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	<title>Amelie Archives - Hammer to Nail</title>
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	<title>Amelie Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/amelie/</link>
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	<item>
		<title>HAPPY END</title>
		<link>https://www.hammertonail.com/reviews/happy-end-review/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Mon, 22 Jan 2018 21:57:49 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Amelie]]></category>
		<category><![CDATA[Amour]]></category>
		<category><![CDATA[Cache]]></category>
		<category><![CDATA[Code Unknown]]></category>
		<category><![CDATA[Elle]]></category>
		<category><![CDATA[Fantine Harduin]]></category>
		<category><![CDATA[Happy End]]></category>
		<category><![CDATA[Isabelle Huppert]]></category>
		<category><![CDATA[Jean-Louis Trintignant]]></category>
		<category><![CDATA[Mathieu Kassovitz]]></category>
		<category><![CDATA[Michael Haneke]]></category>
		<category><![CDATA[The Conformist]]></category>
		<category><![CDATA[The White Ribbon]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=28933</guid>

					<description><![CDATA[<div><img width="300" height="225" src="https://www.hammertonail.com/wp-content/uploads/2018/01/HAPPY-END-300x225.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2018/01/HAPPY-END-300x225.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2018/01/HAPPY-END-1024x768.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2018/01/HAPPY-END-768x576.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2018/01/HAPPY-END.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Septuagenarian enfant terrible Michael Haneke loves to toy with his audience, leading them to think they are watching one kind of movie only to turn the tables on them and reveal a very different narrative agenda. </p>
<p>The post <a href="https://www.hammertonail.com/reviews/happy-end-review/">HAPPY END</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>The 2017 Oscar Nominated Short Films</title>
		<link>https://www.hammertonail.com/reviews/2017-oscar-shorts/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Fri, 24 Feb 2017 22:01:37 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Short Film]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2016 Cannes Film Festival]]></category>
		<category><![CDATA[2017 Oscar Nominated animated shorts]]></category>
		<category><![CDATA[2017 Oscar Nominated Live-Action Shorts]]></category>
		<category><![CDATA[2017 Oscar Nominated Short Films]]></category>
		<category><![CDATA[2017 Oscars]]></category>
		<category><![CDATA[4.1 Miles]]></category>
		<category><![CDATA[Alan Barillaro]]></category>
		<category><![CDATA[Amelie]]></category>
		<category><![CDATA[Andrew Coats]]></category>
		<category><![CDATA[animated shorts]]></category>
		<category><![CDATA[Aske Bang]]></category>
		<category><![CDATA[Blind Vaysha]]></category>
		<category><![CDATA[Borrowed Time]]></category>
		<category><![CDATA[Dan Krauss]]></category>
		<category><![CDATA[Daphne Matziaraki]]></category>
		<category><![CDATA[Disney]]></category>
		<category><![CDATA[Ennemis intérieurs]]></category>
		<category><![CDATA[Extremis]]></category>
		<category><![CDATA[Feast]]></category>
		<category><![CDATA[Joe's Violin]]></category>
		<category><![CDATA[Juanjo Giménez Peña]]></category>
		<category><![CDATA[Kahane Cooperman]]></category>
		<category><![CDATA[Kristóf Deák]]></category>
		<category><![CDATA[La femme et le TGV]]></category>
		<category><![CDATA[Live-Action Shorts]]></category>
		<category><![CDATA[Lou Hamou-Lhadj]]></category>
		<category><![CDATA[Marcel Mettelsiefen]]></category>
		<category><![CDATA[Mindenki]]></category>
		<category><![CDATA[Moana]]></category>
		<category><![CDATA[Orlando von Einsiedel]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[Patrick Osborne]]></category>
		<category><![CDATA[Pear Cider and Cigarettes]]></category>
		<category><![CDATA[Pearl]]></category>
		<category><![CDATA[Piper]]></category>
		<category><![CDATA[Pixar]]></category>
		<category><![CDATA[Robert Valley]]></category>
		<category><![CDATA[Sélim Azzazi]]></category>
		<category><![CDATA[Short Film Palme d'or]]></category>
		<category><![CDATA[Silent Nights]]></category>
		<category><![CDATA[The White Helmets]]></category>
		<category><![CDATA[The Woman and the High-Speed Train]]></category>
		<category><![CDATA[Theodore Ushev]]></category>
		<category><![CDATA[Timecode]]></category>
		<category><![CDATA[Timo von Gunten]]></category>
		<category><![CDATA[Triplets of Belleville]]></category>
		<category><![CDATA[Watani: My Homeland]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=27601</guid>

