Rourke interview]]></category>
		<category><![CDATA[Grace influencer documentary]]></category>
		<category><![CDATA[influencer culture criticism]]></category>
		<category><![CDATA[Irish filmmaker documentary]]></category>
		<category><![CDATA[Italian tourism crisis]]></category>
		<category><![CDATA[Lukas Gut cinematography]]></category>
		<category><![CDATA[overtourism in Italy]]></category>
		<category><![CDATA[preserving cultural heritage]]></category>
		<category><![CDATA[responsible travel tips]]></category>
		<category><![CDATA[Rick Steves Cinque Terre effect]]></category>
		<category><![CDATA[social media travel impact]]></category>
		<category><![CDATA[sustainable tourism documentary]]></category>
		<category><![CDATA[The Siege of Paradise documentary]]></category>
		<category><![CDATA[travel documentary 2026]]></category>
		<category><![CDATA[travel in age of influencers]]></category>
		<category><![CDATA[travel vs tourism debate]]></category>
		<category><![CDATA[Tribeca Festival 2026]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55917</guid>

					<description><![CDATA[<div><img width="300" height="150" src="https://www.hammertonail.com/wp-content/uploads/2026/06/Gar-ORourke-pillarboxed-300x150.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/06/Gar-ORourke-pillarboxed-300x150.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/06/Gar-ORourke-pillarboxed-1024x511.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/06/Gar-ORourke-pillarboxed-768x383.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/06/Gar-ORourke-pillarboxed-1300x650.jpg 1300w, https://www.hammertonail.com/wp-content/uploads/2026/06/Gar-ORourke-pillarboxed.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>In the documentary The Siege of Paradise, Irish director Gar O’Rourke examines the toll that rapidly rising rates of tourism take on Italy’s beautiful Cinque Terre region. Comprised of five separate villages—Corniglia, Manarola, Monterosso, Riomaggiore, and Vernazza—along the northern Mediterranean [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/gar-orourke/">A Conversation with Gar O’Rourke (THE SIEGE OF PARADISE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Harry Dodge &#038; Silas Howard (BY HOOK OR BY CROOK)</title>
		<link>https://www.hammertonail.com/interviews/dodge-howard/</link>
		
