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	<title>Luis Bunuel Archives - Hammer to Nail</title>
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	<item>
		<title>ON THE FRINGE, PART EIGHT: WENDY AND LUCY (2008)</title>
		<link>https://www.hammertonail.com/reviews/on-the-fringe-8/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 25 Apr 2018 16:03:47 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1080 Bruxelles]]></category>
		<category><![CDATA[12 Angry Men]]></category>
		<category><![CDATA[12 Monkeys]]></category>
		<category><![CDATA[127 Hours]]></category>
		<category><![CDATA[23 quai du Commerce]]></category>
		<category><![CDATA[47 Meters Down]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[All is Lost]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Bard College]]></category>
		<category><![CDATA[Beasts of the Southern Wild]]></category>
		<category><![CDATA[Bela Tarr]]></category>
		<category><![CDATA[Cannes Palm Dog]]></category>
		<category><![CDATA[Carl Theodor Dreyer]]></category>
		<category><![CDATA[Chantal Akerman]]></category>
		<category><![CDATA[Charlie Chaplin]]></category>
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		<category><![CDATA[dada]]></category>
		<category><![CDATA[dadaism]]></category>
		<category><![CDATA[Danny Boyle. Pixar]]></category>
		<category><![CDATA[Donovan]]></category>
		<category><![CDATA[Elephant]]></category>
		<category><![CDATA[Empire]]></category>
		<category><![CDATA[Family Nest]]></category>
		<category><![CDATA[Foxtrot]]></category>
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		<category><![CDATA[FW Murnau]]></category>
		<category><![CDATA[Georges Méliès]]></category>
		<category><![CDATA[Gerry and Last Days]]></category>
		<category><![CDATA[Gus Van Sant]]></category>
		<category><![CDATA[Hurdy Gurdy Man]]></category>
		<category><![CDATA[JC Chandor]]></category>
		<category><![CDATA[Jeanne Dielman]]></category>
		<category><![CDATA[Kelly Reichardt]]></category>
		<category><![CDATA[Krzysztof Komeda]]></category>
		<category><![CDATA[La Jetée]]></category>
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		<category><![CDATA[Locke]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
		<category><![CDATA[Lumière Bros.]]></category>
		<category><![CDATA[Man Ray]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[Mathew Klickstein]]></category>
		<category><![CDATA[Mia Farrow]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Old Joy]]></category>
		<category><![CDATA[On the Fringe]]></category>
		<category><![CDATA[On Your Marc]]></category>
		<category><![CDATA[Open Water]]></category>
		<category><![CDATA[PART EIGHT: WENDY AND LUCY (2008)]]></category>
		<category><![CDATA[René Clair]]></category>
		<category><![CDATA[Richard Linklater]]></category>
		<category><![CDATA[Robert Redford]]></category>
		<category><![CDATA[Robert Wiene]]></category>
		<category><![CDATA[Rope]]></category>
		<category><![CDATA[Rosemary's Baby]]></category>
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		<category><![CDATA[surrealism]]></category>
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		<category><![CDATA[The Exterminating Angel]]></category>
		<category><![CDATA[The Man from London]]></category>
		<category><![CDATA[The Shallows]]></category>
		<category><![CDATA[The Turin Horse]]></category>
		<category><![CDATA[Todd Haynes]]></category>
		<category><![CDATA[Tom Hardy]]></category>
		<category><![CDATA[Umberto D.]]></category>
		<category><![CDATA[Un Certain Regard]]></category>
		<category><![CDATA[Vitorrio De Sica]]></category>
		<category><![CDATA[Vitorrio De Sica’s Umberto D]]></category>
		<category><![CDATA[Wall-E]]></category>
		<category><![CDATA[Walmart]]></category>
		<category><![CDATA[Wendy and Lucy]]></category>
		<category><![CDATA[Werckmeister Harmonies]]></category>
		<category><![CDATA[Will Patton]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29496</guid>