					<description><![CDATA[<p>Every year, the Academy of Motion Picture Arts and Sciences nominates a total of 15 short films in 3 categories (5 per category): animated and live-action (which share the same set of eligibility requirements), and documentary (with its own, not [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/2017-oscar-shorts/">The 2017 Oscar Nominated Short Films</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Chat With Jean-Pierre Jeunet</title>
		<link>https://www.hammertonail.com/interviews/a-chat-with-jean-pierre-jeunet/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Fri, 22 Jan 2016 23:06:12 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[People We Love]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Very Long Engagement]]></category>
		<category><![CDATA[Alien: Resurrection]]></category>
		<category><![CDATA[Amazon]]></category>
		<category><![CDATA[Amelie]]></category>
		<category><![CDATA[Audrey Tatou]]></category>
		<category><![CDATA[Barry Lyndon]]></category>
		<category><![CDATA[Casanova]]></category>
		<category><![CDATA[City Of Lost Children]]></category>
		<category><![CDATA[Dangerous Liaisons]]></category>
		<category><![CDATA[Diego Luna]]></category>
		<category><![CDATA[Emily Watson]]></category>
		<category><![CDATA[Harvey Weinstein]]></category>
		<category><![CDATA[Hook]]></category>
		<category><![CDATA[Jacques Prévert]]></category>
		<category><![CDATA[Jean-Pierre Jeunet. Delicatessen]]></category>
		<category><![CDATA[Les Enfants du Paradise]]></category>
		<category><![CDATA[Marc Caro]]></category>
		<category><![CDATA[Mathieu Kassovitz]]></category>
		<category><![CDATA[Micmacs]]></category>
		<category><![CDATA[Sébastien Japrisot]]></category>
		<category><![CDATA[Steven Spielberg]]></category>
		<category><![CDATA[Terry Gilliam]]></category>
		<category><![CDATA[The Young And Prodigious T. S. Spivet]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=25525</guid>

					<description><![CDATA[<p>Having established himself as the cuddly enfant terrible of French art house with 1991’s sumptuously surreal, blackly comic tale of mystery meat and post-apocalyptic high-rise living Delicatessen, Jean-Pierre Jeunet’s career took some interesting turns.1995’s phantasmagorical fairytale The City Of Lost [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/a-chat-with-jean-pierre-jeunet/">A Chat With Jean-Pierre Jeunet</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation With Terence Nance (AN OVERSIMPLIFICATION OF HER BEAUTY)</title>
		<link>https://www.hammertonail.com/interviews/a-conversation-with-terence-nance-an-oversimplification-of-her-beauty/</link>
					<comments>https://www.hammertonail.com/interviews/a-conversation-with-terence-nance-an-oversimplification-of-her-beauty/#comments</comments>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Fri, 22 Jun 2012 14:07:12 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[8 1/2]]></category>
		<category><![CDATA[Amelie]]></category>
		<category><![CDATA[An Oversimplification of Her Beauty]]></category>
		<category><![CDATA[Charlie Kaufman]]></category>
		<category><![CDATA[Dogville]]></category>
		<category><![CDATA[Exercise in Rejection]]></category>
		<category><![CDATA[How Would You Feel?]]></category>
		<category><![CDATA[Jørgen Leth]]></category>
		<category><![CDATA[LAFilmFest]]></category>
		<category><![CDATA[Louise Erdrich]]></category>
		<category><![CDATA[Manderlay]]></category>
		<category><![CDATA[Michel Gondry]]></category>
		<category><![CDATA[Namik Minter]]></category>
		<category><![CDATA[Terence Nance]]></category>
		<category><![CDATA[The Perfect Human]]></category>
		<category><![CDATA[Toni Morrison]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=17745</guid>

