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	<title>Stream Free Now Archives - Hammer to Nail</title>
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	<title>Stream Free Now Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/category/stream-free-now/</link>
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	<item>
		<title>A BODY TO LIVE IN</title>
		<link>https://www.hammertonail.com/reviews/a-body-to-live-in/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Tue, 28 Apr 2026 19:37:14 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sexuality]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[4K restoration vampire film]]></category>
		<category><![CDATA[A Body to Live In film]]></category>
		<category><![CDATA[Angelo Madsen director]]></category>
		<category><![CDATA[body identity and spirit]]></category>
		<category><![CDATA[body modification art]]></category>
		<category><![CDATA[Body Play quarterly]]></category>
		<category><![CDATA[enlightenment through pain]]></category>
		<category><![CDATA[Fakir Musafar documentary]]></category>
		<category><![CDATA[hook suspension ritual]]></category>
		<category><![CDATA[Jonathan Marlow movie review]]></category>
		<category><![CDATA[Michael Almereyda Nadja]]></category>
		<category><![CDATA[modern primitives movement]]></category>
		<category><![CDATA[North by Current filmmaker]]></category>
		<category><![CDATA[NWFF Seattle Q&A]]></category>
		<category><![CDATA[performance art film]]></category>
		<category><![CDATA[RE/Search Modern Primitives]]></category>
		<category><![CDATA[Scarecrow Video Archive]]></category>
		<category><![CDATA[two-spirit cultural appropriation]]></category>
		<category><![CDATA[Virgin Machine cameo]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55602</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/04/body-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/body-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/body-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/body-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/body-1536x864.jpg 1536w, https://www.hammertonail.com/wp-content/uploads/2026/04/body.jpg 1920w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Jonathan Marlow’s A Body to Live In movie review, it hits Blu-ray May 26. Seen it? Join the conversation with HtN on our Letterboxd Page.) &#8220;Body is the door to Spirit”   What is a body (and to what extent can [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/a-body-to-live-in/">A BODY TO LIVE IN</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>THE TALLEST DWARF</title>
		<link>https://www.hammertonail.com/reviews/the-tallest-dwarf/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 03 Apr 2026 18:41:58 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[achondroplasia]]></category>
		<category><![CDATA[April 6]]></category>
		<category><![CDATA[Chris Reed movie review]]></category>
		<category><![CDATA[diversity]]></category>
		<category><![CDATA[Dwarf Artist Coalition]]></category>
		<category><![CDATA[dwarfism]]></category>
		<category><![CDATA[Eugenics]]></category>
		<category><![CDATA[film discussion]]></category>
		<category><![CDATA[gene therapy]]></category>
		<category><![CDATA[Growth Hormone Deficiency]]></category>
		<category><![CDATA[Julie Forrest Wyman]]></category>
		<category><![CDATA[Letterboxd]]></category>
		<category><![CDATA[limb-lengthening]]></category>
		<category><![CDATA[little people]]></category>
		<category><![CDATA[Little People of America]]></category>
		<category><![CDATA[LPA]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[Sofiya Cheyenne]]></category>
		<category><![CDATA[The Tallest Dwarf]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55441</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/04/TALLEST-DWARF-still_01-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/TALLEST-DWARF-still_01-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/TALLEST-DWARF-still_01-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/TALLEST-DWARF-still_01-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/TALLEST-DWARF-still_01.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Chris Reed’s The Tallest Dwarf  movie review, the film premieres on PBS Monday, April 6. Seen it? Join the conversation with HtN on our Letterboxd Page.) Those who stand outside what society considers normative usually face discrimination of some sort, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/the-tallest-dwarf/">THE TALLEST DWARF</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Anna Boden and Ryan Fleck (HALF NELSON)</title>
		<link>https://www.hammertonail.com/interviews/boden-fleck/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Sat, 21 Mar 2026 21:41:27 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[Anna Boden]]></category>
		<category><![CDATA[Captain Marvel]]></category>
		<category><![CDATA[character study]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[film directing]]></category>
		<category><![CDATA[filmmaking craft]]></category>
		<category><![CDATA[filmmaking duo]]></category>
		<category><![CDATA[Freaky Tales]]></category>
