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	<title>Brian De Palma Archives - Hammer to Nail</title>
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	<title>Brian De Palma Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/brian-de-palma/</link>
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	<item>
		<title>A Conversation with David Hinton &#038; Thelma Schoonmaker (MADE IN ENGLAND: THE FILMS OF POWELL AND PRESSBURGER)</title>
		<link>https://www.hammertonail.com/interviews/hinton-schoonmaker/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 15 Aug 2024 20:38:46 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[VOD Release]]></category>
		<category><![CDATA[Black Narcissus]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Coppola]]></category>
		<category><![CDATA[David Hinton]]></category>
		<category><![CDATA[George Lucas]]></category>
		<category><![CDATA[Killers of the Flower Moon]]></category>
		<category><![CDATA[MADE IN ENGLAND: THE FILMS OF POWELL AND PRESSBURGER]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Million Dollar Movie]]></category>
		<category><![CDATA[Peeping Tom]]></category>
		<category><![CDATA[Powell & Pressburger documentary]]></category>
		<category><![CDATA[Tales of Hoffman]]></category>
		<category><![CDATA[The Life and Death of Colonel Blimp]]></category>
		<category><![CDATA[The Red Shoes]]></category>
		<category><![CDATA[Thelma Schoonmaker]]></category>
		<category><![CDATA[Travis Bickle]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=51414</guid>

					<description><![CDATA[<div><img width="300" height="149" src="https://www.hammertonail.com/wp-content/uploads/2024/08/coverpp-300x149.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2024/08/coverpp-300x149.png 300w, https://www.hammertonail.com/wp-content/uploads/2024/08/coverpp-1024x508.png 1024w, https://www.hammertonail.com/wp-content/uploads/2024/08/coverpp-768x381.png 768w, https://www.hammertonail.com/wp-content/uploads/2024/08/coverpp-1536x762.png 1536w, https://www.hammertonail.com/wp-content/uploads/2024/08/coverpp-1300x650.png 1300w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Made in England: The Films of Powell and Pressburger was written and directed by David Hinton and executive produced by Thelma Schoonmaker. The film is essentially 2 hrs + of Martin Scorsese expressing his deep love and admiration for the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/hinton-schoonmaker/">A Conversation with David Hinton &#038; Thelma Schoonmaker (MADE IN ENGLAND: THE FILMS OF POWELL AND PRESSBURGER)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>THE CURBSIDE CRITERION: BLOW OUT</title>
		<link>https://www.hammertonail.com/reviews/blow-out-criterion/</link>
		
