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	<title>Experimental Film Archives - Hammer to Nail</title>
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	<title>Experimental Film Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with  Lynne Sachs (EVERY CONTACT LEAVES A TRACE)</title>
		<link>https://www.hammertonail.com/interviews/lynne-sachs/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Fri, 24 Apr 2026 18:16:52 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[avant-garde cinema]]></category>
		<category><![CDATA[Betty Leacraft]]></category>
		<category><![CDATA[Bradley Eros]]></category>
		<category><![CDATA[business cards]]></category>
		<category><![CDATA[creative process]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[documentary performance]]></category>
		<category><![CDATA[Every Contact Leaves a Trace]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[film and poetry]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[filmmaker interview]]></category>
		<category><![CDATA[Gunvor Nelson]]></category>
		<category><![CDATA[hybrid filmmaking]]></category>
		<category><![CDATA[IDFA documentary]]></category>
		<category><![CDATA[Lynne Sachs]]></category>
		<category><![CDATA[Lynne Sachs interview]]></category>
		<category><![CDATA[memory and ephemera]]></category>
		<category><![CDATA[non-narrative film]]></category>
		<category><![CDATA[Scarecrow Video Archive]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54805</guid>

					<description><![CDATA[<div><img width="300" height="160" src="https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-300x160.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-300x160.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-1024x546.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-768x410.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-1536x819.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Some filmmakers are known for their documentary works. Others for their narrative films. Still others—the better filmmakers (for me), generally—do not fit comfortably into either category. Or any category whatsoever. Poet / artist / filmmaker Lynne Sachs is one of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/lynne-sachs/">A Conversation with  Lynne Sachs (EVERY CONTACT LEAVES A TRACE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with David Greaves, Liani Greaves, Anne de Mare &#038; Lynn True (ONCE UPON A TIME IN HARLEM)</title>
		<link>https://www.hammertonail.com/interviews/once-upon-a-time-in-harlem/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Sun, 01 Feb 2026 23:20:45 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[A. Philip Randolph]]></category>
		<category><![CDATA[Albert Maysles]]></category>
		<category><![CDATA[Anne de Mare]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Arna Bontemps]]></category>
		<category><![CDATA[Bill Brand]]></category>
		<category><![CDATA[black filmmakers]]></category>
		<category><![CDATA[Black Filmmakers Hall of Fame]]></category>
		<category><![CDATA[Black Journal]]></category>
		<category><![CDATA[Countee Cullen]]></category>
		<category><![CDATA[David Greaves]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Duke Ellington]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[film preservation]]></category>
		<category><![CDATA[George Schuyler]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[Harlem Renaissance documentary]]></category>
		<category><![CDATA[Harlem townhouse]]></category>
		<category><![CDATA[Hubert Harrison]]></category>
		<category><![CDATA[Ida B. Wells: A Passion for Justice]]></category>
		<category><![CDATA[In Transit]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Ishmael Reed]]></category>
		<category><![CDATA[Langston Hughes]]></category>
		<category><![CDATA[Leigh Whipper]]></category>
		<category><![CDATA[Liani Greaves]]></category>
		<category><![CDATA[Louise Archambault Greaves]]></category>
		<category><![CDATA[Lynn True]]></category>
		<category><![CDATA[Marcus Garvey]]></category>
		<category><![CDATA[Nathan Huggins]]></category>
		<category><![CDATA[National Film Registry]]></category>
		<category><![CDATA[Nugent]]></category>
		<category><![CDATA[Once Upon a Time in Harlem]]></category>
		<category><![CDATA[Ontological-Hysteric Theater]]></category>
		<category><![CDATA[Ralph Bunche: An American Odyssey]]></category>
		<category><![CDATA[Richard B. Moore]]></category>
		<category><![CDATA[Richard Foreman]]></category>
		<category><![CDATA[Schomburg Center]]></category>
		<category><![CDATA[Steve Buscemi]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Sundance film]]></category>
		<category><![CDATA[Symbiopsychotaxiplasm: Take One]]></category>
		<category><![CDATA[W.E.B. Du Bois]]></category>
		<category><![CDATA[William Greaves]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54961</guid>

