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	<title>City Lights Archives - Hammer to Nail</title>
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	<description>What to Watch</description>
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	<title>City Lights Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/city-lights/</link>
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	<item>
		<title>SOUND FOR SILENTS; THE SAN FRANCISCO SILENT FILM FESTIVAL 2025</title>
		<link>https://www.hammertonail.com/film-festivals/sfsff-2035/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Thu, 13 Nov 2025 19:59:26 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2025 San Francisco Silent Film Festival]]></category>
		<category><![CDATA[A Story of Floating Weeds]]></category>
		<category><![CDATA[Abel Gance]]></category>
		<category><![CDATA[Akira Kurosawa]]></category>
		<category><![CDATA[Cinematheque Francaise]]></category>
		<category><![CDATA[City Lights]]></category>
		<category><![CDATA[Criterion Collection]]></category>
		<category><![CDATA[Die Büchse der Pandora]]></category>
		<category><![CDATA[Die Nibelungen]]></category>
		<category><![CDATA[Donald Sosin]]></category>
		<category><![CDATA[early cinema]]></category>
		<category><![CDATA[Eye Filmmuseum]]></category>
		<category><![CDATA[F.W. Murnau]]></category>
		<category><![CDATA[Fantomas]]></category>
		<category><![CDATA[film preservation]]></category>
		<category><![CDATA[film restoration]]></category>
		<category><![CDATA[Flicker Alley]]></category>
		<category><![CDATA[Georges Franju]]></category>
		<category><![CDATA[Günter Buchwald]]></category>
		<category><![CDATA[Henri Langlois]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Kino Lorber]]></category>
		<category><![CDATA[Körkarlen]]></category>
		<category><![CDATA[Le Souriante Madame Beudet]]></category>
		<category><![CDATA[live film accompaniment]]></category>
		<category><![CDATA[Lonesome]]></category>
		<category><![CDATA[Lori Goldston]]></category>
		<category><![CDATA[Matti Bye]]></category>
		<category><![CDATA[moving pictures]]></category>
		<category><![CDATA[Napoléon]]></category>
		<category><![CDATA[One Wonderful Sunday]]></category>
		<category><![CDATA[Orinda Theater]]></category>
		<category><![CDATA[Pandora's Box]]></category>
		<category><![CDATA[Paul Fejos]]></category>
		<category><![CDATA[photoplays]]></category>
		<category><![CDATA[Scarecrow]]></category>
		<category><![CDATA[Scarecrow Video]]></category>
		<category><![CDATA[silent film]]></category>
		<category><![CDATA[silent film accompaniment]]></category>
		<category><![CDATA[silent film composer]]></category>
		<category><![CDATA[silent film music]]></category>
		<category><![CDATA[Stephen Horne]]></category>
		<category><![CDATA[Sunrise]]></category>
		<category><![CDATA[SV ARCHIVE]]></category>
		<category><![CDATA[The General]]></category>
		<category><![CDATA[The Goddess]]></category>
		<category><![CDATA[The Phantom Carriage]]></category>
		<category><![CDATA[Timothy Brock]]></category>
		<category><![CDATA[Undercrank Productions]]></category>
		<category><![CDATA[Wu Yonggang]]></category>
		<category><![CDATA[Yasujiro Ozu]]></category>
		<category><![CDATA[Zvenigora]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54421</guid>

