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	<title>Hammer to Nail Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Radu Jude (KONTINENTAL &#8217;25)</title>
		<link>https://www.hammertonail.com/interviews/radu-jude-kontinental-25/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 16 Apr 2026 22:51:36 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Aferim! Silver Bear]]></category>
		<category><![CDATA[auteur film structure]]></category>
		<category><![CDATA[Bad Luck Banging or Loony Porn Golden Bear]]></category>
		<category><![CDATA[Berlinale 2025]]></category>
		<category><![CDATA[black comedy satire]]></category>
		<category><![CDATA[Cluj Transylvania film]]></category>
		<category><![CDATA[Do Not Expect Too Much from The End of the World]]></category>
		<category><![CDATA[Eastern European cinema]]></category>
		<category><![CDATA[Eszter Tompa]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[iPhone filmmaking]]></category>
		<category><![CDATA[Kontinental '25]]></category>
		<category><![CDATA[Kontinental '25 review]]></category>
		<category><![CDATA[poverty of means cinema]]></category>
		<category><![CDATA[Radu Jude]]></category>
		<category><![CDATA[Radu Jude films]]></category>
		<category><![CDATA[Radu Jude interview]]></category>
		<category><![CDATA[Romanian Cinema]]></category>
		<category><![CDATA[Romanian New Wave]]></category>
		<category><![CDATA[Rossellini Europe '51 reference]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55534</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2026/04/raduj-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/raduj-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/raduj-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/raduj-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/raduj-1536x1024.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Radu Jude was born in Bucharest in 1977. He studied film directing at the Media University in Bucharest and began his career making shorts, television programs, and music videos. His feature debut, The Happiest Girl in the World (2009), won several international [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/radu-jude-kontinental-25/">A Conversation with Radu Jude (KONTINENTAL &#8217;25)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Maya Annik Bedward (BLACK ZOMBIE)</title>
		<link>https://www.hammertonail.com/interviews/maya-annik-bedward/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Wed, 25 Mar 2026 19:44:19 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Afro-Caribbean history]]></category>
		<category><![CDATA[agency]]></category>
		<category><![CDATA[Atlantique]]></category>
		<category><![CDATA[Black Zombie]]></category>
		<category><![CDATA[breaking the fourth wall]]></category>
		<category><![CDATA[cultural appropriation]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[fair use]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[George A. Romero]]></category>
		<category><![CDATA[Get Out]]></category>
		<category><![CDATA[Haitian Vodou]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[horror film history]]></category>
		<category><![CDATA[Jordan Peele]]></category>
		<category><![CDATA[Mati Diop]]></category>
		<category><![CDATA[Maya Annik Bedward]]></category>
		<category><![CDATA[Migrant crisis]]></category>
		<category><![CDATA[Night of the Living Dead]]></category>
		<category><![CDATA[reenactment]]></category>
		<category><![CDATA[sugar cane field]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[SXSW Film Festival]]></category>
		<category><![CDATA[The Magic Island]]></category>
		<category><![CDATA[The Serpent and the Rainbow]]></category>
		<category><![CDATA[Tom Savini]]></category>
		<category><![CDATA[Vodou representation]]></category>
		<category><![CDATA[White Zombie]]></category>
		<category><![CDATA[William Seabrook]]></category>
		<category><![CDATA[zombie origins]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55348</guid>

					<description><![CDATA[<div><img width="300" height="178" src="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-300x178.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-300x178.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-1024x608.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-768x456.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>The documentary Black Zombie marks director Maya Annik Bedward’s feature debut. In the film, Bedward examines how the cinematic zombie has its roots in the Haitian Vodou faith, even though the original term refers to a live person enslaved by a sorcerer, and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/maya-annik-bedward/">A Conversation with Maya Annik Bedward (BLACK ZOMBIE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with Giorgi Koberidze (DRY LEAF)</title>
