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Satyajit Ray's The Music Room

The Music Room (Criterion) — Satyajit Ray has been notoriously ill-served by the U.S. home-video market. This new version of his 1958 drama marks the first time any of his films has received the Criterion treatment; let’s hope there are more on the way. During the late 1920s, feudal landlord Biswambhar Roy (Chhabi Biswas) passes his days in a fog of hookah smoke and a series of private musical recitals, sustained by the last dregs of the family fortune. But a changing world—as personified by a crass, new-money neighbor—awaits him outside his perfumed chambers. The Music Room is a fascinating character study; if Roy represents everything that’s wrong with the clueless, entitled rich, in his time and ours, he’s also a mad dreamer chasing a true aesthete’s vision of beauty. Ray lets the story unfold at his characteristically unhurried pace, but stops you short time and again with an unforgettable image or a sequence of shocking poetic intensity. Criterion’s supplements to this edition include essays by Ray and critic Philip Kemp; interviews with Mira Nair and Ray’s biographer Andrew Robinson; a roundtable discussion of the film from 1981 featuring Ray, Michel Ciment, and Claude Sautet; and a feature-length documentary on Ray and his work directed by Shyam Benegal. Buy it on DVD or Blu-ray. (Nelson Kim)

Dark Days: 10th Anniversary Edition (Oscilloscope) — Read Brandon Harris’ candid personal reflection on Marc Singer’s seminal documentary, then buy it on DVD.

Recommended

Con Artist (New Yorker Films) — While the asshole-ish ego of Phillipe Petit kept me from being as swept away by Man On Wire as everyone else, I didn’t have the same reaction to director Michael Sladek’s portrait of the similarly egotistical artist Mark Kostabi. Kostabi is like one of those stink bombs that permeates and stains whatever room he is in, but he seems to understand this. As does Sladek, who has made a film that is more breezy and funny than aggravating and grating. Come to think of it, Con Artist would make for a really neat double-bill with Banksy’s Exit Through The Gift Shop. Buy it on DVD.

The Kids Grow Up (Docurama) — Buy it on DVD.

New/Old to Blu-ray

Beauty and the Beast (Criterion) — Buy it on Blu-ray.

Amélie (Miramax/Lionsgate) — Buy it on Blu-ray.

Boyz ‘N The Hood (Sony) — Buy it on Blu-ray.

Have Not Seen But Really/Kinda/Sorta/Maybe Wanna

Small Town Murder Songs (Monterey Media) — Buy it on DVD.

Hearts of the West (Warner Archive) — Buy it on DVD.

Phil Ochs: There But For Fortune (First Run Features) — Buy it on DVD.

Hey Boo: Harper Lee and To Kill A Mockingbird (First Run Features) — Buy it on DVD.

The Life and Work of Claude Chabrol (Pathfinder Home Entertainment) — Buy it on DVD.

Cracks (MPI Home Video) — Buy it on DVD.

Potiche (Music Box Films) — Buy it on DVD or Blu-ray.

Limitless (20th Century Fox) — Buy it on DVD or Blu-ray + Digital Copy.

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Michael Tully is an award-winning writer/director whose films have garnered widespread critical acclaim, his projects having premiered at some of the most renowned film festivals across the globe. He is also the former (and founding) editor of this site. In 2006, Michael's first feature, COCAINE ANGEL, chronicling a tragic week in the life of a young drug addict, world premiered at the International Film Festival Rotterdam. The film immediately solidified the director as one of Filmmaker Magazine’s "25 New Faces of Independent Film,” a reputation that was reinforced a year later when his follow-up feature, SILVER JEW, a documentary capturing the late David Berman's rare musical performances in Tel Aviv, world-premiered at SXSW and landed distribution with cult indie-music label Drag City. In 2011, Michael wrote, directed, and starred in his third feature, SEPTIEN, which debuted at the 27th annual Sundance Film Festival before being acquired by IFC Films' Sundance Selects banner. A few years later, in 2014, Michael returned to Sundance with the world premiere of his fourth feature, PING PONG SUMMER, an ‘80s set coming-of-age tale that was quickly picked up for theatrical distribution by Gravitas Ventures. In 2018, Michael wrote and directed the dread-inducing genre film DON'T LEAVE HOME, which has been described as "Get Out with Catholic guilt in the Irish countryside" (IndieWire). The film premiered at SXSW and was subsequently acquired by Cranked Up Films and Shudder.

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