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FILMMAKER MAGAZINE PICK OF THE WEEK: ATTENBERG

“The world would be a much less grating place if certain cinematic sub-genres were to be banned from the table immediately. Reading a description of Athina Rachel Tsangari’s Attenberg, one might worry that she has committed the double-sin of embracing two of the more increasingly overused and deplorable ones: 1) the “stunted-to-the-point-of-retarded adult-child;” and 2) the “quirky art film for quirky art film’s sake.” But from the startlingly unbroken first shot of this film, in which one 20-something female friend teaches her innocent 20-something female friend how to tongue kiss, it’s readily apparent that we are in the hands of a filmmaker who is going to instead use two very important attributes to put those pitiful sub-genres in their place: 1) a unique personal vision; and 2) a sincere mission to say something genuinely heartfelt about living and dying in the real world. That Attenberg manages to retain a stylistically original, inventive, and daring flair in the midst of all this? Well, that’s just parsley on the hummus.”

Read the rest of my “Pick of the Week” review over at the Filmmaker Magazine blog—it will be published at HTN on Monday morning—and definitely add it to your gotta-see list.

— Michael Tully

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Michael Tully is an award-winning writer/director whose films have garnered widespread critical acclaim, his projects having premiered at some of the most renowned film festivals across the globe. He is also the former (and founding) editor of this site. In 2006, Michael's first feature, COCAINE ANGEL, chronicling a tragic week in the life of a young drug addict, world premiered at the International Film Festival Rotterdam. The film immediately solidified the director as one of Filmmaker Magazine’s "25 New Faces of Independent Film,” a reputation that was reinforced a year later when his follow-up feature, SILVER JEW, a documentary capturing the late David Berman's rare musical performances in Tel Aviv, world-premiered at SXSW and landed distribution with cult indie-music label Drag City. In 2011, Michael wrote, directed, and starred in his third feature, SEPTIEN, which debuted at the 27th annual Sundance Film Festival before being acquired by IFC Films' Sundance Selects banner. A few years later, in 2014, Michael returned to Sundance with the world premiere of his fourth feature, PING PONG SUMMER, an ‘80s set coming-of-age tale that was quickly picked up for theatrical distribution by Gravitas Ventures. In 2018, Michael wrote and directed the dread-inducing genre film DON'T LEAVE HOME, which has been described as "Get Out with Catholic guilt in the Irish countryside" (IndieWire). The film premiered at SXSW and was subsequently acquired by Cranked Up Films and Shudder.

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