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	<title>Essays Archives - Hammer to Nail</title>
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	<title>Essays Archives - Hammer to Nail</title>
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	<item>
		<title>MONSTER MOVIES</title>
		<link>https://www.hammertonail.com/editorial/monster-movies/</link>
					<comments>https://www.hammertonail.com/editorial/monster-movies/#comments</comments>
		
		<dc:creator><![CDATA[Noah Buschel]]></dc:creator>
		<pubDate>Mon, 06 Aug 2018 19:20:42 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[People We Love]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Aziz Ansari]]></category>
		<category><![CDATA[Donald Trump]]></category>
		<category><![CDATA[Emma Gonzáles]]></category>
		<category><![CDATA[George Romero]]></category>
		<category><![CDATA[Harvey Weinstein]]></category>
		<category><![CDATA[Jennifer Kent]]></category>
		<category><![CDATA[Jessica Chastain]]></category>
		<category><![CDATA[Kevin Spacey]]></category>
		<category><![CDATA[Marlon Brando]]></category>
		<category><![CDATA[MS-13]]></category>
		<category><![CDATA[MS-13 street gang]]></category>
		<category><![CDATA[Muslim terrorists]]></category>
		<category><![CDATA[nasty women]]></category>
		<category><![CDATA[street gang]]></category>
		<category><![CDATA[The Babadook]]></category>
		<category><![CDATA[The Others]]></category>
		<category><![CDATA[Tod Browning]]></category>
		<category><![CDATA[Val Lewton]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29956</guid>

					<description><![CDATA[<p>Donald Trump has a monster movie for you. The Others. It stars the MS-13 street gang (Tagline: “These aren’t people. These are animals.”) It features nasty women, Muslim terrorists, traitorous black athletes, Native American thugs, lying journalists, greedy Asians, disabled freaks, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/monster-movies/">MONSTER MOVIES</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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			<slash:comments>3</slash:comments>
		
		
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		<item>
		<title>Nick Toti’s “Digital Gods”- Season Two, Transmission One</title>
		<link>https://www.hammertonail.com/editorial/digital-gods2-1/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 20 Jun 2018 21:56:29 +0000</pubDate>
				<category><![CDATA[Digital Gods]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Grapes of Wrath]]></category>
		<category><![CDATA[Henry Fonda]]></category>
		<category><![CDATA[John Ford]]></category>
		<category><![CDATA[Kurt Vonnegut]]></category>
		<category><![CDATA[Nick Toti]]></category>
		<category><![CDATA[Slaughterhouse-Five]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29801</guid>

					<description><![CDATA[<p>Welcome back, faithful Digital Gods readers! For those of you new to the column, I started writing it in 2016 after I’d noticed a gap in the film criticism I was reading on almost every indie film website. Everyone seemed [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/digital-gods2-1/">Nick Toti’s “Digital Gods”- Season Two, Transmission One</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>ON THE FRINGE, PART SEVEN: SHOTGUN STORIES (2007)</title>
		<link>https://www.hammertonail.com/reviews/on-the-fringe-7/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 18 Apr 2018 20:05:14 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Small Town Life]]></category>
		<category><![CDATA[9 Songs]]></category>
		<category><![CDATA[Aaron McGruder]]></category>
		<category><![CDATA[Alex Ross Perry]]></category>
		<category><![CDATA[Alexander Payne]]></category>
		<category><![CDATA[Allison Anders]]></category>
		<category><![CDATA[Andrew Bujalski]]></category>
		<category><![CDATA[Arkansas]]></category>
		<category><![CDATA[Baltimore]]></category>
