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	<title>Paris Archives - Hammer to Nail</title>
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	<title>Paris Archives - Hammer to Nail</title>
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	<item>
		<title>Nelson Kim&#8217;s 2019 New York Film Festival Report</title>
		<link>https://www.hammertonail.com/shorts-contest/2019-nyff-wrap/</link>
					<comments>https://www.hammertonail.com/shorts-contest/2019-nyff-wrap/#comments</comments>
		
		<dc:creator><![CDATA[Nelson Kim]]></dc:creator>
		<pubDate>Mon, 28 Oct 2019 18:38:28 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2019 New York Film Festival]]></category>
		<category><![CDATA[Adèle Exarchopoulos]]></category>
		<category><![CDATA[Al Pacino]]></category>
		<category><![CDATA[American Trial]]></category>
		<category><![CDATA[American Trial: The Eric Garner Story]]></category>
		<category><![CDATA[Ana de Armas]]></category>
		<category><![CDATA[Anthony Altieri]]></category>
		<category><![CDATA[Arthur Harari]]></category>
		<category><![CDATA[Bay of Pigs]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[Cuba]]></category>
		<category><![CDATA[Daniel Pantaleo]]></category>
		<category><![CDATA[Edgar Ramirez]]></category>
		<category><![CDATA[Eric Garner]]></category>
		<category><![CDATA[Esaw Snipes Garner]]></category>
		<category><![CDATA[Fernando Morais]]></category>
		<category><![CDATA[Fidel Castro]]></category>
		<category><![CDATA[Frank Sheeran]]></category>
		<category><![CDATA[Gangs of New York]]></category>
		<category><![CDATA[Hugo]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[James Knight]]></category>
		<category><![CDATA[Jimmy Hoffa]]></category>
		<category><![CDATA[Joey Gallo]]></category>
		<category><![CDATA[Juan Pablo Roque]]></category>
		<category><![CDATA[Justine Triet]]></category>
		<category><![CDATA[Last Tango in Paris]]></category>
		<category><![CDATA[Laurent Sénéchal]]></category>
		<category><![CDATA[Lawrence Olivier]]></category>
		<category><![CDATA[Leonardo Simões]]></category>
		<category><![CDATA[Lisbon]]></category>
		<category><![CDATA[Lord Beaverbrook]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Mike Leigh]]></category>
		<category><![CDATA[Nadav Lapid]]></category>
		<category><![CDATA[Naked]]></category>
		<category><![CDATA[New York Film Festival]]></category>
		<category><![CDATA[Norman Mailer]]></category>
		<category><![CDATA[NYFF]]></category>
		<category><![CDATA[Olga Salanueva]]></category>
		<category><![CDATA[Olivier Assayas]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Pedro Costa]]></category>
		<category><![CDATA[Penélope Cruz]]></category>
		<category><![CDATA[Portugal]]></category>
		<category><![CDATA[René Gonzalez]]></category>
		<category><![CDATA[Richard Burton]]></category>
		<category><![CDATA[Robert De Niro]]></category>
		<category><![CDATA[Roee Messinger]]></category>
		<category><![CDATA[Sandra Hüller]]></category>
		<category><![CDATA[Sibyl]]></category>
		<category><![CDATA[Synonyms]]></category>
		<category><![CDATA[The Aviator]]></category>
		<category><![CDATA[The Battle of Algiers]]></category>
		<category><![CDATA[The Irishman]]></category>
		<category><![CDATA[The Last Soldiers of the Cold War: The Story of the Cuban Five]]></category>
		<category><![CDATA[Tom Mercier]]></category>
		<category><![CDATA[Toni Erdmann]]></category>
		<category><![CDATA[Virginie Efira]]></category>
		<category><![CDATA[Vitalina Varela]]></category>
		<category><![CDATA[Wagner Moura]]></category>
		<category><![CDATA[Wasp Network]]></category>
		<category><![CDATA[Winston Churchill]]></category>
		<category><![CDATA[Z]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=31665</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2019/10/AAAABXDhteVwL1ML8ML8JgtRiUwGhrREuN6LJqaqtWCTF3ban7Hqc09db8jH0pxhugqvXkRuriAy5UVhstBE07rROn-xC6YX-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2019/10/AAAABXDhteVwL1ML8ML8JgtRiUwGhrREuN6LJqaqtWCTF3ban7Hqc09db8jH0pxhugqvXkRuriAy5UVhstBE07rROn-xC6YX-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2019/10/AAAABXDhteVwL1ML8ML8JgtRiUwGhrREuN6LJqaqtWCTF3ban7Hqc09db8jH0pxhugqvXkRuriAy5UVhstBE07rROn-xC6YX-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2019/10/AAAABXDhteVwL1ML8ML8JgtRiUwGhrREuN6LJqaqtWCTF3ban7Hqc09db8jH0pxhugqvXkRuriAy5UVhstBE07rROn-xC6YX.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2019/10/AAAABXDhteVwL1ML8ML8JgtRiUwGhrREuN6LJqaqtWCTF3ban7Hqc09db8jH0pxhugqvXkRuriAy5UVhstBE07rROn-xC6YX-600x338.jpg 600w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>The 2019 New York Film Festival began with a bang — the world premiere of Martin Scorsese’s feverishly anticipated The Irishman. And The Irishman itself ended with a whimper, or something close to it: This long (three and a half [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/2019-nyff-wrap/">Nelson Kim&#8217;s 2019 New York Film Festival Report</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.hammertonail.com/shorts-contest/2019-nyff-wrap/feed/</wfw:commentRss>
			<slash:comments>3</slash:comments>
		
