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Starlet (Music Box Films) — ***Hammer to Nail’s Number 5 Film of 2012!*** Though Starlet couldn’t be more different than Sean Baker’s recent micro-budget gems Take Out and Prince of Broadway, it once again proves that he’s one of independent cinema’s shining lights. This California-set tale feels like several movies in one, yet Baker somehow manages to unify them. A beautiful 20-something girl, Jane (a knockout performance by Dree Hemingway), forms an unlikely bond with an 80-something woman, Sadie (outstanding first-timer Besedka Johnson). When Jane’s not easing her way into Sadie’s life with her adorable doggie Starlet, she makes money by working in the adult film industry. Here is where Baker’s commitment to authenticity takes the film to an unexpectedly frank level. Shot digitally with vintage Lomo lenses, Starlet has a timeless cinematic richness that puts most low-budget indies to shame. And though it does indeed “go there,” it is as sweet-natured a film as you could hope to encounter. To compare it to Driving Miss Daisy might sound like an insult, but Starlet has an accessibility and warmth that cannot be denied. Read A Conversation With Sean Baker and Dree Hemingway. Available on DVD and Blu-ray.

Recommended

Upstream Color (ERBP) — Shane Carruth’s follow-up to Primer is an extraordinary sensory experience. Its texture is slippery and dreamlike: shimmering, shallow-focus, artfully opaque images; a lyrical, free-associative editing style that skips around in time and space and renders events as half-glimpsed, fleeting impressions; a soundtrack of unearthly electronic hums and throbs. After watching it twice, I’m still baffled by significant portions of the story, but perhaps cracking its narrative code is less important than letting its waves of image and sound wash over you, and opening yourself up to the way certain moments resonate as potent metaphors for familiar emotions and experiences. Read Nelson Kim’s Upstream Color: A Review And Interview. Available on DVD, Blu-ray/DVD Combo Pack, and at Amazon Instant.

New/Old to DVD/Blu-ray

Band of Outsiders (Criterion) — Available on Blu-ray.

Have Not Seen Yet But Really/Kinda/Sorta/Maybe Wanna

Survive and Advance (ESPN) — Available on DVD.

Clandestine Childhood (Film Movement) — Available on DVD.

The Rabbi’s Cat (New Video) — Available on DVD and Blu-ray/DVD Combo Pack.

Mama (Universal) — Available on DVD, Blu-ray/DVD + Digital Copy + UltraViolet, and at Amazon Instant.

Jack Reacher (Paramount) — Available on DVD, Blu-ray/DVD Combo + Digital Copy, and at Amazon Instant.

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Michael Tully is an award-winning writer/director whose films have garnered widespread critical acclaim, his projects having premiered at some of the most renowned film festivals across the globe. He is also the former (and founding) editor of this site. In 2006, Michael's first feature, COCAINE ANGEL, chronicling a tragic week in the life of a young drug addict, world premiered at the International Film Festival Rotterdam. The film immediately solidified the director as one of Filmmaker Magazine’s "25 New Faces of Independent Film,” a reputation that was reinforced a year later when his follow-up feature, SILVER JEW, a documentary capturing the late David Berman's rare musical performances in Tel Aviv, world-premiered at SXSW and landed distribution with cult indie-music label Drag City. In 2011, Michael wrote, directed, and starred in his third feature, SEPTIEN, which debuted at the 27th annual Sundance Film Festival before being acquired by IFC Films' Sundance Selects banner. A few years later, in 2014, Michael returned to Sundance with the world premiere of his fourth feature, PING PONG SUMMER, an ‘80s set coming-of-age tale that was quickly picked up for theatrical distribution by Gravitas Ventures. In 2018, Michael wrote and directed the dread-inducing genre film DON'T LEAVE HOME, which has been described as "Get Out with Catholic guilt in the Irish countryside" (IndieWire). The film premiered at SXSW and was subsequently acquired by Cranked Up Films and Shudder.

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