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	<title>Jonathan Marlow, Author at Hammer to Nail</title>
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	<link>https://www.hammertonail.com/author/jonathanmarlow/</link>
	<description>What to Watch</description>
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	<title>Jonathan Marlow, Author at Hammer to Nail</title>
	<link>https://www.hammertonail.com/author/jonathanmarlow/</link>
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	<item>
		<title>A BODY TO LIVE IN</title>
		<link>https://www.hammertonail.com/reviews/a-body-to-live-in/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Tue, 28 Apr 2026 19:37:14 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sexuality]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[4K restoration vampire film]]></category>
		<category><![CDATA[A Body to Live In film]]></category>
		<category><![CDATA[Angelo Madsen director]]></category>
		<category><![CDATA[body identity and spirit]]></category>
		<category><![CDATA[body modification art]]></category>
		<category><![CDATA[Body Play quarterly]]></category>
		<category><![CDATA[enlightenment through pain]]></category>
		<category><![CDATA[Fakir Musafar documentary]]></category>
		<category><![CDATA[hook suspension ritual]]></category>
		<category><![CDATA[Jonathan Marlow movie review]]></category>
		<category><![CDATA[Michael Almereyda Nadja]]></category>
		<category><![CDATA[modern primitives movement]]></category>
		<category><![CDATA[North by Current filmmaker]]></category>
		<category><![CDATA[NWFF Seattle Q&A]]></category>
		<category><![CDATA[performance art film]]></category>
		<category><![CDATA[RE/Search Modern Primitives]]></category>
		<category><![CDATA[Scarecrow Video Archive]]></category>
		<category><![CDATA[two-spirit cultural appropriation]]></category>
		<category><![CDATA[Virgin Machine cameo]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55602</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/04/body-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/body-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/body-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/body-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/body-1536x864.jpg 1536w, https://www.hammertonail.com/wp-content/uploads/2026/04/body.jpg 1920w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Jonathan Marlow’s A Body to Live In movie review, it hits Blu-ray May 26. Seen it? Join the conversation with HtN on our Letterboxd Page.) &#8220;Body is the door to Spirit”   What is a body (and to what extent can [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/a-body-to-live-in/">A BODY TO LIVE IN</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with  Lynne Sachs (EVERY CONTACT LEAVES A TRACE)</title>
		<link>https://www.hammertonail.com/interviews/lynne-sachs/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Fri, 24 Apr 2026 18:16:52 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[avant-garde cinema]]></category>
		<category><![CDATA[Betty Leacraft]]></category>
		<category><![CDATA[Bradley Eros]]></category>
		<category><![CDATA[business cards]]></category>
		<category><![CDATA[creative process]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[documentary performance]]></category>
		<category><![CDATA[Every Contact Leaves a Trace]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[film and poetry]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[filmmaker interview]]></category>
		<category><![CDATA[Gunvor Nelson]]></category>
		<category><![CDATA[hybrid filmmaking]]></category>
		<category><![CDATA[IDFA documentary]]></category>
		<category><![CDATA[Lynne Sachs]]></category>
		<category><![CDATA[Lynne Sachs interview]]></category>
		<category><![CDATA[memory and ephemera]]></category>
		<category><![CDATA[non-narrative film]]></category>
		<category><![CDATA[Scarecrow Video Archive]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54805</guid>

					<description><![CDATA[<div><img width="300" height="160" src="https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-300x160.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-300x160.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-1024x546.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-768x410.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-1536x819.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Some filmmakers are known for their documentary works. Others for their narrative films. Still others—the better filmmakers (for me), generally—do not fit comfortably into either category. Or any category whatsoever. Poet / artist / filmmaker Lynne Sachs is one of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/lynne-sachs/">A Conversation with  Lynne Sachs (EVERY CONTACT LEAVES A TRACE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>A Conversation with G. Anthony Svatek (HUMBOLDT USA)</title>