		
			</item>
		<item>
		<title>A Conversation With Matthew Ross (FRANK &#038; LOLA)</title>
		<link>https://www.hammertonail.com/interviews/a-conversation-with-matthew-ross-frank-and-lola/</link>
		
		<dc:creator><![CDATA[Michael Tully]]></dc:creator>
		<pubDate>Thu, 08 Dec 2016 14:09:13 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2016 Sundance Film Festival]]></category>
		<category><![CDATA[Emmanuelle Devos]]></category>
		<category><![CDATA[Frank & Lola]]></category>
		<category><![CDATA[FullDawa Films]]></category>
		<category><![CDATA[Green Room]]></category>
		<category><![CDATA[Imogen Poots]]></category>
		<category><![CDATA[Justin Long]]></category>
		<category><![CDATA[Kammy Lennox]]></category>
		<category><![CDATA[Las Vegas]]></category>
		<category><![CDATA[Man of Steel]]></category>
		<category><![CDATA[Michael Nyqkvist]]></category>
		<category><![CDATA[Michael Shannon]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Universal Pictures]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=27293</guid>

					<description><![CDATA[<p>Matthew Ross&#8217;s noir-tinged drama Frank &#38; Lola world premiered at the 2016 Sundance Film Festival, where it was picked up for distribution by Universal Pictures. Starring Michael Shannon, Imogen Poots, Emmanuelle Devos, Michael Nyqvist, and Justin Long, Frank &#38; Lola is [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/a-conversation-with-matthew-ross-frank-and-lola/">A Conversation With Matthew Ross (FRANK &#038; LOLA)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>NIGHT AND DAY</title>
		<link>https://www.hammertonail.com/reviews/comedy/night-and-day-film-review/</link>
		
		<dc:creator><![CDATA[Michael Tully]]></dc:creator>
		<pubDate>Mon, 28 Dec 2009 20:48:24 +0000</pubDate>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[VOD Release]]></category>
		<category><![CDATA[Hong Sang-soo]]></category>
		<category><![CDATA[IFC Films]]></category>
		<category><![CDATA[Kim You-jin]]></category>
		<category><![CDATA[Kim Young-ho]]></category>
		<category><![CDATA[Michel Gondry]]></category>
		<category><![CDATA[Night and Day]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Park Eunye]]></category>
		<category><![CDATA[Seoul]]></category>
		<category><![CDATA[Sundance Selects]]></category>
		<category><![CDATA[The Science of Sleep]]></category>
		<category><![CDATA[VOD]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=704</guid>

					<description><![CDATA[<div></div>
<p>(Distributed by IFC Films, Night and Day is now available OnDemand through IFC’s Sundance Selects channel. Contact your local cable provider for details.) There are many treats contained within Hong Sang-soo’s Night and Day, but the primary reason to seek [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/comedy/night-and-day-film-review/">NIGHT AND DAY</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>BEACHES OF AGNES, THE</title>
		<link>https://www.hammertonail.com/reviews/documentary/the-beaches-of-agnes-film-review/</link>
		
