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	<title>Halle Berry Archives - Hammer to Nail</title>
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	<title>Halle Berry Archives - Hammer to Nail</title>
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	<item>
		<title>CANNES 2025 AWARD WINNERS: Jafar Panahi&#8217;s &#8216;It Was Just An Accident&#8217; Wins the Palme d&#8217;Or (Full List)</title>
		<link>https://www.hammertonail.com/film-festivals/cannes-2025-award-winners/</link>
		
		<dc:creator><![CDATA[M.J. O'Toole]]></dc:creator>
		<pubDate>Sat, 24 May 2025 19:49:47 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[On the Festival Circuit]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alice Rohrwacher]]></category>
		<category><![CDATA[Bi Gan]]></category>
		<category><![CDATA[Carlos Reygadas]]></category>
		<category><![CDATA[Dardenne Brothers]]></category>
		<category><![CDATA[Déni Oumar Pitsaev]]></category>
		<category><![CDATA[Dieudo Hamadi]]></category>
		<category><![CDATA[Hafsia Herzi]]></category>
		<category><![CDATA[Halle Berry]]></category>
		<category><![CDATA[Hasan Hadi]]></category>
		<category><![CDATA[Hong Sangsoo]]></category>
		<category><![CDATA[Iranian cinema]]></category>
		<category><![CDATA[Jafar Panahi]]></category>
		<category><![CDATA[Jeremy Strong]]></category>
		<category><![CDATA[Joachim Trier]]></category>
		<category><![CDATA[Juliette Binoche]]></category>
		<category><![CDATA[Kleber Mendonça Filho]]></category>
		<category><![CDATA[Leïla Slimani]]></category>
		<category><![CDATA[Mascha Schilinksi]]></category>
		<category><![CDATA[MUBI]]></category>
		<category><![CDATA[Nadia Melliti]]></category>
		<category><![CDATA[Neon]]></category>
		<category><![CDATA[Oliver Laxe]]></category>
		<category><![CDATA[Payal Kapadia]]></category>
		<category><![CDATA[Wagner Moura]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53224</guid>

					<description><![CDATA[<div><img width="300" height="158" src="https://www.hammertonail.com/wp-content/uploads/2025/05/185678-scaled-1-300x158.webp" class="attachment-medium size-medium wp-post-image" alt="Jafar Panahi&#039;s IT WAS JUST AN ACCIDENT" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/05/185678-scaled-1-300x158.webp 300w, https://www.hammertonail.com/wp-content/uploads/2025/05/185678-scaled-1-1024x540.webp 1024w, https://www.hammertonail.com/wp-content/uploads/2025/05/185678-scaled-1-768x405.webp 768w, https://www.hammertonail.com/wp-content/uploads/2025/05/185678-scaled-1.webp 1360w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>NEON has done it again. After 10 days of highly buzzed new cinema and hot acquisitions, the 78th Cannes Film Festival concluded with the Palme d&#8217;Or being awarded to Jafar Panahi&#8217;s revenge thriller, It Was Just An Accident. After acquiring [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/film-festivals/cannes-2025-award-winners/">CANNES 2025 AWARD WINNERS: Jafar Panahi&#8217;s &#8216;It Was Just An Accident&#8217; Wins the Palme d&#8217;Or (Full List)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>SIDNEY</title>
		<link>https://www.hammertonail.com/reviews/sidney/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 16 Sep 2022 15:04:17 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2022 Toronto Film Festival]]></category>
		<category><![CDATA[Barbra Streisand]]></category>
		<category><![CDATA[Buck and the Preacher]]></category>
		<category><![CDATA[Denzel Washington]]></category>
		<category><![CDATA[Diahann Carroll]]></category>
		<category><![CDATA[Halle Berry]]></category>
		<category><![CDATA[Harry Belafonte]]></category>
		<category><![CDATA[Joseph L. Mankiewicz]]></category>
		<category><![CDATA[Katharine Houghton]]></category>
		<category><![CDATA[Lenny Kravitz]]></category>
		<category><![CDATA[Lilies of the Field]]></category>
		<category><![CDATA[Lou Gossett Jr.]]></category>
		<category><![CDATA[No Way Out]]></category>
		<category><![CDATA[Oprah Winfrey]]></category>
		<category><![CDATA[Paris Blues]]></category>
		<category><![CDATA[Quincy Jones]]></category>
		<category><![CDATA[Reginald Hudlin]]></category>
		<category><![CDATA[Robert Redford]]></category>
		<category><![CDATA[Sidney Poitier]]></category>
		<category><![CDATA[Sidney Poitier documentary]]></category>
		<category><![CDATA[Spike Lee]]></category>
		<category><![CDATA[The Defiant Ones]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[TIFF22]]></category>
		<category><![CDATA[Toronto Film Festival]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=37959</guid>