		<category><![CDATA[Billy Bob Thornton]]></category>
		<category><![CDATA[David Gordon Green]]></category>
		<category><![CDATA[Debra Granik]]></category>
		<category><![CDATA[Duplass Brothers]]></category>
		<category><![CDATA[Flannel Pajamas]]></category>
		<category><![CDATA[Flannery O'Connor]]></category>
		<category><![CDATA[Food Lodging]]></category>
		<category><![CDATA[Gas]]></category>
		<category><![CDATA[Gas Food Lodging]]></category>
		<category><![CDATA[George Washington]]></category>
		<category><![CDATA[Greta Gerwig]]></category>
		<category><![CDATA[Hannah Takes the Stairs]]></category>
		<category><![CDATA[Humpday]]></category>
		<category><![CDATA[Imperfect Cinema]]></category>
		<category><![CDATA[Jay Duplass]]></category>
		<category><![CDATA[Jeff Lipsky]]></category>
		<category><![CDATA[Jeff Nichols]]></category>
		<category><![CDATA[Joe Swanberg]]></category>
		<category><![CDATA[John Waters]]></category>
		<category><![CDATA[Kelly Reichardt]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[King of the Hill]]></category>
		<category><![CDATA[Lynn Shelton]]></category>
		<category><![CDATA[Manhattan]]></category>
		<category><![CDATA[Marc Forster]]></category>
		<category><![CDATA[Mark Duplass]]></category>
		<category><![CDATA[Mathew Klickstein]]></category>
		<category><![CDATA[Matt Stone]]></category>
		<category><![CDATA[Michael Kang]]></category>
		<category><![CDATA[Michael Shannon]]></category>
		<category><![CDATA[Michael Winterbottom]]></category>
		<category><![CDATA[Mike Judge]]></category>
		<category><![CDATA[Monster’s Ball]]></category>
		<category><![CDATA[Mummerset]]></category>
		<category><![CDATA[Mutual Appreciation]]></category>
		<category><![CDATA[Omaha]]></category>
		<category><![CDATA[On the Bowery]]></category>
		<category><![CDATA[On the Fringe]]></category>
		<category><![CDATA[On Your Marc]]></category>
		<category><![CDATA[PART SEVEN: SHOTGUN STORIES (2007)]]></category>
		<category><![CDATA[Sean Baker]]></category>
		<category><![CDATA[Shotgun Stories]]></category>
		<category><![CDATA[Sling Blade]]></category>
		<category><![CDATA[Slums of Beverly Hills]]></category>
		<category><![CDATA[Some Folks Call It a Sling Blade]]></category>
		<category><![CDATA[South Park]]></category>
		<category><![CDATA[Southern Gothic]]></category>
		<category><![CDATA[Springfield Confidential: Jokes]]></category>
		<category><![CDATA[Tamara Jenkins]]></category>
		<category><![CDATA[The Adventures of Sebastian Cole]]></category>
		<category><![CDATA[The Boondocks]]></category>
		<category><![CDATA[The Color Wheel]]></category>
		<category><![CDATA[The Exiles]]></category>
		<category><![CDATA[The Florida Project]]></category>
		<category><![CDATA[The Motel]]></category>
		<category><![CDATA[The Puffy Chair]]></category>
		<category><![CDATA[Tod Williams]]></category>
		<category><![CDATA[Trey Parker]]></category>
		<category><![CDATA[Wendy & Lucy]]></category>
		<category><![CDATA[Wendy and Lucy]]></category>
		<category><![CDATA[Winter's Bone]]></category>
		<category><![CDATA[Woody Allen]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29448</guid>

					<description><![CDATA[<p>Jeff Nichols’ award-winning directorial debut Shotgun Stories is a flawless film. This quality is a crucial distinction to make in discussing a film as part of my continuing “On theFringe” series, as this factor sets the movie apart from its (predecessor) compatriot pictures [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/on-the-fringe-7/">ON THE FRINGE, PART SEVEN: SHOTGUN STORIES (2007)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>ON THE FRINGE, PART FIVE: PERMANENT VACATION (1980)</title>
		<link>https://www.hammertonail.com/editorial/on-the-fringe-5/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 04 Apr 2018 21:33:59 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alex Cox]]></category>