		<dc:creator><![CDATA[Holly Herrick]]></dc:creator>
		<pubDate>Wed, 01 Jul 2009 21:43:48 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[On DVD]]></category>
		<category><![CDATA[Agnes Varda]]></category>
		<category><![CDATA[Belgium]]></category>
		<category><![CDATA[Cahiers du cinema]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[France]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Holly Herrick]]></category>
		<category><![CDATA[Jacques Demy]]></category>
		<category><![CDATA[Jane Birkin]]></category>
		<category><![CDATA[L'Ile et Elle]]></category>
		<category><![CDATA[La Pointe Courte]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[The Beaches of Agnes]]></category>
		<category><![CDATA[The Cinema Guild]]></category>
		<category><![CDATA[Yoland Moreau]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=2596</guid>

					<description><![CDATA[<div><img width="300" height="198" src="https://www.hammertonail.com/wp-content/uploads/2009/07/Screen-Shot-2022-03-31-at-12.43.16-PM-300x198.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2009/07/Screen-Shot-2022-03-31-at-12.43.16-PM-300x198.png 300w, https://www.hammertonail.com/wp-content/uploads/2009/07/Screen-Shot-2022-03-31-at-12.43.16-PM-1024x677.png 1024w, https://www.hammertonail.com/wp-content/uploads/2009/07/Screen-Shot-2022-03-31-at-12.43.16-PM-768x507.png 768w, https://www.hammertonail.com/wp-content/uploads/2009/07/Screen-Shot-2022-03-31-at-12.43.16-PM-600x396.png 600w, https://www.hammertonail.com/wp-content/uploads/2009/07/Screen-Shot-2022-03-31-at-12.43.16-PM.png 1064w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(The Beaches of Agnes is being distributed by The Cinema Guild. It is now available on DVD. Visit the film’s official website to learn more.) In 1956, François Truffaut wrote a short essay in Cahiers du cinema about La Pointe [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/documentary/the-beaches-of-agnes-film-review/">BEACHES OF AGNES, THE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>STORY OF A 3-DAY PASS (LA PERMISSION)</title>
		<link>https://www.hammertonail.com/reviews/drama/story-of-a-3-day-pass-la-permission-film-review/</link>
		
		<dc:creator><![CDATA[Brandon Harris]]></dc:creator>
		<pubDate>Thu, 04 Dec 2008 13:28:11 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[On DVD]]></category>
		<category><![CDATA[1960s]]></category>
		<category><![CDATA[Americans in Paris]]></category>
		<category><![CDATA[GI]]></category>
		<category><![CDATA[Melvin Van Peebles]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[racism]]></category>
		<category><![CDATA[soldiers]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=2284</guid>

					<description><![CDATA[<div></div>
<p>In 1967, Melvin Van Peebles became the first African-American to direct a narrative feature film in twenty years, following DIY pioneer Oscar Micheaux’s final film, The Betrayal, with his Story of a 3-Day Pass (La Permission). Ironically, this stretch of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/drama/story-of-a-3-day-pass-la-permission-film-review/">STORY OF A 3-DAY PASS (LA PERMISSION)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>New York Film Festival Report, Part Two: NIGHT AND DAY, THE HEADLESS WOMAN, IN GIRUM…</title>
		<link>https://www.hammertonail.com/shorts-contest/new-york-film-festival-report-part-two-night-and-day-the-headless-woman-in-girum%e2%80%a6/</link>
		
		<dc:creator><![CDATA[Nelson Kim]]></dc:creator>
		<pubDate>Wed, 15 Oct 2008 08:34:17 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[expatriates]]></category>
		<category><![CDATA[Guy Debord]]></category>
		<category><![CDATA[Hong Sang-soo]]></category>
		<category><![CDATA[In girum imus nocte et consumimur igni]]></category>
		<category><![CDATA[Koreans]]></category>
		<category><![CDATA[Lucrecia Martel]]></category>
		<category><![CDATA[Nelson Kim]]></category>
		<category><![CDATA[New York Film Festival]]></category>
		<category><![CDATA[Night and Day]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Situationist]]></category>
		<category><![CDATA[The Headless Woman]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=1708</guid>

					<description><![CDATA[<p>Hong Sang-soo is the Philip Roth of international art-house cinema. I don’t just mean that as a way of saying, “He’s really great!”—although he is. Hong, like Roth, tends to tell the same story over and over again. Usually the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/new-york-film-festival-report-part-two-night-and-day-the-headless-woman-in-girum%e2%80%a6/">New York Film Festival Report, Part Two: NIGHT AND DAY, THE HEADLESS WOMAN, IN GIRUM…</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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