		<dc:creator><![CDATA[Bears Rebecca Fonte]]></dc:creator>
		<pubDate>Tue, 16 Jun 2026 16:54:19 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[LBGTQ+]]></category>
		<category><![CDATA[Queer]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[4K restoration]]></category>
		<category><![CDATA[Altered Innocence]]></category>
		<category><![CDATA[anarchist queer cinema]]></category>
		<category><![CDATA[anti-assimilationist]]></category>
		<category><![CDATA[anti-authoritarian cinema]]></category>
		<category><![CDATA[butch representation]]></category>
		<category><![CDATA[By Hook or by Crook]]></category>
		<category><![CDATA[chosen family]]></category>
		<category><![CDATA[criminal intimacy]]></category>
		<category><![CDATA[cult classic]]></category>
		<category><![CDATA[DIY queer art]]></category>
		<category><![CDATA[found family narrative]]></category>
		<category><![CDATA[Frameline 2001]]></category>
		<category><![CDATA[gender-expansive]]></category>
		<category><![CDATA[Harry Dodge]]></category>
		<category><![CDATA[LGBTQ+ independent film]]></category>
		<category><![CDATA[queer film history]]></category>
		<category><![CDATA[queer film restoration]]></category>
		<category><![CDATA[queer friendship]]></category>
		<category><![CDATA[queer fugitivity]]></category>
		<category><![CDATA[queer independent cinema]]></category>
		<category><![CDATA[queer self-representation]]></category>
		<category><![CDATA[queer storytelling]]></category>
		<category><![CDATA[queer temporality]]></category>
		<category><![CDATA[queer worldmaking]]></category>
		<category><![CDATA[San Francisco queer scene]]></category>
		<category><![CDATA[Silas Howard]]></category>
		<category><![CDATA[Sundance 2002]]></category>
		<category><![CDATA[trans cinema]]></category>
		<category><![CDATA[trans representation]]></category>
		<category><![CDATA[transmasculine]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55903</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2026/06/Film-Still-9-BHOBC-Silas-Howard-left-and-Harry-Dodge-Photo-by-Chloe-Sherman-Courtesy-of-Altered-Innocence-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/06/Film-Still-9-BHOBC-Silas-Howard-left-and-Harry-Dodge-Photo-by-Chloe-Sherman-Courtesy-of-Altered-Innocence-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/06/Film-Still-9-BHOBC-Silas-Howard-left-and-Harry-Dodge-Photo-by-Chloe-Sherman-Courtesy-of-Altered-Innocence-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/06/Film-Still-9-BHOBC-Silas-Howard-left-and-Harry-Dodge-Photo-by-Chloe-Sherman-Courtesy-of-Altered-Innocence-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/06/Film-Still-9-BHOBC-Silas-Howard-left-and-Harry-Dodge-Photo-by-Chloe-Sherman-Courtesy-of-Altered-Innocence-1536x1024.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>By Hook or by Crook arrived in 2001 as the kind of film queer and trans cinema needed before the culture knew how to ask for it. Written, directed by, and starring Silas Howard and Harry Dodge, the film emerged from [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/dodge-howard/">A Conversation with Harry Dodge &#038; Silas Howard (BY HOOK OR BY CROOK)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Reed Birney, Kieron Moore &#038; Elliot Tuttle (BLUE FILM)</title>
		<link>https://www.hammertonail.com/interviews/blue-film/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Mon, 15 Jun 2026 14:11:12 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sexuality]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[4K vs camcorder]]></category>
		<category><![CDATA[Augustine Villaronga influence]]></category>
		<category><![CDATA[Blue Film 2026]]></category>
		<category><![CDATA[cam boy film]]></category>
		<category><![CDATA[Catherine Breillat style]]></category>
		<category><![CDATA[controversial American debut]]></category>
		<category><![CDATA[Elliot Tuttle director]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[Hancock Park filming]]></category>
		<category><![CDATA[home video horror]]></category>
		<category><![CDATA[In a Glass Cage comparison]]></category>
		<category><![CDATA[independent psychological drama]]></category>
		<category><![CDATA[Isaac Eiger score]]></category>
		<category><![CDATA[Kieron Moore actor]]></category>
		<category><![CDATA[LA Airbnb thriller]]></category>
		<category><![CDATA[Lars von Trier inspiration]]></category>
		<category><![CDATA[LGBTQ+ chamber piece]]></category>
		<category><![CDATA[Mark Duplass producer]]></category>
		<category><![CDATA[Pasolini homage]]></category>
		<category><![CDATA[pervert park documentary]]></category>
		<category><![CDATA[Reed Birney performance]]></category>
		<category><![CDATA[role-play revenge story]]></category>
		<category><![CDATA[snuff film aesthetic]]></category>
		<category><![CDATA[teacher-student drama]]></category>
		<category><![CDATA[Tony winner Reed Birney]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55881</guid>

