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	<title>Stan Brakhage Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation With Travis Stevens (A WOUNDED FAWN)</title>
		<link>https://www.hammertonail.com/interviews/travis-stevens/</link>
					<comments>https://www.hammertonail.com/interviews/travis-stevens/#comments</comments>
		
		<dc:creator><![CDATA[Sammy Levine]]></dc:creator>
		<pubDate>Mon, 19 Dec 2022 18:23:55 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Wounded Fawn]]></category>
		<category><![CDATA[A Wounded Fawn movie]]></category>
		<category><![CDATA[American Psycho]]></category>
		<category><![CDATA[Dario Argento]]></category>
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		<category><![CDATA[Travis Stevens]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[Werewolves Within]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=38602</guid>

					<description><![CDATA[<div><img width="300" height="171" src="https://www.hammertonail.com/wp-content/uploads/2022/12/woundedcover-300x171.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2022/12/woundedcover-300x171.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2022/12/woundedcover.jpeg 700w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Director/writer/producer Travis Stevens’ gonzo horror-genre bender, A Wounded Fawn, had its World Premiere at Tribeca and made the festival rounds (Fantastic Fest and FrightFest London) earlier this year. His film is a startlingly colorful and splashy genre piece exploring contemporary [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/travis-stevens/">A Conversation With Travis Stevens (A WOUNDED FAWN)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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		<title>Nick Toti&#8217;s Digital Gods &#8211; Season 2, Transmission Seven</title>
		<link>https://www.hammertonail.com/reviews/digital-gods-best-of-2018/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Tue, 11 Dec 2018 22:38:32 +0000</pubDate>
				<category><![CDATA[Digital Gods]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Quiet Place]]></category>
		<category><![CDATA[austin islam livestreams watching megan boyle livestreaming 48 hr reading from LIVEBLOG]]></category>
		<category><![CDATA[Christopher Scott Knudsen]]></category>
		<category><![CDATA[Dennis Cooper]]></category>
		<category><![CDATA[Digital Gods - Season 2]]></category>
		<category><![CDATA[Dmitrii Kalashnikov]]></category>
		<category><![CDATA[Jasmine]]></category>
		<category><![CDATA[John Waters]]></category>
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		<category><![CDATA[liveblog]]></category>
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		<category><![CDATA[Nick Toti]]></category>
		<category><![CDATA[O.B. De Alessi]]></category>
		<category><![CDATA[O.B. De Alessi’s Kuo’s Eyes]]></category>
		<category><![CDATA[Oscilloscope]]></category>
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		<category><![CDATA[Stan Brakhage]]></category>
		<category><![CDATA[Tears of God]]></category>
		<category><![CDATA[The Creatures of Yes: Gay Pride Part II]]></category>
		<category><![CDATA[The Great Pretender]]></category>
		<category><![CDATA[The Road Movie]]></category>
		<category><![CDATA[The Strangers: Prey at Night]]></category>
		<category><![CDATA[there is no god and he will kill us all]]></category>
		<category><![CDATA[This is a Love Story]]></category>
		<category><![CDATA[Transmission Seven]]></category>
		<category><![CDATA[Truls Krane Meby]]></category>
		<category><![CDATA[Unfriended: Dark Web]]></category>
		<category><![CDATA[web series]]></category>
		<category><![CDATA[Zac Farley]]></category>
		<category><![CDATA[Zack Oberzan]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=30546</guid>

