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	<title>Jack Schenker, Author at Hammer to Nail</title>
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	<description>What to Watch</description>
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	<url>https://www.hammertonail.com/wp-content/uploads/2020/01/cropped-logo02-1-32x32.png</url>
	<title>Jack Schenker, Author at Hammer to Nail</title>
	<link>https://www.hammertonail.com/author/jack-schenker/</link>
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	<item>
		<title>A Conversation with Mas Bouzidi (CONCESSIONS)</title>
		<link>https://www.hammertonail.com/interviews/concessions/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 02 Sep 2026 18:45:19 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[American Graffiti]]></category>
		<category><![CDATA[Billy Jack]]></category>
		<category><![CDATA[Close Encounters of the Third Kind]]></category>
		<category><![CDATA[Come and See]]></category>
		<category><![CDATA[Concessions]]></category>
		<category><![CDATA[Dazed and Confused]]></category>
		<category><![CDATA[Fast Times at Ridgemont High]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[Hamilton]]></category>
		<category><![CDATA[hangout movie]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[Ivory Aquino]]></category>
		<category><![CDATA[Jean Eustache]]></category>
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		<category><![CDATA[Josh Hamilton]]></category>
		<category><![CDATA[Kill Bill]]></category>
		<category><![CDATA[Lafayette Theater]]></category>
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		<category><![CDATA[Last Night At The Alamo]]></category>
		<category><![CDATA[Mad Dog Morgan]]></category>
		<category><![CDATA[Mas Bouzidi]]></category>
		<category><![CDATA[Michael Madsen]]></category>
		<category><![CDATA[movie theater nostalgia]]></category>
		<category><![CDATA[Orlando]]></category>
		<category><![CDATA[Ozploitation]]></category>
		<category><![CDATA[Preston Sturges]]></category>
		<category><![CDATA[Richard Linklater]]></category>
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		<category><![CDATA[Steven Ogg]]></category>
		<category><![CDATA[Taft musical]]></category>
		<category><![CDATA[The Bad Bloke]]></category>
		<category><![CDATA[The Mother and The Whore]]></category>
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		<guid isPermaLink="false">https://www.hammertonail.com/?p=56314</guid>

					<description><![CDATA[<div><img width="300" height="120" src="https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-300x120.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-300x120.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-1024x410.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-768x307.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-1536x614.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Mas Bouzidi&#8217;s Concessions is a love letter to movie theaters wrapped in the melancholy of their disappearance. Shot entirely on 16mm at the Lafayette Theater in upstate New York, the film chronicles the final day at the closing Royal Alamo [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/concessions/">A Conversation with Mas Bouzidi (CONCESSIONS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Hirokazu Kore-eda (SHEEP IN THE BOX)</title>
		<link>https://www.hammertonail.com/interviews/kore-eda/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 06 Aug 2026 19:19:58 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[In Theatres]]></category>
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		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2026 film]]></category>
		<category><![CDATA[AI resurrection]]></category>
		<category><![CDATA[Artificial Intelligence]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Daigo Yamamoto]]></category>
		<category><![CDATA[family drama]]></category>
		<category><![CDATA[film interview]]></category>
		<category><![CDATA[grief and loss]]></category>
		<category><![CDATA[grieving parents]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[Haruka Ayase]]></category>
		<category><![CDATA[Hirokazu Kore-eda]]></category>
		<category><![CDATA[humanoid robot]]></category>
		<category><![CDATA[Jack Schenker]]></category>
		<category><![CDATA[Japanese cinema]]></category>
		<category><![CDATA[Marriage Story]]></category>
		<category><![CDATA[NEON release]]></category>
		<category><![CDATA[Palme d'Or winner]]></category>
		<category><![CDATA[parental grief]]></category>
		<category><![CDATA[robot child]]></category>
		<category><![CDATA[sci-fi drama]]></category>
		<category><![CDATA[Sheep in the Box]]></category>
		<category><![CDATA[Shoplifters director]]></category>
		<category><![CDATA[The Little Prince reference]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56170</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2026/08/Hirokazu-Kore-eda-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/08/Hirokazu-Kore-eda-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/08/Hirokazu-Kore-eda-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/08/Hirokazu-Kore-eda-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/08/Hirokazu-Kore-eda-1536x1024.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Hirokazu Kore-eda has spent his career making quiet, humane films about families, and he won the Palme d’Or for one of them, Shoplifters, in 2018. Sheep in the Box, his seventeenth feature, keeps its attention on parents and children but [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/kore-eda/">A Conversation with Hirokazu Kore-eda (SHEEP IN THE BOX)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Kent Jones (LATE FAME)</title>
		<link>https://www.hammertonail.com/interviews/kent-jones/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Tue, 04 Aug 2026 19:21:31 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Arthur Schnitzler Late Fame]]></category>
		<category><![CDATA[Brecht Weill Surabaya Johnny movie]]></category>
		<category><![CDATA[Carissa Kelly costume design Late Fame]]></category>
		<category><![CDATA[Diane director new film]]></category>
		<category><![CDATA[Edmund Donovan Late Fame]]></category>
		<category><![CDATA[Enthusiasm Society movie]]></category>
		<category><![CDATA[forgotten genius film]]></category>
		<category><![CDATA[Greta Lee Late Fame]]></category>
		<category><![CDATA[Hitchcock/Truffaut director new project]]></category>
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		<category><![CDATA[Jake Lacy Late Fame agent scene]]></category>
		<category><![CDATA[Kent Jones director interview]]></category>
		<category><![CDATA[Kent Jones interview]]></category>
		<category><![CDATA[Late Fame film 2026]]></category>
		<category><![CDATA[Late Fame Hammer to Nail interview]]></category>
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		<category><![CDATA[Magnolia Pictures August 7]]></category>
		<category><![CDATA[May December screenwriter new film]]></category>
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		<category><![CDATA[Venice Film Festival Late Fame]]></category>
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		<category><![CDATA[Willem Dafoe poet role]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56141</guid>