		<category><![CDATA[Half Nelson]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[indie cinema]]></category>
		<category><![CDATA[Mississippi Grind]]></category>
		<category><![CDATA[movie behind the scenes]]></category>
		<category><![CDATA[movie interview]]></category>
		<category><![CDATA[Mrs. America]]></category>
		<category><![CDATA[Project Hail Mary]]></category>
		<category><![CDATA[Ryan Fleck]]></category>
		<category><![CDATA[Ryan Gosling]]></category>
		<category><![CDATA[Shareeka Epps]]></category>
		<category><![CDATA[Sugar]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55307</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/03/bodenfleck-300x169.webp" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/bodenfleck-300x169.webp 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/bodenfleck-1024x577.webp 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/bodenfleck-768x433.webp 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/bodenfleck.webp 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Anna Boden and Ryan Fleck are an American filmmaking duo whose partnership spans over two decades. Boden, originally from Newton, Massachusetts, developed a love of movies, English literature, and photography at a young age. She discovered filmmaking as a medium [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/boden-fleck/">A Conversation with Anna Boden and Ryan Fleck (HALF NELSON)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Hélène Cattet and Bruno Forzani (REFLECTION IN A DEAD DIAMOND)</title>
		<link>https://www.hammertonail.com/interviews/cattet-forzani/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 12 Dec 2025 18:10:22 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[B movie dubbing influence]]></category>
		<category><![CDATA[Belgian film directors]]></category>
		<category><![CDATA[Campy Eurospy movement]]></category>
		<category><![CDATA[Cattet Forzani interview]]></category>
		<category><![CDATA[Death in Venice James Bond]]></category>
		<category><![CDATA[Diva opera homage]]></category>
		<category><![CDATA[Espionage thriller]]></category>
		<category><![CDATA[Eurospy film]]></category>
		<category><![CDATA[Fabio Testi]]></category>
		<category><![CDATA[Film mise-en-scène]]></category>
		<category><![CDATA[Giallo inspired cinema]]></category>
		<category><![CDATA[homage to James Bond]]></category>
		<category><![CDATA[Identity loss theme]]></category>
		<category><![CDATA[Manuel Dacosse cinematography]]></category>
		<category><![CDATA[Monte Hellman Road to Nowhere]]></category>
		<category><![CDATA[Multilingual film]]></category>
		<category><![CDATA[OK Connery Neil Connery]]></category>
		<category><![CDATA[OpArt film design]]></category>
		<category><![CDATA[Operation Kid Brother]]></category>
		<category><![CDATA[Paco Rabanne dress film]]></category>
		<category><![CDATA[Reflection in a Dead Diamond]]></category>
		<category><![CDATA[Sean Connery-like spy]]></category>
		<category><![CDATA[Spy movie homage]]></category>
		<category><![CDATA[Yannick Renier]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54636</guid>

					<description><![CDATA[<div><img width="300" height="220" src="https://www.hammertonail.com/wp-content/uploads/2025/12/HeeleEne-and-Bruno-300x220.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/HeeleEne-and-Bruno-300x220.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/HeeleEne-and-Bruno-1024x750.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/HeeleEne-and-Bruno-768x562.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/HeeleEne-and-Bruno.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Married directors Hélène Cattet and Bruno Forzani (Let the Corpses Tan) are out with a new film, Reflection in a Dead Diamond (which I recently reviewed), which offers espionage and visual delights aplenty. Featuring actors Fabio Testi and Yannick Renier [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/cattet-forzani/">A Conversation with Hélène Cattet and Bruno Forzani (REFLECTION IN A DEAD DIAMOND)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>REFLECTION IN A DEAD DIAMOND</title>
		<link>https://www.hammertonail.com/reviews/reflection-in-a-dead-diamond/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 11 Dec 2025 13:37:43 +0000</pubDate>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[1960s cinema]]></category>
		<category><![CDATA[aging spy]]></category>
		<category><![CDATA[arthouse spy film]]></category>
		<category><![CDATA[Bruno Forzani]]></category>
		<category><![CDATA[cinematic pastiche]]></category>
		<category><![CDATA[cinephile film]]></category>
		<category><![CDATA[cult movie]]></category>
		<category><![CDATA[Eurospy]]></category>
		<category><![CDATA[Fabio Testi]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[genre tribute]]></category>
		<category><![CDATA[Hélène Cattet]]></category>
		<category><![CDATA[Italian cinema]]></category>
		<category><![CDATA[James Bond homage]]></category>
		<category><![CDATA[Let the Corpses Tan]]></category>
		<category><![CDATA[memory and delusion]]></category>
		<category><![CDATA[mind-bending plot]]></category>
		<category><![CDATA[Movie Review]]></category>