		<category><![CDATA[Alice in Wonderland]]></category>
		<category><![CDATA[Aliens]]></category>
		<category><![CDATA[Allison Anders]]></category>
		<category><![CDATA[Blank City]]></category>
		<category><![CDATA[Boom for Real: The Late Teenage Years of Jean-Michel Basquiat]]></category>
		<category><![CDATA[Border Radio]]></category>
		<category><![CDATA[break dancing]]></category>
		<category><![CDATA[Breakin']]></category>
		<category><![CDATA[Broken Flowers]]></category>
		<category><![CDATA[CBGB]]></category>
		<category><![CDATA[Celine Danhier]]></category>
		<category><![CDATA[Charlie Ahearn]]></category>
		<category><![CDATA[Coffee and Cigarettes]]></category>
		<category><![CDATA[David Wojnarowicz]]></category>
		<category><![CDATA[Deathtripping: The Cinema of Transgression]]></category>
		<category><![CDATA[Dennis Hopper]]></category>
		<category><![CDATA[Don Quixote]]></category>
		<category><![CDATA[Down By Law]]></category>
		<category><![CDATA[Downtown 81]]></category>
		<category><![CDATA[Edo Bertoglio]]></category>
		<category><![CDATA[Flea]]></category>
		<category><![CDATA[Gas]]></category>
		<category><![CDATA[Gas Food Lodging]]></category>
		<category><![CDATA[Ghost Dog: The Way of the Samurai]]></category>
		<category><![CDATA[Jack Sargeant]]></category>
		<category><![CDATA[James Cameron]]></category>
		<category><![CDATA[Jean-Michel Basquiat]]></category>
		<category><![CDATA[Jim Frickle]]></category>
		<category><![CDATA[Jim Jarmusch]]></category>
		<category><![CDATA[John Doe]]></category>
		<category><![CDATA[John Holmstrom]]></category>
		<category><![CDATA[John Lurie]]></category>
		<category><![CDATA[Jonathan Kaplan]]></category>
		<category><![CDATA[Kembra Pfahler]]></category>
		<category><![CDATA[Marc Summers]]></category>
		<category><![CDATA[Mathew Klickstein]]></category>
		<category><![CDATA[Michael Bay]]></category>
		<category><![CDATA[Neal Cassady]]></category>
		<category><![CDATA[Nick Zedd]]></category>
		<category><![CDATA[Night on Earth]]></category>
		<category><![CDATA[NYU]]></category>
		<category><![CDATA[NYU Film School]]></category>
		<category><![CDATA[On the Bowery]]></category>
		<category><![CDATA[On the Fringe]]></category>
		<category><![CDATA[On Your Marc]]></category>
		<category><![CDATA[Out of the Blue]]></category>
		<category><![CDATA[Over the Edge]]></category>
		<category><![CDATA[Paul Verhoeven]]></category>
		<category><![CDATA[Penelope Spheeris]]></category>
		<category><![CDATA[Permanent Vacation]]></category>
		<category><![CDATA[Punk Magazine]]></category>
		<category><![CDATA[Red Hot Chili Peppers]]></category>
		<category><![CDATA[Richard Hambleton]]></category>
		<category><![CDATA[Richard Kern]]></category>
		<category><![CDATA[Robocop]]></category>
		<category><![CDATA[Sara Driver]]></category>
		<category><![CDATA[Spike Lee]]></category>
		<category><![CDATA[Stranger Than Paradise]]></category>
		<category><![CDATA[Suburbia]]></category>
		<category><![CDATA[T2: Judgment Day]]></category>
		<category><![CDATA[The Abyss]]></category>
		<category><![CDATA[The Beverly Hillbillies]]></category>
		<category><![CDATA[The Decline of Western Civilization]]></category>
		<category><![CDATA[The Limits of Control]]></category>
		<category><![CDATA[The Terminator]]></category>
		<category><![CDATA[Three Businessmen]]></category>
		<category><![CDATA[Village Voice]]></category>
		<category><![CDATA[Wayne's World]]></category>
		<category><![CDATA[Wendy and Lucy]]></category>
		<category><![CDATA[Wild Style]]></category>
		<category><![CDATA[X]]></category>
		<category><![CDATA[Yes Yes Y’All]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29357</guid>

					<description><![CDATA[<p>One of the many hurdles over which I’ve needed to continuously hop in my “On the Fringe” series is the urgency to come up with synonyms and, ultimately, euphemisms for the descriptor “deceptively simple” in the proper encapsulation of films [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/on-the-fringe-5/">ON THE FRINGE, PART FIVE: PERMANENT VACATION (1980)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>ON THE FRINGE, PART FOUR: KILLER OF SHEEP (1978)</title>