		<dc:creator><![CDATA[Brad Cook]]></dc:creator>
		<pubDate>Tue, 20 Sep 2022 20:01:37 +0000</pubDate>
				<category><![CDATA[Curbside Criterion]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Blow Out]]></category>
		<category><![CDATA[Blow-Up]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Criterion]]></category>
		<category><![CDATA[Criterion 4k]]></category>
		<category><![CDATA[Criterion Blow Out]]></category>
		<category><![CDATA[Criterion Blu ray]]></category>
		<category><![CDATA[Garret Brown]]></category>
		<category><![CDATA[John Lithgow]]></category>
		<category><![CDATA[John Travolta]]></category>
		<category><![CDATA[Michael Sragow]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Murder a la Mod]]></category>
		<category><![CDATA[Nancy Allen]]></category>
		<category><![CDATA[Noah Baumbach]]></category>
		<category><![CDATA[Pauline Kael]]></category>
		<category><![CDATA[Rocky]]></category>
		<category><![CDATA[steadicam]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=37977</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2022/09/blowOut-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2022/09/blowOut-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2022/09/blowOut-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2022/09/blowOut-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2022/09/blowOut-600x338.jpg 600w, https://www.hammertonail.com/wp-content/uploads/2022/09/blowOut.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Here at Hammer to Nail, we are all about true independent cinema. But we also have to tip our hat to the great films of yesteryear that continue to inspire filmmakers and cinephiles alike. This week, Brad Cook looks and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/blow-out-criterion/">THE CURBSIDE CRITERION: BLOW OUT</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>BLACK BOX</title>
		<link>https://www.hammertonail.com/reviews/black-box-2/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 28 Apr 2022 17:05:10 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[Andre Dussollier]]></category>
		<category><![CDATA[Black Box]]></category>
		<category><![CDATA[Blow Out]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Lou de Laâge]]></category>
		<category><![CDATA[Lovers]]></category>
		<category><![CDATA[My Golden Days]]></category>
		<category><![CDATA[Pierre Niney]]></category>
		<category><![CDATA[The Conversation]]></category>
		<category><![CDATA[The Mad Women’s Ball]]></category>
		<category><![CDATA[Yann Gozlan]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=36973</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2022/04/BLACK-BOX-still_04-300x169.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2022/04/BLACK-BOX-still_04-300x169.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2022/04/BLACK-BOX-still_04-1024x576.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2022/04/BLACK-BOX-still_04-768x432.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2022/04/BLACK-BOX-still_04-600x338.jpeg 600w, https://www.hammertonail.com/wp-content/uploads/2022/04/BLACK-BOX-still_04.jpeg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Chris Reed&#8217;s movie review of Black Box which opened this week in New York, and next week in Los Angeles. Seen it? Join the conversation with HtN on our Letterboxd Page.) When, at the start of Yann Gozlan’s [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/black-box-2/">BLACK BOX</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Michael Tully (DON&#8217;T LEAVE HOME)</title>
		<link>https://www.hammertonail.com/interviews/michael-tully/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 20 Apr 2018 19:35:11 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[People We Love]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2018 SXSW Film Festival]]></category>
		<category><![CDATA[4:3 aspect ratio]]></category>
		<category><![CDATA[A Ghost Story]]></category>
		<category><![CDATA[Alisha Weir]]></category>
		<category><![CDATA[Angela Lansbury]]></category>
		<category><![CDATA[Anna Margaret Hollyman]]></category>
		<category><![CDATA[Armando Ianucci]]></category>
		<category><![CDATA[Baby Driver]]></category>
		<category><![CDATA[Body Heat]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[David McSavage]]></category>
		<category><![CDATA[Dayveon]]></category>
		<category><![CDATA[Don’t Leave Home]]></category>
		<category><![CDATA[Emeric Pressburger]]></category>
		<category><![CDATA[Eric Rohmer]]></category>
		<category><![CDATA[First Reformed]]></category>
		<category><![CDATA[Frank Capra]]></category>
		<category><![CDATA[Gingerbread Man]]></category>
		<category><![CDATA[Grabbers]]></category>
		<category><![CDATA[Helena Bereen]]></category>
		<category><![CDATA[I Am Belfast]]></category>
		<category><![CDATA[In the Loop]]></category>
		<category><![CDATA[It Happened One Night]]></category>
		<category><![CDATA[Jessica Harper]]></category>
		<category><![CDATA[Jon Hamm]]></category>
		<category><![CDATA[Jon Wright]]></category>
		<category><![CDATA[Katharine Hepburn]]></category>
		<category><![CDATA[Lady Bird]]></category>
		<category><![CDATA[Lalor Roddy]]></category>
		<category><![CDATA[Lurch]]></category>
		<category><![CDATA[Mark Cousins]]></category>
		<category><![CDATA[Michael Montes]]></category>
		<category><![CDATA[Michael Powell]]></category>
		<category><![CDATA[Michael Tully]]></category>
		<category><![CDATA[Moonlight]]></category>
		<category><![CDATA[Napoleon Dynamite]]></category>
		<category><![CDATA[Orenda Fink]]></category>
		<category><![CDATA[Paul Schrader]]></category>
		<category><![CDATA[Ping Pong Summer]]></category>
		<category><![CDATA[port noir]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Robert Bresson]]></category>
		<category><![CDATA[Sacha Baron Cohen]]></category>
		<category><![CDATA[skinemax]]></category>
		<category><![CDATA[Spencer Tracy]]></category>
		<category><![CDATA[State of the Union]]></category>
		<category><![CDATA[SXSW Film Festival]]></category>
		<category><![CDATA[The Big Sick]]></category>
		<category><![CDATA[The Death of Stalin]]></category>
		<category><![CDATA[The Naked Gun]]></category>
		<category><![CDATA[The Office]]></category>
		<category><![CDATA[The Spirit of the Beehive]]></category>
		<category><![CDATA[Uncle Fester]]></category>
		<category><![CDATA[Veep]]></category>
		<category><![CDATA[Wyatt Garfield]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29468</guid>