					<description><![CDATA[<div><img width="300" height="132" src="https://www.hammertonail.com/wp-content/uploads/2026/06/cover-300x132.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/06/cover-300x132.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/06/cover-1024x449.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/06/cover-768x337.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/06/cover-1536x674.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Blue Film is one of the most daring American debuts in recent memory. Written and directed by Elliot Tuttle, the film traps two men in a Los Angeles Airbnb for a single night and refuses to let either of them [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/blue-film/">A Conversation with Reed Birney, Kieron Moore &#038; Elliot Tuttle (BLUE FILM)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Sébastien Laudenbach (VIVA CARMEN)</title>
		<link>https://www.hammertonail.com/interviews/laudenbach/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 03 Jun 2026 15:20:48 +0000</pubDate>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[animated film failure theme]]></category>
		<category><![CDATA[Bizet adaptation for children]]></category>
		<category><![CDATA[Camélia Jordana Carmen]]></category>
		<category><![CDATA[Carmen opera animated film]]></category>
		<category><![CDATA[Chicken for Linda]]></category>
		<category><![CDATA[Chicken for Linda! director]]></category>
		<category><![CDATA[Cyril Pedrosa animation design]]></category>
		<category><![CDATA[Éléa Gobbé-Mévellec character design]]></category>
		<category><![CDATA[Élodie Rémy color design]]></category>
		<category><![CDATA[flamenco score Amine Bouhafa]]></category>
		<category><![CDATA[French animation 2024]]></category>
		<category><![CDATA[Hammer to Nail Cannes]]></category>
		<category><![CDATA[Isabelle Laudenbach composer]]></category>
		<category><![CDATA[Milo Machado-Graner voice role]]></category>
		<category><![CDATA[non-polished animation style]]></category>
		<category><![CDATA[open house ending symbolism]]></category>
		<category><![CDATA[Quinzaine des Cinéastes premiere]]></category>
		<category><![CDATA[Salvador and Belén characters]]></category>
		<category><![CDATA[Santiago Otheguy co-writer]]></category>
		<category><![CDATA[Sébastien Laudenbach]]></category>
		<category><![CDATA[Sébastien Laudenbach interview]]></category>
		<category><![CDATA[Seville animated backgrounds]]></category>
		<category><![CDATA[sketch-like aesthetic animation]]></category>
		<category><![CDATA[storyboard to screen process]]></category>
		<category><![CDATA[The Girl Without Hands filmmaker]]></category>
		<category><![CDATA[women's safety in animation]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55808</guid>

					<description><![CDATA[<div><img width="300" height="129" src="https://www.hammertonail.com/wp-content/uploads/2026/06/seb-300x129.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/06/seb-300x129.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/06/seb-1024x441.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/06/seb-768x331.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/06/seb-1536x662.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Mainstream feature animation has become an airless thing. Every frame is locked down, every surface polished, every emotional beat pre-chewed for the audience. Sébastien Laudenbach works in the opposite direction. His characters seem to have just been drawn, his colors [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/laudenbach/">A Conversation with Sébastien Laudenbach (VIVA CARMEN)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Karen Allen: Berkshire International Film Festival Tribute Honoree</title>
		<link>https://www.hammertonail.com/interviews/karen-allen/</link>
		
		<dc:creator><![CDATA[M.J. O'Toole]]></dc:creator>
		<pubDate>Thu, 28 May 2026 17:10:15 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Abbey Theatre Dublin]]></category>
		<category><![CDATA[aspire to what you admire]]></category>
		<category><![CDATA[Berkshire Film Festival tribute]]></category>
		<category><![CDATA[Berkshire International Film Festival]]></category>
		<category><![CDATA[Berkshire Theatre Group]]></category>
		<category><![CDATA[Berkshires International Film Festival]]></category>
		<category><![CDATA[BIFF 2026]]></category>
		<category><![CDATA[BIFF Filmmaker Summit]]></category>
		<category><![CDATA[Colewell film]]></category>
		<category><![CDATA[Donald M. Morgan]]></category>
		<category><![CDATA[Gate Theatre Dublin]]></category>
		<category><![CDATA[Great Barrington studio]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[Indiana Jones films]]></category>
		<category><![CDATA[Jeff Bridges]]></category>
		<category><![CDATA[John Carpenter]]></category>
		<category><![CDATA[Karen Allen]]></category>
		<category><![CDATA[Karen Allen Fiber Arts]]></category>
		<category><![CDATA[Kelley Vickery]]></category>
		<category><![CDATA[Kristi Zea]]></category>
		<category><![CDATA[Marian Ravenwood]]></category>
		<category><![CDATA[small-town America films]]></category>
		<category><![CDATA[Starman 1984]]></category>
		<category><![CDATA[storytelling legacy]]></category>
		<category><![CDATA[Tom Quinn director]]></category>
		<category><![CDATA[whatever happened to Karen Allen]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55778</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/05/KarenAllen_HtN-2026-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/05/KarenAllen_HtN-2026-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/05/KarenAllen_HtN-2026-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/05/KarenAllen_HtN-2026-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/05/KarenAllen_HtN-2026-1536x864.jpg 1536w, https://www.hammertonail.com/wp-content/uploads/2026/05/KarenAllen_HtN-2026.jpg 1920w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>The Berkshire International Film Festival returns for its 20th anniversary celebration from May 28 &#8211; 31, showcasing 31 documentaries &#8211; including two world premieres &#8211; alongside 29 narrative features, 29 short films, and a free animated shorts program for children. [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/karen-allen/">A Conversation with Karen Allen: Berkshire International Film Festival Tribute Honoree</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Boots Riley from the SIFF &#8217;26 premiere of I LOVE BOOSTERS</title>
		<link>https://www.hammertonail.com/film-festivals/boots-siff26/</link>
		