		<link>https://www.hammertonail.com/editorial/on-the-fringe-4/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 28 Mar 2018 20:49:20 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2001: A Space Odyssey]]></category>
		<category><![CDATA[and Outright Lies from a Lifetime Writing for The Simpsons]]></category>
		<category><![CDATA[Annie Hall]]></category>
		<category><![CDATA[Anton Webern]]></category>
		<category><![CDATA[August Wilson]]></category>
		<category><![CDATA[Ava DuVernay]]></category>
		<category><![CDATA[Charles Burnett]]></category>
		<category><![CDATA[Charlie Chaplin]]></category>
		<category><![CDATA[City Lights]]></category>
		<category><![CDATA[David Foster Wallace]]></category>
		<category><![CDATA[Denzel Washington]]></category>
		<category><![CDATA[Diane Arbus]]></category>
		<category><![CDATA[Dogme 95]]></category>
		<category><![CDATA[Earth Wind & Fire]]></category>
		<category><![CDATA[Ed Wood]]></category>
		<category><![CDATA[Elliott Smith]]></category>
		<category><![CDATA[Fences]]></category>
		<category><![CDATA[Festen]]></category>
		<category><![CDATA[From a Basement on the Hill]]></category>
		<category><![CDATA[Harmony Korine]]></category>
		<category><![CDATA[Idioterne]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Italian-Neorealists]]></category>
		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[James Baldwin]]></category>
		<category><![CDATA[Jaws]]></category>
		<category><![CDATA[Julien Donkey-Boy]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[Lars von Trier]]></category>
		<category><![CDATA[Lost in Space]]></category>
		<category><![CDATA[Louis Armstrong]]></category>
		<category><![CDATA[Mathew Klickstein]]></category>
		<category><![CDATA[Moonlight]]></category>
		<category><![CDATA[On the Fringe]]></category>
		<category><![CDATA[Pale King]]></category>
		<category><![CDATA[Precious]]></category>
		<category><![CDATA[Raisin in the Sun]]></category>
		<category><![CDATA[Ralph Ellison]]></category>
		<category><![CDATA[Ralph Eugene Meatyard]]></category>
		<category><![CDATA[Sean Baker]]></category>
		<category><![CDATA[Secrets]]></category>
		<category><![CDATA[Springfield Confidential: Jokes]]></category>
		<category><![CDATA[Stan Brakhage]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Star Wars]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Tangerine]]></category>
		<category><![CDATA[The Battle of Algiers]]></category>
		<category><![CDATA[The Blair Witch Project]]></category>
		<category><![CDATA[The Exiles]]></category>
		<category><![CDATA[The Florida Project]]></category>
		<category><![CDATA[The Kid]]></category>
		<category><![CDATA[The Room]]></category>
		<category><![CDATA[The Texas Chainsaw Massacre]]></category>
		<category><![CDATA[Thomas Vinterberg]]></category>
		<category><![CDATA[UCLA]]></category>
		<category><![CDATA[UCLA film school]]></category>
		<category><![CDATA[United States Film Registry]]></category>
		<category><![CDATA[Vincent Van Gogh]]></category>
		<category><![CDATA[Woody Allen]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29303</guid>

					<description><![CDATA[<p>Accepting his long overdue honorary Oscar at the Academy Awards this year, the soft-spoken, wide-eyed filmmaker Charles Burnett first thanked all his friends and supporters present for their support, particularly those who were there back in the days when he “didn’t have [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/on-the-fringe-4/">ON THE FRINGE, PART FOUR: KILLER OF SHEEP (1978)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>ON THE FRINGE, PART THREE: ALICE DOESN’T LIVE HERE ANYMORE (1974)</title>