		<link>https://www.hammertonail.com/interviews/svatek/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Tue, 21 Apr 2026 16:28:00 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55555</guid>

					<description><![CDATA[<div><img width="300" height="140" src="https://www.hammertonail.com/wp-content/uploads/2026/04/GAS-300x140.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/GAS-300x140.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/GAS-1024x476.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/GAS-768x357.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/GAS-1536x715.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Multi-talented Austrian-born / U.S.-based filmmaker (as well as film-editor and cinematographer) G. Anthony Svatek is arguably best-known for his remarkable festival-screened shorts and his collaborative work on the films of others (such as Lynne Sachs and Jem Cohen). Yet that [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/svatek/">A Conversation with G. Anthony Svatek (HUMBOLDT USA)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A CONVERSATION WITH BETH HARRINGTON (BEYOND THE DUPLEX PLANET)</title>
		<link>https://www.hammertonail.com/interviews/beth-harrington/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Sat, 14 Mar 2026 13:56:19 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[active listening]]></category>
		<category><![CDATA[aging and creativity]]></category>
		<category><![CDATA[Beth Harrington]]></category>
		<category><![CDATA[Beth Harrington interview]]></category>
		<category><![CDATA[Beyond the Duplex Planet]]></category>
		<category><![CDATA[David Greenberger]]></category>
		<category><![CDATA[documentary editing]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[Ed Ruscha]]></category>
		<category><![CDATA[fanzine culture]]></category>
		<category><![CDATA[film fundraising]]></category>
		<category><![CDATA[independent filmmaking]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Jonathan Richman and the Modern Lovers]]></category>
		<category><![CDATA[NRBQ]]></category>
		<category><![CDATA[nursing home art]]></category>
		<category><![CDATA[oral history]]></category>
		<category><![CDATA[outsider art]]></category>
		<category><![CDATA[passage of time]]></category>
		<category><![CDATA[Penn Jillette]]></category>
		<category><![CDATA[punk rock documentary]]></category>
		<category><![CDATA[Scarecrow Video]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[The Duplex Planet]]></category>
		<category><![CDATA[The Winding Stream]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55231</guid>

					<description><![CDATA[<div><img width="300" height="236" src="https://www.hammertonail.com/wp-content/uploads/2026/03/Beth-Harrington-courtesy-of-the-director-300x236.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/Beth-Harrington-courtesy-of-the-director-300x236.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/Beth-Harrington-courtesy-of-the-director-1024x805.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/Beth-Harrington-courtesy-of-the-director-768x604.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/Beth-Harrington-courtesy-of-the-director-1536x1208.jpeg 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>It is said that you cannot go home again. Literally, you can go home but which version of you goes? Not the one that disappeared. That version is long-gone. [These words are written from the dining room table of Jonathan [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/beth-harrington/">A CONVERSATION WITH BETH HARRINGTON (BEYOND THE DUPLEX PLANET)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>NADJA (1994)</title>
		<link>https://www.hammertonail.com/reviews/nadja-1984/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Thu, 05 Feb 2026 20:22:45 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1994 horror movie]]></category>
		<category><![CDATA[2025 film restoration]]></category>
		<category><![CDATA[4K restoration]]></category>
		<category><![CDATA[André Breton adaptation]]></category>
		<category><![CDATA[Arbelos]]></category>
		<category><![CDATA[Black-and-white vampire movie]]></category>
		<category><![CDATA[Cult classic vampire]]></category>
		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[Dracula's Daughter remake]]></category>
		<category><![CDATA[Elina Lowensohn]]></category>
		<category><![CDATA[Fisher-Price PXL2000]]></category>
		<category><![CDATA[Galaxy Craze]]></category>
		<category><![CDATA[Grasshopper Film]]></category>
		<category><![CDATA[Hal Hartley]]></category>
		<category><![CDATA[Independent horror film]]></category>
		<category><![CDATA[Jared Harris]]></category>
		<category><![CDATA[Jonathan Marlow review]]></category>
		<category><![CDATA[Lynchian]]></category>
		<category><![CDATA[Martin Donovan]]></category>
		<category><![CDATA[Mary Sweeney]]></category>
		<category><![CDATA[Michael Almereyda]]></category>
