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	<title>Interviews Archives - Hammer to Nail</title>
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	<title>Interviews Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/category/interviews/</link>
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	<item>
		<title>A Conversation with Nicole Bazuin and Andrea Werhun (MODERN WHORE)</title>
		<link>https://www.hammertonail.com/interviews/bazuin-werhun/</link>
		
		<dc:creator><![CDATA[Lauren Wissot]]></dc:creator>
		<pubDate>Tue, 05 May 2026 21:22:24 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[VOD Release]]></category>
		<category><![CDATA[Andrea Werhun]]></category>
		<category><![CDATA[Andrea Werhun memoir]]></category>
		<category><![CDATA[Anora consultant]]></category>
		<category><![CDATA[camp documentary style]]></category>
		<category><![CDATA[destigmatizing sex work]]></category>
		<category><![CDATA[escort memoir]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[hybrid documentary]]></category>
		<category><![CDATA[Modern Whore Cinematic Universe]]></category>
		<category><![CDATA[Modern Whore film]]></category>
		<category><![CDATA[MWCU]]></category>
		<category><![CDATA[Nicole Bazuin]]></category>
		<category><![CDATA[Nicole Bazuin director]]></category>
		<category><![CDATA[Quiver Distribution VOD]]></category>
		<category><![CDATA[Sean Baker]]></category>
		<category><![CDATA[sex industry labor]]></category>
		<category><![CDATA[sex work aesthetics]]></category>
		<category><![CDATA[sex work and art]]></category>
		<category><![CDATA[sex work and class solidarity]]></category>
		<category><![CDATA[sex work consultants]]></category>
		<category><![CDATA[sex work destigmatization]]></category>
		<category><![CDATA[sex work documentary]]></category>
		<category><![CDATA[sex worker representation]]></category>
		<category><![CDATA[sex worker rights]]></category>
		<category><![CDATA[TIFF world premiere]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55637</guid>

					<description><![CDATA[<div><img width="300" height="150" src="https://www.hammertonail.com/wp-content/uploads/2026/05/MW-300x150.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/05/MW-300x150.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/05/MW-1024x512.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/05/MW-768x384.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/05/MW-1536x768.jpg 1536w, https://www.hammertonail.com/wp-content/uploads/2026/05/MW-1300x650.jpg 1300w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Modern Whore, which world-premiered at TIFF, is the latest sex-work-destigmatizing project in an unusual multiyear collaboration between director Nicole Bazuin and the hybrid doc’s co-writer and star Andrea Werhun (who also served as a consultant on EP Sean Baker’s Anora). [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/bazuin-werhun/">A Conversation with Nicole Bazuin and Andrea Werhun (MODERN WHORE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Andrew Stanton, Daveed Diggs, Colby Day &#038; Jared Ian Goldman (IN THE BLINK OF AN EYE)</title>
		<link>https://www.hammertonail.com/interviews/blink-of-an-eye/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 30 Apr 2026 19:24:21 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2026 Sundance Film Festival Alfred P. Sloan Prize]]></category>
		<category><![CDATA[acorn symbolism in movies]]></category>
		<category><![CDATA[Andrew Stanton science fiction film]]></category>
		<category><![CDATA[anthropology student love story]]></category>
		<category><![CDATA[best unproduced scripts adapted to film]]></category>
		<category><![CDATA[Colby Day Black List screenplay]]></category>
		<category><![CDATA[Daveed Diggs post-grad student]]></category>
		<category><![CDATA[emotional time travel stories]]></category>
		<category><![CDATA[films about human connection across time]]></category>
		<category><![CDATA[films like 2001 A Space Odyssey and Interstellar]]></category>
		<category><![CDATA[films premiering at Sundance 2026]]></category>
		<category><![CDATA[films without subtitles]]></category>
		<category><![CDATA[For All Mankind director new film]]></category>
		<category><![CDATA[In the Blink of an Eye SEO tags]]></category>
		<category><![CDATA[indie sci-fi drama 2026]]></category>
		<category><![CDATA[Kate McKinnon astronaut role]]></category>
		<category><![CDATA[Mighty Engine production company]]></category>
		<category><![CDATA[movies about extinction and survival]]></category>
		<category><![CDATA[multifilm timeline structure movies]]></category>
		<category><![CDATA[Neanderthal movie no dialogue]]></category>
		<category><![CDATA[Rashida Jones anthropologist role]]></category>
		<category><![CDATA[Russian Doll producer new project]]></category>
		<category><![CDATA[sentient computer sci-fi film]]></category>
		<category><![CDATA[Spaceman of Bohemia writer new film]]></category>
