<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Lynne Sachs Archives - Hammer to Nail</title>
	<atom:link href="https://www.hammertonail.com/tag/lynne-sachs/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.hammertonail.com/tag/lynne-sachs/</link>
	<description>What to Watch</description>
	<lastBuildDate>Fri, 24 Apr 2026 18:31:50 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>https://www.hammertonail.com/wp-content/uploads/2020/01/cropped-logo02-1-32x32.png</url>
	<title>Lynne Sachs Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/lynne-sachs/</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>A Conversation with  Lynne Sachs (EVERY CONTACT LEAVES A TRACE)</title>
		<link>https://www.hammertonail.com/interviews/lynne-sachs/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Fri, 24 Apr 2026 18:16:52 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[avant-garde cinema]]></category>
		<category><![CDATA[Betty Leacraft]]></category>
		<category><![CDATA[Bradley Eros]]></category>
		<category><![CDATA[business cards]]></category>
		<category><![CDATA[creative process]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[documentary performance]]></category>
		<category><![CDATA[Every Contact Leaves a Trace]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[film and poetry]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[filmmaker interview]]></category>
		<category><![CDATA[Gunvor Nelson]]></category>
		<category><![CDATA[hybrid filmmaking]]></category>
		<category><![CDATA[IDFA documentary]]></category>
		<category><![CDATA[Lynne Sachs]]></category>
		<category><![CDATA[Lynne Sachs interview]]></category>
		<category><![CDATA[memory and ephemera]]></category>
		<category><![CDATA[non-narrative film]]></category>
		<category><![CDATA[Scarecrow Video Archive]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54805</guid>

					<description><![CDATA[<div><img width="300" height="160" src="https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-300x160.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-300x160.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-1024x546.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-768x410.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-1536x819.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Some filmmakers are known for their documentary works. Others for their narrative films. Still others—the better filmmakers (for me), generally—do not fit comfortably into either category. Or any category whatsoever. Poet / artist / filmmaker Lynne Sachs is one of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/lynne-sachs/">A Conversation with  Lynne Sachs (EVERY CONTACT LEAVES A TRACE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>LA JETÉE THE FIFTH SHOT</title>
		<link>https://www.hammertonail.com/reviews/fifth-shot-of-la-jetee/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Thu, 13 Mar 2025 18:00:36 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Grin Without a Cat]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Algerian immigrants]]></category>
		<category><![CDATA[avant-garde cinema]]></category>
		<category><![CDATA[Chris Marker]]></category>
		<category><![CDATA[Chris Marker films]]></category>
		<category><![CDATA[Christian François Bouche-Villeneuve]]></category>
		<category><![CDATA[ciné-roman]]></category>
		<category><![CDATA[cinematic essays]]></category>
		<category><![CDATA[cinematic mysteries]]></category>
		<category><![CDATA[DOG’S DIALOGUE]]></category>
		<category><![CDATA[Dominique Cabrera]]></category>
		<category><![CDATA[Dominique Cabrera documentary]]></category>
		<category><![CDATA[Éditions du Seuil]]></category>
		<category><![CDATA[Esprit]]></category>
		<category><![CDATA[experimental films]]></category>
		<category><![CDATA[Exploratorium]]></category>
		<category><![CDATA[Exploratorium screenings]]></category>
		<category><![CDATA[film archeology]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[film curation]]></category>
		<category><![CDATA[film history]]></category>
		<category><![CDATA[film photography]]></category>
		<category><![CDATA[film restoration]]></category>
		<category><![CDATA[First Look]]></category>
		<category><![CDATA[FIRST LOOK 2025]]></category>
		<category><![CDATA[FIRST LOOK film festival]]></category>
		<category><![CDATA[François Reichenbach]]></category>
		<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[French colonial history]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Guillaume-en-Égypte]]></category>
		<category><![CDATA[iconic short films]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[Kurba Mikurda]]></category>
		<category><![CDATA[La Jetée]]></category>
		<category><![CDATA[LA JETÉE analysis]]></category>
		<category><![CDATA[LA JOLI MAI]]></category>
		<category><![CDATA[LEVEL FIVE]]></category>
		<category><![CDATA[Liz Keim]]></category>
		<category><![CDATA[Lynne Sachs]]></category>
		<category><![CDATA[Museum of the Moving Image]]></category>
		<category><![CDATA[Orly Airport]]></category>
		<category><![CDATA[Palace of Fine Arts]]></category>
		<category><![CDATA[Panama-Pacific International Exposition]]></category>
		<category><![CDATA[Petite Planète]]></category>
		<category><![CDATA[Pierre Lhomme]]></category>
		<category><![CDATA[political documentaries]]></category>
		<category><![CDATA[rare film collaborations]]></category>
		<category><![CDATA[Raul Ruiz]]></category>
		<category><![CDATA[San Francisco film events]]></category>
		<category><![CDATA[SAN SOLEIL]]></category>
		<category><![CDATA[Santiago Álvarez]]></category>
		<category><![CDATA[Small Planet]]></category>
		<category><![CDATA[Solaris mon amour]]></category>
		<category><![CDATA[speculative fiction]]></category>
		<category><![CDATA[SUNLESS]]></category>
		<category><![CDATA[Sylvia Savadjian]]></category>
		<category><![CDATA[THE FIFTH SHOT OF LA JETÉE]]></category>
		<category><![CDATA[THE JETTY]]></category>
		<category><![CDATA[THE PIER]]></category>
		<category><![CDATA[time-travel movies]]></category>
		<category><![CDATA[Tom Luddy]]></category>
		<category><![CDATA[visual storytelling]]></category>
		<category><![CDATA[Walerian Borowczyk]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52784</guid>