		<category><![CDATA[Nadja 4K]]></category>
		<category><![CDATA[Nadja movie]]></category>
		<category><![CDATA[Peter Fonda]]></category>
		<category><![CDATA[Pixelvision]]></category>
		<category><![CDATA[Scarecrow Video Archive]]></category>
		<category><![CDATA[Surreal horror]]></category>
		<category><![CDATA[Suzy Amis]]></category>
		<category><![CDATA[Twin Peaks connection]]></category>
		<category><![CDATA[vampire film]]></category>
		<category><![CDATA[Vampire point of view]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54989</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/02/nadja-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/nadja-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/nadja-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/nadja-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/nadja-1536x864.jpg 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Jonathan Marlow&#8217;s Nadja movie review. Michael Almereyda&#8217;s 1994 vampire film has been given the 4k restoration treatment and is in theaters now. Seen it? Join the conversation with HtN on our Letterboxd Page.) Our season of the vampires. Predisposed to [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/nadja-1984/">NADJA (1994)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>MERRILY WE ROLL ALONG: STAGE TO SCREEN</title>
		<link>https://www.hammertonail.com/editorial/merrily-stage-to-screen/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Tue, 20 Jan 2026 15:32:14 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2023 stage revival film]]></category>
		<category><![CDATA[best musical theater film]]></category>
		<category><![CDATA[Broadway musical film]]></category>
		<category><![CDATA[cinematic stage experience]]></category>
		<category><![CDATA[Daniel Radcliffe Charley Kringas]]></category>
		<category><![CDATA[Daniel Radcliffe Merrily We Roll Along]]></category>
		<category><![CDATA[Fathom Events stage musical]]></category>
		<category><![CDATA[filmed theater production]]></category>
		<category><![CDATA[Franklin Shepard Inc]]></category>
		<category><![CDATA[Good Thing Going Sondheim]]></category>
		<category><![CDATA[Harry Potter]]></category>
		<category><![CDATA[Jonathan Groff Franklin Shepard]]></category>
		<category><![CDATA[Jonathan Groff Merrily We Roll Along]]></category>
		<category><![CDATA[Lindsay Mendez Mary Flynn]]></category>
		<category><![CDATA[Lindsay Mendez Merrily We Roll Along]]></category>
		<category><![CDATA[Maria Friedman Merrily We Roll Along]]></category>
		<category><![CDATA[Merrily We Roll Along 2025]]></category>
		<category><![CDATA[Merrily We Roll Along movie]]></category>
		<category><![CDATA[Merrily We Roll Along review]]></category>
		<category><![CDATA[Merrily We Roll Along stage to screen]]></category>
		<category><![CDATA[Not a Day Goes By]]></category>
		<category><![CDATA[RadicalMedia stage film]]></category>
		<category><![CDATA[reverse chronology musical]]></category>
		<category><![CDATA[Sondheim revival cinema]]></category>
		<category><![CDATA[Sony Pictures Classics Merrily]]></category>
		<category><![CDATA[Stephen Sondheim musical film]]></category>
		<category><![CDATA[upcoming musical movies 2025]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54600</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/12/2cover-300x169.webp" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/2cover-300x169.webp 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/2cover-768x432.webp 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/2cover.webp 990w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>[Assorted quotes included herein, below, from teenage actor Kaison Marlow Eaves. Beyond the nepotism, a talented thespian in his own right (recently, Orpheus in HADESTOWN and Hamlet in, well, HAMLET).] Dreams don’t die. Keep an eye on your dream. Merrily [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/merrily-stage-to-screen/">MERRILY WE ROLL ALONG: STAGE TO SCREEN</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>SOUND FOR SILENTS; THE SAN FRANCISCO SILENT FILM FESTIVAL 2025</title>
		<link>https://www.hammertonail.com/film-festivals/sfsff-2035/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Thu, 13 Nov 2025 19:59:26 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2025 San Francisco Silent Film Festival]]></category>
		<category><![CDATA[A Story of Floating Weeds]]></category>
		<category><![CDATA[Abel Gance]]></category>
		<category><![CDATA[Akira Kurosawa]]></category>
		<category><![CDATA[Cinematheque Francaise]]></category>
		<category><![CDATA[City Lights]]></category>
		<category><![CDATA[Criterion Collection]]></category>
		<category><![CDATA[Die Büchse der Pandora]]></category>
		<category><![CDATA[Die Nibelungen]]></category>
		<category><![CDATA[Donald Sosin]]></category>
		<category><![CDATA[early cinema]]></category>
		<category><![CDATA[Eye Filmmuseum]]></category>