		<category><![CDATA[WALL-E director live action]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55614</guid>

					<description><![CDATA[<div><img width="300" height="146" src="https://www.hammertonail.com/wp-content/uploads/2026/04/stant-300x146.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/stant-300x146.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/stant-1024x497.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/stant-768x373.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/stant-1536x746.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>In the Blink of an Eye is a science fiction drama that asks what connects us across the vast expanse of time. Directed by two-time Academy Award winner Andrew Stanton (Finding Nemo, WALL-E) and written by Colby Day (Spaceman), the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/blink-of-an-eye/">A Conversation with Andrew Stanton, Daveed Diggs, Colby Day &#038; Jared Ian Goldman (IN THE BLINK OF AN EYE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with  Lynne Sachs (EVERY CONTACT LEAVES A TRACE)</title>
		<link>https://www.hammertonail.com/interviews/lynne-sachs/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Fri, 24 Apr 2026 18:16:52 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[avant-garde cinema]]></category>
		<category><![CDATA[Betty Leacraft]]></category>
		<category><![CDATA[Bradley Eros]]></category>
		<category><![CDATA[business cards]]></category>
		<category><![CDATA[creative process]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[documentary performance]]></category>
		<category><![CDATA[Every Contact Leaves a Trace]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[film and poetry]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[filmmaker interview]]></category>
		<category><![CDATA[Gunvor Nelson]]></category>
		<category><![CDATA[hybrid filmmaking]]></category>
		<category><![CDATA[IDFA documentary]]></category>
		<category><![CDATA[Lynne Sachs]]></category>
		<category><![CDATA[Lynne Sachs interview]]></category>
		<category><![CDATA[memory and ephemera]]></category>
		<category><![CDATA[non-narrative film]]></category>
		<category><![CDATA[Scarecrow Video Archive]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54805</guid>

					<description><![CDATA[<div><img width="300" height="160" src="https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-300x160.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-300x160.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-1024x546.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-768x410.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-1536x819.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Some filmmakers are known for their documentary works. Others for their narrative films. Still others—the better filmmakers (for me), generally—do not fit comfortably into either category. Or any category whatsoever. Poet / artist / filmmaker Lynne Sachs is one of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/lynne-sachs/">A Conversation with  Lynne Sachs (EVERY CONTACT LEAVES A TRACE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with G. Anthony Svatek (HUMBOLDT USA)</title>
		<link>https://www.hammertonail.com/interviews/svatek/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Tue, 21 Apr 2026 16:28:00 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55555</guid>

					<description><![CDATA[<div><img width="300" height="140" src="https://www.hammertonail.com/wp-content/uploads/2026/04/GAS-300x140.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/GAS-300x140.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/GAS-1024x476.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/GAS-768x357.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/GAS-1536x715.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Multi-talented Austrian-born / U.S.-based filmmaker (as well as film-editor and cinematographer) G. Anthony Svatek is arguably best-known for his remarkable festival-screened shorts and his collaborative work on the films of others (such as Lynne Sachs and Jem Cohen). Yet that [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/svatek/">A Conversation with G. Anthony Svatek (HUMBOLDT USA)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Radu Jude (KONTINENTAL &#8217;25)</title>
		<link>https://www.hammertonail.com/interviews/radu-jude-kontinental-25/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 16 Apr 2026 22:51:36 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Aferim! Silver Bear]]></category>
		<category><![CDATA[auteur film structure]]></category>
		<category><![CDATA[Bad Luck Banging or Loony Porn Golden Bear]]></category>
		<category><![CDATA[Berlinale 2025]]></category>
		<category><![CDATA[black comedy satire]]></category>
		<category><![CDATA[Cluj Transylvania film]]></category>