					<description><![CDATA[<p>I met with filmmaker Michael Tully (the former editor of this site), on Friday, March 16, at SXSW 2018, to discuss his latest movie, Don&#8217;t Leave Home (reviewed by Don Simpson), which premiered at the festival. The film, a disturbing [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/michael-tully/">A Conversation with Michael Tully (DON&#8217;T LEAVE HOME)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>ON THE FRINGE, PART THREE: ALICE DOESN’T LIVE HERE ANYMORE (1974)</title>
		<link>https://www.hammertonail.com/editorial/on-the-fringe-3/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 21 Mar 2018 22:18:20 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Woman Under the Influence]]></category>
		<category><![CDATA[Agnes Varda]]></category>
		<category><![CDATA[Alejandro Jodorowsky]]></category>
		<category><![CDATA[Alfred Lutter]]></category>
		<category><![CDATA[Alice Doesn't Live Here Any More]]></category>
		<category><![CDATA[Alice Doesn’t Live Here Anymore]]></category>
		<category><![CDATA[All That Jazz]]></category>
		<category><![CDATA[Arthur Penn]]></category>
		<category><![CDATA[Atlantic City]]></category>
		<category><![CDATA[Behind the Green Door]]></category>
		<category><![CDATA[Being There]]></category>
		<category><![CDATA[Bob Fosse]]></category>
		<category><![CDATA[Boxcar Bertha]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Butch Cassidy and the Sundance Kid; Bonnie and Clyde]]></category>
		<category><![CDATA[Casino]]></category>
		<category><![CDATA[Chantal Akerman]]></category>
		<category><![CDATA[Closely Watched Trains]]></category>
		<category><![CDATA[Coming Home]]></category>
		<category><![CDATA[Deep Throat]]></category>
		<category><![CDATA[Delicatessen]]></category>
		<category><![CDATA[Diane Ladd]]></category>
		<category><![CDATA[Dog Day Afternoon]]></category>
		<category><![CDATA[Easy Riders]]></category>
		<category><![CDATA[El Topo]]></category>
		<category><![CDATA[Elaine May]]></category>
		<category><![CDATA[Ellen Burstyn]]></category>
		<category><![CDATA[Fat City]]></category>
		<category><![CDATA[Five Easy Pieces]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[George Roy Hill]]></category>
		<category><![CDATA[Get Out]]></category>
		<category><![CDATA[Gone With the Wind]]></category>
		<category><![CDATA[Goodfellas]]></category>
		<category><![CDATA[Gordon Parks]]></category>
		<category><![CDATA[Guillermo del Toro]]></category>
		<category><![CDATA[Hal Ashby]]></category>
		<category><![CDATA[Halloween]]></category>
		<category><![CDATA[Harold & Maude]]></category>
		<category><![CDATA[Harvey Keitel]]></category>
		<category><![CDATA[Herbert Ross]]></category>
		<category><![CDATA[Herschell Gordon Lewis]]></category>
		<category><![CDATA[Husbands]]></category>
		<category><![CDATA[I Am Curious]]></category>
		<category><![CDATA[In The Realm of the Senses]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Italian-Neorealists]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Jean-Pierre Jeunet]]></category>
		<category><![CDATA[Jirí Menzel]]></category>
		<category><![CDATA[Jodie Foster]]></category>
		<category><![CDATA[John Carpenter]]></category>
		<category><![CDATA[John Cassavetes]]></category>
		<category><![CDATA[John Schlesinger]]></category>
		<category><![CDATA[John Waters]]></category>
		<category><![CDATA[Jr.]]></category>
		<category><![CDATA[Ken Loach]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[Kramer vs. Kramer]]></category>