					<description><![CDATA[<div><img width="300" height="104" src="https://www.hammertonail.com/wp-content/uploads/2026/02/cover-300x104.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/cover-300x104.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/cover-1024x356.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/cover-768x267.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/cover-1536x533.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Once Upon a Time in Harlem is the best film I saw at Sundance this year. It is also, in a sense, a miracle. In 1972, the legendary documentary filmmaker William Greaves—director of the avant-garde masterpiece Symbiopsychotaxiplasm: Take One (1968), [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/once-upon-a-time-in-harlem/">A Conversation with David Greaves, Liani Greaves, Anne de Mare &#038; Lynn True (ONCE UPON A TIME IN HARLEM)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>DEBUT, OR, OBJECTS OF THE FIELD OF DEBRIS AS CURRENTLY CATALOGUED</title>
		<link>https://www.hammertonail.com/reviews/debut-objects-of-the-field-of-debris/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Mon, 10 Nov 2025 15:39:00 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[art forgery crime]]></category>
		<category><![CDATA[avant-garde cinema]]></category>
		<category><![CDATA[cinematic puzzle]]></category>
		<category><![CDATA[Debut or Objects of the Field of Debris]]></category>
		<category><![CDATA[epistolary filmmaking]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[film within a film]]></category>
		<category><![CDATA[found footage mystery]]></category>
		<category><![CDATA[Griffin and Sabine]]></category>
		<category><![CDATA[intellectual cinema]]></category>
		<category><![CDATA[investigatory drama]]></category>
		<category><![CDATA[Julian Castronovo]]></category>
		<category><![CDATA[MacBook camera film]]></category>
		<category><![CDATA[Maryland Film Festival 2025]]></category>
		<category><![CDATA[meta-narrative]]></category>
		<category><![CDATA[missing artist mystery]]></category>
		<category><![CDATA[Movie Review]]></category>
		<category><![CDATA[new filmmaker]]></category>
		<category><![CDATA[Photo Booth narration]]></category>
		<category><![CDATA[Werner Herzog influence]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54400</guid>

					<description><![CDATA[<div><img width="300" height="168" src="https://www.hammertonail.com/wp-content/uploads/2025/11/DEBUT-OR-OBJECTS-OF-THE-FIELD-OF-DEBRIS-AS-CURRENTLY-CATALOGUED-still_02-300x168.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/DEBUT-OR-OBJECTS-OF-THE-FIELD-OF-DEBRIS-AS-CURRENTLY-CATALOGUED-still_02-300x168.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/DEBUT-OR-OBJECTS-OF-THE-FIELD-OF-DEBRIS-AS-CURRENTLY-CATALOGUED-still_02-1024x573.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/DEBUT-OR-OBJECTS-OF-THE-FIELD-OF-DEBRIS-AS-CURRENTLY-CATALOGUED-still_02-768x430.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/DEBUT-OR-OBJECTS-OF-THE-FIELD-OF-DEBRIS-AS-CURRENTLY-CATALOGUED-still_02.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(The 2025 Maryland Film Festival ran November 5-9. Check out Chris Reed&#8217;s Debut, or, Objects of the Field of Debris as Currently Catalogued movie review from the fest! Seen it? Join the conversation with HtN on our Letterboxd Page.) In the early [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/debut-objects-of-the-field-of-debris/">DEBUT, OR, OBJECTS OF THE FIELD OF DEBRIS AS CURRENTLY CATALOGUED</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>FAYA DAYI</title>
		<link>https://www.hammertonail.com/reviews/faya-dayi/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 03 Sep 2021 14:46:52 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[VOD Release]]></category>
		<category><![CDATA[Azurkheilani]]></category>
		<category><![CDATA[Ethiopia]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[Faya Dayi]]></category>
		<category><![CDATA[Janus Films]]></category>
		<category><![CDATA[Jessica Beshir]]></category>
		<category><![CDATA[khat plant]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=35374</guid>

