While Summer Pasture qualifies as a work of ethnography, its overflowing humanity makes it something altogether more tender and sweet.

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If you want to fully grasp the impact of globalization on scales both large and small, look no further than Lixin Fan’s Last Train Home. An indirect companion piece to Yung Chang’s toweringly great Up the Yangtze (which was also produced by the Montreal production company EyeSteelFilm), Last Train Home is a visually breathtaking, emotionally devastating achievement that humanizes the massively complex issue of globalization by focusing on one Chinese family as they struggle to make ends meet.

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