		<link>https://www.hammertonail.com/interviews/giorgi-koberidze/</link>
		
		<dc:creator><![CDATA[Frank Yan]]></dc:creator>
		<pubDate>Tue, 24 Mar 2026 21:16:52 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alexandre Koberidze]]></category>
		<category><![CDATA[Alfred Schnittke influence]]></category>
		<category><![CDATA[chonguri instrument]]></category>
		<category><![CDATA[clavichord]]></category>
		<category><![CDATA[contemporary arthouse cinema]]></category>
		<category><![CDATA[Dry Leaf film score]]></category>
		<category><![CDATA[electronic music composition]]></category>
		<category><![CDATA[family filmmaking]]></category>
		<category><![CDATA[film music interview]]></category>
		<category><![CDATA[film scoring techniques]]></category>
		<category><![CDATA[Forests Tales Cities Forests album]]></category>
		<category><![CDATA[Georgian cinema]]></category>
		<category><![CDATA[Georgian folk music]]></category>
		<category><![CDATA[Giorgi Koberidze]]></category>
		<category><![CDATA[Giya Kancheli]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[leitmotif]]></category>
		<category><![CDATA[low-resolution aesthetic]]></category>
		<category><![CDATA[mobile phone cinematography]]></category>
		<category><![CDATA[Nicolás Jaar]]></category>
		<category><![CDATA[Platero and I]]></category>
		<category><![CDATA[Sony Ericsson film]]></category>
		<category><![CDATA[sound design vs score]]></category>
		<category><![CDATA[temp music]]></category>
		<category><![CDATA[What Do We See When We Look at the Sky]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55328</guid>

					<description><![CDATA[<div><img width="300" height="300" src="https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-300x300.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-300x300.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-1024x1024.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-150x150.jpg 150w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-768x768.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-650x650.jpg 650w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-24x24.jpg 24w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-48x48.jpg 48w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-96x96.jpg 96w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze-250x250.jpg 250w, https://www.hammertonail.com/wp-content/uploads/2026/03/Giorgi-Koberidze.jpg 1080w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>In contemporary arthouse cinema, the line between score and sound design is often very blurry, but rarely is it navigated with as much familial intuition as in the work of composer Giorgi Koberidze. Following his work on his brother Alexandre [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/giorgi-koberidze/">A Conversation with Giorgi Koberidze (DRY LEAF)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>UGLY CRY</title>
		<link>https://www.hammertonail.com/reviews/ugly-cry/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Wed, 18 Mar 2026 16:58:06 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Aaron Dominguez]]></category>
		<category><![CDATA[acting industry movie]]></category>
		<category><![CDATA[Austin Film Festival]]></category>
		<category><![CDATA[body horror film]]></category>
		<category><![CDATA[Chris Reed review]]></category>
		<category><![CDATA[coming-of-age drama]]></category>
		<category><![CDATA[Emily Robinson]]></category>
		<category><![CDATA[female director debut]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[Hollywood satire]]></category>
		<category><![CDATA[HtN Letterboxd]]></category>
		<category><![CDATA[independent film review]]></category>
		<category><![CDATA[Robin Tunney]]></category>
		<category><![CDATA[Ryan Simpkins]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[SXSW Film Festival 2026]]></category>
		<category><![CDATA[SXSW movie]]></category>
		<category><![CDATA[Ugly Cry film]]></category>
		<category><![CDATA[ugly cry meaning]]></category>
		<category><![CDATA[Ugly Cry movie review]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55282</guid>

					<description><![CDATA[<div><img width="300" height="181" src="https://www.hammertonail.com/wp-content/uploads/2026/03/UGLY-CRY-still-300x181.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/UGLY-CRY-still-300x181.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/UGLY-CRY-still-1024x618.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/UGLY-CRY-still-768x464.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/UGLY-CRY-still.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(The 2026 SXSW Film Festival runs March 12-18 in beautiful Austin, TX. Check out Chris Reed’s Ugly Cry movie review, fresh from the fest. Seen it? Join the conversation with HtN on our Letterboxd Page.) In her directorial debut feature, Ugly Cry, actor-turned-writer/director Emily Robinson delivers [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/ugly-cry/">UGLY CRY</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>HtN&#8217;s 12 Most Anticipated Films of Sundance 2026</title>
