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THE BLIND MAN WHO DID NOT WANT TO SEE THE TITANIC

(The 2022 SXSW Film Festival runs March 11-20 in glorious Austin, Texas. Check out Melanie Addington’s movie review of The Blind Man Who Did Not Want to see the Titanic. Join the conversation with HtN on our Letterboxd Page.)

*Trigger warning: disability trauma

With the description of being wheelchair-bound, an outdated disability term, I was nervous to watch this film, The Blind Man Who Did Not Want to see the Titanic. But Petri Poikolainen, star, and an actual blind wheelchair user, keeps you wanting to watch. Filmed in a blur and close up to his face as most of the film is an audio description more than visuals, the caretaker we hear (as we see only the main actor’s eyes) has his girlfriend on the phone, the outside world is just sound.

As the characters express their love over the phone, the woman reveals her ongoing battle for a diagnosis and that she has vasculitis, a chronic condition that causes intense pain but with medication can be managed. He sympathizes but we do not learn why he is in a wheelchair or blind. But caring for her, he decides to go meet her in person, without a caretaker, alone, on a subway.

Things go bad. And while your typical disability porn idea of a man surviving despite disability does play into the story some, it is with a refined sense of understanding disability. The main character Jaakko, has multiple sclerosis and went blind and became paralyzed over time. Like any man of any condition, he uses his smarts to get out of a bad situation and get to his girl. He understands who he is and his limits despite dealing with people, including the people who supposedly care, infantilizing him.

As a movie lover with multiple sclerosis, the nightmare of losing the ability to see a movie is one that I try not to fathom and others with similar chronic illnesses may struggle to watch. But it is one version of reality for someone with MS. For those unaware, it is not the only outcome. Some with Primary Progressive Multiple Sclerosis can see that happen. But only about 50% with the disease ever have vision issues and many have temporary episodes. If you don’t know someone with MS, this oversimplified explanation of his disease in the film may be misleading.

But also, going in with knowledge of the disease may relate to the story in a way that an able-bodied may not capture. The nuance of someone actually having a disability on camera along with the creative team making decisions informed by understanding disability is rare and lovely to view. It is a complicated film– both the story and the idea that he is incapable and what people think of him – but in reality, it is a challenge with both a wheelchair and blindness to deal with other people who will take advantage, not care. Poikolainen is a star and brings to the role what someone with the actual disease can bring – nuance, reality and grit.

Directed by Teemu Nikki, the Finnish film is 82 minutes and premiered at Venice International Film Festival where it won the audience award. It screens this week at South by Southwest.

– Melanie Addington (@MelAddington)

2022 SXSW Film Festival; Camille Hardman; The Blind Man Who Did Not Want to see the Titanic film review
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Melanie Addington is the Executive Director of Tallgrass Film Association as of 2021. She has worked in the film festival world since 2006, first as a volunteer, and then eventually becoming the Oxford Film Festival Executive Director in August 2015. She used to be a reporter for the Oxford Eagle (a community newspaper) and then Pizza Magazine Quarterly (a global trade magazine). She still loves pizza. And she still writes for Hammer to Nail and Film Festival Today about her other great love: movies. She is from Southern California originally but has lived in the South for 20 years. She has family in Wichita, Kansas, and considers it a great new home. She also writes, directs, and produces films. She is married and has one son.

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