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	<title>The Conversation Archives - Hammer to Nail</title>
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	<title>The Conversation Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/the-conversation/</link>
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	<item>
		<title>A Conversation with Moritz Binder (SEPTEMBER 5)</title>
		<link>https://www.hammertonail.com/interviews/moritz-binder/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 18 Feb 2025 20:07:49 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1970s cinematic thrillers]]></category>
		<category><![CDATA[1972 Munich Olympics]]></category>
		<category><![CDATA[2025 Oscar nominations]]></category>
		<category><![CDATA[2025 Oscars]]></category>
		<category><![CDATA[ABC Sports Division]]></category>
		<category><![CDATA[Alex David]]></category>
		<category><![CDATA[claustrophobic thriller]]></category>
		<category><![CDATA[Coppola]]></category>
		<category><![CDATA[Das Boot]]></category>
		<category><![CDATA[Geoffrey Mason]]></category>
		<category><![CDATA[German screenwriter]]></category>
		<category><![CDATA[Jimmy Schaeffler]]></category>
		<category><![CDATA[John Magaro]]></category>
		<category><![CDATA[Leonie Benesch]]></category>
		<category><![CDATA[media perspective]]></category>
		<category><![CDATA[Moritz Binder]]></category>
		<category><![CDATA[Oscar-nominated screenplay]]></category>
		<category><![CDATA[Peter Jennings]]></category>
		<category><![CDATA[Peter Sarsgaard]]></category>
		<category><![CDATA[Roone Arledge]]></category>
		<category><![CDATA[September 5 movie]]></category>
		<category><![CDATA[The Conversation]]></category>
		<category><![CDATA[Tim Fehlbaum]]></category>
		<category><![CDATA[Wolfgang Petersen]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52617</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/02/Moritz-Binder-headshot-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/Moritz-Binder-headshot-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/Moritz-Binder-headshot-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/Moritz-Binder-headshot-768x513.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/Moritz-Binder-headshot.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>German screenwriter Moritz Binder co-wrote the screenplay for the 2024 film September 5 together with director Tim Fehlbaum and American dialoguist Alex David. I reviewed the movie last fall and put it in my Top 10 for the year. In [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/moritz-binder/">A Conversation with Moritz Binder (SEPTEMBER 5)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>BLACK BOX</title>
		<link>https://www.hammertonail.com/reviews/black-box-2/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 28 Apr 2022 17:05:10 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[Andre Dussollier]]></category>
		<category><![CDATA[Black Box]]></category>
		<category><![CDATA[Blow Out]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Lou de Laâge]]></category>
		<category><![CDATA[Lovers]]></category>
		<category><![CDATA[My Golden Days]]></category>
		<category><![CDATA[Pierre Niney]]></category>
		<category><![CDATA[The Conversation]]></category>
		<category><![CDATA[The Mad Women’s Ball]]></category>
		<category><![CDATA[Yann Gozlan]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=36973</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2022/04/BLACK-BOX-still_04-300x169.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2022/04/BLACK-BOX-still_04-300x169.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2022/04/BLACK-BOX-still_04-1024x576.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2022/04/BLACK-BOX-still_04-768x432.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2022/04/BLACK-BOX-still_04-600x338.jpeg 600w, https://www.hammertonail.com/wp-content/uploads/2022/04/BLACK-BOX-still_04.jpeg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Chris Reed&#8217;s movie review of Black Box which opened this week in New York, and next week in Los Angeles. Seen it? Join the conversation with HtN on our Letterboxd Page.) When, at the start of Yann Gozlan’s [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/black-box-2/">BLACK BOX</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Midge Costin (MAKING WAVES: THE ART OF CINEMATIC SOUND)</title>
		<link>https://www.hammertonail.com/interviews/midge-costin/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Wed, 15 Jan 2020 18:19:54 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Ang Lee]]></category>
		<category><![CDATA[Ben Burtt]]></category>
		<category><![CDATA[Christopher Nolan]]></category>
		<category><![CDATA[Crimson Tide]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[film audio]]></category>
		<category><![CDATA[film audio documentary]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Gary Rydstrom]]></category>
		<category><![CDATA[Imagine: John Lennon]]></category>
		<category><![CDATA[In the Blink of an Eye]]></category>
		<category><![CDATA[Making Waves: The Art of Cinematic Sound]]></category>
		<category><![CDATA[Midge Costin]]></category>
		<category><![CDATA[Sound Editing]]></category>
		<category><![CDATA[Steven Spielberg]]></category>
		<category><![CDATA[The 2019 Tribeca Film Festival]]></category>
		<category><![CDATA[The Conversation]]></category>
		<category><![CDATA[The Rock]]></category>
		<category><![CDATA[THX 1138.]]></category>
		<category><![CDATA[Tribeca]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[USC Film School]]></category>
		<category><![CDATA[Walter Murch]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=31919</guid>