		<link>https://www.hammertonail.com/features/htn-picks-sundance-26/</link>
		
		<dc:creator><![CDATA[The Editorial Staff]]></dc:creator>
		<pubDate>Sat, 24 Jan 2026 20:24:55 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2026 Sundance Film Festival]]></category>
		<category><![CDATA[Adam Cayton-Holland]]></category>
		<category><![CDATA[Apartment 7A]]></category>
		<category><![CDATA[Barbara Forever]]></category>
		<category><![CDATA[Barbara Hammer]]></category>
		<category><![CDATA[Berlinale]]></category>
		<category><![CDATA[Beth de Araújo]]></category>
		<category><![CDATA[Biljana Tutorov]]></category>
		<category><![CDATA[Blue Moon]]></category>
		<category><![CDATA[Brydie O'Connor]]></category>
		<category><![CDATA[Buddy]]></category>
		<category><![CDATA[Casper Kelly]]></category>
		<category><![CDATA[Channing Tatum]]></category>
		<category><![CDATA[Charli XCX]]></category>
		<category><![CDATA[Chase Sui Wonders]]></category>
		<category><![CDATA[Chasing Summer]]></category>
		<category><![CDATA[Chris Reed]]></category>
		<category><![CDATA[Cooper Hoffman]]></category>
		<category><![CDATA[Cooper Raiff]]></category>
		<category><![CDATA[Danielle Macdonald]]></category>
		<category><![CDATA[Daveed Diggs]]></category>
		<category><![CDATA[David Duchovny]]></category>
		<category><![CDATA[Don R. Lewis]]></category>
		<category><![CDATA[Emma Thompson]]></category>
		<category><![CDATA[Ethan Hawke]]></category>
		<category><![CDATA[Eva Kraljević]]></category>
		<category><![CDATA[Everybody to Kenmure Street]]></category>
		<category><![CDATA[Felipe Bustos Sierra]]></category>
		<category><![CDATA[Gemma Chan]]></category>
		<category><![CDATA[Gregg Araki]]></category>
		<category><![CDATA[Ha-Chan Shake Your Booty]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[Hope Davis]]></category>
		<category><![CDATA[I Want Your Sex]]></category>
		<category><![CDATA[Iliza Shlesinger]]></category>
		<category><![CDATA[Independent Film Company]]></category>
		<category><![CDATA[Jack Schenker]]></category>
		<category><![CDATA[Jay Duplass]]></category>
		<category><![CDATA[Johnny Knoxville]]></category>
		<category><![CDATA[Josef Kubota Wladyka]]></category>
		<category><![CDATA[Josephine]]></category>
		<category><![CDATA[Josephine Decker]]></category>
		<category><![CDATA[Kaitlyn Dever]]></category>
		<category><![CDATA[Karley Sciortino]]></category>
		<category><![CDATA[Kate Dickie]]></category>
		<category><![CDATA[Keegan-Michael Key]]></category>
		<category><![CDATA[Kumiko The Treasure Hunter]]></category>
		<category><![CDATA[Lola Tung]]></category>
		<category><![CDATA[Lucy Boynton]]></category>
		<category><![CDATA[M.J. O’Toole]]></category>
		<category><![CDATA[Mad Hot Ballroom]]></category>
		<category><![CDATA[Madeleine Madden]]></category>
		<category><![CDATA[Madeline’s Madeline]]></category>
		<category><![CDATA[Mandy]]></category>
		<category><![CDATA[Manos sucias]]></category>
		<category><![CDATA[Margaret Cho]]></category>
		<category><![CDATA[Mason Reeves]]></category>
		<category><![CDATA[Matt Delman]]></category>
		<category><![CDATA[Megan Mullally]]></category>
		<category><![CDATA[Michael Shannon]]></category>
		<category><![CDATA[Midori Francis]]></category>
		<category><![CDATA[Nae Pasaran]]></category>
		<category><![CDATA[Natalie Erika James]]></category>
		<category><![CDATA[National Geographic]]></category>
		<category><![CDATA[Nic Cage]]></category>
		<category><![CDATA[Olivia Wilde]]></category>
		<category><![CDATA[Padraic McKinley]]></category>
		<category><![CDATA[Park City Utah]]></category>
		<category><![CDATA[Patton Oswalt]]></category>
		<category><![CDATA[Petar Glomazic]]></category>
		<category><![CDATA[Relic]]></category>
		<category><![CDATA[Rinko Kikuchi]]></category>
		<category><![CDATA[Robert Redford]]></category>
		<category><![CDATA[Rosemary's Baby]]></category>
		<category><![CDATA[Russell Crowe]]></category>
		<category><![CDATA[Saccharine]]></category>
		<category><![CDATA[Sara Dosa]]></category>
		<category><![CDATA[See You When I See You]]></category>
		<category><![CDATA[Shirley]]></category>
		<category><![CDATA[Shudder]]></category>
		<category><![CDATA[Soft & Quiet]]></category>
		<category><![CDATA[Sundance Film Festival 2026]]></category>
		<category><![CDATA[Sundance films]]></category>