					<description><![CDATA[<div><img width="300" height="174" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-13-at-11.53.31 AM-300x174.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-13-at-11.53.31 AM-300x174.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-13-at-11.53.31 AM-1024x594.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-13-at-11.53.31 AM-768x446.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-13-at-11.53.31 AM-1536x892.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Among the lingering ghosts of the cinematheque, our less-than-apt “silent” retronym persists. Nearly everyone refers to early films as such now; no one called them that then. These were moving pictures. Photoplays. As the saying goes in the decades since, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/film-festivals/sfsff-2035/">SOUND FOR SILENTS; THE SAN FRANCISCO SILENT FILM FESTIVAL 2025</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>THE REAL CHARLIE CHAPLIN</title>
		<link>https://www.hammertonail.com/reviews/real-charlie-chaplin/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 10 Dec 2021 18:39:56 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Stream Free Now]]></category>
		<category><![CDATA[Charlie Chaplin]]></category>
		<category><![CDATA[Charlie Chaplin documentary]]></category>
		<category><![CDATA[City Lights]]></category>
		<category><![CDATA[James Spinney]]></category>
		<category><![CDATA[Lita Grey]]></category>
		<category><![CDATA[Modern Times]]></category>
		<category><![CDATA[Notes on Blindness]]></category>
		<category><![CDATA[Oona O'Neill]]></category>
		<category><![CDATA[Pearl Mackie]]></category>
		<category><![CDATA[Peter Middleton]]></category>
		<category><![CDATA[The Gold Rush]]></category>
		<category><![CDATA[The Real Charlie Chaplin]]></category>
		<category><![CDATA[The Real Charlie Chaplin movie]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=35931</guid>

					<description><![CDATA[<div><img width="300" height="179" src="https://www.hammertonail.com/wp-content/uploads/2021/12/THE-REAL-CHARLIE-CHAPLIN-image-300x179.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2021/12/THE-REAL-CHARLIE-CHAPLIN-image-300x179.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2021/12/THE-REAL-CHARLIE-CHAPLIN-image-1024x611.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2021/12/THE-REAL-CHARLIE-CHAPLIN-image-768x458.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2021/12/THE-REAL-CHARLIE-CHAPLIN-image-600x358.jpeg 600w, https://www.hammertonail.com/wp-content/uploads/2021/12/THE-REAL-CHARLIE-CHAPLIN-image.jpeg 1486w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Check out lead critic Chris Reed&#8217;s movie review of the documentary The Real Charlie Chaplin, directed by Peter Middleton and James Spinney. It premieres on Showtime Saturday, December 11. Like what you see here on Hammer to Nail? Why not [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/real-charlie-chaplin/">THE REAL CHARLIE CHAPLIN</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>ON THE FRINGE, PART FOUR: KILLER OF SHEEP (1978)</title>
		<link>https://www.hammertonail.com/editorial/on-the-fringe-4/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 28 Mar 2018 20:49:20 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2001: A Space Odyssey]]></category>
		<category><![CDATA[and Outright Lies from a Lifetime Writing for The Simpsons]]></category>
		<category><![CDATA[Annie Hall]]></category>
		<category><![CDATA[Anton Webern]]></category>
		<category><![CDATA[August Wilson]]></category>
		<category><![CDATA[Ava DuVernay]]></category>
		<category><![CDATA[Charles Burnett]]></category>
		<category><![CDATA[Charlie Chaplin]]></category>
		<category><![CDATA[City Lights]]></category>
		<category><![CDATA[David Foster Wallace]]></category>
		<category><![CDATA[Denzel Washington]]></category>
		<category><![CDATA[Diane Arbus]]></category>
		<category><![CDATA[Dogme 95]]></category>
		<category><![CDATA[Earth Wind & Fire]]></category>
		<category><![CDATA[Ed Wood]]></category>
		<category><![CDATA[Elliott Smith]]></category>
		<category><![CDATA[Fences]]></category>
		<category><![CDATA[Festen]]></category>
		<category><![CDATA[From a Basement on the Hill]]></category>
		<category><![CDATA[Harmony Korine]]></category>
		<category><![CDATA[Idioterne]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[Italian-Neorealists]]></category>
		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[James Baldwin]]></category>
		<category><![CDATA[Jaws]]></category>
		<category><![CDATA[Julien Donkey-Boy]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[Lars von Trier]]></category>
		<category><![CDATA[Lost in Space]]></category>
		<category><![CDATA[Louis Armstrong]]></category>
		<category><![CDATA[Mathew Klickstein]]></category>
		<category><![CDATA[Moonlight]]></category>
		<category><![CDATA[On the Fringe]]></category>
		<category><![CDATA[Pale King]]></category>
		<category><![CDATA[Precious]]></category>
		<category><![CDATA[Raisin in the Sun]]></category>
		<category><![CDATA[Ralph Ellison]]></category>
		<category><![CDATA[Ralph Eugene Meatyard]]></category>
		<category><![CDATA[Sean Baker]]></category>
		<category><![CDATA[Secrets]]></category>
		<category><![CDATA[Springfield Confidential: Jokes]]></category>
		<category><![CDATA[Stan Brakhage]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Star Wars]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Tangerine]]></category>
		<category><![CDATA[The Battle of Algiers]]></category>
		<category><![CDATA[The Blair Witch Project]]></category>
		<category><![CDATA[The Exiles]]></category>
		<category><![CDATA[The Florida Project]]></category>
		<category><![CDATA[The Kid]]></category>
		<category><![CDATA[The Room]]></category>
		<category><![CDATA[The Texas Chainsaw Massacre]]></category>
		<category><![CDATA[Thomas Vinterberg]]></category>
		<category><![CDATA[UCLA]]></category>
		<category><![CDATA[UCLA film school]]></category>
		<category><![CDATA[United States Film Registry]]></category>
		<category><![CDATA[Vincent Van Gogh]]></category>
		<category><![CDATA[Woody Allen]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29303</guid>