					<description><![CDATA[<div><img width="300" height="178" src="https://www.hammertonail.com/wp-content/uploads/2020/01/2019-04-29_TRIBECA_MAKING-WAVES-300x178.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2020/01/2019-04-29_TRIBECA_MAKING-WAVES-300x178.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2020/01/2019-04-29_TRIBECA_MAKING-WAVES-768x456.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2020/01/2019-04-29_TRIBECA_MAKING-WAVES-1024x608.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2020/01/2019-04-29_TRIBECA_MAKING-WAVES-600x356.jpg 600w, https://www.hammertonail.com/wp-content/uploads/2020/01/2019-04-29_TRIBECA_MAKING-WAVES.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>I met with director Midge Costin on Monday, April 29, 2019, at the 2019 Tribeca Film Festival, to discuss her new documentary Making Waves: The Art of Cinematic Sound (which I also reviewed). In the film, Costin provides a comprehensive [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/midge-costin/">A Conversation with Midge Costin (MAKING WAVES: THE ART OF CINEMATIC SOUND)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>MAKING WAVES: THE ART OF CINEMATIC SOUND</title>
		<link>https://www.hammertonail.com/latest-reviews/making-waves-review/</link>
					<comments>https://www.hammertonail.com/latest-reviews/making-waves-review/#comments</comments>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Mon, 29 Apr 2019 21:44:03 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Ang Lee]]></category>
		<category><![CDATA[Ben Burtt]]></category>
		<category><![CDATA[Christopher Nolan]]></category>
		<category><![CDATA[Crimson Tide]]></category>
		<category><![CDATA[film audio]]></category>
		<category><![CDATA[film audio documentary]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Gary Rydstrom]]></category>
		<category><![CDATA[In the Blink of an Eye]]></category>
		<category><![CDATA[Making Waves: The Art of Cinematic Sound]]></category>
		<category><![CDATA[Midge Costin]]></category>
		<category><![CDATA[Sound Editing]]></category>
		<category><![CDATA[Steven Spielberg]]></category>
		<category><![CDATA[The 2019 Tribeca Film Festival]]></category>
		<category><![CDATA[The Conversation]]></category>
		<category><![CDATA[The Rock]]></category>
		<category><![CDATA[THX 1138.]]></category>
		<category><![CDATA[Tribeca]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[Walter Murch]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=31090</guid>

					<description><![CDATA[<div><img width="300" height="168" src="https://www.hammertonail.com/wp-content/uploads/2019/04/MAKING-WAVES-featured-300x168.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2019/04/MAKING-WAVES-featured-300x168.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2019/04/MAKING-WAVES-featured-768x430.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2019/04/MAKING-WAVES-featured-1024x573.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2019/04/MAKING-WAVES-featured-600x336.jpg 600w, https://www.hammertonail.com/wp-content/uploads/2019/04/MAKING-WAVES-featured.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>It’s all equally as entertaining as it is informative, and a vital addition to our understanding of how movies are made.</p>
<p>The post <a href="https://www.hammertonail.com/latest-reviews/making-waves-review/">MAKING WAVES: THE ART OF CINEMATIC SOUND</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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			<slash:comments>2</slash:comments>
		
		
			</item>
		<item>
		<title>SXSW &#8217;13: MIKE S. RYAN&#8217;S WRAP-UP</title>
		<link>https://www.hammertonail.com/editorial/sxsw-13-mike-s-ryans-wrap-up/</link>
		
