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	<title>Lou Reed Archives - Hammer to Nail</title>
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	<title>Lou Reed Archives - Hammer to Nail</title>
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	<item>
		<title>THE VELVET UNDERGROUND</title>
		<link>https://www.hammertonail.com/reviews/velvet-underground/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Fri, 15 Oct 2021 20:53:46 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Angus MacLise]]></category>
		<category><![CDATA[Anthony Jannelli]]></category>
		<category><![CDATA[Apple documentaries]]></category>
		<category><![CDATA[Apple TV]]></category>
		<category><![CDATA[Betsey Johnson]]></category>
		<category><![CDATA[Brian Eno]]></category>
		<category><![CDATA[Buzzcocks]]></category>
		<category><![CDATA[Danny Williams]]></category>
		<category><![CDATA[Doug Yule]]></category>
		<category><![CDATA[Edie Sedgwick]]></category>
		<category><![CDATA[Exploding Plastic Inevitable]]></category>
		<category><![CDATA[Grateful Dead]]></category>
		<category><![CDATA[Holly Woodlawn]]></category>
		<category><![CDATA[John Cale]]></category>
		<category><![CDATA[Killer Films]]></category>
		<category><![CDATA[La Monte Young]]></category>
		<category><![CDATA[Lou Reed]]></category>
		<category><![CDATA[Marian Zazeela]]></category>
		<category><![CDATA[Nick Drake]]></category>
		<category><![CDATA[Nico]]></category>
		<category><![CDATA[Pat O’Neill]]></category>
		<category><![CDATA[Robert Pietri]]></category>
		<category><![CDATA[Sterling Morrison]]></category>
		<category><![CDATA[The Making of an Underground Film]]></category>
		<category><![CDATA[The Velvet underground documentary]]></category>
		<category><![CDATA[The Velvet Underground Played at My High School]]></category>
		<category><![CDATA[Todd Haynes]]></category>
		<category><![CDATA[Tony Conrad]]></category>
		<category><![CDATA[Velvet Underground]]></category>
		<category><![CDATA[Venus in Furs]]></category>
		<category><![CDATA[Walk on the Wild Side]]></category>
		<category><![CDATA[White Light / White Heat]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=35682</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2021/10/vu-300x169.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2021/10/vu-300x169.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2021/10/vu-1024x577.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2021/10/vu-768x433.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2021/10/vu-600x338.jpeg 600w, https://www.hammertonail.com/wp-content/uploads/2021/10/vu.jpeg 1280w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Todd Haynes turns his lens towards the indelible Velvet Underground in the doc, The Velvet Underground which is in theaters as well as streaming today on Apple TV. Like what you see here on Hammer to Nail? Why not give just $1.00 [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/velvet-underground/">THE VELVET UNDERGROUND</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>THE CURBSIDE CRITERION: HEART OF A DOG</title>
		<link>https://www.hammertonail.com/reviews/criterion-heart-of-a-dog-blu/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 16 Feb 2017 18:54:22 +0000</pubDate>
				<category><![CDATA[Curbside Criterion]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2015 Oscar documentary shortlist]]></category>
		<category><![CDATA[Big Science]]></category>
		<category><![CDATA[Criterion]]></category>
		<category><![CDATA[Criterion Blu ray]]></category>
		<category><![CDATA[Criterion Collection]]></category>
		<category><![CDATA[Glenn Kenny]]></category>
		<category><![CDATA[Heart of Dog]]></category>
		<category><![CDATA[Home of the Brave]]></category>
		<category><![CDATA[Laurie Anderson]]></category>
		<category><![CDATA[Lou Reed]]></category>
		<category><![CDATA[multimedia]]></category>
		<category><![CDATA[O Superman]]></category>
		<category><![CDATA[Strange Animals]]></category>
		<category><![CDATA[Tibetan Buddhism]]></category>
		<category><![CDATA[Wittgenstein]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=27582</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2017/02/dog.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" /></div>
<p>A metaphysical meditation on just about everything, albeit as filtered through the details of Anderson's own life, Heart of a Dog is a mesmerizing audio-visual tone poem, alternatingly bracing and hypnotic...</p>
<p>The post <a href="https://www.hammertonail.com/reviews/criterion-heart-of-a-dog-blu/">THE CURBSIDE CRITERION: HEART OF A DOG</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Report From the 2009 Cinema Eye Honors</title>
		<link>https://www.hammertonail.com/editorial/essays/a-report-from-the-2009-cinema-eye-honors/</link>
					<comments>https://www.hammertonail.com/editorial/essays/a-report-from-the-2009-cinema-eye-honors/#comments</comments>
		