		<category><![CDATA[Kris Kristofferson]]></category>
		<category><![CDATA[Louis Malle]]></category>
		<category><![CDATA[Loves of a Blonde]]></category>
		<category><![CDATA[Maidstone]]></category>
		<category><![CDATA[Martin Ritt]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Mathew Klickstein]]></category>
		<category><![CDATA[Mean Streets]]></category>
		<category><![CDATA[Melvin and Howard]]></category>
		<category><![CDATA[Melvin Van Peebles]]></category>
		<category><![CDATA[Midnight Cowboy]]></category>
		<category><![CDATA[Mike Nichols]]></category>
		<category><![CDATA[Milos Forman]]></category>
		<category><![CDATA[Minnie & Moskowitz]]></category>
		<category><![CDATA[Nagisa Oshima]]></category>
		<category><![CDATA[Nashville]]></category>
		<category><![CDATA[Network]]></category>
		<category><![CDATA[Norma Rae]]></category>
		<category><![CDATA[Norman Mailer]]></category>
		<category><![CDATA[One the Fringe]]></category>
		<category><![CDATA[Pan's Labyrinth]]></category>
		<category><![CDATA[Paper Moon]]></category>
		<category><![CDATA[Paul Verhoeven]]></category>
		<category><![CDATA[Peter Biskind]]></category>
		<category><![CDATA[Peter Bogdanovich]]></category>
		<category><![CDATA[Poor Cow]]></category>
		<category><![CDATA[Raging Bulls]]></category>
		<category><![CDATA[Rainer Werner Fassbinder]]></category>
		<category><![CDATA[Ralph Bakshi]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Robert Downey Sr.]]></category>
		<category><![CDATA[Robert Evans]]></category>
		<category><![CDATA[Roger Corman]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Russ Meyer]]></category>
		<category><![CDATA[Scenes From A Marriage]]></category>
		<category><![CDATA[Shampoo]]></category>
		<category><![CDATA[Sidney Lumet]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Stroszek]]></category>
		<category><![CDATA[Sweet Movie]]></category>
		<category><![CDATA[Sydney Pollack]]></category>
		<category><![CDATA[Taxi Driver]]></category>
		<category><![CDATA[The Bad News Bears]]></category>
		<category><![CDATA[The Fireman's Ball]]></category>
		<category><![CDATA[The Harder They Come]]></category>
		<category><![CDATA[The Kid Stays in the Picture]]></category>
		<category><![CDATA[the Kuchar Brothers]]></category>
		<category><![CDATA[The Landlord]]></category>
		<category><![CDATA[The Last Detail]]></category>
		<category><![CDATA[The Last House on the Left]]></category>
		<category><![CDATA[The Last Picture Show]]></category>
		<category><![CDATA[The Shape of Water]]></category>
		<category><![CDATA[The Spirit of the Beehive]]></category>
		<category><![CDATA[The Stepford Wives]]></category>
		<category><![CDATA[The Swimmer]]></category>
		<category><![CDATA[The Texas Chainsaw Massacre]]></category>
		<category><![CDATA[The Wolf of Wall Street]]></category>
		<category><![CDATA[Tobe Hooper]]></category>
		<category><![CDATA[Turkish Delight]]></category>
		<category><![CDATA[Victor Erice]]></category>
		<category><![CDATA[Vilgot Sjöman]]></category>
		<category><![CDATA[Volker Schlöndorff]]></category>
		<category><![CDATA[Werner Herzog]]></category>
		<category><![CDATA[Wes Craven]]></category>
		<category><![CDATA[William Friedkin]]></category>
		<category><![CDATA[Wim Wenders]]></category>
		<category><![CDATA[Wizard of Oz]]></category>
		<category><![CDATA[Woody Allen]]></category>
		<category><![CDATA[WR: Mysteries of the Organism]]></category>
		<category><![CDATA[Xala]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29240</guid>