					<description><![CDATA[<p>(An Oversimplification of Her Beauty is now available on DVD through Cinema Guild. It opened theatrically in NYC on Friday, April 26, 2013. It world premiered in the New  Frontier section of the 2012 Sundance Film Festival. Visit the film&#8217;s [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/a-conversation-with-terence-nance-an-oversimplification-of-her-beauty/">A Conversation With Terence Nance (AN OVERSIMPLIFICATION OF HER BEAUTY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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			<slash:comments>4</slash:comments>
		
		
			</item>
		<item>
		<title>Filmmaker Reflections &#8211; The 2000s: Vol. 1</title>
		<link>https://www.hammertonail.com/editorial/essays/filmmaker-reflections-the-2000s-vol-1/</link>
		
		<dc:creator><![CDATA[Michael Tully]]></dc:creator>
		<pubDate>Mon, 07 Dec 2009 10:55:32 +0000</pubDate>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[HTN LIST]]></category>
		<category><![CDATA[People We Love]]></category>
		<category><![CDATA[A Good Baby]]></category>
		<category><![CDATA[Adam Bhala Lough]]></category>
		<category><![CDATA[Amelie]]></category>
		<category><![CDATA[Barking Dogs Never Bite]]></category>
		<category><![CDATA[Beverly Hills Chihuahua]]></category>
		<category><![CDATA[Big Daddy Kane]]></category>
		<category><![CDATA[Big Dreams Little Tokyo]]></category>
		<category><![CDATA[Bomb the System]]></category>
		<category><![CDATA[Bong Joon-Ho]]></category>
		<category><![CDATA[Chang-dong Lee]]></category>
		<category><![CDATA[Dave Boyle]]></category>
		<category><![CDATA[David Zellner]]></category>
		<category><![CDATA[Debra Granick]]></category>
		<category><![CDATA[Diggers]]></category>
		<category><![CDATA[Down to the Bone]]></category>
		<category><![CDATA[Enrique Iglesias]]></category>
		<category><![CDATA[Filmmaker Reflections - The 2000s]]></category>
		<category><![CDATA[Foxy and the Weight of the World]]></category>
		<category><![CDATA[Gaspar Noe]]></category>
		<category><![CDATA[Goliath]]></category>
		<category><![CDATA[Half-Life]]></category>
		<category><![CDATA[I Stand Alone]]></category>
		<category><![CDATA[Irreversible]]></category>
		<category><![CDATA[Jennifer Phang]]></category>
		<category><![CDATA[Katherine Dieckmann]]></category>
		<category><![CDATA[Malcolm Jamieson]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Memories of Murder]]></category>
		<category><![CDATA[Michael McDonough]]></category>
		<category><![CDATA[Mother]]></category>
		<category><![CDATA[motherhood]]></category>
		<category><![CDATA[Oasis]]></category>
		<category><![CDATA[Primer]]></category>
		<category><![CDATA[Prince of Broadway]]></category>
		<category><![CDATA[R. Kelly]]></category>
		<category><![CDATA[Rusco]]></category>
		<category><![CDATA[Sean Baker]]></category>
		<category><![CDATA[Shane Carruth]]></category>
		<category><![CDATA[Slamdance Film Festival]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[Take Out]]></category>
		<category><![CDATA[The Carter]]></category>
		<category><![CDATA[The Host]]></category>
		<category><![CDATA[The Upsetter]]></category>
		<category><![CDATA[Trapped in the Closet]]></category>
		<category><![CDATA[Vera Farmiga]]></category>
		<category><![CDATA[Weapons]]></category>
		<category><![CDATA[White on Rice]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=2858</guid>

					<description><![CDATA[<p>This year, the normally one-fisted punch of &#8220;Best of&#8221; lists has come from both sets of knuckles, which can be both exhilarating and exhausting. While we finalize our own Best of &#8216;09 and Best of The &#8217;00s posts, we wanted [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/essays/filmmaker-reflections-the-2000s-vol-1/">Filmmaker Reflections &#8211; The 2000s: Vol. 1</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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