		<category><![CDATA[Sundance lineup]]></category>
		<category><![CDATA[The Baltimorons]]></category>
		<category><![CDATA[The Fire Of Love]]></category>
		<category><![CDATA[The Lowdown]]></category>
		<category><![CDATA[The Weight]]></category>
		<category><![CDATA[Time and Water]]></category>
		<category><![CDATA[To Hold a Mountain]]></category>
		<category><![CDATA[Tom Welling]]></category>
		<category><![CDATA[Too Many Cooks]]></category>
		<category><![CDATA[Tragedy Plus Time]]></category>
		<category><![CDATA[Train Dreams]]></category>
		<category><![CDATA[When Pigs Come]]></category>
		<category><![CDATA[White Bird in a Blizzard]]></category>
		<category><![CDATA[Whitney Biennial]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54862</guid>

					<description><![CDATA[<div><img width="300" height="166" src="https://www.hammertonail.com/wp-content/uploads/2026/01/cver-300x166.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/01/cver-300x166.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/01/cver-1024x566.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/01/cver-768x424.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/01/cver-1536x849.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>The 2026 Sundance Film Festival kicks off Thursday, January 22 and runs through Sunday, February 1 for, sadly the last time, in and around Park City, Utah. Last year&#8217;s passing of Sundance progenitor Robert Redford kind of added a real [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/features/htn-picks-sundance-26/">HtN&#8217;s 12 Most Anticipated Films of Sundance 2026</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>All Because Robert Redford Started a Film Festival</title>
		<link>https://www.hammertonail.com/features/redford-2025/</link>
		
		<dc:creator><![CDATA[Don R. Lewis]]></dc:creator>
		<pubDate>Mon, 19 Jan 2026 23:56:46 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1990s film]]></category>
		<category><![CDATA[Chris Gore]]></category>
		<category><![CDATA[Faye Dunaway]]></category>
		<category><![CDATA[film festival memories]]></category>
		<category><![CDATA[film industry]]></category>
		<category><![CDATA[Film Threat]]></category>
		<category><![CDATA[filmmaker stories]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[iconic film festivals]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Indie Filmmaking]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Melanie Addington]]></category>
		<category><![CDATA[Park City Utah]]></category>
		<category><![CDATA[Robert Altman Sundance]]></category>
		<category><![CDATA[Robert Redford]]></category>
		<category><![CDATA[Robert Redford legacy]]></category>
		<category><![CDATA[Robert Redford tribute]]></category>
		<category><![CDATA[Scarecrow Video]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[Sundance Film Festival history]]></category>
		<category><![CDATA[Sundance friendships]]></category>
		<category><![CDATA[Sundance volunteers]]></category>
		<category><![CDATA[The Violent Kind]]></category>
		<category><![CDATA[volunteering at Sundance]]></category>
		<category><![CDATA[William H. Macy]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54079</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/09/redford-300x200.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/09/redford-300x200.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2025/09/redford-1024x683.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/09/redford-768x512.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2025/09/redford.jpeg 1200w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Robert Redford changed my life. It was all the way back in 1997 and my friend’s sister heard I was really getting into independent film and was particularly interested in the Sundance Film Festival. Hell, who wasn’t back in 1997? [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/features/redford-2025/">All Because Robert Redford Started a Film Festival</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>YOUNG MOTHERS</title>
		<link>https://www.hammertonail.com/reviews/young-mothers/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 08 Jan 2026 18:09:06 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
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		<category><![CDATA[award-winning screenplay]]></category>
		<category><![CDATA[Babette Verbeek]]></category>
		<category><![CDATA[Belgian film]]></category>
		<category><![CDATA[Belgium]]></category>
		<category><![CDATA[Best Screenplay Cannes]]></category>
		<category><![CDATA[Cannes 2025]]></category>
		<category><![CDATA[character study]]></category>
		<category><![CDATA[Christopher Llewellyn Reed]]></category>