					<description><![CDATA[<p>Something was happening in the American cinema starting in the late 1960s and throughout the 1970s. Among other progressions in societal mores, technology and legalities, this decade+ could arguably be considered a Golden Age of courageous truth-telling films that mine [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/on-the-fringe-3/">ON THE FRINGE, PART THREE: ALICE DOESN’T LIVE HERE ANYMORE (1974)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>The Vertigo Effect at BAM: A Review</title>
		<link>https://www.hammertonail.com/editorial/the-vertigo-effect-at-bam-a-review/</link>
		
		<dc:creator><![CDATA[Evan Louison]]></dc:creator>
		<pubDate>Fri, 17 Apr 2015 19:05:49 +0000</pubDate>
				<category><![CDATA[1]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[12 Monkeys]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Bad Lieutenant]]></category>
		<category><![CDATA[BAM]]></category>
		<category><![CDATA[Basic Instinct]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Chris Marker]]></category>
		<category><![CDATA[Jonathan Demme]]></category>
		<category><![CDATA[La Jetée]]></category>
		<category><![CDATA[Larry Cohen]]></category>
		<category><![CDATA[Last Embrace]]></category>
		<category><![CDATA[Lucio Fulci]]></category>
		<category><![CDATA[Marnie]]></category>
		<category><![CDATA[Mississippi Mermaid]]></category>
		<category><![CDATA[Mulholland Drive]]></category>
		<category><![CDATA[Obsession]]></category>
		<category><![CDATA[Pasolini]]></category>
		<category><![CDATA[Paul Schrader]]></category>
		<category><![CDATA[Perversion Story]]></category>
		<category><![CDATA[Petrolio]]></category>
		<category><![CDATA[Sans Soleil]]></category>
		<category><![CDATA[Sorcerer]]></category>
		<category><![CDATA[Special Effects]]></category>
		<category><![CDATA[Strangers on a Train]]></category>
		<category><![CDATA[The Vertigo Effect]]></category>
		<category><![CDATA[Una Sull'altra]]></category>
		<category><![CDATA[Vertigo]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=24404</guid>

					<description><![CDATA[<p>(The Brooklyn Academy of Music (BAM) puts together some of the most intriguing and fun cinematic retrospectives in the world and this month&#8217;s &#8220;The Vertigo Effect&#8221; is no different. Featuring films that realte to Hitchcock&#8217;s brilliant themes of memory, obsession [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/the-vertigo-effect-at-bam-a-review/">The Vertigo Effect at BAM: A Review</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>MESSENGER, THE</title>
		<link>https://www.hammertonail.com/reviews/drama/the-messenger-film-review/</link>
					<comments>https://www.hammertonail.com/reviews/drama/the-messenger-film-review/#comments</comments>
		
		<dc:creator><![CDATA[Mike S. Ryan]]></dc:creator>
		<pubDate>Fri, 13 Nov 2009 20:08:26 +0000</pubDate>
				<category><![CDATA[Best of]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[On DVD]]></category>
		<category><![CDATA[Ben Foster]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[In the Valley of Elah]]></category>
		<category><![CDATA[Iraq]]></category>
		<category><![CDATA[Iraq War]]></category>
		<category><![CDATA[Jena Malone]]></category>
		<category><![CDATA[Kevin Bacon]]></category>
		<category><![CDATA[Oren Moverman]]></category>
		<category><![CDATA[Paul Haggis]]></category>
		<category><![CDATA[Redacted]]></category>
		<category><![CDATA[Ross Katz]]></category>
		<category><![CDATA[Samantha Morton]]></category>
		<category><![CDATA[soldiers]]></category>
		<category><![CDATA[soldiers at home]]></category>
		<category><![CDATA[Taking Chance]]></category>
		<category><![CDATA[The Messenger]]></category>
		<category><![CDATA[war]]></category>
		<category><![CDATA[widows]]></category>
		<category><![CDATA[Woody Harrelson]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=84</guid>

					<description><![CDATA[<div></div>
<p>(The Messenger was picked up for distribution by Oscilloscope Pictures. It opens on 11/13/09, in New York City and Washington D.C., followed by a much wider release on 11/20/09. Go here to learn more. Note: This review was first posted [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/drama/the-messenger-film-review/">MESSENGER, THE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.hammertonail.com/reviews/drama/the-messenger-film-review/feed/</wfw:commentRss>
			<slash:comments>2</slash:comments>
		
