Sebastien Lifshitz Archives - Hammer to Nail https://www.hammertonail.com/tag/sebastien-lifshitz/ What to Watch Tue, 09 Jan 2024 20:29:47 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 https://www.hammertonail.com/wp-content/uploads/2020/01/cropped-logo02-1-32x32.png Sebastien Lifshitz Archives - Hammer to Nail https://www.hammertonail.com/tag/sebastien-lifshitz/ 32 32 CASA SUSANNA https://www.hammertonail.com/reviews/casa-susanna/ Mon, 28 Nov 2022 19:13:33 +0000 https://www.hammertonail.com/?p=38444

(DOC NYC, “America’s largest documentary festival” is back this year for its 13th edition, running November 9-27. Check out Chris Reed’s movie review of Casa Susanna. Seen it? Join the conversation with HtN on our Letterboxd Page.) There has never been a truly […]

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]]> HtN’s Top 13 Picks at DOC NYC 2022 https://www.hammertonail.com/features/doc-nyc-2022/ Tue, 08 Nov 2022 21:16:55 +0000 https://www.hammertonail.com/?p=38328

DOC NYC, “America’s largest documentary festival” is back this year for its 13th edition, so Hammer to Nail has picked 13 docs that we’re most excited about. Happening both in-person November 9-17 at IFC Center, SVA Theatre and Cinépolis Chelsea, […]

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]]> HAMMER TO NAIL’S BEST FILMS OF 2021 – Part 1 https://www.hammertonail.com/editorial/htn-best-films-of-2021/ Fri, 17 Dec 2021 17:40:08 +0000 https://www.hammertonail.com/?p=35939

As 2021 dawned, we found ourselves as a nation more consumed by the political drama unfolding around us than any narrative created by filmmakers. Truth was, for a while, far stranger than fiction. Eventually, however, we returned to something resembling […]

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]]> BERLINALE ‘10 WRAP-UP – Part Two https://www.hammertonail.com/shorts-contest/berlinale-10-wrap-up-part-two/ Tue, 23 Feb 2010 08:17:49 +0000 http://www.hammertonail.com/?p=1672 The Panorama section of the Berlinale Film Festival presents new works by established directors, as well as showcasing début films and new discoveries. “It attempts to bridge the divide between artistic vision and commercial interests.” Audiences are challenged with a […]

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