<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Italian Neorealism Archives - Hammer to Nail</title>
	<atom:link href="https://www.hammertonail.com/tag/italian-neorealism/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.hammertonail.com/tag/italian-neorealism/</link>
	<description>What to Watch</description>
	<lastBuildDate>Mon, 28 Apr 2025 19:59:32 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>https://www.hammertonail.com/wp-content/uploads/2020/01/cropped-logo02-1-32x32.png</url>
	<title>Italian Neorealism Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/italian-neorealism/</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>A Conversation with Charles Burnett (KILLER OF SHEEP)</title>
		<link>https://www.hammertonail.com/interviews/charles-burnett/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Mon, 28 Apr 2025 19:59:32 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1970s cinema]]></category>
		<category><![CDATA[African American cinema]]></category>
		<category><![CDATA[Barry Jenkins]]></category>
		<category><![CDATA[Billy Woodberry]]></category>
		<category><![CDATA[black filmmakers]]></category>
		<category><![CDATA[BLESS THEIR LITTLE HEARTS]]></category>
		<category><![CDATA[Charles Burnett]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[independent filmmaking]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[James Earl Jones]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[LA Rebellion]]></category>
		<category><![CDATA[Margot Kidder]]></category>
		<category><![CDATA[Milestone Films]]></category>
		<category><![CDATA[NOTHING BUT A MAN]]></category>
		<category><![CDATA[Oscar Micheaux]]></category>
		<category><![CDATA[Roberto Rossellini]]></category>
		<category><![CDATA[Ross Lipman]]></category>
		<category><![CDATA[Satyajit Ray]]></category>
		<category><![CDATA[South Central Los Angeles]]></category>
		<category><![CDATA[THE ANNIHILATION OF FISH]]></category>
		<category><![CDATA[UCLA film school]]></category>
		<category><![CDATA[Vittorio De Sica]]></category>
		<category><![CDATA[Watts riots]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53083</guid>

					<description><![CDATA[<div><img width="300" height="155" src="https://www.hammertonail.com/wp-content/uploads/2025/04/Cb-300x155.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/04/Cb-300x155.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/04/Cb-1024x530.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/04/Cb-768x398.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/04/Cb-1536x795.png 1536w, https://www.hammertonail.com/wp-content/uploads/2025/04/Cb.png 1704w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Imagine this peculiar back-and-forth as mere embellishment. There is a far superior interview—in Interview, no less—with the great Charles Burnett and Barry Jenkins “You’re Either a Storyteller or a Liar” Go read that. Then, if interest persists, you can return [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/charles-burnett/">A Conversation with Charles Burnett (KILLER OF SHEEP)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>IL GRIDO Restoration Trailer: Michelangelo Antonioni&#8217;s Underseen Masterpiece Gets the 4K Treatment</title>
		<link>https://www.hammertonail.com/trailer/il-grido-4k-restoration/</link>
		