					<description><![CDATA[<div><img width="300" height="110" src="https://www.hammertonail.com/wp-content/uploads/2026/08/kjcover-300x110.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/08/kjcover-300x110.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/08/kjcover-1024x374.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/08/kjcover-768x280.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/08/kjcover-1536x561.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Arthur Schnitzler wrote Late Fame in the 1890s and never published it. The manuscript sat in his archive for more than a century before it surfaced, which makes it fitting material for a movie about an artist rediscovered decades too [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/kent-jones/">A Conversation with Kent Jones (LATE FAME)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Charles Melton &#038; Nicolas Winding Refn (HER PRIVATE HELL)</title>
		<link>https://www.hammertonail.com/interviews/refn-melton/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Tue, 28 Jul 2026 20:22:47 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[alter ego characters in cinema]]></category>
		<category><![CDATA[Charles Melton]]></category>
		<category><![CDATA[Charles Melton acting process]]></category>
		<category><![CDATA[dystopian cinema]]></category>
		<category><![CDATA[father-daughter themes in film]]></category>
		<category><![CDATA[film costume and character development]]></category>
		<category><![CDATA[Her Private Hell ending explained]]></category>
		<category><![CDATA[Her Private Hell interview]]></category>
		<category><![CDATA[Her Private Hell movie]]></category>
		<category><![CDATA[Her Private Hell spoilers]]></category>
		<category><![CDATA[Hidetoshi Nishijima collaboration]]></category>
		<category><![CDATA[indie film interview]]></category>
		<category><![CDATA[Nicolas Winding Refn]]></category>
		<category><![CDATA[Nicolas Winding Refn directing style]]></category>
		<category><![CDATA[Nicolas Winding Refn music in film]]></category>
		<category><![CDATA[on-set improvisation]]></category>
		<category><![CDATA[Private K character analysis]]></category>
		<category><![CDATA[sci-fi noir film]]></category>
		<category><![CDATA[Uncle Sam comics reference]]></category>
		<category><![CDATA[Woody Woodpecker movie reference]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56120</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2026/07/meltcover-300x200.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/07/meltcover-300x200.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2026/07/meltcover.jpeg 547w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Below is a spoilery add-on to Jack Scehnker&#8217;s earlier conversation with Nicolas Winding Refn and features one of the stars of Her Private Hell, Charles Melton. Be sure to check out the full Winding Refn interview here. &#160; ****SPOILER WARNING!!**** &#160; Hammer [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/refn-melton/">A Conversation with Charles Melton &#038; Nicolas Winding Refn (HER PRIVATE HELL)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Nicolas Winding Refn (HER PRIVATE HELL)</title>
		<link>https://www.hammertonail.com/interviews/nicolas-winding-refn/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Fri, 24 Jul 2026 20:47:55 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[BYNWR]]></category>
		<category><![CDATA[Cannes 2026]]></category>
		<category><![CDATA[Charles Melton]]></category>
		<category><![CDATA[Cliff Martinez]]></category>
		<category><![CDATA[Copenhagen Cowboy]]></category>
		<category><![CDATA[Dario Argento]]></category>
		<category><![CDATA[Diego Calva]]></category>
		<category><![CDATA[Drive]]></category>
		<category><![CDATA[existential cinema]]></category>
		<category><![CDATA[fetishization of surface]]></category>
		<category><![CDATA[fight choreography]]></category>
		<category><![CDATA[giallo]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[Her Private Hell]]></category>
		<category><![CDATA[Jack Schenker]]></category>
		<category><![CDATA[neon-noir]]></category>
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		<category><![CDATA[Only God Forgives]]></category>
		<category><![CDATA[Opera film]]></category>
		<category><![CDATA[Pino Donaggio]]></category>
		<category><![CDATA[Sophie Thatcher]]></category>
		<category><![CDATA[The Neon Demon]]></category>
		<category><![CDATA[Too Old to Die Young]]></category>
		<category><![CDATA[violence as ritual]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56112</guid>