					<description><![CDATA[<div><img width="300" height="168" src="https://www.hammertonail.com/wp-content/uploads/2025/03/25th-300x168.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/03/25th-300x168.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/03/25th-1024x573.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/03/25th-768x429.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/03/25th-1536x859.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(The Museum of Moving Image’s First Look Festival runs March 12-16. Chrck out Jonathan Marlow&#8217;s movie review of The Fifth Shot of La Jetée. Seen it? Join the conversation with HtN on our Letterboxd Page.) “We’re entertaining ghosts now.” One year to [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/fifth-shot-of-la-jetee/">LA JETÉE THE FIFTH SHOT</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>LYNNE SACHS: FROM THE OUTSIDE IN (A RETROSPECTIVE)</title>
		<link>https://www.hammertonail.com/features/lynne-sachs-retrospective/</link>
		
		<dc:creator><![CDATA[Chris Shields]]></dc:creator>
		<pubDate>Tue, 04 Jun 2024 19:01:19 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Film About A Father Who]]></category>
		<category><![CDATA[A Year in Notes]]></category>
		<category><![CDATA[Dara Messinger]]></category>
		<category><![CDATA[DCTV]]></category>
		<category><![CDATA[Investigation of a Flame]]></category>
		<category><![CDATA[Lynne Sachs]]></category>
		<category><![CDATA[Lynne Sachs Contractions]]></category>
		<category><![CDATA[Lynne Sachs: From the Outside In]]></category>
		<category><![CDATA[Roe vs.Wade]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=50928</guid>

					<description><![CDATA[<div><img width="300" height="196" src="https://www.hammertonail.com/wp-content/uploads/2024/06/Lynne-300x196.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2024/06/Lynne-300x196.png 300w, https://www.hammertonail.com/wp-content/uploads/2024/06/Lynne-1024x669.png 1024w, https://www.hammertonail.com/wp-content/uploads/2024/06/Lynne-768x502.png 768w, https://www.hammertonail.com/wp-content/uploads/2024/06/Lynne-1536x1003.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Lynne Sachs’ latest film, Contractions, exists, like much of her work, at the intersection of experimental and documentary film practices. In the 12-minute work, superimposition, narration, and choreography are intermingled–all captured using a graceful and haunting camera language that lends [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/features/lynne-sachs-retrospective/">LYNNE SACHS: FROM THE OUTSIDE IN (A RETROSPECTIVE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>FILM ABOUT A FATHER WHO</title>
		<link>https://www.hammertonail.com/reviews/film-about-a-father-who/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Sun, 26 Jan 2020 19:10:00 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[On the Festival Circuit]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2020 Slamdance]]></category>
		<category><![CDATA[2020 Slamdance Film Festival]]></category>
		<category><![CDATA[Film About a Father Who]]></category>
		<category><![CDATA[Ira Sachs]]></category>
		<category><![CDATA[Ira Sachs Jr.]]></category>
		<category><![CDATA[Little Men]]></category>
		<category><![CDATA[Lynne Sachs]]></category>
		<category><![CDATA[Slamdance]]></category>
		<category><![CDATA[Tip of My Tongue]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=32183</guid>

					<description><![CDATA[<div><img width="300" height="191" src="https://www.hammertonail.com/wp-content/uploads/2020/01/lynneRamsey-300x191.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2020/01/lynneRamsey-300x191.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2020/01/lynneRamsey-768x488.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2020/01/lynneRamsey-600x381.jpg 600w, https://www.hammertonail.com/wp-content/uploads/2020/01/lynneRamsey.jpg 1000w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Given her extremely personal connection to the story, it’s astonishing how deeply she investigates the good and the bad in a person she clearly loves.</p>
<p>The post <a href="https://www.hammertonail.com/reviews/film-about-a-father-who/">FILM ABOUT A FATHER WHO</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/?utm_source=w3tc&utm_medium=footer_comment&utm_campaign=free_plugin

Database Caching using Disk

Served from: www.hammertonail.com @ 2026-05-31 10:24:23 by W3 Total Cache
-->