		<dc:creator><![CDATA[M.J. O'Toole]]></dc:creator>
		<pubDate>Mon, 21 Oct 2024 20:27:06 +0000</pubDate>
				<category><![CDATA[Coming Soon]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[TRAILERS]]></category>
		<category><![CDATA[Alida Valli]]></category>
		<category><![CDATA[Betsy Blair]]></category>
		<category><![CDATA[Cineteca di Bologna]]></category>
		<category><![CDATA[Compass Film]]></category>
		<category><![CDATA[Criterion Collection]]></category>
		<category><![CDATA[Dorian Gray]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[Italian cinema]]></category>
		<category><![CDATA[Italian director]]></category>
		<category><![CDATA[Italian Film]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Italian-Neorealists]]></category>
		<category><![CDATA[Janus Films]]></category>
		<category><![CDATA[Lyn Shaw]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Mirna Girardi]]></category>
		<category><![CDATA[Steve Cochran]]></category>
		<category><![CDATA[The Criterion Collection]]></category>
		<category><![CDATA[The Film Foundation]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=51885</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2024/10/31434id_029_0004_31434id_178_w1600-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="Michelangelo Antonioni&#039;s IL GRIDO" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2024/10/31434id_029_0004_31434id_178_w1600-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2024/10/31434id_029_0004_31434id_178_w1600-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2024/10/31434id_029_0004_31434id_178_w1600-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2024/10/31434id_029_0004_31434id_178_w1600-1536x864.jpg 1536w, https://www.hammertonail.com/wp-content/uploads/2024/10/31434id_029_0004_31434id_178_w1600.jpg 1600w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Before breaking the mold of cinema with his sensations L’avventura and Blow-Out, Michelangelo Antonioni examined a rootless life in his 1957 neorealist drama, Il Grido. Restored by The Film Foundation, Cineteca di Bologna, and Compass Film, it follows mechanic Aldo [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/trailer/il-grido-4k-restoration/">IL GRIDO Restoration Trailer: Michelangelo Antonioni&#8217;s Underseen Masterpiece Gets the 4K Treatment</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>ON THE FRINGE, PART FOUR: KILLER OF SHEEP (1978)</title>
		<link>https://www.hammertonail.com/editorial/on-the-fringe-4/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 28 Mar 2018 20:49:20 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2001: A Space Odyssey]]></category>
		<category><![CDATA[and Outright Lies from a Lifetime Writing for The Simpsons]]></category>
		<category><![CDATA[Annie Hall]]></category>
		<category><![CDATA[Anton Webern]]></category>
		<category><![CDATA[August Wilson]]></category>
		<category><![CDATA[Ava DuVernay]]></category>
		<category><![CDATA[Charles Burnett]]></category>
		<category><![CDATA[Charlie Chaplin]]></category>
		<category><![CDATA[City Lights]]></category>
		<category><![CDATA[David Foster Wallace]]></category>
		<category><![CDATA[Denzel Washington]]></category>
		<category><![CDATA[Diane Arbus]]></category>
		<category><![CDATA[Dogme 95]]></category>
		<category><![CDATA[Earth Wind & Fire]]></category>
		<category><![CDATA[Ed Wood]]></category>
		<category><![CDATA[Elliott Smith]]></category>
		<category><![CDATA[Fences]]></category>
		<category><![CDATA[Festen]]></category>
		<category><![CDATA[From a Basement on the Hill]]></category>
		<category><![CDATA[Harmony Korine]]></category>
		<category><![CDATA[Idioterne]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Italian-Neorealists]]></category>
		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[James Baldwin]]></category>
		<category><![CDATA[Jaws]]></category>
		<category><![CDATA[Julien Donkey-Boy]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[Lars von Trier]]></category>
		<category><![CDATA[Lost in Space]]></category>
		<category><![CDATA[Louis Armstrong]]></category>
		<category><![CDATA[Mathew Klickstein]]></category>
		<category><![CDATA[Moonlight]]></category>
		<category><![CDATA[On the Fringe]]></category>
		<category><![CDATA[Pale King]]></category>
		<category><![CDATA[Precious]]></category>
		<category><![CDATA[Raisin in the Sun]]></category>
		<category><![CDATA[Ralph Ellison]]></category>
		<category><![CDATA[Ralph Eugene Meatyard]]></category>
		<category><![CDATA[Sean Baker]]></category>
		<category><![CDATA[Secrets]]></category>
		<category><![CDATA[Springfield Confidential: Jokes]]></category>
		<category><![CDATA[Stan Brakhage]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Star Wars]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Tangerine]]></category>
		<category><![CDATA[The Battle of Algiers]]></category>
		<category><![CDATA[The Blair Witch Project]]></category>
		<category><![CDATA[The Exiles]]></category>
		<category><![CDATA[The Florida Project]]></category>
		<category><![CDATA[The Kid]]></category>
		<category><![CDATA[The Room]]></category>
		<category><![CDATA[The Texas Chainsaw Massacre]]></category>
		<category><![CDATA[Thomas Vinterberg]]></category>
		<category><![CDATA[UCLA]]></category>
		<category><![CDATA[UCLA film school]]></category>
		<category><![CDATA[United States Film Registry]]></category>
		<category><![CDATA[Vincent Van Gogh]]></category>
		<category><![CDATA[Woody Allen]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29303</guid>