					<description><![CDATA[<p>Accepting his long overdue honorary Oscar at the Academy Awards this year, the soft-spoken, wide-eyed filmmaker Charles Burnett first thanked all his friends and supporters present for their support, particularly those who were there back in the days when he “didn’t have [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/on-the-fringe-4/">ON THE FRINGE, PART FOUR: KILLER OF SHEEP (1978)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>BULLIES ON SCREEN</title>
		<link>https://www.hammertonail.com/editorial/bullies-on-screen/</link>
					<comments>https://www.hammertonail.com/editorial/bullies-on-screen/#comments</comments>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 23 Oct 2013 16:55:51 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Christmas Story]]></category>
		<category><![CDATA[Back to the Future]]></category>
		<category><![CDATA[Ben X]]></category>
		<category><![CDATA[Biff]]></category>
		<category><![CDATA[bullies]]></category>
		<category><![CDATA[Bully]]></category>
		<category><![CDATA[bullying]]></category>
		<category><![CDATA[Charlie Chaplin]]></category>
		<category><![CDATA[City Lights]]></category>
		<category><![CDATA[David]]></category>
		<category><![CDATA[Dawn Wiener]]></category>
		<category><![CDATA[Elephant]]></category>
		<category><![CDATA[Freaks and Geeks]]></category>
		<category><![CDATA[Goliath]]></category>
		<category><![CDATA[Groucho Marx]]></category>
		<category><![CDATA[Let the Right One In]]></category>
		<category><![CDATA[Matt Johnson]]></category>
		<category><![CDATA[Mean Girls]]></category>
		<category><![CDATA[Rushmore]]></category>
		<category><![CDATA[Scut Farkus]]></category>
		<category><![CDATA[Shane Meadows]]></category>
		<category><![CDATA[Taxi Driver]]></category>
		<category><![CDATA[The Dirties]]></category>
		<category><![CDATA[This Is England]]></category>
		<category><![CDATA[Todd Solondz]]></category>
		<category><![CDATA[Travis Bickle]]></category>
		<category><![CDATA[Welcome To The Dollhouse]]></category>
		<category><![CDATA[Wes Anderson]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=21982</guid>

					<description><![CDATA[<p>The bully in movies has been around for nearly as long as the medium itself. At the end of Chaplin’s City Lights, the Tramp is broke, alone, on the street. At his lowest point, he feels the sticky pang of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/bullies-on-screen/">BULLIES ON SCREEN</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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			<slash:comments>1</slash:comments>
		
		
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