		<category><![CDATA[F.W. Murnau]]></category>
		<category><![CDATA[Fantomas]]></category>
		<category><![CDATA[film preservation]]></category>
		<category><![CDATA[film restoration]]></category>
		<category><![CDATA[Flicker Alley]]></category>
		<category><![CDATA[Georges Franju]]></category>
		<category><![CDATA[Günter Buchwald]]></category>
		<category><![CDATA[Henri Langlois]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Kino Lorber]]></category>
		<category><![CDATA[Körkarlen]]></category>
		<category><![CDATA[Le Souriante Madame Beudet]]></category>
		<category><![CDATA[live film accompaniment]]></category>
		<category><![CDATA[Lonesome]]></category>
		<category><![CDATA[Lori Goldston]]></category>
		<category><![CDATA[Matti Bye]]></category>
		<category><![CDATA[moving pictures]]></category>
		<category><![CDATA[Napoléon]]></category>
		<category><![CDATA[One Wonderful Sunday]]></category>
		<category><![CDATA[Orinda Theater]]></category>
		<category><![CDATA[Pandora's Box]]></category>
		<category><![CDATA[Paul Fejos]]></category>
		<category><![CDATA[photoplays]]></category>
		<category><![CDATA[Scarecrow]]></category>
		<category><![CDATA[Scarecrow Video]]></category>
		<category><![CDATA[silent film]]></category>
		<category><![CDATA[silent film accompaniment]]></category>
		<category><![CDATA[silent film composer]]></category>
		<category><![CDATA[silent film music]]></category>
		<category><![CDATA[Stephen Horne]]></category>
		<category><![CDATA[Sunrise]]></category>
		<category><![CDATA[SV ARCHIVE]]></category>
		<category><![CDATA[The General]]></category>
		<category><![CDATA[The Goddess]]></category>
		<category><![CDATA[The Phantom Carriage]]></category>
		<category><![CDATA[Timothy Brock]]></category>
		<category><![CDATA[Undercrank Productions]]></category>
		<category><![CDATA[Wu Yonggang]]></category>
		<category><![CDATA[Yasujiro Ozu]]></category>
		<category><![CDATA[Zvenigora]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54421</guid>

					<description><![CDATA[<div><img width="300" height="174" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-13-at-11.53.31 AM-300x174.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-13-at-11.53.31 AM-300x174.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-13-at-11.53.31 AM-1024x594.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-13-at-11.53.31 AM-768x446.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-13-at-11.53.31 AM-1536x892.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Among the lingering ghosts of the cinematheque, our less-than-apt “silent” retronym persists. Nearly everyone refers to early films as such now; no one called them that then. These were moving pictures. Photoplays. As the saying goes in the decades since, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/film-festivals/sfsff-2035/">SOUND FOR SILENTS; THE SAN FRANCISCO SILENT FILM FESTIVAL 2025</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>TENSHI NO TAMAGO [ANGEL’S EGG]</title>
		<link>https://www.hammertonail.com/reviews/angels-egg/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Wed, 05 Nov 2025 18:21:48 +0000</pubDate>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1985 anime]]></category>
		<category><![CDATA[4K remaster]]></category>
		<category><![CDATA[Angel's Egg]]></category>
		<category><![CDATA[anime]]></category>
		<category><![CDATA[anime masterpiece]]></category>
		<category><![CDATA[art film]]></category>
		<category><![CDATA[atmospheric film]]></category>
		<category><![CDATA[biblical allegory]]></category>
		<category><![CDATA[Castle of Cagliostro]]></category>
		<category><![CDATA[cult classic]]></category>
		<category><![CDATA[Ghost in the Shell]]></category>
		<category><![CDATA[GKIDS]]></category>
		<category><![CDATA[Lupin III]]></category>
		<category><![CDATA[Mamoru Oshii]]></category>
		<category><![CDATA[New Testament]]></category>
		<category><![CDATA[Oshii and Amano]]></category>
		<category><![CDATA[Patlabor]]></category>
		<category><![CDATA[philosophical anime]]></category>
		<category><![CDATA[Roadside Picnic]]></category>
		<category><![CDATA[Solaris]]></category>
		<category><![CDATA[speculative fiction]]></category>
		<category><![CDATA[surreal animation]]></category>
		<category><![CDATA[Tenshi no Tamago]]></category>
		<category><![CDATA[The Shadow Over Innsmouth]]></category>
		<category><![CDATA[Urusei Yatsura]]></category>
		<category><![CDATA[visual storytelling]]></category>
		<category><![CDATA[Yoshihiro Kanno soundtrack]]></category>
		<category><![CDATA[Yoshitaka Amano]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54364</guid>