					<description><![CDATA[<p>Accepting his long overdue honorary Oscar at the Academy Awards this year, the soft-spoken, wide-eyed filmmaker Charles Burnett first thanked all his friends and supporters present for their support, particularly those who were there back in the days when he “didn’t have [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/on-the-fringe-4/">ON THE FRINGE, PART FOUR: KILLER OF SHEEP (1978)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>ON THE FRINGE, PART THREE: ALICE DOESN’T LIVE HERE ANYMORE (1974)</title>
		<link>https://www.hammertonail.com/editorial/on-the-fringe-3/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 21 Mar 2018 22:18:20 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Woman Under the Influence]]></category>
		<category><![CDATA[Agnes Varda]]></category>
		<category><![CDATA[Alejandro Jodorowsky]]></category>
		<category><![CDATA[Alfred Lutter]]></category>
		<category><![CDATA[Alice Doesn't Live Here Any More]]></category>
		<category><![CDATA[Alice Doesn’t Live Here Anymore]]></category>
		<category><![CDATA[All That Jazz]]></category>
		<category><![CDATA[Arthur Penn]]></category>
		<category><![CDATA[Atlantic City]]></category>
		<category><![CDATA[Behind the Green Door]]></category>
		<category><![CDATA[Being There]]></category>
		<category><![CDATA[Bob Fosse]]></category>
		<category><![CDATA[Boxcar Bertha]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Butch Cassidy and the Sundance Kid; Bonnie and Clyde]]></category>
		<category><![CDATA[Casino]]></category>
		<category><![CDATA[Chantal Akerman]]></category>
		<category><![CDATA[Closely Watched Trains]]></category>
		<category><![CDATA[Coming Home]]></category>
		<category><![CDATA[Deep Throat]]></category>
		<category><![CDATA[Delicatessen]]></category>
		<category><![CDATA[Diane Ladd]]></category>
		<category><![CDATA[Dog Day Afternoon]]></category>
		<category><![CDATA[Easy Riders]]></category>
		<category><![CDATA[El Topo]]></category>
		<category><![CDATA[Elaine May]]></category>
		<category><![CDATA[Ellen Burstyn]]></category>
		<category><![CDATA[Fat City]]></category>
		<category><![CDATA[Five Easy Pieces]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[George Roy Hill]]></category>
		<category><![CDATA[Get Out]]></category>
		<category><![CDATA[Gone With the Wind]]></category>
		<category><![CDATA[Goodfellas]]></category>
		<category><![CDATA[Gordon Parks]]></category>
		<category><![CDATA[Guillermo del Toro]]></category>
		<category><![CDATA[Hal Ashby]]></category>
		<category><![CDATA[Halloween]]></category>
		<category><![CDATA[Harold & Maude]]></category>
		<category><![CDATA[Harvey Keitel]]></category>
		<category><![CDATA[Herbert Ross]]></category>
		<category><![CDATA[Herschell Gordon Lewis]]></category>
		<category><![CDATA[Husbands]]></category>
		<category><![CDATA[I Am Curious]]></category>
		<category><![CDATA[In The Realm of the Senses]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Italian-Neorealists]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Jean-Pierre Jeunet]]></category>
		<category><![CDATA[Jirí Menzel]]></category>
		<category><![CDATA[Jodie Foster]]></category>
		<category><![CDATA[John Carpenter]]></category>
		<category><![CDATA[John Cassavetes]]></category>
		<category><![CDATA[John Schlesinger]]></category>
		<category><![CDATA[John Waters]]></category>
		<category><![CDATA[Jr.]]></category>
		<category><![CDATA[Ken Loach]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[Kramer vs. Kramer]]></category>
		<category><![CDATA[Kris Kristofferson]]></category>
		<category><![CDATA[Louis Malle]]></category>
		<category><![CDATA[Loves of a Blonde]]></category>
		<category><![CDATA[Maidstone]]></category>
		<category><![CDATA[Martin Ritt]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Mathew Klickstein]]></category>
		<category><![CDATA[Mean Streets]]></category>
		<category><![CDATA[Melvin and Howard]]></category>
		<category><![CDATA[Melvin Van Peebles]]></category>
		<category><![CDATA[Midnight Cowboy]]></category>
		<category><![CDATA[Mike Nichols]]></category>
		<category><![CDATA[Milos Forman]]></category>
		<category><![CDATA[Minnie & Moskowitz]]></category>
		<category><![CDATA[Nagisa Oshima]]></category>
		<category><![CDATA[Nashville]]></category>
		<category><![CDATA[Network]]></category>
		<category><![CDATA[Norma Rae]]></category>
		<category><![CDATA[Norman Mailer]]></category>
		<category><![CDATA[One the Fringe]]></category>
		<category><![CDATA[Pan's Labyrinth]]></category>
		<category><![CDATA[Paper Moon]]></category>
		<category><![CDATA[Paul Verhoeven]]></category>
		<category><![CDATA[Peter Biskind]]></category>
		<category><![CDATA[Peter Bogdanovich]]></category>
		<category><![CDATA[Poor Cow]]></category>
		<category><![CDATA[Raging Bulls]]></category>
		<category><![CDATA[Rainer Werner Fassbinder]]></category>
		<category><![CDATA[Ralph Bakshi]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Robert Downey Sr.]]></category>
		<category><![CDATA[Robert Evans]]></category>
		<category><![CDATA[Roger Corman]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Russ Meyer]]></category>
		<category><![CDATA[Scenes From A Marriage]]></category>
		<category><![CDATA[Shampoo]]></category>
		<category><![CDATA[Sidney Lumet]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Stroszek]]></category>
		<category><![CDATA[Sweet Movie]]></category>
		<category><![CDATA[Sydney Pollack]]></category>
		<category><![CDATA[Taxi Driver]]></category>
		<category><![CDATA[The Bad News Bears]]></category>
		<category><![CDATA[The Fireman's Ball]]></category>
		<category><![CDATA[The Harder They Come]]></category>
		<category><![CDATA[The Kid Stays in the Picture]]></category>
		<category><![CDATA[the Kuchar Brothers]]></category>
		<category><![CDATA[The Landlord]]></category>
		<category><![CDATA[The Last Detail]]></category>
		<category><![CDATA[The Last House on the Left]]></category>
		<category><![CDATA[The Last Picture Show]]></category>
		<category><![CDATA[The Shape of Water]]></category>
		<category><![CDATA[The Spirit of the Beehive]]></category>
		<category><![CDATA[The Stepford Wives]]></category>
		<category><![CDATA[The Swimmer]]></category>
		<category><![CDATA[The Texas Chainsaw Massacre]]></category>
		<category><![CDATA[The Wolf of Wall Street]]></category>
		<category><![CDATA[Tobe Hooper]]></category>
		<category><![CDATA[Turkish Delight]]></category>
		<category><![CDATA[Victor Erice]]></category>
		<category><![CDATA[Vilgot Sjöman]]></category>
		<category><![CDATA[Volker Schlöndorff]]></category>
		<category><![CDATA[Werner Herzog]]></category>
		<category><![CDATA[Wes Craven]]></category>
		<category><![CDATA[William Friedkin]]></category>
		<category><![CDATA[Wim Wenders]]></category>
		<category><![CDATA[Wizard of Oz]]></category>
		<category><![CDATA[Woody Allen]]></category>
		<category><![CDATA[WR: Mysteries of the Organism]]></category>
		<category><![CDATA[Xala]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29240</guid>

