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		<title>ON THE FRINGE, PART THREE: ALICE DOESN’T LIVE HERE ANYMORE (1974)</title>
		<link>https://www.hammertonail.com/editorial/on-the-fringe-3/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 21 Mar 2018 22:18:20 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Woman Under the Influence]]></category>
		<category><![CDATA[Agnes Varda]]></category>
		<category><![CDATA[Alejandro Jodorowsky]]></category>
		<category><![CDATA[Alfred Lutter]]></category>
		<category><![CDATA[Alice Doesn't Live Here Any More]]></category>
		<category><![CDATA[Alice Doesn’t Live Here Anymore]]></category>
		<category><![CDATA[All That Jazz]]></category>
		<category><![CDATA[Arthur Penn]]></category>
		<category><![CDATA[Atlantic City]]></category>
		<category><![CDATA[Behind the Green Door]]></category>
		<category><![CDATA[Being There]]></category>
		<category><![CDATA[Bob Fosse]]></category>
		<category><![CDATA[Boxcar Bertha]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Butch Cassidy and the Sundance Kid; Bonnie and Clyde]]></category>
		<category><![CDATA[Casino]]></category>
		<category><![CDATA[Chantal Akerman]]></category>
		<category><![CDATA[Closely Watched Trains]]></category>
		<category><![CDATA[Coming Home]]></category>
		<category><![CDATA[Deep Throat]]></category>
		<category><![CDATA[Delicatessen]]></category>
		<category><![CDATA[Diane Ladd]]></category>
		<category><![CDATA[Dog Day Afternoon]]></category>
		<category><![CDATA[Easy Riders]]></category>
		<category><![CDATA[El Topo]]></category>
		<category><![CDATA[Elaine May]]></category>
		<category><![CDATA[Ellen Burstyn]]></category>
		<category><![CDATA[Fat City]]></category>
		<category><![CDATA[Five Easy Pieces]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[George Roy Hill]]></category>
		<category><![CDATA[Get Out]]></category>
		<category><![CDATA[Gone With the Wind]]></category>
		<category><![CDATA[Goodfellas]]></category>
		<category><![CDATA[Gordon Parks]]></category>
		<category><![CDATA[Guillermo del Toro]]></category>
		<category><![CDATA[Hal Ashby]]></category>
		<category><![CDATA[Halloween]]></category>
		<category><![CDATA[Harold & Maude]]></category>
		<category><![CDATA[Harvey Keitel]]></category>
		<category><![CDATA[Herbert Ross]]></category>
		<category><![CDATA[Herschell Gordon Lewis]]></category>
		<category><![CDATA[Husbands]]></category>
		<category><![CDATA[I Am Curious]]></category>
		<category><![CDATA[In The Realm of the Senses]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Italian-Neorealists]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Jean-Pierre Jeunet]]></category>
		<category><![CDATA[Jirí Menzel]]></category>
		<category><![CDATA[Jodie Foster]]></category>
		<category><![CDATA[John Carpenter]]></category>
		<category><![CDATA[John Cassavetes]]></category>
		<category><![CDATA[John Schlesinger]]></category>
		<category><![CDATA[John Waters]]></category>
		<category><![CDATA[Jr.]]></category>
		<category><![CDATA[Ken Loach]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[Kramer vs. Kramer]]></category>
		<category><![CDATA[Kris Kristofferson]]></category>
		<category><![CDATA[Louis Malle]]></category>
		<category><![CDATA[Loves of a Blonde]]></category>
		<category><![CDATA[Maidstone]]></category>
		<category><![CDATA[Martin Ritt]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Mathew Klickstein]]></category>
		<category><![CDATA[Mean Streets]]></category>
		<category><![CDATA[Melvin and Howard]]></category>
		<category><![CDATA[Melvin Van Peebles]]></category>
		<category><![CDATA[Midnight Cowboy]]></category>
		<category><![CDATA[Mike Nichols]]></category>
		<category><![CDATA[Milos Forman]]></category>
		<category><![CDATA[Minnie & Moskowitz]]></category>
		<category><![CDATA[Nagisa Oshima]]></category>
		<category><![CDATA[Nashville]]></category>
		<category><![CDATA[Network]]></category>
		<category><![CDATA[Norma Rae]]></category>
		<category><![CDATA[Norman Mailer]]></category>
		<category><![CDATA[One the Fringe]]></category>
		<category><![CDATA[Pan's Labyrinth]]></category>
		<category><![CDATA[Paper Moon]]></category>
		<category><![CDATA[Paul Verhoeven]]></category>
		<category><![CDATA[Peter Biskind]]></category>
		<category><![CDATA[Peter Bogdanovich]]></category>
		<category><![CDATA[Poor Cow]]></category>
		<category><![CDATA[Raging Bulls]]></category>
		<category><![CDATA[Rainer Werner Fassbinder]]></category>
		<category><![CDATA[Ralph Bakshi]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Robert Downey Sr.]]></category>
		<category><![CDATA[Robert Evans]]></category>
		<category><![CDATA[Roger Corman]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Russ Meyer]]></category>
		<category><![CDATA[Scenes From A Marriage]]></category>
		<category><![CDATA[Shampoo]]></category>
		<category><![CDATA[Sidney Lumet]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Stroszek]]></category>
		<category><![CDATA[Sweet Movie]]></category>
		<category><![CDATA[Sydney Pollack]]></category>
		<category><![CDATA[Taxi Driver]]></category>
		<category><![CDATA[The Bad News Bears]]></category>
		<category><![CDATA[The Fireman's Ball]]></category>
		<category><![CDATA[The Harder They Come]]></category>
		<category><![CDATA[The Kid Stays in the Picture]]></category>
		<category><![CDATA[the Kuchar Brothers]]></category>
		<category><![CDATA[The Landlord]]></category>
		<category><![CDATA[The Last Detail]]></category>
		<category><![CDATA[The Last House on the Left]]></category>
		<category><![CDATA[The Last Picture Show]]></category>
		<category><![CDATA[The Shape of Water]]></category>
		<category><![CDATA[The Spirit of the Beehive]]></category>
		<category><![CDATA[The Stepford Wives]]></category>
		<category><![CDATA[The Swimmer]]></category>
		<category><![CDATA[The Texas Chainsaw Massacre]]></category>
		<category><![CDATA[The Wolf of Wall Street]]></category>
		<category><![CDATA[Tobe Hooper]]></category>
		<category><![CDATA[Turkish Delight]]></category>
		<category><![CDATA[Victor Erice]]></category>
		<category><![CDATA[Vilgot Sjöman]]></category>
		<category><![CDATA[Volker Schlöndorff]]></category>
		<category><![CDATA[Werner Herzog]]></category>
		<category><![CDATA[Wes Craven]]></category>
		<category><![CDATA[William Friedkin]]></category>
		<category><![CDATA[Wim Wenders]]></category>
		<category><![CDATA[Wizard of Oz]]></category>
		<category><![CDATA[Woody Allen]]></category>
		<category><![CDATA[WR: Mysteries of the Organism]]></category>
		<category><![CDATA[Xala]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29240</guid>

