What starts out as smart, irreverent comedy eventually turns into a kind of horror, giving the viewer a sense of being weirdly complicit.

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Nadia Szold's film is impossible to fully pin down: like a Persian rug, its pleasures come as much from the beautifully designed details as from the piece as a whole.

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Named after the characteristic bush that grows in this land, Fynbos goes deep into its subjects’ psyches as they play for huge personal stakes, flirting with self-destruction over ownership of a piece of land that in a sense can’t be owned.

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