					<description><![CDATA[<p>There is an astonishing, heart-rending scene toward the middle of Kelly Reichardt’s pitch-perfect, Wendy and Lucy, an ascetic touching-without-being-cloying chronicle of a nomadic young girl (Michelle Williams), her dog Lucy and her broken-down car stuck outside of Portland, Oregon on her star-cross’d way [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/on-the-fringe-8/">ON THE FRINGE, PART EIGHT: WENDY AND LUCY (2008)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>ON THE FRINGE: Loquacious introduction + On the Bowery (1956)</title>
		<link>https://www.hammertonail.com/editorial/on-the-fringe-1/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Thu, 01 Mar 2018 22:42:01 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alice Doesn't Live Here Any More]]></category>
		<category><![CDATA[Allison Anders]]></category>
		<category><![CDATA[Ashton Kutcher]]></category>
		<category><![CDATA[Barbara Ehrenreich]]></category>
		<category><![CDATA[Beasts of the Southern Wild]]></category>
		<category><![CDATA[Benh Zeitlin]]></category>
		<category><![CDATA[Charles Burnett]]></category>
		<category><![CDATA[Common People]]></category>
		<category><![CDATA[Down and Out in Paris and London]]></category>
		<category><![CDATA[Eugene O'Neill]]></category>
		<category><![CDATA[Fake news]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[Frederick Wiseman]]></category>
		<category><![CDATA[Gas Food Lodging]]></category>
		<category><![CDATA[George Orwell]]></category>
		<category><![CDATA[Gorman Hendricks]]></category>
		<category><![CDATA[Hector Babenco]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Jeff Nichols]]></category>
		<category><![CDATA[Jim Jarmusch]]></category>
		<category><![CDATA[John Cassavetes]]></category>
		<category><![CDATA[Jonas Mekas]]></category>
		<category><![CDATA[Jose Luis Buñuel]]></category>
		<category><![CDATA[Kelly Reichardt]]></category>
		<category><![CDATA[Kent Mackenzie]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[Lionel Rogosin]]></category>
		<category><![CDATA[Los olvidados]]></category>
		<category><![CDATA[Lucy Ricardo]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
		<category><![CDATA[Mae West]]></category>
		<category><![CDATA[Marc Summers]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Maya Deren]]></category>
		<category><![CDATA[Media Insight Project]]></category>
		<category><![CDATA[Mouchette]]></category>
		<category><![CDATA[Nanook of the North]]></category>
		<category><![CDATA[Nerding Out]]></category>
		<category><![CDATA[Nickel and Dimed]]></category>
		<category><![CDATA[On the Bowery]]></category>
		<category><![CDATA[On the Fringe]]></category>
		<category><![CDATA[On Your Marc]]></category>
		<category><![CDATA[Permanent Vacation]]></category>
		<category><![CDATA[Peter and the Wolf]]></category>
		<category><![CDATA[Pixote]]></category>
		<category><![CDATA[pulp]]></category>
		<category><![CDATA[Ray Salyer]]></category>
		<category><![CDATA[Robert Bresson]]></category>
		<category><![CDATA[Robert Darnton]]></category>
		<category><![CDATA[Robert Flaherty]]></category>
		<category><![CDATA[Roseanne]]></category>
		<category><![CDATA[Sean Baker]]></category>
		<category><![CDATA[Shirley Clarke]]></category>
		<category><![CDATA[Shotgun Stories]]></category>
		<category><![CDATA[Stan Brakhage]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Studs Terkel]]></category>
		<category><![CDATA[Tangerine]]></category>
		<category><![CDATA[The 400 Blows]]></category>
		<category><![CDATA[The Exiles]]></category>
		<category><![CDATA[The Great Cat Massacre]]></category>
		<category><![CDATA[The Iceman Cometh]]></category>
		<category><![CDATA[The Loneliness of the Long Distance Runner]]></category>
		<category><![CDATA[The Ranch]]></category>
		<category><![CDATA[The Simpsons]]></category>
		<category><![CDATA[Three Billboards Outside Ebbing Missouri]]></category>
		<category><![CDATA[Tony Richardson]]></category>
		<category><![CDATA[Wendy & Lucy]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29116</guid>

					<description><![CDATA[<p>(Hammer to Nail is excited to bring author and filmmaker Mathew Klickstein on-board with his new column, On the Fringe) Everybody thought I was crazy to do it. After investing my late teens/early twenties into LA’s dream factory, capped with the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/on-the-fringe-1/">ON THE FRINGE: Loquacious introduction + On the Bowery (1956)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>THE CURBSIDE CRITERION: THE EXTERMINATING ANGEL</title>
		<link>https://www.hammertonail.com/reviews/exterminating-angel-criterion/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 17 Oct 2017 17:27:38 +0000</pubDate>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[Curbside Criterion]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Arturo Ripstein]]></category>
		<category><![CDATA[Belle de Jour]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[catholic imagery]]></category>
		<category><![CDATA[Criterion]]></category>
		<category><![CDATA[Criterion Blu ray]]></category>
		<category><![CDATA[Criterion Collection]]></category>
		<category><![CDATA[Gaizka Urresti]]></category>
		<category><![CDATA[Javier Espada]]></category>
		<category><![CDATA[José de la Colina]]></category>
		<category><![CDATA[Jose Luis Buñuel]]></category>
		<category><![CDATA[L'âge d'or]]></category>
		<category><![CDATA[Los olvidados]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
		<category><![CDATA[Marsha Kinder]]></category>
		<category><![CDATA[Nazarín]]></category>
		<category><![CDATA[Salvador Dali]]></category>
		<category><![CDATA[Silvia Pinal]]></category>
		<category><![CDATA[That Obscure Object of Desire]]></category>
		<category><![CDATA[The Discreet Charm of the Bourgeoisie]]></category>
		<category><![CDATA[The Exterminating Angel]]></category>
		<category><![CDATA[Tomás Pérez Turrent]]></category>
		<category><![CDATA[Un chien andalou]]></category>
		<category><![CDATA[Viridiana]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=28587</guid>