					<description><![CDATA[<div><img width="300" height="147" src="https://www.hammertonail.com/wp-content/uploads/2026/07/nwr-300x147.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/07/nwr-300x147.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/07/nwr-1024x503.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/07/nwr-768x377.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/07/nwr-1536x755.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Nicolas Winding Refn has been one of my favorite filmmakers since I first saw Drive as a kid. In the years since, I have watched every Refn picture across every format he has worked in, from the grainy Copenhagen of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/nicolas-winding-refn/">A Conversation with Nicolas Winding Refn (HER PRIVATE HELL)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Reed Birney, Kieron Moore &#038; Elliot Tuttle (BLUE FILM)</title>
		<link>https://www.hammertonail.com/interviews/blue-film/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 09 Jul 2026 14:11:12 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sexuality]]></category>
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		<category><![CDATA[Augustine Villaronga influence]]></category>
		<category><![CDATA[Blue Film 2026]]></category>
		<category><![CDATA[cam boy film]]></category>
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		<category><![CDATA[controversial American debut]]></category>
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		<category><![CDATA[Hancock Park filming]]></category>
		<category><![CDATA[home video horror]]></category>
		<category><![CDATA[In a Glass Cage comparison]]></category>
		<category><![CDATA[independent psychological drama]]></category>
		<category><![CDATA[Isaac Eiger score]]></category>
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		<category><![CDATA[LA Airbnb thriller]]></category>
		<category><![CDATA[Lars von Trier inspiration]]></category>
		<category><![CDATA[LGBTQ+ chamber piece]]></category>
		<category><![CDATA[Mark Duplass producer]]></category>
		<category><![CDATA[Pasolini homage]]></category>
		<category><![CDATA[pervert park documentary]]></category>
		<category><![CDATA[Reed Birney performance]]></category>
		<category><![CDATA[role-play revenge story]]></category>
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		<category><![CDATA[Tony winner Reed Birney]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55881</guid>

					<description><![CDATA[<div><img width="300" height="132" src="https://www.hammertonail.com/wp-content/uploads/2026/06/cover-300x132.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/06/cover-300x132.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/06/cover-1024x449.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/06/cover-768x337.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/06/cover-1536x674.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Blue Film is one of the most daring American debuts in recent memory. Written and directed by Elliot Tuttle, the film traps two men in a Los Angeles Airbnb for a single night and refuses to let either of them [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/blue-film/">A Conversation with Reed Birney, Kieron Moore &#038; Elliot Tuttle (BLUE FILM)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Square Peg Social Returns for its Second Edition: Apply Now!</title>
		<link>https://www.hammertonail.com/features/square-peg-social26/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 25 Jun 2026 18:22:19 +0000</pubDate>
				<category><![CDATA[Features]]></category>
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		<category><![CDATA[Austin film event]]></category>
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		<category><![CDATA[no pitch sessions]]></category>
		<category><![CDATA[Noah Sacco]]></category>
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		<guid isPermaLink="false">https://www.hammertonail.com/?p=55956</guid>