		<category><![CDATA[Do Not Expect Too Much from The End of the World]]></category>
		<category><![CDATA[Eastern European cinema]]></category>
		<category><![CDATA[Eszter Tompa]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[iPhone filmmaking]]></category>
		<category><![CDATA[Kontinental '25]]></category>
		<category><![CDATA[Kontinental '25 review]]></category>
		<category><![CDATA[poverty of means cinema]]></category>
		<category><![CDATA[Radu Jude]]></category>
		<category><![CDATA[Radu Jude films]]></category>
		<category><![CDATA[Radu Jude interview]]></category>
		<category><![CDATA[Romanian Cinema]]></category>
		<category><![CDATA[Romanian New Wave]]></category>
		<category><![CDATA[Rossellini Europe '51 reference]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55534</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2026/04/raduj-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/raduj-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/raduj-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/raduj-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/raduj-1536x1024.jpg 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Radu Jude was born in Bucharest in 1977. He studied film directing at the Media University in Bucharest and began his career making shorts, television programs, and music videos. His feature debut, The Happiest Girl in the World (2009), won several international [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/radu-jude-kontinental-25/">A Conversation with Radu Jude (KONTINENTAL &#8217;25)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation with Nadav Lapid (YES)</title>
		<link>https://www.hammertonail.com/interviews/nadav-lapid-yes/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 15 Apr 2026 19:01:09 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Ahed’s Knee]]></category>
		<category><![CDATA[Ariel Bronz]]></category>
		<category><![CDATA[banned Israeli films]]></category>
		<category><![CDATA[Berlinale jury president 2023]]></category>
		<category><![CDATA[Cannes Directors Fortnight]]></category>
		<category><![CDATA[decadent party scene]]></category>
		<category><![CDATA[Efrat Dor]]></category>
		<category><![CDATA[genocide in Gaza film]]></category>
		<category><![CDATA[Golda propaganda]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[Hill of Love Gaza]]></category>
		<category><![CDATA[Israeli Cinema]]></category>
		<category><![CDATA[Israeli government censorship]]></category>
		<category><![CDATA[Kino Lorber]]></category>
		<category><![CDATA[musical tragedy]]></category>
		<category><![CDATA[Nadav Lapid]]></category>
		<category><![CDATA[Nadav Lapid interview]]></category>
		<category><![CDATA[October 7 cinema]]></category>
		<category><![CDATA[Policeman Locarno]]></category>
		<category><![CDATA[political horror film]]></category>
		<category><![CDATA[submission happiness]]></category>
		<category><![CDATA[Synonyms Golden Bear]]></category>
		<category><![CDATA[The Kindergarten Teacher]]></category>
		<category><![CDATA[total submission theme]]></category>
		<category><![CDATA[Yes film 2025]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55493</guid>

					<description><![CDATA[<div><img width="300" height="138" src="https://www.hammertonail.com/wp-content/uploads/2026/04/newcover-300x138.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/newcover-300x138.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/newcover-1024x471.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/newcover-768x353.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/newcover-1536x707.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Nadav Lapid was born in Tel Aviv in 1975. Before turning to filmmaking, he published a novel, worked as a literary critic and sports journalist. He joined the Cannes Film Festival&#8217;s Cinéfondation in 2007, where he wrote the screenplay for [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/nadav-lapid-yes/">A Conversation with Nadav Lapid (YES)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Fergus Campbell &#038; Elsie Fisher (SPARKS)</title>
		<link>https://www.hammertonail.com/interviews/campbell-fisher/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 09 Apr 2026 18:27:44 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1960s paris nostalgia]]></category>
		<category><![CDATA[agnès varda reference]]></category>
		<category><![CDATA[claire easton costume design]]></category>
		<category><![CDATA[cleo character]]></category>
		<category><![CDATA[coming-of-age misfits]]></category>
		<category><![CDATA[debut feature fergus campbell]]></category>
		<category><![CDATA[eighth grade star elsie fisher]]></category>
		<category><![CDATA[elsie fisher sparks]]></category>
		<category><![CDATA[falling into a void metaphor]]></category>
		<category><![CDATA[fergus campbell director]]></category>
		<category><![CDATA[french new wave movie]]></category>