		<dc:creator><![CDATA[Jessica Baxter]]></dc:creator>
		<pubDate>Tue, 26 May 2026 13:52:49 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2026 Seattle International Film Festival]]></category>
		<category><![CDATA[Alan Z]]></category>
		<category><![CDATA[Blind Beagle VFX]]></category>
		<category><![CDATA[Boots Riley]]></category>
		<category><![CDATA[Boots Riley communist]]></category>
		<category><![CDATA[Boots Riley Q&A]]></category>
		<category><![CDATA[Bram Stoker's Dracula]]></category>
		<category><![CDATA[Cassandra song]]></category>
		<category><![CDATA[Chris Warren]]></category>
		<category><![CDATA[David Louer]]></category>
		<category><![CDATA[Demi Moore]]></category>
		<category><![CDATA[Dialectical Materialism]]></category>
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		<guid isPermaLink="false">https://www.hammertonail.com/?p=55763</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2026/05/boots-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/05/boots-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/05/boots-768x513.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/05/boots.jpg 1024w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>The 2026 Seattle International Film Festival opened with a bang as a sold-out crowd filled the historic Paramount Theater to see Boots Riley’s second feature film, I Love Boosters. In honor of the film’s high fashion theme, Riley wore a [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/film-festivals/boots-siff26/">A Conversation with Boots Riley from the SIFF &#8217;26 premiere of I LOVE BOOSTERS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Katie Aselton (MAGIC HOUR)</title>
		<link>https://www.hammertonail.com/interviews/katie-aselton/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 22 May 2026 22:00:53 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
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		<category><![CDATA[Brad Garrett]]></category>
		<category><![CDATA[character-driven movies 2026]]></category>
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		<category><![CDATA[directing yourself as actor]]></category>
		<category><![CDATA[filming during magic hour]]></category>
		<category><![CDATA[Greenwich Entertainment distribution]]></category>
		<category><![CDATA[grief and loss in film]]></category>
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		<category><![CDATA[independent film distribution challenges]]></category>
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		<category><![CDATA[Katie Aselton]]></category>
		<category><![CDATA[Katie Aselton Magic Hour interview]]></category>
		<category><![CDATA[Katie Aselton on grief]]></category>
		<category><![CDATA[low budget filmmaking tips]]></category>
		<category><![CDATA[Magic Hour 2025 film]]></category>
		<category><![CDATA[magical realism in independent film]]></category>
		<category><![CDATA[Mark Duplass]]></category>
		<category><![CDATA[Mark Duplass co-writer]]></category>
		<category><![CDATA[queer community support in film]]></category>
		<category><![CDATA[Sarah Whelden cinematography]]></category>
		<category><![CDATA[Stevenson University film class]]></category>
		<category><![CDATA[SXSW 2025 Film Festival]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55740</guid>

					<description><![CDATA[<div><img width="300" height="126" src="https://www.hammertonail.com/wp-content/uploads/2026/05/MAGIC-HOUR-still_03-300x126.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/05/MAGIC-HOUR-still_03-300x126.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/05/MAGIC-HOUR-still_03-1024x429.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/05/MAGIC-HOUR-still_03-768x322.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/05/MAGIC-HOUR-still_03.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Director Katie Aselton (Mack &#38; Rita) is out with a new film, Magic Hour (which I also reviewed), in which she also stars, joined by Daveed Diggs (Blindspotting), Brad Garrett (Cha Cha Real Smooth) and others. Co-written with her husband, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/katie-aselton/">A Conversation with Katie Aselton (MAGIC HOUR)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Nicole Bazuin and Andrea Werhun (MODERN WHORE)</title>
		<link>https://www.hammertonail.com/interviews/bazuin-werhun/</link>
		