					<description><![CDATA[<div><img width="300" height="182" src="https://www.hammertonail.com/wp-content/uploads/2026/06/peg-300x182.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/06/peg-300x182.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2026/06/peg.jpeg 574w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Square Peg Social is a mentorship gathering created and run by Amy Knudsen. It&#8217;s an extension of Square Peg, the production company founded in 2019 by Lars Knudsen and Ari Aster, who host the event alongside her. It brings a [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/features/square-peg-social26/">Square Peg Social Returns for its Second Edition: Apply Now!</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Mark Jenkin (ROSE OF NEVADA)</title>
		<link>https://www.hammertonail.com/interviews/mark-jenkin/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 18 Jun 2026 17:04:14 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Bolex 16mm camera technique]]></category>
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		<category><![CDATA[Mark Jenkin editing process]]></category>
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		<guid isPermaLink="false">https://www.hammertonail.com/?p=55928</guid>

					<description><![CDATA[<div><img width="300" height="171" src="https://www.hammertonail.com/wp-content/uploads/2026/06/mark-300x171.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/06/mark-300x171.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/06/mark-1024x584.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/06/mark-768x438.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/06/mark-1536x876.png 1536w, https://www.hammertonail.com/wp-content/uploads/2026/06/mark.png 1870w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>There is no working filmmaker whose process is more inseparable from his images than Mark Jenkin&#8217;s. All three of his features have been shot in Cornwall on 16mm using a clockwork Bolex, a camera that runs roughly twenty-seven seconds before [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mark-jenkin/">A Conversation with Mark Jenkin (ROSE OF NEVADA)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Sébastien Laudenbach (VIVA CARMEN)</title>
		<link>https://www.hammertonail.com/interviews/laudenbach/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 03 Jun 2026 15:20:48 +0000</pubDate>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Foreign]]></category>
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		<category><![CDATA[Cyril Pedrosa animation design]]></category>
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		<category><![CDATA[Sébastien Laudenbach interview]]></category>
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		<category><![CDATA[The Girl Without Hands filmmaker]]></category>
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		<guid isPermaLink="false">https://www.hammertonail.com/?p=55808</guid>

					<description><![CDATA[<div><img width="300" height="129" src="https://www.hammertonail.com/wp-content/uploads/2026/06/seb-300x129.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/06/seb-300x129.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/06/seb-1024x441.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/06/seb-768x331.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/06/seb-1536x662.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Mainstream feature animation has become an airless thing. Every frame is locked down, every surface polished, every emotional beat pre-chewed for the audience. Sébastien Laudenbach works in the opposite direction. His characters seem to have just been drawn, his colors [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/laudenbach/">A Conversation with Sébastien Laudenbach (VIVA CARMEN)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Andrew Stanton, Daveed Diggs, Colby Day &#038; Jared Ian Goldman (IN THE BLINK OF AN EYE)</title>
		<link>https://www.hammertonail.com/interviews/blink-of-an-eye/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 30 Apr 2026 19:24:21 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
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		<guid isPermaLink="false">https://www.hammertonail.com/?p=55614</guid>

					<description><![CDATA[<div><img width="300" height="146" src="https://www.hammertonail.com/wp-content/uploads/2026/04/stant-300x146.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/stant-300x146.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/stant-1024x497.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/stant-768x373.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/stant-1536x746.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>In the Blink of an Eye is a science fiction drama that asks what connects us across the vast expanse of time. Directed by two-time Academy Award winner Andrew Stanton (Finding Nemo, WALL-E) and written by Colby Day (Spaceman), the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/blink-of-an-eye/">A Conversation with Andrew Stanton, Daveed Diggs, Colby Day &#038; Jared Ian Goldman (IN THE BLINK OF AN EYE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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