					<description><![CDATA[<div><img width="300" height="168" src="https://www.hammertonail.com/wp-content/uploads/2021/09/FAYA-DAYI-still_06-300x168.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2021/09/FAYA-DAYI-still_06-300x168.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2021/09/FAYA-DAYI-still_06-768x429.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2021/09/FAYA-DAYI-still_06-1024x572.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2021/09/FAYA-DAYI-still_06-600x335.jpeg 600w, https://www.hammertonail.com/wp-content/uploads/2021/09/FAYA-DAYI-still_06.jpeg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Jessica Beshir’s Faya Dayi is available now in theaters via Janus Films. Like what you see here on Hammer to Nail? Why not give just $1.00 per month via Patreon to help keep us going?) The leaves of the khat plant, when chewed, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/faya-dayi/">FAYA DAYI</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Adina Pintille (TOUCH ME NOT)</title>
		<link>https://www.hammertonail.com/interviews/adina-pintille/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 23 Oct 2018 18:52:50 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Pornography]]></category>
		<category><![CDATA[Sexuality]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2018 Toronto International Film Festival]]></category>
		<category><![CDATA[Adina Pintille]]></category>
		<category><![CDATA[BDSM club]]></category>
		<category><![CDATA[Berlin Film Festival]]></category>
		<category><![CDATA[Bertolt Brecht]]></category>
		<category><![CDATA[Blade Runner 2049]]></category>
		<category><![CDATA[Brechtian]]></category>
		<category><![CDATA[Dangerous Liaisons]]></category>
		<category><![CDATA[doc hybrid]]></category>
		<category><![CDATA[documentary hybrid]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[Laura Benson]]></category>
		<category><![CDATA[Patrice Chéreau]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[TIFF 2018]]></category>
		<category><![CDATA[Tómas Lemarquis]]></category>
		<category><![CDATA[Touch Me Not]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=30302</guid>

					<description><![CDATA[<p>I met with Romanian director Adina Pintilie on Sunday, September 9, 2018, at the Toronto International Film Festival, to discuss her debut feature, Touch Me Not (which I also reviewed), which won top honors at this year&#8217;s Berlin Film Festival. [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/adina-pintille/">A Conversation with Adina Pintille (TOUCH ME NOT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Her Wilderness</title>
		<link>https://www.hammertonail.com/shorts-contest/her-wilderness-review/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 15 Apr 2015 20:41:15 +0000</pubDate>
				<category><![CDATA[1]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[Frank Mosley]]></category>
		<category><![CDATA[Her Wilderness]]></category>
		<category><![CDATA[Jon Jost]]></category>
		<category><![CDATA[Last Chants for a Slow Dance]]></category>
		<category><![CDATA[Mark Rappaport]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[The Scenic Route]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=24373</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2015/04/wildernessposter2.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" /></div>
<p>Frank Mosley's experimental narrative is a beautiful and poetic look at inner turmoil juxtaposed with nature.</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/her-wilderness-review/">Her Wilderness</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>WAVELENGTH</title>
		<link>https://www.hammertonail.com/reviews/short-film/wavelength-film-review/</link>
					<comments>https://www.hammertonail.com/reviews/short-film/wavelength-film-review/#comments</comments>
		
		<dc:creator><![CDATA[Brandon Harris]]></dc:creator>
		<pubDate>Wed, 20 Aug 2008 15:46:38 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Short Film]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[New American Cinema]]></category>
		<category><![CDATA[short]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=1530</guid>

					<description><![CDATA[<p>Okay, this might get a bit heady. Jonathan Rosenbaum has called it the “the most consequential zoom shot in the history of cinema.” It’s actually several shots, but if you ever get the chance to see it, it may occur [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/short-film/wavelength-film-review/">WAVELENGTH</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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			<slash:comments>1</slash:comments>
		
		
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