		<dc:creator><![CDATA[Mike S. Ryan]]></dc:creator>
		<pubDate>Fri, 22 Mar 2013 17:51:14 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alan Berliner]]></category>
		<category><![CDATA[Bobby Somer]]></category>
		<category><![CDATA[Bosphorus]]></category>
		<category><![CDATA[Computer Chess]]></category>
		<category><![CDATA[Danny Madden]]></category>
		<category><![CDATA[Distant]]></category>
		<category><![CDATA[Drinking Buddies]]></category>
		<category><![CDATA[Dziga Vertov]]></category>
		<category><![CDATA[Edwin Honig]]></category>
		<category><![CDATA[Euphonia]]></category>
		<category><![CDATA[First Cousin Once Removed]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Fuck For Forest]]></category>
		<category><![CDATA[Halil Deniz Tortum]]></category>
		<category><![CDATA[Jake Johnson]]></category>
		<category><![CDATA[Jem Cohen]]></category>
		<category><![CDATA[Joe Swanberg]]></category>
		<category><![CDATA[Kiss of the Damned]]></category>
		<category><![CDATA[Land Without Bread]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
		<category><![CDATA[Lukasz Grudzinski]]></category>
		<category><![CDATA[Man With A Movie Camera]]></category>
		<category><![CDATA[Mary Margaret O'Hara]]></category>
		<category><![CDATA[Michal Marczak]]></category>
		<category><![CDATA[Museum Hours]]></category>
		<category><![CDATA[Nuri Bilge Ceylan]]></category>
		<category><![CDATA[Oliva Wilde]]></category>
		<category><![CDATA[Our Nixon]]></category>
		<category><![CDATA[Penny Lane]]></category>
		<category><![CDATA[Richard Nixon]]></category>
		<category><![CDATA[Short Term 12]]></category>
		<category><![CDATA[SXSW Film Festival 2013]]></category>
		<category><![CDATA[The Conversation]]></category>
		<category><![CDATA[Xan Cassavetes]]></category>
		<category><![CDATA[Zayiat]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=20126</guid>

					<description><![CDATA[<p>Yes, it wasn’t a great year at SXSW, for a few reasons. I heard from several filmmakers that Tribeca’s new Artistic Director Frederic Boyer was extremely aggressive in approaching filmmakers who submitted to SXSW in pleading with them to bypass [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/sxsw-13-mike-s-ryans-wrap-up/">SXSW &#8217;13: MIKE S. RYAN&#8217;S WRAP-UP</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>DVD RELEASES 2010/8/17</title>
		<link>https://www.hammertonail.com/dvd-releases/august-17-2010/</link>
		
		<dc:creator><![CDATA[Michael Tully]]></dc:creator>
		<pubDate>Tue, 17 Aug 2010 13:51:09 +0000</pubDate>
				<category><![CDATA[DVD RELEASES]]></category>
		<category><![CDATA[30 for 30]]></category>
		<category><![CDATA[Avery Klein-Cloud]]></category>
		<category><![CDATA[Barry Corben]]></category>
		<category><![CDATA[Black Orpheus]]></category>
		<category><![CDATA[college football]]></category>
		<category><![CDATA[Criterion]]></category>
		<category><![CDATA[ESPN]]></category>
		<category><![CDATA[First Run Features]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Indican Pictures]]></category>
		<category><![CDATA[Indiepix]]></category>
		<category><![CDATA[L'enfance nue]]></category>
		<category><![CDATA[MPI Home Video]]></category>
		<category><![CDATA[Nicole Opper]]></category>
		<category><![CDATA[Off and Running]]></category>
		<category><![CDATA[Pamela Cohn]]></category>
		<category><![CDATA[SILVERDOCS]]></category>
		<category><![CDATA[Soundtracker]]></category>
		<category><![CDATA[The Black List Vol. 2]]></category>
		<category><![CDATA[The Conversation]]></category>
		<category><![CDATA[The Good The Bad The Weird]]></category>
		<category><![CDATA[The U]]></category>
		<category><![CDATA[University of Miami]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=5758</guid>