		
			</item>
		<item>
		<title>NETFLIX HIDDEN GEMS: Issue #3</title>
		<link>https://www.hammertonail.com/editorial/netflix-hidden-gems-3/</link>
		
		<dc:creator><![CDATA[Michael Tully]]></dc:creator>
		<pubDate>Wed, 07 Oct 2009 01:46:52 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[NETFLIX HIDDEN GEMS]]></category>
		<category><![CDATA[3 Rooms]]></category>
		<category><![CDATA[A Star is Born]]></category>
		<category><![CDATA[An Education]]></category>
		<category><![CDATA[Angela Bettis]]></category>
		<category><![CDATA[Anna Broinowski]]></category>
		<category><![CDATA[Anna Faris]]></category>
		<category><![CDATA[Benoit Debie]]></category>
		<category><![CDATA[Bitter Moon]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Burgess Meredith]]></category>
		<category><![CDATA[Calvaire (The Ordeal)]]></category>
		<category><![CDATA[Carol Kane]]></category>
		<category><![CDATA[Charles Durning]]></category>
		<category><![CDATA[Chloe Sevigny]]></category>
		<category><![CDATA[Emmanuelle Seigner]]></category>
		<category><![CDATA[Fabrice Du Welz]]></category>
		<category><![CDATA[Farber on Film: The Complete Film Writing of Manny Farber]]></category>
		<category><![CDATA[Forbidden Lie$]]></category>
		<category><![CDATA[Gaspar Noe]]></category>
		<category><![CDATA[Girl With Green Eyes]]></category>
		<category><![CDATA[Hi Mom!]]></category>
		<category><![CDATA[Honor Lost]]></category>
		<category><![CDATA[Hugh Grant]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Jeremy Sisto]]></category>
		<category><![CDATA[Joan Didion]]></category>
		<category><![CDATA[John Cassavetes]]></category>
		<category><![CDATA[John Gregory Dunne]]></category>
		<category><![CDATA[Kristin Scott Thomas]]></category>
		<category><![CDATA[Lena Dunham]]></category>
		<category><![CDATA[Let the Right One In]]></category>
		<category><![CDATA[Lucky McKee]]></category>
		<category><![CDATA[Maggie Jiggs]]></category>
		<category><![CDATA[May]]></category>
		<category><![CDATA[Michael Tully]]></category>
		<category><![CDATA[Mike S. Ryan]]></category>
		<category><![CDATA[Nelson Kim]]></category>
		<category><![CDATA[Netflix Hidden Gems October 2009]]></category>
		<category><![CDATA[Norma Khouri]]></category>
		<category><![CDATA[Pamela Cohn]]></category>
		<category><![CDATA[Panic in Needle Park]]></category>
		<category><![CDATA[Peter Coyote]]></category>
		<category><![CDATA[Pish-Tush]]></category>
		<category><![CDATA[Rita Tushingham]]></category>
		<category><![CDATA[Robert De Niro]]></category>
		<category><![CDATA[Robert Duvall]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Steve Buscemi]]></category>
		<category><![CDATA[The Hills Have Eyes]]></category>
		<category><![CDATA[The Texas Chainsaw Massacre]]></category>
		<category><![CDATA[Tom Hall]]></category>
		<category><![CDATA[Tom Russell]]></category>
		<category><![CDATA[Trees Lounge]]></category>
		<category><![CDATA[True Confessions]]></category>
		<category><![CDATA[Ulu Grosbar]]></category>
		<category><![CDATA[Wolf Creek]]></category>
		<category><![CDATA[Zooey Deschanel]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=4144</guid>

					<description><![CDATA[<p>Another month is gone. Another month is here. Time to re-up y’all’s queues: ***ISSUE #3: OCTOBER ‘09*** Forbidden Lie$ (2007) — Australian filmmaker Anna Broinowski and her subject Norma Khouri take us on a head-spinning romp of fact and fiction in [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/netflix-hidden-gems-3/">NETFLIX HIDDEN GEMS: Issue #3</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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