					<description><![CDATA[<p>Something was happening in the American cinema starting in the late 1960s and throughout the 1970s. Among other progressions in societal mores, technology and legalities, this decade+ could arguably be considered a Golden Age of courageous truth-telling films that mine [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/on-the-fringe-3/">ON THE FRINGE, PART THREE: ALICE DOESN’T LIVE HERE ANYMORE (1974)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>ON THE FRINGE: Loquacious introduction + On the Bowery (1956)</title>
		<link>https://www.hammertonail.com/editorial/on-the-fringe-1/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Thu, 01 Mar 2018 22:42:01 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alice Doesn't Live Here Any More]]></category>
		<category><![CDATA[Allison Anders]]></category>
		<category><![CDATA[Ashton Kutcher]]></category>
		<category><![CDATA[Barbara Ehrenreich]]></category>
		<category><![CDATA[Beasts of the Southern Wild]]></category>
		<category><![CDATA[Benh Zeitlin]]></category>
		<category><![CDATA[Charles Burnett]]></category>
		<category><![CDATA[Common People]]></category>
		<category><![CDATA[Down and Out in Paris and London]]></category>
		<category><![CDATA[Eugene O'Neill]]></category>
		<category><![CDATA[Fake news]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[Frederick Wiseman]]></category>
		<category><![CDATA[Gas Food Lodging]]></category>
		<category><![CDATA[George Orwell]]></category>
		<category><![CDATA[Gorman Hendricks]]></category>
		<category><![CDATA[Hector Babenco]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Jeff Nichols]]></category>
		<category><![CDATA[Jim Jarmusch]]></category>
		<category><![CDATA[John Cassavetes]]></category>
		<category><![CDATA[Jonas Mekas]]></category>
		<category><![CDATA[Jose Luis Buñuel]]></category>
		<category><![CDATA[Kelly Reichardt]]></category>
		<category><![CDATA[Kent Mackenzie]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[Lionel Rogosin]]></category>
		<category><![CDATA[Los olvidados]]></category>
		<category><![CDATA[Lucy Ricardo]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
		<category><![CDATA[Mae West]]></category>
		<category><![CDATA[Marc Summers]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Maya Deren]]></category>
		<category><![CDATA[Media Insight Project]]></category>
		<category><![CDATA[Mouchette]]></category>
		<category><![CDATA[Nanook of the North]]></category>
		<category><![CDATA[Nerding Out]]></category>
		<category><![CDATA[Nickel and Dimed]]></category>
		<category><![CDATA[On the Bowery]]></category>
		<category><![CDATA[On the Fringe]]></category>
		<category><![CDATA[On Your Marc]]></category>
		<category><![CDATA[Permanent Vacation]]></category>
		<category><![CDATA[Peter and the Wolf]]></category>
		<category><![CDATA[Pixote]]></category>
		<category><![CDATA[pulp]]></category>
		<category><![CDATA[Ray Salyer]]></category>
		<category><![CDATA[Robert Bresson]]></category>
		<category><![CDATA[Robert Darnton]]></category>
		<category><![CDATA[Robert Flaherty]]></category>
		<category><![CDATA[Roseanne]]></category>
		<category><![CDATA[Sean Baker]]></category>
		<category><![CDATA[Shirley Clarke]]></category>
		<category><![CDATA[Shotgun Stories]]></category>
		<category><![CDATA[Stan Brakhage]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Studs Terkel]]></category>
		<category><![CDATA[Tangerine]]></category>
		<category><![CDATA[The 400 Blows]]></category>
		<category><![CDATA[The Exiles]]></category>
		<category><![CDATA[The Great Cat Massacre]]></category>
		<category><![CDATA[The Iceman Cometh]]></category>
		<category><![CDATA[The Loneliness of the Long Distance Runner]]></category>
		<category><![CDATA[The Ranch]]></category>
		<category><![CDATA[The Simpsons]]></category>
		<category><![CDATA[Three Billboards Outside Ebbing Missouri]]></category>
		<category><![CDATA[Tony Richardson]]></category>
		<category><![CDATA[Wendy & Lucy]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29116</guid>