		<category><![CDATA[critical acclaim]]></category>
		<category><![CDATA[Dardenne Brothers]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[Elsa Houben]]></category>
		<category><![CDATA[emotional drama]]></category>
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		<category><![CDATA[Focus Features]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Janaina Halloy Fokan]]></category>
		<category><![CDATA[Jean-Pierre Dardenne]]></category>
		<category><![CDATA[Liège]]></category>
		<category><![CDATA[Luc Dardenne]]></category>
		<category><![CDATA[Lucie Laruelle]]></category>
		<category><![CDATA[motherhood]]></category>
		<category><![CDATA[new release 2025]]></category>
		<category><![CDATA[resilient women]]></category>
		<category><![CDATA[Sami Hilmi]]></category>
		<category><![CDATA[social realism]]></category>
		<category><![CDATA[teenage pregnancy]]></category>
		<category><![CDATA[Tori and Lokita]]></category>
		<category><![CDATA[women's shelter]]></category>
		<category><![CDATA[Young Mothers]]></category>
		<category><![CDATA[Young Mothers movie review]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54822</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/01/YOUNG-MOTHERS-still_07-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/01/YOUNG-MOTHERS-still_07-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/01/YOUNG-MOTHERS-still_07-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/01/YOUNG-MOTHERS-still_07-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/01/YOUNG-MOTHERS-still_07.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Chris Reed’s Young Mothers movie review! It opens January 9 in New York and January 16 in Los Angeles before a national rollout. Seen it? Join the conversation with HtN on our Letterboxd Page.) The Belgian filmmaking duo of brothers [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/young-mothers/">YOUNG MOTHERS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>THE CURBSIDE CRITERION: THE UNINVITED</title>
		<link>https://www.hammertonail.com/reviews/the-uninvited/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Sat, 01 Nov 2025 14:26:55 +0000</pubDate>
				<category><![CDATA[Curbside Criterion]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
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		<category><![CDATA[1944 movie]]></category>
		<category><![CDATA[Charles Brackett]]></category>
		<category><![CDATA[classic film review]]></category>
		<category><![CDATA[classic horror film]]></category>
		<category><![CDATA[Dorothy Macardle adaptation]]></category>
		<category><![CDATA[film noir influences]]></category>
		<category><![CDATA[Gail Russell]]></category>
		<category><![CDATA[Ghost Story]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[haunted house movie]]></category>
		<category><![CDATA[independent cinema inspiration]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Lewis Allen director]]></category>
		<category><![CDATA[Paramount Pictures]]></category>
		<category><![CDATA[Ray Milland]]></category>
		<category><![CDATA[Ruth Hussey]]></category>
		<category><![CDATA[Stella by Starlight]]></category>
		<category><![CDATA[The Uninvited]]></category>
		<category><![CDATA[Val Lewton style]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54348</guid>

					<description><![CDATA[<div><img width="300" height="189" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-01-at-7.25.52 AM-300x189.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-01-at-7.25.52 AM-300x189.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-01-at-7.25.52 AM-1024x646.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-01-at-7.25.52 AM-768x485.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-01-at-7.25.52 AM-1536x970.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Here at Hammer to Nail are all about true independent cinema. But we also have to tip our hat to the great films of yesteryear that continue to inspire filmmakers and cinephiles alike. This week Jonathan Marlow checks in to [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/the-uninvited/">THE CURBSIDE CRITERION: THE UNINVITED</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Sasha Wortzel (RIVER OF GRASS)</title>
		<link>https://www.hammertonail.com/interviews/sasha-wortzel/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Mon, 27 Oct 2025 20:59:47 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[LBGTQ+]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alligator Alcatraz]]></category>
		<category><![CDATA[analog horror documentary]]></category>
		<category><![CDATA[Betty Osceola]]></category>
		<category><![CDATA[Big Cypress]]></category>
		<category><![CDATA[climate change Florida]]></category>
		<category><![CDATA[DCTV Firehouse Cinema]]></category>