		<category><![CDATA[OpArt cinematography]]></category>
		<category><![CDATA[psychedelic thriller]]></category>
		<category><![CDATA[Reflection in a Dead Diamond]]></category>
		<category><![CDATA[Sean Connery]]></category>
		<category><![CDATA[spy movie]]></category>
		<category><![CDATA[stylish thriller]]></category>
		<category><![CDATA[Yannick Renier]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54590</guid>

					<description><![CDATA[<div><img width="300" height="126" src="https://www.hammertonail.com/wp-content/uploads/2025/12/REFLECTION-IN-A-DEAD-DIAMOND-still_08-300x126.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/REFLECTION-IN-A-DEAD-DIAMOND-still_08-300x126.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/REFLECTION-IN-A-DEAD-DIAMOND-still_08-1024x429.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/REFLECTION-IN-A-DEAD-DIAMOND-still_08-768x322.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/REFLECTION-IN-A-DEAD-DIAMOND-still_08.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Chris Reed’s Reflection in a Dead Diamond movie review, it’s in theaters now and hits Netflix November 21! Seen it? Join the conversation with HtN on our Letterboxd Page.) The 1960s were the golden age of spy movies, thanks to an [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/reflection-in-a-dead-diamond/">REFLECTION IN A DEAD DIAMOND</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>HtN&#8217;s Coverage of the Golden Globe-Nominated Films of 2026</title>
		<link>https://www.hammertonail.com/features/2026-golden-globe-noms/</link>
		
		<dc:creator><![CDATA[Don R. Lewis]]></dc:creator>
		<pubDate>Tue, 09 Dec 2025 20:00:56 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[Awards Season 2025]]></category>
		<category><![CDATA[Best Director Motion Picture]]></category>
		<category><![CDATA[Best Motion Picture Animated]]></category>
		<category><![CDATA[Best Motion Picture Musical or Comedy]]></category>
		<category><![CDATA[Best Motion Picture Non-English Language]]></category>
		<category><![CDATA[Best Original Score Motion Picture]]></category>
		<category><![CDATA[Best Original Song Motion Picture]]></category>
		<category><![CDATA[Best Performance Female Actor Drama]]></category>
		<category><![CDATA[Best Performance Female Actor Supporting Role]]></category>
		<category><![CDATA[Best Performance Male Actor Drama]]></category>
		<category><![CDATA[Best Performance Male Actor Supporting Role]]></category>
		<category><![CDATA[Best Picture Drama]]></category>
		<category><![CDATA[Best Screenplay Motion Picture]]></category>
		<category><![CDATA[Blue Moon]]></category>
		<category><![CDATA[Bryce Dessner]]></category>
		<category><![CDATA[Chale Nafus]]></category>
		<category><![CDATA[Chris Reed]]></category>
		<category><![CDATA[Clint Bentley]]></category>
		<category><![CDATA[Elle Fanning]]></category>
		<category><![CDATA[Ethan Hawke]]></category>
		<category><![CDATA[Golden Globe Nominees]]></category>
		<category><![CDATA[Golden Globes 2026]]></category>
		<category><![CDATA[Golden Globes nominations]]></category>
		<category><![CDATA[Inga Ibsdotter Lilleaas]]></category>
		<category><![CDATA[It Was Just an Accident]]></category>
		<category><![CDATA[Jack Schenker]]></category>
		<category><![CDATA[Jafar Panahi]]></category>
		<category><![CDATA[Joachim Trier]]></category>
		<category><![CDATA[Joel Edgerton]]></category>
		<category><![CDATA[Kangding Ray]]></category>
		<category><![CDATA[Kleber Mendonça Filho]]></category>
		<category><![CDATA[Liane-Cho Han]]></category>
		<category><![CDATA[Little Amelie or the Character of Rain]]></category>
		<category><![CDATA[Maïlys Vallade]]></category>
		<category><![CDATA[Matt Delman]]></category>
		<category><![CDATA[Middleburg Film Festival]]></category>
		<category><![CDATA[New York Film Festival]]></category>
		<category><![CDATA[Nick Cave]]></category>
		<category><![CDATA[Nouvelle Vague]]></category>
		<category><![CDATA[One Battle After Another]]></category>
		<category><![CDATA[Paul Thomas Anderson]]></category>
		<category><![CDATA[Renate Reinsve]]></category>
		<category><![CDATA[Richard Linklater]]></category>
		<category><![CDATA[Sentimental Value]]></category>
		<category><![CDATA[Sirât]]></category>
		<category><![CDATA[Stellan Skarsgård]]></category>
		<category><![CDATA[The Secret Agent]]></category>
		<category><![CDATA[The Voice of Hind Rajab]]></category>
		<category><![CDATA[Train Dreams]]></category>
		<category><![CDATA[Wagner Moura]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54614</guid>

					<description><![CDATA[<div><img width="300" height="197" src="https://www.hammertonail.com/wp-content/uploads/2025/12/globes-300x197.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/globes-300x197.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/globes-1024x672.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/globes-768x504.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/globes-1536x1008.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Late last week, the 2025 (technically the 2026) Awards Season started heating up in earnest but it’s typically the nominees for Golden Globes that signify the full season kick-off. While snubs and surprises are always part of the fun, the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/features/2026-golden-globe-noms/">HtN&#8217;s Coverage of the Golden Globe-Nominated Films of 2026</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Clint Bentley (TRAIN DREAMS)</title>