					<description><![CDATA[<p>(Hammer to Nail is excited to bring author and filmmaker Mathew Klickstein on-board with his new column, On the Fringe) Everybody thought I was crazy to do it. After investing my late teens/early twenties into LA’s dream factory, capped with the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/on-the-fringe-1/">ON THE FRINGE: Loquacious introduction + On the Bowery (1956)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>I, DANIEL BLAKE</title>
		<link>https://www.hammertonail.com/reviews/i-daniel-blake-review/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 23 Dec 2016 19:00:44 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[BBC]]></category>
		<category><![CDATA[Blood Cells]]></category>
		<category><![CDATA[Dave Johns]]></category>
		<category><![CDATA[Hayley Squires]]></category>
		<category><![CDATA[I Daniel Blake]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Ken Loach]]></category>
		<category><![CDATA[Palme d'Or]]></category>
		<category><![CDATA[Poor Cow]]></category>
		<category><![CDATA[Umberto D.]]></category>
		<category><![CDATA[Wind That Shakes the Barley]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=27348</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2016/12/I-DANIEL-BLAKE-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2016/12/I-DANIEL-BLAKE-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2016/12/I-DANIEL-BLAKE-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2016/12/I-DANIEL-BLAKE-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2016/12/I-DANIEL-BLAKE-600x338.jpg 600w, https://www.hammertonail.com/wp-content/uploads/2016/12/I-DANIEL-BLAKE.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Still, as an exposé of the systematic degradation of the human spirit, it is a powerful condemnation of the perils of a capitalism that jettisons the weak. Take heed, for we are all potential Daniel Blakes.</p>
<p>The post <a href="https://www.hammertonail.com/reviews/i-daniel-blake-review/">I, DANIEL BLAKE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>GIMME THE LOOT</title>
		<link>https://www.hammertonail.com/reviews/gimme-the-loot-film-review/</link>
					<comments>https://www.hammertonail.com/reviews/gimme-the-loot-film-review/#comments</comments>
		