		<dc:creator><![CDATA[Michael Tully]]></dc:creator>
		<pubDate>Wed, 01 Apr 2009 19:41:39 +0000</pubDate>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[AJ Schnack]]></category>
		<category><![CDATA[Albert Maysles]]></category>
		<category><![CDATA[Ari Folman]]></category>
		<category><![CDATA[Cinema Eye Honors]]></category>
		<category><![CDATA[D.A. Pennebaker]]></category>
		<category><![CDATA[David Polonsky]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[Encounters at the End of the World]]></category>
		<category><![CDATA[Gary Hustwit]]></category>
		<category><![CDATA[Gerhard Meixner]]></category>
		<category><![CDATA[IFC Center]]></category>
		<category><![CDATA[Indiepix]]></category>
		<category><![CDATA[James Marsh]]></category>
		<category><![CDATA[Jason Kohn]]></category>
		<category><![CDATA[Jinx Godfrey]]></category>
		<category><![CDATA[Laurie Anderson]]></category>
		<category><![CDATA[Lou Reed]]></category>
		<category><![CDATA[Man on Wire]]></category>
		<category><![CDATA[Manda Bala (Send a Bullet)]]></category>
		<category><![CDATA[Max Richter]]></category>
		<category><![CDATA[Morgan Spurlock]]></category>
		<category><![CDATA[Peter Zeitlinger]]></category>
		<category><![CDATA[Philippe Petit]]></category>
		<category><![CDATA[Roman Paul]]></category>
		<category><![CDATA[Serge Lalou]]></category>
		<category><![CDATA[Simon Chinn]]></category>
		<category><![CDATA[Spirit Awards]]></category>
		<category><![CDATA[Stranger Than Fiction]]></category>
		<category><![CDATA[The Order of Myths]]></category>
		<category><![CDATA[Thom Powers]]></category>
		<category><![CDATA[True/False Film Festival]]></category>
		<category><![CDATA[Up the Yangtze]]></category>
		<category><![CDATA[Waltz With Bashir]]></category>
		<category><![CDATA[Yael Nahlieli]]></category>
		<category><![CDATA[Yance Ford]]></category>
		<category><![CDATA[Yoni Goodman]]></category>
		<category><![CDATA[Yung Chang]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=320</guid>

					<description><![CDATA[<p>(The following report was submitted by Steve Holmgren and Liz Byer. As we were unable to attend this year’s festivities, we were happy to receive it, and now, to post it.) Independent filmmaking is a notoriously thankless proposition, and this [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/essays/a-report-from-the-2009-cinema-eye-honors/">A Report From the 2009 Cinema Eye Honors</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.hammertonail.com/editorial/essays/a-report-from-the-2009-cinema-eye-honors/feed/</wfw:commentRss>
			<slash:comments>2</slash:comments>
		
		
			</item>
		<item>
		<title>WACKNESS, THE</title>
		<link>https://www.hammertonail.com/reviews/comedy/the-wackness-film-review/</link>
		
		<dc:creator><![CDATA[The Editorial Staff]]></dc:creator>
		<pubDate>Thu, 24 Jan 2008 15:20:22 +0000</pubDate>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[On DVD]]></category>
		<category><![CDATA[1990s]]></category>
		<category><![CDATA[1994]]></category>
		<category><![CDATA[200 Cigarettes]]></category>
		<category><![CDATA[A Tribe Called Quest]]></category>
		<category><![CDATA[All The Boys Love Mandy Lane]]></category>
		<category><![CDATA[Ben Kingsley]]></category>
		<category><![CDATA[Boogie Nights]]></category>
		<category><![CDATA[Dazed and Confused]]></category>
		<category><![CDATA[first love]]></category>
		<category><![CDATA[Jonathan Levine]]></category>
		<category><![CDATA[Josh Peck]]></category>
		<category><![CDATA[Josh Slates]]></category>
		<category><![CDATA[Kurt Cobain]]></category>
		<category><![CDATA[Lou Reed]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[Olivia Thirlby]]></category>
		<category><![CDATA[Steve Barron]]></category>
		<category><![CDATA[Susan Skoog]]></category>
		<category><![CDATA[The Wackness]]></category>
		<category><![CDATA[Whatever]]></category>
		<category><![CDATA[Zima]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=3058</guid>

					<description><![CDATA[<div></div>
<p>The use of irony in period pieces, especially in films detailing historical stretches remembered for their farcical cultural trends (read: clear malt beverages), is a delicate balancing act. You can use period detail to enrich the context of the narrative [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/comedy/the-wackness-film-review/">WACKNESS, THE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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