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	<title>surrealism Archives - Hammer to Nail</title>
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	<title>surrealism Archives - Hammer to Nail</title>
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	<item>
		<title>EVERYTIME</title>
		<link>https://www.hammertonail.com/reviews/everytime/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 06 Oct 2026 18:18:06 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2026 Cannes]]></category>
		<category><![CDATA[Aftersun]]></category>
		<category><![CDATA[Austrian Cinema]]></category>
		<category><![CDATA[Birgit Minichmayr]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Carla Hüttermann]]></category>
		<category><![CDATA[Chess Story]]></category>
		<category><![CDATA[Christopher Llewellyn Reed]]></category>
		<category><![CDATA[cinematic odyssey]]></category>
		<category><![CDATA[dreamlike film]]></category>
		<category><![CDATA[Everytime]]></category>
		<category><![CDATA[festival coverage]]></category>
		<category><![CDATA[film review]]></category>
		<category><![CDATA[Gregory Oke]]></category>
		<category><![CDATA[grief]]></category>
		<category><![CDATA[indie film]]></category>
		<category><![CDATA[loss]]></category>
		<category><![CDATA[Lotte Shirin Keiling]]></category>
		<category><![CDATA[mourning]]></category>
		<category><![CDATA[mystical drama]]></category>
		<category><![CDATA[New/Next Film Festival]]></category>
		<category><![CDATA[psychological drama]]></category>
		<category><![CDATA[reincarnation]]></category>
		<category><![CDATA[Sandra Wollner]]></category>
		<category><![CDATA[surrealism]]></category>
		<category><![CDATA[Tenerife]]></category>
		<category><![CDATA[Tristán López]]></category>
		<category><![CDATA[Un Certain Regard]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56587</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/10/EVERYTIME-still-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/10/EVERYTIME-still-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/10/EVERYTIME-still-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/10/EVERYTIME-still-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/10/EVERYTIME-still.jpg 1200w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(The New/Next Film Festival ran Oct 1-4 and HtN has reviews coming your way like Chris Reed&#8217;s Everytime movie review. Seen it? Join the conversation with HtN on our Letterboxd Page.) Austrian director Sandra Wollner’s Everytime—winner of the 2026 Cannes Film [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/everytime/">EVERYTIME</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with J.D Fernández Molero (PUNKU)</title>
		<link>https://www.hammertonail.com/interviews/punku/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Tue, 01 Apr 2025 18:33:24 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Amazon jungle]]></category>
		<category><![CDATA[Berlinale premiere]]></category>
		<category><![CDATA[childhood memories]]></category>
		<category><![CDATA[cinema as expression]]></category>
		<category><![CDATA[experimental filmmaker]]></category>
		<category><![CDATA[family influence]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[J.D Fernández Molero]]></category>
		<category><![CDATA[Latin American cinema]]></category>
		<category><![CDATA[Machiguenga culture]]></category>
		<category><![CDATA[magical realism]]></category>
		<category><![CDATA[Peruvian cinema]]></category>
		<category><![CDATA[punku]]></category>
		<category><![CDATA[Punku movie]]></category>
		<category><![CDATA[Quechua]]></category>
		<category><![CDATA[Quillabamba]]></category>
		<category><![CDATA[self-expression]]></category>
		<category><![CDATA[sleep paralysis]]></category>
		<category><![CDATA[surrealism]]></category>
		<category><![CDATA[trauma]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52909</guid>

					<description><![CDATA[<div><img width="300" height="153" src="https://www.hammertonail.com/wp-content/uploads/2025/04/jd2-300x153.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/04/jd2-300x153.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/04/jd2-1024x521.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/04/jd2-768x391.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/04/jd2-1536x782.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>When words fail, cinema is the purest form of expression, believes experimental filmmaker J.D Fernández Molero. Cinema is the closest thing to dreams, in its ability to conjure existence and twist reality. Cinema is a punku,  meaning for “gateway” in [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/punku/">A Conversation with J.D Fernández Molero (PUNKU)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>ON THE FRINGE, PART EIGHT: WENDY AND LUCY (2008)</title>