		<dc:creator><![CDATA[Michael Tully]]></dc:creator>
		<pubDate>Mon, 25 Mar 2013 14:00:19 +0000</pubDate>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[On DVD]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Adam Leon]]></category>
		<category><![CDATA[Filmmaker Magazine Pick of the Week]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Gimme The Loot]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Meeko Gattuso]]></category>
		<category><![CDATA[Richard Linklater]]></category>
		<category><![CDATA[slacker]]></category>
		<category><![CDATA[Smithereens]]></category>
		<category><![CDATA[Stranger Than Paradise]]></category>
		<category><![CDATA[Sundance Selects]]></category>
		<category><![CDATA[SXSW Film Festival 2012]]></category>
		<category><![CDATA[Tashian Washington]]></category>
		<category><![CDATA[Ty Hickson]]></category>
		<category><![CDATA[Un Certain Regard]]></category>
		<category><![CDATA[Wild Style]]></category>
		<category><![CDATA[Zoë Lescaze]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=20118</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2013/03/GimmeTheLootthumb.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" /></div>
<p>Never sacrificing one for the other, Gimme The Loot somehow manages to be both raw and sweet at the same time.</p>
<p>The post <a href="https://www.hammertonail.com/reviews/gimme-the-loot-film-review/">GIMME THE LOOT</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.hammertonail.com/reviews/gimme-the-loot-film-review/feed/</wfw:commentRss>
			<slash:comments>2</slash:comments>
		
		
			</item>
		<item>
		<title>A Conversation with Richard Peña</title>
		<link>https://www.hammertonail.com/interviews/a-conversation-with-richard-pena/</link>
		
		<dc:creator><![CDATA[Nelson Kim]]></dc:creator>
		<pubDate>Mon, 08 Oct 2012 12:00:40 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Abbas Kiarostami]]></category>
		<category><![CDATA[Amos Vogel]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Beijing Film Academy]]></category>
		<category><![CDATA[Bong Joon-Ho]]></category>
		<category><![CDATA[Chen Kaige]]></category>
		<category><![CDATA[Cinema Village]]></category>
		<category><![CDATA[Claude Chabrol]]></category>
		<category><![CDATA[Columbia University]]></category>
		<category><![CDATA[David Bordwell]]></category>
		<category><![CDATA[David Denby]]></category>
		<category><![CDATA[Elinor Bunin Munroe Film Center]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[Film Society of Lincoln Center]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Hou Hsiao-hsien]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Jacques Doillon]]></category>
		<category><![CDATA[Jacques Rivette]]></category>
		<category><![CDATA[Japan Society]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Kent Jones]]></category>
		<category><![CDATA[L'Avventura]]></category>
		<category><![CDATA[Loulou]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Maurice Pialat]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Museum of Modern Art]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[New Directors New Films]]></category>
		<category><![CDATA[New York Film Festival]]></category>
		<category><![CDATA[Nicolae Ceausescu]]></category>
		<category><![CDATA[Park Chan-wook]]></category>
		<category><![CDATA[Philippe Garrel]]></category>
		<category><![CDATA[Richard Pena]]></category>
		<category><![CDATA[Richard Roud]]></category>
		<category><![CDATA[Robert Koehler]]></category>
		<category><![CDATA[Romanian New Wave]]></category>
		<category><![CDATA[Rose Kuo]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[The Death of Mr. Lazarescu]]></category>
		<category><![CDATA[Walter Reade Theater]]></category>
		<category><![CDATA[Xie Jin]]></category>
		<category><![CDATA[Zhang Yimou]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=18616</guid>

