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	<title>Preston Sturges Archives - Hammer to Nail</title>
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	<title>Preston Sturges Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Mas Bouzidi (CONCESSIONS)</title>
		<link>https://www.hammertonail.com/interviews/concessions/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 02 Sep 2026 18:45:19 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[American Graffiti]]></category>
		<category><![CDATA[Billy Jack]]></category>
		<category><![CDATA[Close Encounters of the Third Kind]]></category>
		<category><![CDATA[Come and See]]></category>
		<category><![CDATA[Concessions]]></category>
		<category><![CDATA[Dazed and Confused]]></category>
		<category><![CDATA[Fast Times at Ridgemont High]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[Hamilton]]></category>
		<category><![CDATA[hangout movie]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[Ivory Aquino]]></category>
		<category><![CDATA[Jean Eustache]]></category>
		<category><![CDATA[Jonathan Demme]]></category>
		<category><![CDATA[Jonathan Lorenzo Price]]></category>
		<category><![CDATA[Josh Hamilton]]></category>
		<category><![CDATA[Kill Bill]]></category>
		<category><![CDATA[Lafayette Theater]]></category>
		<category><![CDATA[Lana Rockwell]]></category>
		<category><![CDATA[Last Night At The Alamo]]></category>
		<category><![CDATA[Mad Dog Morgan]]></category>
		<category><![CDATA[Mas Bouzidi]]></category>
		<category><![CDATA[Michael Madsen]]></category>
		<category><![CDATA[movie theater nostalgia]]></category>
		<category><![CDATA[Orlando]]></category>
		<category><![CDATA[Ozploitation]]></category>
		<category><![CDATA[Preston Sturges]]></category>
		<category><![CDATA[Richard Linklater]]></category>
		<category><![CDATA[Rob Riordan]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Robert Mitchum]]></category>
		<category><![CDATA[Robert Ryan]]></category>
		<category><![CDATA[Sally Potter]]></category>
		<category><![CDATA[Sergio Leone]]></category>
		<category><![CDATA[slacker]]></category>
		<category><![CDATA[Spaghetti Westerns]]></category>
		<category><![CDATA[Steven Ogg]]></category>
		<category><![CDATA[Taft musical]]></category>
		<category><![CDATA[The Bad Bloke]]></category>
		<category><![CDATA[The Mother and The Whore]]></category>
		<category><![CDATA[The Spectrum Albany]]></category>
		<category><![CDATA[upstate New York]]></category>
		<category><![CDATA[Wake In Fright]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56314</guid>

					<description><![CDATA[<div><img width="300" height="120" src="https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-300x120.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-300x120.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-1024x410.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-768x307.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-1536x614.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Mas Bouzidi&#8217;s Concessions is a love letter to movie theaters wrapped in the melancholy of their disappearance. Shot entirely on 16mm at the Lafayette Theater in upstate New York, the film chronicles the final day at the closing Royal Alamo [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/concessions/">A Conversation with Mas Bouzidi (CONCESSIONS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>STILL WORKING 9 to 5</title>
		<link>https://www.hammertonail.com/reviews/still-working-9-to-5/</link>
		