		<link>https://www.hammertonail.com/reviews/on-the-fringe-8/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 25 Apr 2018 16:03:47 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1080 Bruxelles]]></category>
		<category><![CDATA[12 Angry Men]]></category>
		<category><![CDATA[12 Monkeys]]></category>
		<category><![CDATA[127 Hours]]></category>
		<category><![CDATA[23 quai du Commerce]]></category>
		<category><![CDATA[47 Meters Down]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[All is Lost]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Bard College]]></category>
		<category><![CDATA[Beasts of the Southern Wild]]></category>
		<category><![CDATA[Bela Tarr]]></category>
		<category><![CDATA[Cannes Palm Dog]]></category>
		<category><![CDATA[Carl Theodor Dreyer]]></category>
		<category><![CDATA[Chantal Akerman]]></category>
		<category><![CDATA[Charlie Chaplin]]></category>
		<category><![CDATA[Chris Marker]]></category>
		<category><![CDATA[dada]]></category>
		<category><![CDATA[dadaism]]></category>
		<category><![CDATA[Danny Boyle. Pixar]]></category>
		<category><![CDATA[Donovan]]></category>
		<category><![CDATA[Elephant]]></category>
		<category><![CDATA[Empire]]></category>
		<category><![CDATA[Family Nest]]></category>
		<category><![CDATA[Foxtrot]]></category>
		<category><![CDATA[Fritz Lang]]></category>
		<category><![CDATA[FW Murnau]]></category>
		<category><![CDATA[Georges Méliès]]></category>
		<category><![CDATA[Gerry and Last Days]]></category>
		<category><![CDATA[Gus Van Sant]]></category>
		<category><![CDATA[Hurdy Gurdy Man]]></category>
		<category><![CDATA[JC Chandor]]></category>
		<category><![CDATA[Jeanne Dielman]]></category>
		<category><![CDATA[Kelly Reichardt]]></category>
		<category><![CDATA[Krzysztof Komeda]]></category>
		<category><![CDATA[La Jetée]]></category>
		<category><![CDATA[Lebanon]]></category>
		<category><![CDATA[Locke]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
		<category><![CDATA[Lumière Bros.]]></category>
		<category><![CDATA[Man Ray]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[Mathew Klickstein]]></category>
		<category><![CDATA[Mia Farrow]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Old Joy]]></category>
		<category><![CDATA[On the Fringe]]></category>
		<category><![CDATA[On Your Marc]]></category>
		<category><![CDATA[Open Water]]></category>
		<category><![CDATA[PART EIGHT: WENDY AND LUCY (2008)]]></category>
		<category><![CDATA[René Clair]]></category>
		<category><![CDATA[Richard Linklater]]></category>
		<category><![CDATA[Robert Redford]]></category>
		<category><![CDATA[Robert Wiene]]></category>
		<category><![CDATA[Rope]]></category>
		<category><![CDATA[Rosemary's Baby]]></category>
		<category><![CDATA[Samuel Maoz]]></category>
		<category><![CDATA[shark movies]]></category>
		<category><![CDATA[Sofia Coppola]]></category>
		<category><![CDATA[Somewhere]]></category>
		<category><![CDATA[Springfield Confidential: Jokes]]></category>
		<category><![CDATA[Stan Brakhage]]></category>
		<category><![CDATA[Steven Knight]]></category>
		<category><![CDATA[surrealism]]></category>
		<category><![CDATA[surrealist]]></category>
		<category><![CDATA[Tape]]></category>
		<category><![CDATA[Terry Gilliam]]></category>
		<category><![CDATA[The Exterminating Angel]]></category>
		<category><![CDATA[The Man from London]]></category>
		<category><![CDATA[The Shallows]]></category>
		<category><![CDATA[The Turin Horse]]></category>
		<category><![CDATA[Todd Haynes]]></category>
		<category><![CDATA[Tom Hardy]]></category>
		<category><![CDATA[Umberto D.]]></category>
		<category><![CDATA[Un Certain Regard]]></category>
		<category><![CDATA[Vitorrio De Sica]]></category>
		<category><![CDATA[Vitorrio De Sica’s Umberto D]]></category>
		<category><![CDATA[Wall-E]]></category>
		<category><![CDATA[Walmart]]></category>
		<category><![CDATA[Wendy and Lucy]]></category>
		<category><![CDATA[Werckmeister Harmonies]]></category>
		<category><![CDATA[Will Patton]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29496</guid>

					<description><![CDATA[<p>There is an astonishing, heart-rending scene toward the middle of Kelly Reichardt’s pitch-perfect, Wendy and Lucy, an ascetic touching-without-being-cloying chronicle of a nomadic young girl (Michelle Williams), her dog Lucy and her broken-down car stuck outside of Portland, Oregon on her star-cross’d way [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/on-the-fringe-8/">ON THE FRINGE, PART EIGHT: WENDY AND LUCY (2008)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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