		<link>https://www.hammertonail.com/interviews/clint-bentley/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Tue, 02 Dec 2025 18:44:19 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[Adolpho Veloso cinematography]]></category>
		<category><![CDATA[American expansion film]]></category>
		<category><![CDATA[cinematic adaptation]]></category>
		<category><![CDATA[Clint Bentley interview]]></category>
		<category><![CDATA[Denis Johnson adaptation]]></category>
		<category><![CDATA[directing vision]]></category>
		<category><![CDATA[early 20th century Idaho]]></category>
		<category><![CDATA[emotional performance]]></category>
		<category><![CDATA[Felicity Jones]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[filmmaking process]]></category>
		<category><![CDATA[Greg Kwedar]]></category>
		<category><![CDATA[grief and memory film]]></category>
		<category><![CDATA[historical drama film]]></category>
		<category><![CDATA[Joel Edgerton film]]></category>
		<category><![CDATA[Kerry Condon]]></category>
		<category><![CDATA[logging film]]></category>
		<category><![CDATA[nature and ecology film]]></category>
		<category><![CDATA[Netflix film]]></category>
		<category><![CDATA[ordinary lives film]]></category>
		<category><![CDATA[Oscar-nominated filmmakers]]></category>
		<category><![CDATA[Pacific Northwest film]]></category>
		<category><![CDATA[quiet man film]]></category>
		<category><![CDATA[Train Dreams]]></category>
		<category><![CDATA[Train Dreams Netflix]]></category>
		<category><![CDATA[William H. Macy]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54546</guid>

					<description><![CDATA[<div><img width="300" height="158" src="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-02-at-10.37.06 AM-300x158.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-02-at-10.37.06 AM-300x158.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-02-at-10.37.06 AM-1024x539.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-02-at-10.37.06 AM-768x404.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-02-at-10.37.06 AM-1536x808.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Writer and director Clint Bentley doesn&#8217;t make films about the exceptional. He finds the exceptional in the ordinary. Stories about jockeys past their prime, incarcerated men staging plays, and now, with Train Dreams, an Idaho logger whose entire life unfolds [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/clint-bentley/">A Conversation with Clint Bentley (TRAIN DREAMS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>TRAIN DREAMS</title>
		<link>https://www.hammertonail.com/reviews/train-dreams/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 20 Nov 2025 18:51:06 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[NETFLIX HIDDEN GEMS]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[19th century period drama]]></category>
		<category><![CDATA[Adolpho Veloso cinematography]]></category>
		<category><![CDATA[breathtaking cinematography]]></category>
		<category><![CDATA[Bryce Dessner score]]></category>
		<category><![CDATA[cinematic elegy]]></category>
		<category><![CDATA[Clint Bentley]]></category>
		<category><![CDATA[Denis Johnson]]></category>
		<category><![CDATA[existential film]]></category>
		<category><![CDATA[Felicity Jones]]></category>
		<category><![CDATA[Greg Kwedar]]></category>
		<category><![CDATA[grief and memory]]></category>
		<category><![CDATA[heartache film]]></category>
		<category><![CDATA[Joel Edgerton]]></category>
		<category><![CDATA[literary adaptation]]></category>
		<category><![CDATA[metaphysical film]]></category>
		<category><![CDATA[poignant grace]]></category>
		<category><![CDATA[purpose of life film]]></category>
		<category><![CDATA[Robert Grainier]]></category>
		<category><![CDATA[Slow Cinema]]></category>
		<category><![CDATA[Train Dreams]]></category>
		<category><![CDATA[Will Patton narration]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54490</guid>

					<description><![CDATA[<div><img width="300" height="206" src="https://www.hammertonail.com/wp-content/uploads/2025/11/TRAIN-DREAMS-still_16-300x206.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/TRAIN-DREAMS-still_16-300x206.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/TRAIN-DREAMS-still_16-1024x703.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/TRAIN-DREAMS-still_16-768x527.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/TRAIN-DREAMS-still_16.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Chris Reed’s Train Dreams movie review, it’s in theaters now and hits Netflix November 21! Seen it? Join the conversation with HtN on our Letterboxd Page.) With Train Dreams, the writing/directing duo of Clint Bentley and Greg Kwedar (Sing Sing) adapt [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/train-dreams/">TRAIN DREAMS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Richard Linklater (NOUVELLE VAGUE)</title>
