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	<title>The Conformist Archives - Hammer to Nail</title>
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	<title>The Conformist Archives - Hammer to Nail</title>
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	<item>
		<title>HAPPY END</title>
		<link>https://www.hammertonail.com/reviews/happy-end-review/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Mon, 22 Jan 2018 21:57:49 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Amelie]]></category>
		<category><![CDATA[Amour]]></category>
		<category><![CDATA[Cache]]></category>
		<category><![CDATA[Code Unknown]]></category>
		<category><![CDATA[Elle]]></category>
		<category><![CDATA[Fantine Harduin]]></category>
		<category><![CDATA[Happy End]]></category>
		<category><![CDATA[Isabelle Huppert]]></category>
		<category><![CDATA[Jean-Louis Trintignant]]></category>
		<category><![CDATA[Mathieu Kassovitz]]></category>
		<category><![CDATA[Michael Haneke]]></category>
		<category><![CDATA[The Conformist]]></category>
		<category><![CDATA[The White Ribbon]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=28933</guid>

					<description><![CDATA[<div><img width="300" height="225" src="https://www.hammertonail.com/wp-content/uploads/2018/01/HAPPY-END-300x225.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2018/01/HAPPY-END-300x225.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2018/01/HAPPY-END-1024x768.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2018/01/HAPPY-END-768x576.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2018/01/HAPPY-END.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Septuagenarian enfant terrible Michael Haneke loves to toy with his audience, leading them to think they are watching one kind of movie only to turn the tables on them and reveal a very different narrative agenda. </p>
<p>The post <a href="https://www.hammertonail.com/reviews/happy-end-review/">HAPPY END</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>CONFORMIST, THE</title>
		<link>https://www.hammertonail.com/reviews/the-conformist-film-review/</link>
		
		<dc:creator><![CDATA[Nelson Kim]]></dc:creator>
		<pubDate>Thu, 28 Aug 2014 14:00:40 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[1900]]></category>
		<category><![CDATA[Before the Revolution]]></category>
		<category><![CDATA[Benito Mussolini]]></category>
		<category><![CDATA[Bernardo Bertolucci]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[Bruce Springsteen]]></category>
		<category><![CDATA[Dominique Sanda]]></category>
		<category><![CDATA[Fascism]]></category>
		<category><![CDATA[Ferdinando Scarfiotti]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[Jean-Louis Trintignant]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Last Tango in Paris]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Max Ophuls]]></category>
		<category><![CDATA[MoMA]]></category>
		<category><![CDATA[Museum of]]></category>
		<category><![CDATA[Nelson Kim]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Phil Spector]]></category>
		<category><![CDATA[Pier Paolo Pasolini]]></category>
		<category><![CDATA[Plato]]></category>
		<category><![CDATA[Roy Orbison]]></category>
		<category><![CDATA[Spike Lee]]></category>
		<category><![CDATA[Stefania Sandrelli]]></category>
		<category><![CDATA[The Conformist]]></category>
		<category><![CDATA[The Spider's Strategem]]></category>
		<category><![CDATA[Vittorio Storaro]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=7401</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2010/12/TheConformistthumb2.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" /></div>
<p>THE CONFORMIST is a whirlwind display of styles, an inexhaustible compendium of cinematic ideas. (Not for nothing has it been one of the most influential modern movies, sampled by Scorsese, Coppola, Spike Lee, and many others.)</p>
<p>The post <a href="https://www.hammertonail.com/reviews/the-conformist-film-review/">CONFORMIST, THE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Barry Sonnenfeld’s Cinematography Master Class at 2009 HIFF</title>
		<link>https://www.hammertonail.com/editorial/essays/barry-sonnenfeld%e2%80%99s-cinematography-master-class-at-2009-hiff/</link>
		
		<dc:creator><![CDATA[Michael Tully]]></dc:creator>
		<pubDate>Tue, 14 Apr 2009 11:40:21 +0000</pubDate>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[A Serious Man]]></category>
		<category><![CDATA[Barry Sonnenfeld]]></category>
		<category><![CDATA[Blood Simple]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Cinematography Master Class]]></category>
		<category><![CDATA[Coen Brothers]]></category>
		<category><![CDATA[David Letterman]]></category>
		<category><![CDATA[David Schwartz]]></category>
		<category><![CDATA[director of photography]]></category>
		<category><![CDATA[Dr. Strangelove]]></category>
		<category><![CDATA[Farrelly Brothers]]></category>
		<category><![CDATA[Gordon Willis]]></category>
		<category><![CDATA[Hamptons International Film Festival]]></category>
		<category><![CDATA[Meg Ryan]]></category>
		<category><![CDATA[Michael Mann]]></category>
		<category><![CDATA[Miller's Crossing]]></category>
		<category><![CDATA[Museum of Moving Image]]></category>
		<category><![CDATA[Network]]></category>
		<category><![CDATA[Owen Roizman]]></category>
		<category><![CDATA[Raising Arizona]]></category>
		<category><![CDATA[Roger Deakins]]></category>
		<category><![CDATA[Scott Rudin]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Terrence Malick]]></category>
		<category><![CDATA[The Adams Family]]></category>
		<category><![CDATA[The Addams Family]]></category>
		<category><![CDATA[The Conformist]]></category>
		<category><![CDATA[The Exorcist]]></category>
		<category><![CDATA[The French Connection]]></category>
		<category><![CDATA[When Harry Met Sally]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=2934</guid>

					<description><![CDATA[<p>Barry Sonnenfeld hates panning. Throughout his hour-long Kodak-sponsored Cinematography Master Class at the 2009 Hamptons International Film Festival (moderated by the Museum of Moving Image’s Chief Curator David Schwartz), Sonnenfeld pummeled that particular technique-of-the-trade into submission. “That’s why movies are [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/essays/barry-sonnenfeld%e2%80%99s-cinematography-master-class-at-2009-hiff/">Barry Sonnenfeld’s Cinematography Master Class at 2009 HIFF</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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