					<description><![CDATA[<p>(HtN&#8217;s Nick Toti chimes in with his &#8220;Best of 2018&#8221; list. Like what you see here on Hammer to Nail? Why not pay just $1.00 per month to help keep us going?) I’m going to break from my usual format for this article. [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/digital-gods-best-of-2018/">Nick Toti&#8217;s Digital Gods &#8211; Season 2, Transmission Seven</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>ON THE FRINGE, PART EIGHT: WENDY AND LUCY (2008)</title>
		<link>https://www.hammertonail.com/reviews/on-the-fringe-8/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 25 Apr 2018 16:03:47 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[EDITORIAL]]></category>
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		<category><![CDATA[Reviews]]></category>
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		<category><![CDATA[1080 Bruxelles]]></category>
		<category><![CDATA[12 Angry Men]]></category>
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		<category><![CDATA[127 Hours]]></category>
		<category><![CDATA[23 quai du Commerce]]></category>
		<category><![CDATA[47 Meters Down]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[All is Lost]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Bard College]]></category>
		<category><![CDATA[Beasts of the Southern Wild]]></category>
		<category><![CDATA[Bela Tarr]]></category>
		<category><![CDATA[Cannes Palm Dog]]></category>
		<category><![CDATA[Carl Theodor Dreyer]]></category>
		<category><![CDATA[Chantal Akerman]]></category>
		<category><![CDATA[Charlie Chaplin]]></category>
		<category><![CDATA[Chris Marker]]></category>
		<category><![CDATA[dada]]></category>
		<category><![CDATA[dadaism]]></category>
		<category><![CDATA[Danny Boyle. Pixar]]></category>
		<category><![CDATA[Donovan]]></category>
		<category><![CDATA[Elephant]]></category>
		<category><![CDATA[Empire]]></category>
		<category><![CDATA[Family Nest]]></category>
		<category><![CDATA[Foxtrot]]></category>
		<category><![CDATA[Fritz Lang]]></category>
		<category><![CDATA[FW Murnau]]></category>
		<category><![CDATA[Georges Méliès]]></category>
		<category><![CDATA[Gerry and Last Days]]></category>
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		<category><![CDATA[Kelly Reichardt]]></category>
		<category><![CDATA[Krzysztof Komeda]]></category>
		<category><![CDATA[La Jetée]]></category>
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		<category><![CDATA[Locke]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
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		<category><![CDATA[Man Ray]]></category>
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		<category><![CDATA[PART EIGHT: WENDY AND LUCY (2008)]]></category>
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		<category><![CDATA[Richard Linklater]]></category>
		<category><![CDATA[Robert Redford]]></category>
		<category><![CDATA[Robert Wiene]]></category>
		<category><![CDATA[Rope]]></category>
		<category><![CDATA[Rosemary's Baby]]></category>
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		<category><![CDATA[shark movies]]></category>
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		<category><![CDATA[Somewhere]]></category>
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		<category><![CDATA[surrealism]]></category>
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		<category><![CDATA[Tape]]></category>
		<category><![CDATA[Terry Gilliam]]></category>
		<category><![CDATA[The Exterminating Angel]]></category>
		<category><![CDATA[The Man from London]]></category>
		<category><![CDATA[The Shallows]]></category>
		<category><![CDATA[The Turin Horse]]></category>
		<category><![CDATA[Todd Haynes]]></category>
		<category><![CDATA[Tom Hardy]]></category>
		<category><![CDATA[Umberto D.]]></category>
		<category><![CDATA[Un Certain Regard]]></category>
		<category><![CDATA[Vitorrio De Sica]]></category>
		<category><![CDATA[Vitorrio De Sica’s Umberto D]]></category>
		<category><![CDATA[Wall-E]]></category>
		<category><![CDATA[Walmart]]></category>
		<category><![CDATA[Wendy and Lucy]]></category>
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		<category><![CDATA[Will Patton]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29496</guid>

					<description><![CDATA[<p>There is an astonishing, heart-rending scene toward the middle of Kelly Reichardt’s pitch-perfect, Wendy and Lucy, an ascetic touching-without-being-cloying chronicle of a nomadic young girl (Michelle Williams), her dog Lucy and her broken-down car stuck outside of Portland, Oregon on her star-cross’d way [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/on-the-fringe-8/">ON THE FRINGE, PART EIGHT: WENDY AND LUCY (2008)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>ON THE FRINGE, PART FOUR: KILLER OF SHEEP (1978)</title>
		<link>https://www.hammertonail.com/editorial/on-the-fringe-4/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 28 Mar 2018 20:49:20 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2001: A Space Odyssey]]></category>
		<category><![CDATA[and Outright Lies from a Lifetime Writing for The Simpsons]]></category>
		<category><![CDATA[Annie Hall]]></category>
		<category><![CDATA[Anton Webern]]></category>
		<category><![CDATA[August Wilson]]></category>
		<category><![CDATA[Ava DuVernay]]></category>
		<category><![CDATA[Charles Burnett]]></category>
		<category><![CDATA[Charlie Chaplin]]></category>
		<category><![CDATA[City Lights]]></category>
		<category><![CDATA[David Foster Wallace]]></category>
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		<category><![CDATA[Diane Arbus]]></category>
		<category><![CDATA[Dogme 95]]></category>
		<category><![CDATA[Earth Wind & Fire]]></category>
		<category><![CDATA[Ed Wood]]></category>
		<category><![CDATA[Elliott Smith]]></category>
		<category><![CDATA[Fences]]></category>
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		<category><![CDATA[From a Basement on the Hill]]></category>
		<category><![CDATA[Harmony Korine]]></category>
		<category><![CDATA[Idioterne]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
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		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[James Baldwin]]></category>
		<category><![CDATA[Jaws]]></category>
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		<category><![CDATA[Mathew Klickstein]]></category>
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		<category><![CDATA[Precious]]></category>
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		<category><![CDATA[The Exiles]]></category>
		<category><![CDATA[The Florida Project]]></category>
		<category><![CDATA[The Kid]]></category>
		<category><![CDATA[The Room]]></category>
		<category><![CDATA[The Texas Chainsaw Massacre]]></category>
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		<category><![CDATA[Woody Allen]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29303</guid>