		<link>https://www.hammertonail.com/editorial/on-the-fringe-3/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 21 Mar 2018 22:18:20 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Woman Under the Influence]]></category>
		<category><![CDATA[Agnes Varda]]></category>
		<category><![CDATA[Alejandro Jodorowsky]]></category>
		<category><![CDATA[Alfred Lutter]]></category>
		<category><![CDATA[Alice Doesn't Live Here Any More]]></category>
		<category><![CDATA[Alice Doesn’t Live Here Anymore]]></category>
		<category><![CDATA[All That Jazz]]></category>
		<category><![CDATA[Arthur Penn]]></category>
		<category><![CDATA[Atlantic City]]></category>
		<category><![CDATA[Behind the Green Door]]></category>
		<category><![CDATA[Being There]]></category>
		<category><![CDATA[Bob Fosse]]></category>
		<category><![CDATA[Boxcar Bertha]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Butch Cassidy and the Sundance Kid; Bonnie and Clyde]]></category>
		<category><![CDATA[Casino]]></category>
		<category><![CDATA[Chantal Akerman]]></category>
		<category><![CDATA[Closely Watched Trains]]></category>
		<category><![CDATA[Coming Home]]></category>
		<category><![CDATA[Deep Throat]]></category>
		<category><![CDATA[Delicatessen]]></category>
		<category><![CDATA[Diane Ladd]]></category>
		<category><![CDATA[Dog Day Afternoon]]></category>
		<category><![CDATA[Easy Riders]]></category>
		<category><![CDATA[El Topo]]></category>
		<category><![CDATA[Elaine May]]></category>
		<category><![CDATA[Ellen Burstyn]]></category>
		<category><![CDATA[Fat City]]></category>
		<category><![CDATA[Five Easy Pieces]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[George Roy Hill]]></category>
		<category><![CDATA[Get Out]]></category>
		<category><![CDATA[Gone With the Wind]]></category>
		<category><![CDATA[Goodfellas]]></category>
		<category><![CDATA[Gordon Parks]]></category>
		<category><![CDATA[Guillermo del Toro]]></category>
		<category><![CDATA[Hal Ashby]]></category>
		<category><![CDATA[Halloween]]></category>
		<category><![CDATA[Harold & Maude]]></category>
		<category><![CDATA[Harvey Keitel]]></category>
		<category><![CDATA[Herbert Ross]]></category>
		<category><![CDATA[Herschell Gordon Lewis]]></category>
		<category><![CDATA[Husbands]]></category>
		<category><![CDATA[I Am Curious]]></category>
		<category><![CDATA[In The Realm of the Senses]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Italian-Neorealists]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Jean-Pierre Jeunet]]></category>
		<category><![CDATA[Jirí Menzel]]></category>
		<category><![CDATA[Jodie Foster]]></category>
		<category><![CDATA[John Carpenter]]></category>
		<category><![CDATA[John Cassavetes]]></category>
		<category><![CDATA[John Schlesinger]]></category>
		<category><![CDATA[John Waters]]></category>
		<category><![CDATA[Jr.]]></category>
		<category><![CDATA[Ken Loach]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[Kramer vs. Kramer]]></category>
		<category><![CDATA[Kris Kristofferson]]></category>
		<category><![CDATA[Louis Malle]]></category>
		<category><![CDATA[Loves of a Blonde]]></category>
		<category><![CDATA[Maidstone]]></category>
		<category><![CDATA[Martin Ritt]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Mathew Klickstein]]></category>
		<category><![CDATA[Mean Streets]]></category>
		<category><![CDATA[Melvin and Howard]]></category>
		<category><![CDATA[Melvin Van Peebles]]></category>
		<category><![CDATA[Midnight Cowboy]]></category>
		<category><![CDATA[Mike Nichols]]></category>
		<category><![CDATA[Milos Forman]]></category>
		<category><![CDATA[Minnie & Moskowitz]]></category>
		<category><![CDATA[Nagisa Oshima]]></category>
		<category><![CDATA[Nashville]]></category>
		<category><![CDATA[Network]]></category>
		<category><![CDATA[Norma Rae]]></category>
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		<guid isPermaLink="false">http://www.hammertonail.com/?p=29240</guid>