					<description><![CDATA[<p>This year, the New York Film Festival celebrates its 50th anniversary, and its 25th with Richard Peña at the helm. Hired in 1988 to replace Richard Roud, the NYFF’s founding director, Peña has served as both the festival’s Selection Committee [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/a-conversation-with-richard-pena/">A Conversation with Richard Peña</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>ROBERTO ROSSELLINI’S WAR TRILOGY</title>
		<link>https://www.hammertonail.com/reviews/drama/roberto-rossellinis-war-trilogy-film-review/</link>
		
		<dc:creator><![CDATA[Nelson Kim]]></dc:creator>
		<pubDate>Wed, 27 Jan 2010 13:04:35 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[On DVD]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Anna Magnani]]></category>
		<category><![CDATA[Battleship Potemkin]]></category>
		<category><![CDATA[Berlin International Film Festival]]></category>
		<category><![CDATA[Criterion Collection]]></category>
		<category><![CDATA[Federico Fellini]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Germany Year Zero]]></category>
		<category><![CDATA[Ingrid Bergman]]></category>
		<category><![CDATA[Italian cinema]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[L'Avventura]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Nelson Kim]]></category>
		<category><![CDATA[Paisan]]></category>
		<category><![CDATA[Pier Paolo Pasolini]]></category>
		<category><![CDATA[Psycho]]></category>
		<category><![CDATA[Roberto Rossellini]]></category>
		<category><![CDATA[Roberto Rossellini's War Trilogy]]></category>
		<category><![CDATA[Rome]]></category>
		<category><![CDATA[Rome Open City]]></category>
		<category><![CDATA[Voyage to Italy]]></category>
		<category><![CDATA[World War II]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=2238</guid>

					<description><![CDATA[<div></div>
<p>(Roberto Rossellini’s War Trilogy is available from Amazon.) The challenge is to see things with a fresh eye. When a film has been called a “classic” for too long, it comes to us cloaked in a fog of received opinion, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/drama/roberto-rossellinis-war-trilogy-film-review/">ROBERTO ROSSELLINI’S WAR TRILOGY</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>ROSSELLINI’S HISTORY FILMS</title>
		<link>https://www.hammertonail.com/reviews/drama/rossellinis-history-films-review/</link>
		
		<dc:creator><![CDATA[Cullen Gallagher]]></dc:creator>
		<pubDate>Tue, 13 Jan 2009 13:07:05 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[On DVD]]></category>
		<category><![CDATA[Aldo Fabrizi]]></category>
		<category><![CDATA[Anna Magnani]]></category>
		<category><![CDATA[Criterion Collection]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[Italian cinema]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Neorealism]]></category>
		<category><![CDATA[Open City]]></category>
		<category><![CDATA[Roberto Rossellini]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=2242</guid>

					<description><![CDATA[<div></div>
<p>It’s hard to think of a more universally influential film than Roberto Rossellini’s Open City (1945). Just as legendary as its story of Rome’s anti-Nazi resistance is the real life circumstances of its production. With the studios bombed, Rossellini takes [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/drama/rossellinis-history-films-review/">ROSSELLINI’S HISTORY FILMS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/?utm_source=w3tc&utm_medium=footer_comment&utm_campaign=free_plugin

Database Caching 42/43 queries in 0.027 seconds using Disk

Served from: www.hammertonail.com @ 2026-05-02 06:46:32 by W3 Total Cache
-->