		<dc:creator><![CDATA[Lauren Wissot]]></dc:creator>
		<pubDate>Tue, 05 May 2026 21:22:24 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
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		<category><![CDATA[VOD Release]]></category>
		<category><![CDATA[Andrea Werhun]]></category>
		<category><![CDATA[Andrea Werhun memoir]]></category>
		<category><![CDATA[Anora consultant]]></category>
		<category><![CDATA[camp documentary style]]></category>
		<category><![CDATA[destigmatizing sex work]]></category>
		<category><![CDATA[escort memoir]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[hybrid documentary]]></category>
		<category><![CDATA[Modern Whore Cinematic Universe]]></category>
		<category><![CDATA[Modern Whore film]]></category>
		<category><![CDATA[MWCU]]></category>
		<category><![CDATA[Nicole Bazuin]]></category>
		<category><![CDATA[Nicole Bazuin director]]></category>
		<category><![CDATA[Quiver Distribution VOD]]></category>
		<category><![CDATA[Sean Baker]]></category>
		<category><![CDATA[sex industry labor]]></category>
		<category><![CDATA[sex work aesthetics]]></category>
		<category><![CDATA[sex work and art]]></category>
		<category><![CDATA[sex work and class solidarity]]></category>
		<category><![CDATA[sex work consultants]]></category>
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		<category><![CDATA[TIFF world premiere]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55637</guid>

					<description><![CDATA[<div><img width="300" height="150" src="https://www.hammertonail.com/wp-content/uploads/2026/05/MW-300x150.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/05/MW-300x150.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/05/MW-1024x512.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/05/MW-768x384.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/05/MW-1536x768.jpg 1536w, https://www.hammertonail.com/wp-content/uploads/2026/05/MW-1300x650.jpg 1300w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Modern Whore, which world-premiered at TIFF, is the latest sex-work-destigmatizing project in an unusual multiyear collaboration between director Nicole Bazuin and the hybrid doc’s co-writer and star Andrea Werhun (who also served as a consultant on EP Sean Baker’s Anora). [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/bazuin-werhun/">A Conversation with Nicole Bazuin and Andrea Werhun (MODERN WHORE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Andrew Stanton, Daveed Diggs, Colby Day &#038; Jared Ian Goldman (IN THE BLINK OF AN EYE)</title>
		<link>https://www.hammertonail.com/interviews/blink-of-an-eye/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 30 Apr 2026 19:24:21 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
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		<category><![CDATA[2026 Sundance Film Festival Alfred P. Sloan Prize]]></category>
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		<category><![CDATA[Andrew Stanton science fiction film]]></category>
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		<category><![CDATA[best unproduced scripts adapted to film]]></category>
		<category><![CDATA[Colby Day Black List screenplay]]></category>
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		<category><![CDATA[emotional time travel stories]]></category>
		<category><![CDATA[films about human connection across time]]></category>
		<category><![CDATA[films like 2001 A Space Odyssey and Interstellar]]></category>
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		<category><![CDATA[Kate McKinnon astronaut role]]></category>
		<category><![CDATA[Mighty Engine production company]]></category>
		<category><![CDATA[movies about extinction and survival]]></category>
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		<guid isPermaLink="false">https://www.hammertonail.com/?p=55614</guid>

					<description><![CDATA[<div><img width="300" height="146" src="https://www.hammertonail.com/wp-content/uploads/2026/04/stant-300x146.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/stant-300x146.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/stant-1024x497.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/stant-768x373.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/stant-1536x746.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>In the Blink of an Eye is a science fiction drama that asks what connects us across the vast expanse of time. Directed by two-time Academy Award winner Andrew Stanton (Finding Nemo, WALL-E) and written by Colby Day (Spaceman), the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/blink-of-an-eye/">A Conversation with Andrew Stanton, Daveed Diggs, Colby Day &#038; Jared Ian Goldman (IN THE BLINK OF AN EYE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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