					<description><![CDATA[<div><img width="300" height="150" src="https://www.hammertonail.com/wp-content/uploads/2022/09/SIDNEY-still-300x150.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2022/09/SIDNEY-still-300x150.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2022/09/SIDNEY-still-1024x512.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2022/09/SIDNEY-still-768x384.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2022/09/SIDNEY-still-1300x650.jpg 1300w, https://www.hammertonail.com/wp-content/uploads/2022/09/SIDNEY-still-600x300.jpg 600w, https://www.hammertonail.com/wp-content/uploads/2022/09/SIDNEY-still.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(The 2022 Toronto Film Festival or, TIFF runs September 8-18 in Toronto, Canada. HtN has tons of coverage coming your way so, stay tuned! Check out Chris Reed’s movie review of Sidney. Seen it? Join the conversation with HtN on our Letterboxd Page.) [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/sidney/">SIDNEY</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>How Problematic Programming Undermines your Entire Stance</title>
		<link>https://www.hammertonail.com/editorial/problematic-programming/</link>
		
		<dc:creator><![CDATA[The Editorial Staff]]></dc:creator>
		<pubDate>Tue, 15 Sep 2020 15:08:24 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Let's Make Better Films]]></category>
		<category><![CDATA[On the Festival Circuit]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Good Man]]></category>
		<category><![CDATA[Bears Rebecca Fonte]]></category>
		<category><![CDATA[Bryan Glick]]></category>
		<category><![CDATA[Dollhouse]]></category>
		<category><![CDATA[Good Joe Bell]]></category>
		<category><![CDATA[Halle Berry]]></category>
		<category><![CDATA[Isabel Sandoval]]></category>
		<category><![CDATA[Jake Graf]]></category>
		<category><![CDATA[Marie-Castille Mention-Schaar]]></category>
		<category><![CDATA[Mark Wahlberg]]></category>
		<category><![CDATA[Melanie Addington]]></category>
		<category><![CDATA[Nicole Brending]]></category>
		<category><![CDATA[No Ordinary Man]]></category>
		<category><![CDATA[Noemie Merlant]]></category>
		<category><![CDATA[Sam Feder]]></category>
		<category><![CDATA[Sav Rodgers]]></category>
		<category><![CDATA[Taika Waititi]]></category>
		<category><![CDATA[The Film Collaborative]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[TIFF 2020]]></category>
		<category><![CDATA[Toronto International Film Festival]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=33357</guid>

					<description><![CDATA[<div><img width="300" height="150" src="https://www.hammertonail.com/wp-content/uploads/2020/09/no-ordinary-man-01-300x150.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2020/09/no-ordinary-man-01-300x150.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2020/09/no-ordinary-man-01-768x384.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2020/09/no-ordinary-man-01-1024x512.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2020/09/no-ordinary-man-01-600x300.jpg 600w, https://www.hammertonail.com/wp-content/uploads/2020/09/no-ordinary-man-01.jpg 1200w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>An op-ed by Melanie Addington &#38; Bears Rebecca Fonte “It’s very, very important we put the stories in the hands of those who own those stories,” Taika Waititi said at a past TIFF, but the clip has been used as [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/problematic-programming/">How Problematic Programming Undermines your Entire Stance</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Golden Age of New Voices &#8211; Day 2 of TIFF Conference</title>
		<link>https://www.hammertonail.com/features/tiff-industry-conference-2/</link>
					<comments>https://www.hammertonail.com/features/tiff-industry-conference-2/#comments</comments>
		
		<dc:creator><![CDATA[Melanie Addington]]></dc:creator>
		<pubDate>Fri, 11 Sep 2020 20:53:54 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[On the Festival Circuit]]></category>
		<category><![CDATA[People We Love]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Ang Lee]]></category>
		<category><![CDATA[April Wolfe]]></category>
		<category><![CDATA[Halle Berry]]></category>
		<category><![CDATA[Roseanne Liang]]></category>
		<category><![CDATA[Shadow in the Cloud]]></category>
		<category><![CDATA[She Dies Tomorrow]]></category>
		<category><![CDATA[Tamara Jenkins]]></category>
		<category><![CDATA[Tatiana Segel]]></category>
		<category><![CDATA[Ted Hope]]></category>
		<category><![CDATA[The Lie]]></category>
		<category><![CDATA[The Savages]]></category>
		<category><![CDATA[The Wedding Banquet]]></category>
		<category><![CDATA[TIFF Industry Conference]]></category>
		<category><![CDATA[Veena Sud]]></category>
		<category><![CDATA[Women in Genre Filmmaking]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=33324</guid>

					<description><![CDATA[<div><img width="300" height="187" src="https://www.hammertonail.com/wp-content/uploads/2020/09/Ted-Hope-1-300x187.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2020/09/Ted-Hope-1-300x187.png 300w, https://www.hammertonail.com/wp-content/uploads/2020/09/Ted-Hope-1-600x375.png 600w, https://www.hammertonail.com/wp-content/uploads/2020/09/Ted-Hope-1.png 639w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>In Ted Hope’s Master Class at TIFF 2020, he alluded to a golden age of new voices that were already in transition before COVID-19 amplified the changes in the industry. While emphasizing cultural changes he’s seen since joining the industry [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/features/tiff-industry-conference-2/">Golden Age of New Voices &#8211; Day 2 of TIFF Conference</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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