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Pick of the Week

Eclipse Series 33: Up All Night With Robert Downey Sr. (Criterion) — Lonnnnnngggggg overdue, this affordably packaged multi-disc set includes Robert Downey Sr.’s early films, which have a raucous, freewheeling spirit that puts most modern indie directors to shame. Includes: Babo 73, Chafed Elbows, No More Excuses, Putney Swope, Two Tons of Turquoise To Taos Tonight. If you haven’t seen these films, fix that ASAP. Available on DVD.

Recommended

Certified Copy (Criterion) — A putative tale of romance that thrillingly casts off tidy character rationalizations in favor of a far more compelling schematic reality—two apparent strangers (Juliette Binoche and William Shimell) slip before our very eyes into the rhythms and discomforts of married life, tied like an anniversary present with wayward glances and irrational outbursts—Abbas Kiarostami’s Certified Copy is, considering the sneak-alarm of its message, shatteringly pleasurable. Available on DVD and Blu-ray.

Perfect Sense (MPI Home Video) — As with most end-of-the-world cinema, Perfect Sense is faced with the task of reconciling the competing urges to to be both sweeping and intimate, global and personal. On one level, it concerns itself with a series of separate-but-related epidemics in which each of the senses—first the chemical faculties of smell and taste, then sound, and finally sight—is suddenly and irremediably deadened; more fundamentally, it tells of a love affair between a chef and an epidemiologist named Michael (Ewan McGregor) and Susan (Eva Green), respectively. It’s not unprecedented, the understated apocalypse film, but David Mackenzie’s impressionistic take on the genre distinguishes itself for how one-sided its approach is: this is above all else a mood piece in which the increasingly dire goings-on nevertheless take a backseat to sweet nothings whispered into the ear and long shots of bedrooms flooded with early morning light. It’s less a linear progression of scenes whose implications (narrative, thematic, what have you) are readily apparent than a patchwork of vividly-realized emotion and soft-spoken romance. Ineffability is a plus here; Mackenzie’s film is meant to be felt first, understood second—and in this regard it’s often quite affecting. Read Michael Nordine’s full HTN review. Available on DVD, Blu-ray, and at Amazon Instant.

Stupid Freshest Old/New Release of the Week

Big Fun In the Big Town (Five Day Weekend) — As a hip-hop obsessed adolescent in the mid-1980s, this film would have blown my mind had I seen it then. And though I could have suffered through it on a crappy YouTube upload, I haven’t. But now the time has finally come to see it properly. If this trailer doesn’t excite you, then get to steppin’. Available on DVD.

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Michael Tully is an award-winning writer/director whose films have garnered widespread critical acclaim, his projects having premiered at some of the most renowned film festivals across the globe. He is also the former (and founding) editor of this site. In 2006, Michael's first feature, COCAINE ANGEL, chronicling a tragic week in the life of a young drug addict, world premiered at the International Film Festival Rotterdam. The film immediately solidified the director as one of Filmmaker Magazine’s "25 New Faces of Independent Film,” a reputation that was reinforced a year later when his follow-up feature, SILVER JEW, a documentary capturing the late David Berman's rare musical performances in Tel Aviv, world-premiered at SXSW and landed distribution with cult indie-music label Drag City. In 2011, Michael wrote, directed, and starred in his third feature, SEPTIEN, which debuted at the 27th annual Sundance Film Festival before being acquired by IFC Films' Sundance Selects banner. A few years later, in 2014, Michael returned to Sundance with the world premiere of his fourth feature, PING PONG SUMMER, an ‘80s set coming-of-age tale that was quickly picked up for theatrical distribution by Gravitas Ventures. In 2018, Michael wrote and directed the dread-inducing genre film DON'T LEAVE HOME, which has been described as "Get Out with Catholic guilt in the Irish countryside" (IndieWire). The film premiered at SXSW and was subsequently acquired by Cranked Up Films and Shudder.

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