					<description><![CDATA[<p>Recommends The Conversation (Lionsgate) — Truth be told, I didn&#8217;t do enough research to know what makes the release of this Francis Ford Coppola classic different from any others—had it become unavailable for some dumb reason?—but it is The Conversation, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/dvd-releases/august-17-2010/">DVD RELEASES 2010/8/17</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>MILLION DOLLAR BABY And The Lost Art of the Metaphor by Noah Buschel</title>
		<link>https://www.hammertonail.com/editorial/essays/noah-buschel-on-million-dollar-baby/</link>
					<comments>https://www.hammertonail.com/editorial/essays/noah-buschel-on-million-dollar-baby/#comments</comments>
		
		<dc:creator><![CDATA[Noah Buschel]]></dc:creator>
		<pubDate>Mon, 14 Jun 2010 18:21:58 +0000</pubDate>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Bang The Drum Slowly]]></category>
		<category><![CDATA[Brian's Song]]></category>
		<category><![CDATA[Casablanca]]></category>
		<category><![CDATA[Clint Eastwood]]></category>
		<category><![CDATA[Crash]]></category>
		<category><![CDATA[F.X. Toole]]></category>
		<category><![CDATA[Frankie Dunn]]></category>
		<category><![CDATA[Hilary Swank]]></category>
		<category><![CDATA[Indiana Jones and the Kingdom of the Crystal Skull]]></category>
		<category><![CDATA[Million Dollar Baby]]></category>
		<category><![CDATA[Mo Cuishle]]></category>
		<category><![CDATA[Morgan Freeman]]></category>
		<category><![CDATA[Mumblecore]]></category>
		<category><![CDATA[Neo-neo realism]]></category>
		<category><![CDATA[Noah Buschel]]></category>
		<category><![CDATA[Paul Schrader]]></category>
		<category><![CDATA[Rocky]]></category>
		<category><![CDATA[Rope Burns]]></category>
		<category><![CDATA[Scientology]]></category>
		<category><![CDATA[Sylvia Plath]]></category>
		<category><![CDATA[The Conversation]]></category>
		<category><![CDATA[W.S. Merwin]]></category>
		<category><![CDATA[William Goldman]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=5034</guid>

					<description><![CDATA[<p>I know a lot of people don&#8217;t think much of Million Dollar Baby. The screenwriter was a long time Scientologist and bequeathed on us the atrocity called Crash. There&#8217;s a grouchy priest who says wise, grouchy things. And shit, if [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/essays/noah-buschel-on-million-dollar-baby/">MILLION DOLLAR BABY And The Lost Art of the Metaphor by Noah Buschel</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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			<slash:comments>4</slash:comments>
		
		
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		<item>
		<title>ABLE DANGER</title>
		<link>https://www.hammertonail.com/reviews/comedy/able-danger-film-review/</link>
		
		<dc:creator><![CDATA[Brandon Harris]]></dc:creator>
		<pubDate>Mon, 04 May 2009 20:01:36 +0000</pubDate>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[On the Festival Circuit]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[VOD Release]]></category>
		<category><![CDATA[9/11]]></category>
		<category><![CDATA[Able Danger]]></category>
		<category><![CDATA[Adam Nee]]></category>
		<category><![CDATA[Brooklyn]]></category>
		<category><![CDATA[conspiracy theorists]]></category>
		<category><![CDATA[Curt Weldon]]></category>
		<category><![CDATA[Darren Aronofsky]]></category>
		<category><![CDATA[Ditmas Park]]></category>
		<category><![CDATA[Elina Lowensohn]]></category>
		<category><![CDATA[Mohammad Atta]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[Paul Krik]]></category>
		<category><![CDATA[Pi]]></category>
		<category><![CDATA[Senate Judiciary Committee]]></category>
		<category><![CDATA[terrorism]]></category>
		<category><![CDATA[The Conversation]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=3130</guid>

					<description><![CDATA[<p>(Able Danger is now available exclusively, in a new color presentation, through Amazon VOD.) A fast paced, HD-hard noir that leaps headlong into a maze of genre moves, Paul Krik’s post-9/11 paranoiac narrative Able Danger is named for the classified [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/comedy/able-danger-film-review/">ABLE DANGER</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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