					<description><![CDATA[<div><img width="300" height="225" src="https://www.hammertonail.com/wp-content/uploads/2017/10/EXTERMINATING-ANGEL-banner-300x225.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2017/10/EXTERMINATING-ANGEL-banner-300x225.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2017/10/EXTERMINATING-ANGEL-banner-1024x768.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2017/10/EXTERMINATING-ANGEL-banner-768x576.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2017/10/EXTERMINATING-ANGEL-banner.jpg 1200w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>...a taut psychological thriller with surrealist tendencies that looks both backwards, to the absurdist themes of his debut, and forwards, to the increasingly satirical work of his final decade, while still continuing the sharp criticisms of societal inequities at the center of Buñuel's more realistic Mexican dramas.</p>
<p>The post <a href="https://www.hammertonail.com/reviews/exterminating-angel-criterion/">THE CURBSIDE CRITERION: THE EXTERMINATING ANGEL</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>NEIGHBORING SOUNDS</title>
		<link>https://www.hammertonail.com/reviews/neighboring-sounds-film-review/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Sat, 06 Apr 2013 16:16:37 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[On the Festival Circuit]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA["Crazy Little Thing Called Love"]]></category>
		<category><![CDATA[Bernardo Bertolucci]]></category>
		<category><![CDATA[Brazil]]></category>
		<category><![CDATA[Cinema Guild]]></category>
		<category><![CDATA[Dogtooth]]></category>
		<category><![CDATA[Giorgos Lanthimos]]></category>
		<category><![CDATA[Gustavo Jahn]]></category>
		<category><![CDATA[International Film Festival Rotterdam]]></category>
		<category><![CDATA[Irandhir Santos]]></category>
		<category><![CDATA[Kleber Mendonça Filho]]></category>
		<category><![CDATA[LAFilmFest]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
		<category><![CDATA[Maeve Jinkings]]></category>
		<category><![CDATA[Neighboring Sounds]]></category>
		<category><![CDATA[New Directors New Films]]></category>
		<category><![CDATA[Recife]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[W.J. Solha]]></category>
		<category><![CDATA[Yuri Holanda]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=17728</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2012/06/NeighboringSoundsthumb.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" /></div>
<p>Where Dogtooth felt like a good laugh with a smart new friend, Neighboring Sounds is like a brooding stranger who might turn on you at any moment.</p>
<p>The post <a href="https://www.hammertonail.com/reviews/neighboring-sounds-film-review/">NEIGHBORING SOUNDS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>SXSW &#8217;13: MIKE S. RYAN&#8217;S WRAP-UP</title>
		<link>https://www.hammertonail.com/editorial/sxsw-13-mike-s-ryans-wrap-up/</link>
		
		<dc:creator><![CDATA[Mike S. Ryan]]></dc:creator>
		<pubDate>Fri, 22 Mar 2013 17:51:14 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alan Berliner]]></category>
		<category><![CDATA[Bobby Somer]]></category>
		<category><![CDATA[Bosphorus]]></category>
		<category><![CDATA[Computer Chess]]></category>
		<category><![CDATA[Danny Madden]]></category>
		<category><![CDATA[Distant]]></category>
		<category><![CDATA[Drinking Buddies]]></category>
		<category><![CDATA[Dziga Vertov]]></category>
		<category><![CDATA[Edwin Honig]]></category>
		<category><![CDATA[Euphonia]]></category>
		<category><![CDATA[First Cousin Once Removed]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Fuck For Forest]]></category>
		<category><![CDATA[Halil Deniz Tortum]]></category>
		<category><![CDATA[Jake Johnson]]></category>
		<category><![CDATA[Jem Cohen]]></category>
		<category><![CDATA[Joe Swanberg]]></category>
		<category><![CDATA[Kiss of the Damned]]></category>
		<category><![CDATA[Land Without Bread]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
		<category><![CDATA[Lukasz Grudzinski]]></category>
		<category><![CDATA[Man With A Movie Camera]]></category>
		<category><![CDATA[Mary Margaret O'Hara]]></category>
		<category><![CDATA[Michal Marczak]]></category>
		<category><![CDATA[Museum Hours]]></category>
		<category><![CDATA[Nuri Bilge Ceylan]]></category>
		<category><![CDATA[Oliva Wilde]]></category>
		<category><![CDATA[Our Nixon]]></category>
		<category><![CDATA[Penny Lane]]></category>
		<category><![CDATA[Richard Nixon]]></category>
		<category><![CDATA[Short Term 12]]></category>
		<category><![CDATA[SXSW Film Festival 2013]]></category>
		<category><![CDATA[The Conversation]]></category>
		<category><![CDATA[Xan Cassavetes]]></category>
		<category><![CDATA[Zayiat]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=20126</guid>

