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Dogtooth (Kino) — If you haven’t seen Giorgos Lanthimos’s black comedy yet—easily one of 2010′s most audacious releases—get ready to cock your head to the side and be taken on a truly brain-bending ride. A Greek couple have raised their three children without any connection to the outside world. Yet when that outside world arrives in the form of a woman whom the father has hired to service the son, things begin to hit the spinning fan. Rich CinemaScope photography frames Lanthimos’s demented tale, which can be read as an allegory for over-parenting, or can be simply appreciated as a work of bracingly uncomfortable hilarity. I personally choose to see it as both. Buy it on DVD.

Enter the Void (MPI Home Video) — Gaspar Noé’s first two features, I Stand Alone and Irreversible, combined transgressive shock tactics with tricky narrative structures and aggressively baroque (and highly accomplished) technique. Enter the Void scales back somewhat on the sex and violence, but in all other respects it’s Noé’s boldest movie yet. He goes for maximum sensory overload in every moment of every scene, bombarding the viewer with lens-and-light effects, swirling CGI psychedelia, swamp-dense sound design, and above all, stunningly virtuosic camerawork. Read Nelson Kim’s full review here, then buy it on DVD or Blu-ray.

At the Edge of the World (Passion River Films) — Here’s my take: The Cove = Michael Bay; At the Edge of the World = Werner Herzog. While that might be a simplistic, trite way to compare these two similarly themed (and just about simultaneously released) eco-thrillers, I think the comparison has merit, at least in an aesthetic, energetic sense. No offense to the composer of At the Edge of the World, but the film’s incredibly misguided score threatened to toss me all the way overboard. Even taking that into account, I would still recommend Dan Stone’s action doc, which is a consistently riveting spectacle. Though to attribute the film solely to Stone doesn’t seem right, as he wasn’t actually there for the tumultuous shoot. Seven brave videographers risked their own lives to capture this dangerous adventure. This film belongs to them. Buy it on DVD or Blu-ray.

Anywhere, USA (Cinevolve Studios) — Winner of a Special Jury Prize at the 2008 Sundance Film Festival, this is one of those whacked out American indies that perhaps didn’t receive the attention it deserved. Though, to be fair, it is a tough sell, as this North Carolina-set triptych ventures into uncomfortable places that might make Todd Solondz cringe. If you like ’em strange and zany, don’t pass this one up. Buy it on DVD.

Re-Release/New To Blu-Ray/Etc.

The Double Life of Veronique (Criterion) — Buy it on DVD or Blu-ray.

Broadcast News (Criterion) — Buy it on DVD or Blu-ray.

Eternal Sunshine of the Spotless Mind (Universal Studios) — Buy it on Blu-ray.

Santa Sangre (Severin Films) — Buy it on DVD or Blu-ray.

Eclipse Series 25: Basil Dearden’s London Underground (Criterion) — Includes: Sapphire, The League of Gentlemen, Victim, All Night Long. Buy the 4-Disc Set.

Have Not Seen But Really/Kinda/Sorta/Maybe Wanna

Client 9: The Rise and Fall of Elliot Spitzer (Magnolia Pictures) — Buy it on DVD or Blu-ray.

Still Bill (New Video Group) — Buy it on DVD.

Inspector Bellamy (IFC Films) — Buy it on DVD.

Feed the Fish (Strand Releasing) — Buy it on DVD.

Adventures of Power (Phase 4 Films) — Buy it on DVD.

Inhale (MPI Home Video) — Buy it on DVD.

The Girl Who Kicked The Hornet’s Nest (Music Box Films) — Buy it on DVD or Blu-ray.

Wild Card of the Week

Webster: Season One (Shout! Factory) — Buy the 3-DVD Set.

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Michael Tully is an award-winning writer/director whose films have garnered widespread critical acclaim, his projects having premiered at some of the most renowned film festivals across the globe. He is also the former (and founding) editor of this site. In 2006, Michael's first feature, COCAINE ANGEL, chronicling a tragic week in the life of a young drug addict, world premiered at the International Film Festival Rotterdam. The film immediately solidified the director as one of Filmmaker Magazine’s "25 New Faces of Independent Film,” a reputation that was reinforced a year later when his follow-up feature, SILVER JEW, a documentary capturing the late David Berman's rare musical performances in Tel Aviv, world-premiered at SXSW and landed distribution with cult indie-music label Drag City. In 2011, Michael wrote, directed, and starred in his third feature, SEPTIEN, which debuted at the 27th annual Sundance Film Festival before being acquired by IFC Films' Sundance Selects banner. A few years later, in 2014, Michael returned to Sundance with the world premiere of his fourth feature, PING PONG SUMMER, an ‘80s set coming-of-age tale that was quickly picked up for theatrical distribution by Gravitas Ventures. In 2018, Michael wrote and directed the dread-inducing genre film DON'T LEAVE HOME, which has been described as "Get Out with Catholic guilt in the Irish countryside" (IndieWire). The film premiered at SXSW and was subsequently acquired by Cranked Up Films and Shudder.

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