		<category><![CDATA[ecological grief]]></category>
		<category><![CDATA[environmental activism]]></category>
		<category><![CDATA[environmental film]]></category>
		<category><![CDATA[environmental racism]]></category>
		<category><![CDATA[Everglades documentary]]></category>
		<category><![CDATA[Everglades film]]></category>
		<category><![CDATA[Everglades National Park]]></category>
		<category><![CDATA[Florida ecosystem]]></category>
		<category><![CDATA[Florida environment]]></category>
		<category><![CDATA[Florida Everglades]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[indie documentary]]></category>
		<category><![CDATA[Indigenous activism]]></category>
		<category><![CDATA[Marjory Stoneman Douglas]]></category>
		<category><![CDATA[River of Grass]]></category>
		<category><![CDATA[Sasha Wortzel]]></category>
		<category><![CDATA[Seminole Wars]]></category>
		<category><![CDATA[toxic algae blooms]]></category>
		<category><![CDATA[wetland preservation]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54307</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/10/Sasha-Wortzel-300x169.webp" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/10/Sasha-Wortzel-300x169.webp 300w, https://www.hammertonail.com/wp-content/uploads/2025/10/Sasha-Wortzel-1024x576.webp 1024w, https://www.hammertonail.com/wp-content/uploads/2025/10/Sasha-Wortzel-768x432.webp 768w, https://www.hammertonail.com/wp-content/uploads/2025/10/Sasha-Wortzel-1536x864.webp 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>“Where’s my water? What did I do with the water?” a priest mutters, patting and digging into his pants pockets.  Standing on a fisherman’s dock, wearing a fedora and sunglasses hanging from his shirt pocket, he looks slightly out of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/sasha-wortzel/">A Conversation with Sasha Wortzel (RIVER OF GRASS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Crispin Glover (NO! YOU&#8217;RE WRONG. or: SPOOKY ACTION AT A DISTANCE</title>
		<link>https://www.hammertonail.com/interviews/crispin-glover/</link>
		
		<dc:creator><![CDATA[Jessica Baxter]]></dc:creator>
		<pubDate>Sun, 19 Oct 2025 17:17:24 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alicia Witt]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Back to the Future]]></category>
		<category><![CDATA[Back to the Future cast]]></category>
		<category><![CDATA[Bartleby]]></category>
		<category><![CDATA[Beowulf movie]]></category>
		<category><![CDATA[Bruce Glover]]></category>
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		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[Donald Sutherland]]></category>
		<category><![CDATA[Fellini's Casanova]]></category>
		<category><![CDATA[Formalist filmmaking]]></category>
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		<category><![CDATA[Hot Tub Time Machine]]></category>
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		<category><![CDATA[Kristine McKenna]]></category>
		<category><![CDATA[Metropolis]]></category>
		<category><![CDATA[MoMA]]></category>
		<category><![CDATA[Mr. K]]></category>
		<category><![CDATA[Museum of Modern Art]]></category>
		<category><![CDATA[No! YOU'RE WRONG or: Spooky Action at a Distance]]></category>
		<category><![CDATA[Oak Mott]]></category>
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		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[The Big Problem ≠ the Solution. The Solution = Let It Be]]></category>
		<category><![CDATA[The Big Slide Show]]></category>
		<category><![CDATA[The Cabinet of Dr. Caligari]]></category>
		<category><![CDATA[The Doors]]></category>
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		<category><![CDATA[Wild at Heart]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54200</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/10/chg-300x169.webp" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/10/chg-300x169.webp 300w, https://www.hammertonail.com/wp-content/uploads/2025/10/chg-1024x576.webp 1024w, https://www.hammertonail.com/wp-content/uploads/2025/10/chg-768x432.webp 768w, https://www.hammertonail.com/wp-content/uploads/2025/10/chg.webp 1280w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Many actors have added multi-hyphenates to their resumes, dipping into other facets of auteur filmmaking. But no one has done it quite like Crispin Hellion Glover. For that, and many other reasons, he remains one of the most unique artists [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/crispin-glover/">A Conversation with Crispin Glover (NO! YOU&#8217;RE WRONG. or: SPOOKY ACTION AT A DISTANCE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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