		<category><![CDATA[godard fan film]]></category>
		<category><![CDATA[jane paknia score]]></category>
		<category><![CDATA[jean-luc godard influence]]></category>
		<category><![CDATA[keldon duane-mcglashan cinematography]]></category>
		<category><![CDATA[low budget indie gem]]></category>
		<category><![CDATA[magical realism cinema]]></category>
		<category><![CDATA[natasha parbhu production design]]></category>
		<category><![CDATA[richard linklater nouvelle vague comparison]]></category>
		<category><![CDATA[sparks 2026 film]]></category>
		<category><![CDATA[sparks nevada movie]]></category>
		<category><![CDATA[sxsw film & tv festival 2026]]></category>
		<category><![CDATA[synth soundtrack indie film]]></category>
		<category><![CDATA[time travel indie film]]></category>
		<category><![CDATA[women on the verge of a nervous breakdown taxi]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55477</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_SPARKS-interview_01-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_SPARKS-interview_01-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_SPARKS-interview_01-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_SPARKS-interview_01-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_SPARKS-interview_01.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Director Fergus Campbell just premiered Sparks, his debut feature film, at the 2026 SXSW Film &#38; TV Festival (where I reviewed it). The movie stars Elsie Fisher (Eighth Grade) as Cleo, a young woman out of time and out of place. Obsessed [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/campbell-fisher/">A Conversation with Fergus Campbell &#038; Elsie Fisher (SPARKS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Gloria Mercer (A SAFE DISTANCE)</title>
		<link>https://www.hammertonail.com/interviews/gloria-mercer/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Wed, 08 Apr 2026 14:22:55 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Safe Distance]]></category>
		<category><![CDATA[Aidan West]]></category>
		<category><![CDATA[bank robbers movie]]></category>
		<category><![CDATA[Bethany Brown]]></category>
		<category><![CDATA[Bonnie and Clyde inspired]]></category>
		<category><![CDATA[British Columbia thriller]]></category>
		<category><![CDATA[Caleb Chan score]]></category>
		<category><![CDATA[Chris McNally]]></category>
		<category><![CDATA[Cody Kearsley]]></category>
		<category><![CDATA[Devan Scott DP]]></category>
		<category><![CDATA[female-led thriller]]></category>
		<category><![CDATA[Gloria Mercer]]></category>
		<category><![CDATA[indie film debut]]></category>
		<category><![CDATA[nonlinear storytelling]]></category>
		<category><![CDATA[open ending film]]></category>
		<category><![CDATA[Pacific Northwest noir]]></category>
		<category><![CDATA[relationship drama]]></category>
		<category><![CDATA[Robert Altman influence]]></category>
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		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[SXSW Film & TV Festival]]></category>
		<category><![CDATA[Tandia Mercedes]]></category>
		<category><![CDATA[Vancouver filmmaking]]></category>
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		<guid isPermaLink="false">https://www.hammertonail.com/?p=55459</guid>

					<description><![CDATA[<div><img width="300" height="163" src="https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-15_A-SAFE-DISTANCE-interview_03-300x163.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-15_A-SAFE-DISTANCE-interview_03-300x163.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-15_A-SAFE-DISTANCE-interview_03-1024x557.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-15_A-SAFE-DISTANCE-interview_03-768x418.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-15_A-SAFE-DISTANCE-interview_03.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>The debut feature from screenwriter Aidan West and director Gloria Mercer, A Safe Distance just premiered at the 2026 SXSW Film &#38; TV Festival (where I reviewed it). In the movie, we follow the increasingly wild adventures of a young [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/gloria-mercer/">A Conversation with Gloria Mercer (A SAFE DISTANCE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Adam Meeks, Will Poulter, Emily Meade, Elise Kible, Brad Becker-Parton &#038; Annette Deao (UNION COUNTY)</title>
		<link>https://www.hammertonail.com/interviews/union-county/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Tue, 07 Apr 2026 16:57:25 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[adam meeks]]></category>
		<category><![CDATA[addiction recovery community]]></category>
		<category><![CDATA[annette deao]]></category>
		<category><![CDATA[berlin film festival 2020]]></category>
		<category><![CDATA[brad becker-parton]]></category>
		<category><![CDATA[brotherhood story]]></category>