					<description><![CDATA[<p>Yes, it wasn’t a great year at SXSW, for a few reasons. I heard from several filmmakers that Tribeca’s new Artistic Director Frederic Boyer was extremely aggressive in approaching filmmakers who submitted to SXSW in pleading with them to bypass [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/sxsw-13-mike-s-ryans-wrap-up/">SXSW &#8217;13: MIKE S. RYAN&#8217;S WRAP-UP</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>TIGER TAIL IN BLUE</title>
		<link>https://www.hammertonail.com/reviews/tiger-tail-in-blue-film-review/</link>
					<comments>https://www.hammertonail.com/reviews/tiger-tail-in-blue-film-review/#comments</comments>
		
		<dc:creator><![CDATA[Mike S. Ryan]]></dc:creator>
		<pubDate>Fri, 16 Nov 2012 15:36:31 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[On the Festival Circuit]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Best Film Not Playing at a Theater Near You]]></category>
		<category><![CDATA[Chris Speed]]></category>
		<category><![CDATA[Fernando Rey]]></category>
		<category><![CDATA[Frank V. Ross]]></category>
		<category><![CDATA[Gotham Awards]]></category>
		<category><![CDATA[John Medeski]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
		<category><![CDATA[Megan Mercier]]></category>
		<category><![CDATA[MoMA]]></category>
		<category><![CDATA[Rebecca Spence]]></category>
		<category><![CDATA[That Obscure Object of Desire]]></category>
		<category><![CDATA[Tiger Tail In Blue]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=18934</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2012/11/TigerTailinBluethumb.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" /></div>
<p>Tiger Tail in Blue is a measured look at working class married life that dares to remain true to life’s actual, mundane reality.</p>
<p>The post <a href="https://www.hammertonail.com/reviews/tiger-tail-in-blue-film-review/">TIGER TAIL IN BLUE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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		<item>
		<title>A Conversation with Richard Peña</title>
		<link>https://www.hammertonail.com/interviews/a-conversation-with-richard-pena/</link>
		
		<dc:creator><![CDATA[Nelson Kim]]></dc:creator>
		<pubDate>Mon, 08 Oct 2012 12:00:40 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
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		<category><![CDATA[Abbas Kiarostami]]></category>
		<category><![CDATA[Amos Vogel]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
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		<category><![CDATA[Bong Joon-Ho]]></category>
		<category><![CDATA[Chen Kaige]]></category>
		<category><![CDATA[Cinema Village]]></category>
		<category><![CDATA[Claude Chabrol]]></category>
		<category><![CDATA[Columbia University]]></category>
		<category><![CDATA[David Bordwell]]></category>
		<category><![CDATA[David Denby]]></category>
		<category><![CDATA[Elinor Bunin Munroe Film Center]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[Film Society of Lincoln Center]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[French New Wave]]></category>
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		<guid isPermaLink="false">http://www.hammertonail.com/?p=18616</guid>

					<description><![CDATA[<p>This year, the New York Film Festival celebrates its 50th anniversary, and its 25th with Richard Peña at the helm. Hired in 1988 to replace Richard Roud, the NYFF’s founding director, Peña has served as both the festival’s Selection Committee [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/a-conversation-with-richard-pena/">A Conversation with Richard Peña</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Qualities Of Better Films #27 of 31: ACCESS TO THE SUBCONSCIOUS</title>
		<link>https://www.hammertonail.com/better-films/qualities-of-better-films-27-of-31-access-to-the-subconscious/</link>
		
		<dc:creator><![CDATA[Ted Hope]]></dc:creator>
		<pubDate>Tue, 16 Jun 2009 14:48:38 +0000</pubDate>
				<category><![CDATA[Let's Make Better Films]]></category>
		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Indie Filmmaking]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=1460</guid>

					<description><![CDATA[<p>As film combines so many diverse elements, it has a profound ability to access what lies beneath. We experience emotions and sensations in a way with cinema that we do nowhere else. David Lynch is certainly the leader among contemporary [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/better-films/qualities-of-better-films-27-of-31-access-to-the-subconscious/">Qualities Of Better Films #27 of 31: ACCESS TO THE SUBCONSCIOUS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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