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	<title>war documentary Archives - Hammer to Nail</title>
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		<title>A Conversation with Zaradasht Ahmed (THE LIONS BY THE RIVER TIGRIS)</title>
		<link>https://www.hammertonail.com/interviews/zaradasht-ahmed/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Tue, 09 Dec 2025 15:44:42 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Bashar Mosul]]></category>
		<category><![CDATA[cinema verite]]></category>
		<category><![CDATA[cultural heritage preservation]]></category>
		<category><![CDATA[DOC NYC 2025]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Fakhri antique collector]]></category>
		<category><![CDATA[heritage looting]]></category>
		<category><![CDATA[human resilience]]></category>
		<category><![CDATA[Iraq war film]]></category>
		<category><![CDATA[ISIS aftermath]]></category>
		<category><![CDATA[Kurdish-Norwegian filmmaker]]></category>
		<category><![CDATA[memory and home]]></category>
		<category><![CDATA[Mesopotamian history]]></category>
		<category><![CDATA[Mosul documentary]]></category>
		<category><![CDATA[Nowhere to Hide]]></category>
		<category><![CDATA[objective journalism]]></category>
		<category><![CDATA[Old City Mosul]]></category>
		<category><![CDATA[post-war recovery]]></category>
		<category><![CDATA[rebuilding Mosul]]></category>
		<category><![CDATA[River Tigris]]></category>
		<category><![CDATA[The Lions by the River Tigris]]></category>
		<category><![CDATA[urban reconstruction]]></category>
		<category><![CDATA[war documentary]]></category>
		<category><![CDATA[war trauma]]></category>
		<category><![CDATA[Zaradasht Ahmed]]></category>
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					<description><![CDATA[<div><img width="300" height="199" src="https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-300x199.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-300x199.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-1024x679.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-768x509.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-1536x1019.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>In 2017, after three years under the control of the Islamic State (ISIS), the people of Mosul, Iraq fought to reclaim their city. The nine-month battle to liberate Mosul was marked by catastrophic violence, especially in the historic Old City. [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/zaradasht-ahmed/">A Conversation with Zaradasht Ahmed (THE LIONS BY THE RIVER TIGRIS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Emily Mkrtichian (THERE WAS, THERE WAS NOT)</title>
		<link>https://www.hammertonail.com/interviews/emily-mkrtichian/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Tue, 21 Oct 2025 18:10:16 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Armenian genocide]]></category>
		<category><![CDATA[Armenian women]]></category>
		<category><![CDATA[Artsakh film]]></category>
		<category><![CDATA[conflict journalism]]></category>
		<category><![CDATA[de-miners Artsakh]]></category>
		<category><![CDATA[displacement]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Emily Mkrtichian]]></category>
		<category><![CDATA[ethnic cleansing]]></category>
		<category><![CDATA[feminist film]]></category>
		<category><![CDATA[Gayane feminist leader]]></category>
		<category><![CDATA[memory and storytelling]]></category>
		<category><![CDATA[Nagorno-Karabakh documentary]]></category>
		<category><![CDATA[oral history]]></category>
		<category><![CDATA[personal essay film]]></category>
		<category><![CDATA[post-conflict society]]></category>
		<category><![CDATA[Remove term: There Was There Was Not There Was There Was Not movie]]></category>
		<category><![CDATA[resilience]]></category>
		<category><![CDATA[Siranush politician]]></category>
		<category><![CDATA[Sosé Judo champion]]></category>
		<category><![CDATA[Sundance Institute]]></category>
		<category><![CDATA[Sveta deminer]]></category>
		<category><![CDATA[There Was There Was Not]]></category>
		<category><![CDATA[True/False Film Festival]]></category>
		<category><![CDATA[war documentary]]></category>
		<category><![CDATA[Women in War]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54284</guid>

					<description><![CDATA[<div><img width="200" height="300" src="https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-200x300.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-200x300.jpg 200w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-683x1024.jpg 683w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-768x1152.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-1024x1536.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-1365x2048.jpg 1365w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-scaled.jpg 1707w" sizes="(max-width: 200px) 100vw, 200px" /></div>
<p>It may be incongruous to characterize a film about war and destruction as “gentle,” or a film of loss and ethnic cleaning as “tender,” but Emily Mkrtichian’s debut feature There Was, There Was Not is a film that continuously breaks [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/emily-mkrtichian/">A Conversation with Emily Mkrtichian (THERE WAS, THERE WAS NOT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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