					<description><![CDATA[<div><img width="300" height="164" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-05-at-10.20.56 AM-300x164.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-05-at-10.20.56 AM-300x164.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-05-at-10.20.56 AM-1024x561.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-05-at-10.20.56 AM-768x421.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-05-at-10.20.56 AM-1536x841.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(The fortieth anniversary of the far-too-little-seen animated epic Tenshi no Tamago (Angel&#8217;s Egg) in its highly-anticipated 4K remaster, opening theatrically 19-November-2025. Seen it? Join the conversation with HtN on our Letterboxd Page.) “Angel or devil? I don’t care. For in front [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/angels-egg/">TENSHI NO TAMAGO [ANGEL’S EGG]</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>THE CURBSIDE CRITERION: THE UNINVITED</title>
		<link>https://www.hammertonail.com/reviews/the-uninvited/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Sat, 01 Nov 2025 14:26:55 +0000</pubDate>
				<category><![CDATA[Curbside Criterion]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1944 movie]]></category>
		<category><![CDATA[Charles Brackett]]></category>
		<category><![CDATA[classic film review]]></category>
		<category><![CDATA[classic horror film]]></category>
		<category><![CDATA[Dorothy Macardle adaptation]]></category>
		<category><![CDATA[film noir influences]]></category>
		<category><![CDATA[Gail Russell]]></category>
		<category><![CDATA[Ghost Story]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[haunted house movie]]></category>
		<category><![CDATA[independent cinema inspiration]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Lewis Allen director]]></category>
		<category><![CDATA[Paramount Pictures]]></category>
		<category><![CDATA[Ray Milland]]></category>
		<category><![CDATA[Ruth Hussey]]></category>
		<category><![CDATA[Stella by Starlight]]></category>
		<category><![CDATA[The Uninvited]]></category>
		<category><![CDATA[Val Lewton style]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54348</guid>

					<description><![CDATA[<div><img width="300" height="189" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-01-at-7.25.52 AM-300x189.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-01-at-7.25.52 AM-300x189.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-01-at-7.25.52 AM-1024x646.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-01-at-7.25.52 AM-768x485.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-01-at-7.25.52 AM-1536x970.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Here at Hammer to Nail are all about true independent cinema. But we also have to tip our hat to the great films of yesteryear that continue to inspire filmmakers and cinephiles alike. This week Jonathan Marlow checks in to [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/the-uninvited/">THE CURBSIDE CRITERION: THE UNINVITED</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>QUATRE NUITS D’UN RÊVEUR (FOUR NIGHTS OF A DREAMER)</title>
		<link>https://www.hammertonail.com/reviews/four-nights-of-a-dreamer/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Thu, 04 Sep 2025 14:18:05 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1970s Paris]]></category>
		<category><![CDATA[4K restoration]]></category>
		<category><![CDATA[art house film]]></category>
		<category><![CDATA[Bresson movie]]></category>
		<category><![CDATA[cinephile]]></category>
		<category><![CDATA[classic film restoration]]></category>
		<category><![CDATA[Dostoyevsky adaptation]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[film review]]></category>
		<category><![CDATA[film within a film]]></category>
		<category><![CDATA[Four Nights of a Dreamer]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Janus Films]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[movie screening]]></category>
		<category><![CDATA[Robert Bresson]]></category>
		<category><![CDATA[Robert Bresson director]]></category>
		<category><![CDATA[romantic comedy]]></category>
		<category><![CDATA[Scarecrow Video]]></category>
		<category><![CDATA[White Nights movie]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53968</guid>

					<description><![CDATA[<div><img width="300" height="225" src="https://www.hammertonail.com/wp-content/uploads/2025/09/Bresson-300x225.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/09/Bresson-300x225.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/09/Bresson-768x577.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/09/Bresson.jpg 947w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Johnathan Marlow&#8217;s movie review of Four Nights of a Dreamer. A new 4K restoration plays September 5-18 at Film Forum in New York before hitting more theaters this fall. Seen it? Join the conversation with HtN on our Letterboxd Page.) [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/four-nights-of-a-dreamer/">QUATRE NUITS D’UN RÊVEUR (FOUR NIGHTS OF A DREAMER)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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