					<description><![CDATA[<p>Something was happening in the American cinema starting in the late 1960s and throughout the 1970s. Among other progressions in societal mores, technology and legalities, this decade+ could arguably be considered a Golden Age of courageous truth-telling films that mine [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/on-the-fringe-3/">ON THE FRINGE, PART THREE: ALICE DOESN’T LIVE HERE ANYMORE (1974)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>ON THE FRINGE, PART TWO: THE EXILES (1961)</title>
		<link>https://www.hammertonail.com/reviews/on-the-fringe-2/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Tue, 06 Mar 2018 17:26:11 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Drama]]></category>
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		<category><![CDATA[Adam Smith]]></category>
		<category><![CDATA[Alice Doesn’t Live Here Anymore]]></category>
		<category><![CDATA[American Graffiti]]></category>
		<category><![CDATA[Capitalism]]></category>
		<category><![CDATA[Charles Bukowski]]></category>
		<category><![CDATA[Christina Rose]]></category>
		<category><![CDATA[Fats Domino]]></category>
		<category><![CDATA[fear and loathing]]></category>
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		<category><![CDATA[On the Fringe]]></category>
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		<category><![CDATA[Raymond Chandler]]></category>
		<category><![CDATA[Raymond Williams]]></category>
		<category><![CDATA[Sherman Alexie]]></category>
		<category><![CDATA[Smoke Signals]]></category>
		<category><![CDATA[The Country and the City]]></category>
		<category><![CDATA[The Exiles]]></category>
		<category><![CDATA[Whale Rider]]></category>
		<category><![CDATA[Wind River]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29144</guid>

					<description><![CDATA[<p>In his seminal 1973 book The Country and the City, Raymond Williams lays out the great divide that he suggests exists between the concepts of “Natur[al]” and “native.” With apologies to Williams, a principle progenitor of “cultural studies” as an academic [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/on-the-fringe-2/">ON THE FRINGE, PART TWO: THE EXILES (1961)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>Nick Toti on Tyler Hubby’s &#8220;Tony Conrad: Completely in the Present&#8221;</title>
		<link>https://www.hammertonail.com/editorial/tony-conrad-doc/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 03 Jan 2018 21:58:23 +0000</pubDate>
				<category><![CDATA[Digital Gods]]></category>
		<category><![CDATA[EDITORIAL]]></category>
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		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[The Flicker]]></category>
		<category><![CDATA[Tony Conrad]]></category>
		<category><![CDATA[Tony Conrad: Completely in the Present]]></category>
		<category><![CDATA[Tyler Hubby]]></category>
		<category><![CDATA[Women in Jail]]></category>
		<category><![CDATA[Yellow Movie]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=28846</guid>

					<description><![CDATA[<p>As a rule, I do not like movies like Tyler Hubby’s Tony Conrad: Completely in the Present; however, for many reasons, I very much did like Tyler Hubby’s Tony Conrad: Completely in the Present. Documentaries about the lives and careers [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/tony-conrad-doc/">Nick Toti on Tyler Hubby’s &#8220;Tony Conrad: Completely in the Present&#8221;</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>Movies About Museums</title>
		<link>https://www.hammertonail.com/editorial/movies-about-museums/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Thu, 09 Feb 2017 23:56:06 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
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		<category><![CDATA[Albert C. Barnes]]></category>