					<description><![CDATA[<p>Accepting his long overdue honorary Oscar at the Academy Awards this year, the soft-spoken, wide-eyed filmmaker Charles Burnett first thanked all his friends and supporters present for their support, particularly those who were there back in the days when he “didn’t have [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/on-the-fringe-4/">ON THE FRINGE, PART FOUR: KILLER OF SHEEP (1978)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>ON THE FRINGE: Loquacious introduction + On the Bowery (1956)</title>
		<link>https://www.hammertonail.com/editorial/on-the-fringe-1/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Thu, 01 Mar 2018 22:42:01 +0000</pubDate>
				<category><![CDATA[Cine-Debate]]></category>
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		<category><![CDATA[Lists]]></category>
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		<category><![CDATA[Alice Doesn't Live Here Any More]]></category>
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		<category><![CDATA[Ashton Kutcher]]></category>
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		<category><![CDATA[Beasts of the Southern Wild]]></category>
		<category><![CDATA[Benh Zeitlin]]></category>
		<category><![CDATA[Charles Burnett]]></category>
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		<category><![CDATA[Down and Out in Paris and London]]></category>
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		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Studs Terkel]]></category>
		<category><![CDATA[Tangerine]]></category>
		<category><![CDATA[The 400 Blows]]></category>
		<category><![CDATA[The Exiles]]></category>
		<category><![CDATA[The Great Cat Massacre]]></category>
		<category><![CDATA[The Iceman Cometh]]></category>
		<category><![CDATA[The Loneliness of the Long Distance Runner]]></category>
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		<category><![CDATA[Three Billboards Outside Ebbing Missouri]]></category>
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		<category><![CDATA[Wendy & Lucy]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29116</guid>

					<description><![CDATA[<p>(Hammer to Nail is excited to bring author and filmmaker Mathew Klickstein on-board with his new column, On the Fringe) Everybody thought I was crazy to do it. After investing my late teens/early twenties into LA’s dream factory, capped with the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/on-the-fringe-1/">ON THE FRINGE: Loquacious introduction + On the Bowery (1956)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with KOKOFREAKBEAN</title>
		<link>https://www.hammertonail.com/interviews/kokofreakbean-interview/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 10 May 2017 19:45:07 +0000</pubDate>
				<category><![CDATA[Animation]]></category>
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		<category><![CDATA[David Lynch]]></category>
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		<guid isPermaLink="false">http://www.hammertonail.com/?p=28098</guid>

					<description><![CDATA[<p>Introductory Note: Kokofreakbean (read my adventure with him here) is a contradiction. He is simultaneously both guarded and incredibly candid, sometimes alternating from one to the other without warning. It makes interviewing him both exciting and frustrating. These same emotions [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/kokofreakbean-interview/">A Conversation with KOKOFREAKBEAN</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>LEVIATHAN</title>
		<link>https://www.hammertonail.com/reviews/leviathan-film-review/</link>
					<comments>https://www.hammertonail.com/reviews/leviathan-film-review/#comments</comments>
		
		<dc:creator><![CDATA[Robert Greene]]></dc:creator>
		<pubDate>Tue, 05 Mar 2013 14:00:43 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
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		<category><![CDATA[Leviathan]]></category>
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		<guid isPermaLink="false">http://www.hammertonail.com/?p=19954</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2013/03/Leviathanthumb.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" /></div>
<p>The progeny of direct cinema, experimental film and ethnography, Leviathan uses new cameras and an inventive technique to create something bracingly distinctive.</p>
<p>The post <a href="https://www.hammertonail.com/reviews/leviathan-film-review/">LEVIATHAN</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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