		<dc:creator><![CDATA[Melanie Addington]]></dc:creator>
		<pubDate>Mon, 14 Mar 2022 19:57:48 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2022 SXSW]]></category>
		<category><![CDATA[2022 SXSW Film Festival]]></category>
		<category><![CDATA[9 to 5 movie]]></category>
		<category><![CDATA[Allison Janney]]></category>
		<category><![CDATA[Alyssa Milano]]></category>
		<category><![CDATA[Anita Hill]]></category>
		<category><![CDATA[Bruce Gilbert]]></category>
		<category><![CDATA[Camille Hardman]]></category>
		<category><![CDATA[Clarence Thomas]]></category>
		<category><![CDATA[Colin Higgins]]></category>
		<category><![CDATA[Dolly Parton]]></category>
		<category><![CDATA[Equal Rights Amendment documentary]]></category>
		<category><![CDATA[Gilda Radner]]></category>
		<category><![CDATA[Harold and Maude]]></category>
		<category><![CDATA[Jane Fonda]]></category>
		<category><![CDATA[Kelly Clarkson]]></category>
		<category><![CDATA[Lily Ledbetter’s Fair Pay Act]]></category>
		<category><![CDATA[Lily Tomlin]]></category>
		<category><![CDATA[Megan Hitty]]></category>
		<category><![CDATA[Patricia Resnick]]></category>
		<category><![CDATA[Phyllis Schlafly]]></category>
		<category><![CDATA[Preston Sturges]]></category>
		<category><![CDATA[Rita Moreno]]></category>
		<category><![CDATA[Ruth Bader Ginsburg]]></category>
		<category><![CDATA[Stephanie Block]]></category>
		<category><![CDATA[Still Working 9 to 5]]></category>
		<category><![CDATA[Still Working 9 to 5 documentary]]></category>
		<category><![CDATA[SXSW Film Festival]]></category>
		<category><![CDATA[Tarana Burke]]></category>
		<category><![CDATA[The Great McGinty]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=36534</guid>

					<description><![CDATA[<div><img width="300" height="199" src="https://www.hammertonail.com/wp-content/uploads/2022/03/stillworking-300x199.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2022/03/stillworking-300x199.png 300w, https://www.hammertonail.com/wp-content/uploads/2022/03/stillworking-768x510.png 768w, https://www.hammertonail.com/wp-content/uploads/2022/03/stillworking-600x398.png 600w, https://www.hammertonail.com/wp-content/uploads/2022/03/stillworking.png 783w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(The 2022 SXSW Film Festival runs March 11-20 in glorious Austin, Texas. Check out Melanie Addington’s movie review of Still Working 9 to 5. Join the conversation with HtN on our Letterboxd Page.) Spoilers; If you have never seen the film 9 [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/still-working-9-to-5/">STILL WORKING 9 to 5</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Cannes 2012 Dispatch #6: Gently, Last Summer</title>
		<link>https://www.hammertonail.com/shorts-contest/cannes-2012-dispatch-6-gently-last-summer/</link>
					<comments>https://www.hammertonail.com/shorts-contest/cannes-2012-dispatch-6-gently-last-summer/#comments</comments>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Tue, 22 May 2012 13:52:45 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Abbas Kiarostami]]></category>
		<category><![CDATA[Andrew Dominik]]></category>
		<category><![CDATA[Ball of Fire]]></category>
		<category><![CDATA[Cannes]]></category>
		<category><![CDATA[Cannes 2012]]></category>
		<category><![CDATA[Certified Copy]]></category>
		<category><![CDATA[Ella Fitzgerald]]></category>
		<category><![CDATA[Eric Rohmer]]></category>
		<category><![CDATA[Hong Sang-soo]]></category>
		<category><![CDATA[Howard Hawks]]></category>
		<category><![CDATA[In Another Country]]></category>
		<category><![CDATA[Isabelle Huppert]]></category>
		<category><![CDATA[Jonathan Demme]]></category>
		<category><![CDATA[Killing Them Softly]]></category>
		<category><![CDATA[Like Someone In Love]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[Michael Haneke]]></category>
		<category><![CDATA[My Night At Maude's]]></category>
		<category><![CDATA[Preston Sturges]]></category>
		<category><![CDATA[Something Wild]]></category>
		<category><![CDATA[Yasujiro Ozu]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=17293</guid>

					<description><![CDATA[<p>Hong Sang Soo’s In Another Country and Abbas Kiarostami’s Like Someone In Love If anything, a couple of days at the Cannes Film Festival quickly teaches you to ac-cent-tchu-ate the positive. Competition disappointments aplenty (the latest one being Andrew Dominik’s [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/cannes-2012-dispatch-6-gently-last-summer/">Cannes 2012 Dispatch #6: Gently, Last Summer</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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			<slash:comments>1</slash:comments>
		
		
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