		<category><![CDATA[dreamland sam quinones]]></category>
		<category><![CDATA[drug court film]]></category>
		<category><![CDATA[Eccles Theater]]></category>
		<category><![CDATA[elise kibler]]></category>
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		<category><![CDATA[film independent fellow]]></category>
		<category><![CDATA[hope vs despair]]></category>
		<category><![CDATA[hybrid documentary]]></category>
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		<category><![CDATA[Jacob Burns Film Center]]></category>
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		<category><![CDATA[non-professional actors]]></category>
		<category><![CDATA[nyu tisch graduate]]></category>
		<category><![CDATA[opioid epidemic drama]]></category>
		<category><![CDATA[recovery story]]></category>
		<category><![CDATA[rural ohio movie]]></category>
		<category><![CDATA[seaview productions]]></category>
		<category><![CDATA[short film union county]]></category>
		<category><![CDATA[standing ovation sundance]]></category>
		<category><![CDATA[Sundance 2026]]></category>
		<category><![CDATA[union county]]></category>
		<category><![CDATA[US Dramatic Competition]]></category>
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		<category><![CDATA[Will Poulter]]></category>
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		<guid isPermaLink="false">https://www.hammertonail.com/?p=55453</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2026/04/coverxxx-300x200.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/coverxxx-300x200.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/coverxxx.jpeg 640w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Union County is a drama about the opioid epidemic that does something rare: it focuses on recovery rather than despair. Writer-director Adam Meeks&#8217;s feature debut follows Cody Parsons (Will Poulter), a young man in rural Ohio navigating a county-mandated drug [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/union-county/">A Conversation with Adam Meeks, Will Poulter, Emily Meade, Elise Kible, Brad Becker-Parton &#038; Annette Deao (UNION COUNTY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Brea Grant &#038; Ed Dougherty (GRIND)</title>
		<link>https://www.hammertonail.com/interviews/grant-dougherty/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 02 Apr 2026 17:33:13 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2026 horror films]]></category>
		<category><![CDATA[Amazon satire]]></category>
		<category><![CDATA[anthology film]]></category>
		<category><![CDATA[Barbara Crampton]]></category>
		<category><![CDATA[Brea Grant]]></category>
		<category><![CDATA[Chelsea Stardust]]></category>
		<category><![CDATA[Content Moderation segment]]></category>
		<category><![CDATA[Delivery segment]]></category>
		<category><![CDATA[DRGN corporation]]></category>
		<category><![CDATA[Ed Dougherty]]></category>
		<category><![CDATA[gig economy horror]]></category>
		<category><![CDATA[Grind movie]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[horror satire]]></category>
		<category><![CDATA[horror-comedy film]]></category>
		<category><![CDATA[Indie Horror]]></category>
		<category><![CDATA[James Urbaniak]]></category>
		<category><![CDATA[Jon Gabrus]]></category>
		<category><![CDATA[low budget VFX]]></category>
		<category><![CDATA[MLM short]]></category>
		<category><![CDATA[modern nightmares]]></category>
		<category><![CDATA[Rob Huebel]]></category>
		<category><![CDATA[satirical horror anthology]]></category>
		<category><![CDATA[social horror]]></category>
		<category><![CDATA[strike back ending]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[SXSW Film & TV Festival]]></category>
		<category><![CDATA[The Linda Lindas]]></category>
		<category><![CDATA[Union Meeting segment]]></category>
		<category><![CDATA[Vinny Thomas]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55424</guid>

					<description><![CDATA[<div><img width="300" height="220" src="https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_GRIND-interview_02-300x220.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_GRIND-interview_02-300x220.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_GRIND-interview_02-1024x751.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_GRIND-interview_02-768x563.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/SXSW2026_2026-03-14_GRIND-interview_02.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>The satirical horror anthology Grind just had its world premiere at the 2026 SXSW Film &#38; TV Festival (where I reviewed it). From directors Brea Grant, Ed Dougherty, and Chelsea Stardust, the movie follows an unlucky cast of characters as [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/grant-dougherty/">A Conversation with Brea Grant &#038; Ed Dougherty (GRIND)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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