					<description><![CDATA[<p>Something was happening in the American cinema starting in the late 1960s and throughout the 1970s. Among other progressions in societal mores, technology and legalities, this decade+ could arguably be considered a Golden Age of courageous truth-telling films that mine [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/on-the-fringe-3/">ON THE FRINGE, PART THREE: ALICE DOESN’T LIVE HERE ANYMORE (1974)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>IN THE REALM OF OSHIMA</title>
		<link>https://www.hammertonail.com/reviews/foreign/in-the-realm-of-oshima-film-review/</link>
					<comments>https://www.hammertonail.com/reviews/foreign/in-the-realm-of-oshima-film-review/#comments</comments>
		
		<dc:creator><![CDATA[Nelson Kim]]></dc:creator>
		<pubDate>Fri, 10 Apr 2009 16:19:06 +0000</pubDate>
				<category><![CDATA[Coming Soon]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[1960s]]></category>
		<category><![CDATA[A Town of Love and Hope]]></category>
		<category><![CDATA[BAM]]></category>
		<category><![CDATA[Boy]]></category>
		<category><![CDATA[Breathless]]></category>
		<category><![CDATA[Cruel Story of Youth]]></category>
		<category><![CDATA[Death by Hanging]]></category>
		<category><![CDATA[Film Comment]]></category>
		<category><![CDATA[Godard]]></category>
		<category><![CDATA[Hail Mary]]></category>
		<category><![CDATA[In the Realm of Oshima]]></category>
		<category><![CDATA[In The Realm of the Senses]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Japanese New Wave]]></category>
		<category><![CDATA[Kyoto University]]></category>
		<category><![CDATA[Nagisa Oshima]]></category>
		<category><![CDATA[Nelson Kim]]></category>
		<category><![CDATA[New York Film Festival]]></category>
		<category><![CDATA[Night and Fog in Japan]]></category>
		<category><![CDATA[Oshima]]></category>
		<category><![CDATA[Taboo]]></category>
		<category><![CDATA[The Ceremony]]></category>
		<category><![CDATA[The Cruel Stories of Nagisa Oshima]]></category>
		<category><![CDATA[The Man Who Left His Will on Film]]></category>
		<category><![CDATA[Violence at Noon]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=1562</guid>

					<description><![CDATA[<p>(Before BAM’s two-week retrospective The Cruel Stories of Nagisa Oshima has run its course, we’ve decided to repost Nelson Kim’s essay in conjunction with the 2008 NYFF sidebar tribute to Oshima last fall.) What we think of as the canon [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/foreign/in-the-realm-of-oshima-film-review/">IN THE REALM OF OSHIMA</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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