		<link>https://www.hammertonail.com/interviews/linklater-nouvelle-vague/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 14 Nov 2025 18:45:56 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[Aubry Dullin]]></category>
		<category><![CDATA[Black and white film]]></category>
		<category><![CDATA[Breathless]]></category>
		<category><![CDATA[cinema history]]></category>
		<category><![CDATA[cinematic creation]]></category>
		<category><![CDATA[cinephile]]></category>
		<category><![CDATA[Claude Chabrol]]></category>
		<category><![CDATA[David Chambille]]></category>
		<category><![CDATA[film about film]]></category>
		<category><![CDATA[film crew]]></category>
		<category><![CDATA[filmmaking process]]></category>
		<category><![CDATA[first-time filmmaker]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[French actors]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Guillaume Marbeck]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Jean Cocteau]]></category>
		<category><![CDATA[Jean Seberg]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Jean-Paul Belmondo]]></category>
		<category><![CDATA[José Bénazéraf]]></category>
		<category><![CDATA[Middleburg Film Festival 2025]]></category>
		<category><![CDATA[modernist film]]></category>
		<category><![CDATA[Nouvelle Vague]]></category>
		<category><![CDATA[Paris 1959]]></category>
		<category><![CDATA[punk rock cinema]]></category>
		<category><![CDATA[Raoul Coutard]]></category>
		<category><![CDATA[recreating 1959]]></category>
		<category><![CDATA[Richard Linklater]]></category>
		<category><![CDATA[School of Rock]]></category>
		<category><![CDATA[The 400 Blows]]></category>
		<category><![CDATA[Zoey Deutch]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54439</guid>

					<description><![CDATA[<div><img width="300" height="204" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Richard-Linklater-300x204.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Richard-Linklater-300x204.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Richard-Linklater-1024x698.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Richard-Linklater-768x523.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Richard-Linklater.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Richard Linklater’s career has been marked by great experimentation and variety, which makes him the perfect candidate to dramatize one of the seminal moments in film history: the making of Jean-Luc Godard’s French New Wave masterpiece Breathless. Starring a mostly [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/linklater-nouvelle-vague/">A Conversation with Richard Linklater (NOUVELLE VAGUE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Noémie Merlant &#038; Sanda Codreanu (THE BALCONETTES)</title>
		<link>https://www.hammertonail.com/interviews/merlant-codreanu/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 29 Aug 2025 20:07:07 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Céline Sciamma collaboration]]></category>
		<category><![CDATA[comedy and thriller mix]]></category>
		<category><![CDATA[Emily in Paris]]></category>
		<category><![CDATA[Evgenia Alexandrova cinematography]]></category>
		<category><![CDATA[female gaze]]></category>
		<category><![CDATA[female screenwriters]]></category>
		<category><![CDATA[feminist film]]></category>
		<category><![CDATA[feminist revenge tale]]></category>
		<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[genre-bending film]]></category>
		<category><![CDATA[Julien Lacheray editing]]></category>
		<category><![CDATA[Lucas Bravo]]></category>
		<category><![CDATA[Mi iubita mon amour]]></category>
		<category><![CDATA[Noemie Merlant]]></category>
		<category><![CDATA[Rear Window homage]]></category>
		<category><![CDATA[Sanda Codreanu]]></category>
		<category><![CDATA[sophomore directorial effort]]></category>
		<category><![CDATA[Souheila Yacoub]]></category>
		<category><![CDATA[The Balconettes]]></category>
		<category><![CDATA[trauma and healing]]></category>
		<category><![CDATA[Uèle Lamore score]]></category>
		<category><![CDATA[women on the balcony]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53930</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/08/Balc-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/08/Balc-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/08/Balc-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/08/Balc-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/08/Balc.jpg 1280w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>In The Balconettes (which I recently reviewed), French actress/writer/director Noémie Merlant (Mi iubita, mon amour) delivers an exciting sophomore effort behind the camera, crafting a powerful feminist tale about physical and sexual assault and its horrific consequences. Seamlessly working over-the-top comedy into the mix, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/merlant-codreanu/">A Conversation with Noémie Merlant &#038; Sanda Codreanu (THE BALCONETTES)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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