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		<category><![CDATA[Henri Matisse]]></category>
		<category><![CDATA[Instrument]]></category>
		<category><![CDATA[Jem Cohen]]></category>
		<category><![CDATA[Mary Margaret O'Hara]]></category>
		<category><![CDATA[movies about museums]]></category>
		<category><![CDATA[museum documentary]]></category>
		<category><![CDATA[Museum Hours]]></category>
		<category><![CDATA[museums]]></category>
		<category><![CDATA[Oeke Hoogendijk]]></category>
		<category><![CDATA[Picasso]]></category>
		<category><![CDATA[Russian Ark]]></category>
		<category><![CDATA[single 96-minute Steadicam shot]]></category>
		<category><![CDATA[The Art of the Steal]]></category>
		<category><![CDATA[The New Rijksmuseum]]></category>
		<category><![CDATA[Van Gogh]]></category>
		<category><![CDATA[Winter Palace of the Russian State Hermitage Museum]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=27567</guid>

					<description><![CDATA[<p>“A process in which no one wants to take a risk is too Dutch for me,” laments one of the embattled Spanish co-architects in Oeke Hoogendijk’s The New Rijksmuseum, a 2013 doc I caught up with over the holidays. The [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/movies-about-museums/">Movies About Museums</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>Casey Affleck’s Bad Behavior Be Damned (or Why You Should Not Boycott &#8220;Manchester by the Sea&#8221;)</title>
		<link>https://www.hammertonail.com/editorial/casey-affleck-boycott-wissot/</link>
					<comments>https://www.hammertonail.com/editorial/casey-affleck-boycott-wissot/#comments</comments>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Thu, 05 Jan 2017 20:14:24 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
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		<category><![CDATA[Bloodline]]></category>
		<category><![CDATA[Casey Affleck]]></category>
		<category><![CDATA[Chris Kelly]]></category>
		<category><![CDATA[Ethan Coen]]></category>
		<category><![CDATA[Friday Night Lights]]></category>
		<category><![CDATA[Hail Caesar!]]></category>
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		<category><![CDATA[I'm Still Here]]></category>
		<category><![CDATA[Joel Coen]]></category>
		<category><![CDATA[Josh Brolin]]></category>
		<category><![CDATA[Kenneth Lonergan]]></category>
		<category><![CDATA[Kyle Chandler]]></category>
		<category><![CDATA[Lisa Chodolenko]]></category>
		<category><![CDATA[Manchester By the Sea]]></category>
		<category><![CDATA[Mark Ruffalo]]></category>
		<category><![CDATA[Matt Damon]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Mildred Pierce]]></category>
		<category><![CDATA[Molly Shannon]]></category>
		<category><![CDATA[Moonrise Kingdom]]></category>
		<category><![CDATA[Olive Kitteridge]]></category>
		<category><![CDATA[Oscar]]></category>
		<category><![CDATA[Other People]]></category>
		<category><![CDATA[Sean Connery]]></category>
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		<category><![CDATA[sexual harassment]]></category>
		<category><![CDATA[sexual misconduct]]></category>
		<category><![CDATA[The Grand Budapest Hotel]]></category>
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		<guid isPermaLink="false">http://www.hammertonail.com/?p=27379</guid>

					<description><![CDATA[<p>To call Manchester by the Sea writer/director Kenneth Lonergan&#8217;s masterpiece is not an exaggeration. This is a near-flawless film. (And further proof that HBO needs to give Lonergan his own limited series a la Lisa Cholodenko’s Olive Kitteridge or Todd [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/casey-affleck-boycott-wissot/">Casey Affleck’s Bad Behavior Be Damned (or Why You Should Not Boycott &#8220;Manchester by the Sea&#8221;)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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