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	<title>Portrait of Jason Archives - Hammer to Nail</title>
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	<description>What to Watch</description>
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	<title>Portrait of Jason Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Ira Sachs (PETER HUJAR&#8217;S DAY)</title>
		<link>https://www.hammertonail.com/interviews/ira-sachs-hujars-day/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 13 Nov 2025 23:10:39 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[1970s New York]]></category>
		<category><![CDATA[Affonso Gonçalves editor]]></category>
		<category><![CDATA[Alex Ashe cinematography]]></category>
		<category><![CDATA[Ben Whishaw]]></category>
		<category><![CDATA[Bohemia]]></category>
		<category><![CDATA[Chamber piece]]></category>
		<category><![CDATA[Cinematic portraiture]]></category>
		<category><![CDATA[Fassbinder]]></category>
		<category><![CDATA[Ira Sachs]]></category>
		<category><![CDATA[Ira Sachs interview]]></category>
		<category><![CDATA[Janus Films]]></category>
		<category><![CDATA[Jim McDonald Hold Me Tight]]></category>
		<category><![CDATA[Linda Rosenkrantz]]></category>
		<category><![CDATA[Mozart Requiem]]></category>
		<category><![CDATA[New York Film Festival]]></category>
		<category><![CDATA[Peter Hujar's Day]]></category>
		<category><![CDATA[Portrait of Jason]]></category>
		<category><![CDATA[Rebecca Hall]]></category>
		<category><![CDATA[Rohmer]]></category>
		<category><![CDATA[Ryan Scott Fitzgerald art direction]]></category>
		<category><![CDATA[Stephen Phelps production design]]></category>
		<category><![CDATA[Sundance 2025]]></category>
		<category><![CDATA[The Bitter Tears of Petra von Kant]]></category>
		<category><![CDATA[Westbeth Artists Housing]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54425</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Ira-Sachs_Credit-Jeong-Park-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Ira-Sachs_Credit-Jeong-Park-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Ira-Sachs_Credit-Jeong-Park-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Ira-Sachs_Credit-Jeong-Park-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Ira-Sachs_Credit-Jeong-Park-1536x1024.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Ira Sachs returns with Peter Hujar&#8217;s Day, a mesmerizing 76-minute chamber piece that transforms a rediscovered 1974 transcript into an intimate portrait of friendship, artistry, and 1970s New York bohemia. The film reunites Sachs with Ben Whishaw, star of his [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/ira-sachs-hujars-day/">A Conversation with Ira Sachs (PETER HUJAR&#8217;S DAY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>28th Annual aGLIFF: Wrap-Up</title>
		<link>https://www.hammertonail.com/shorts-contest/28th-annual-agliff-wrap-up/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Tue, 15 Sep 2015 18:04:38 +0000</pubDate>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[aGLIFF]]></category>
		<category><![CDATA[Bright Night]]></category>
		<category><![CDATA[Deep Run]]></category>
		<category><![CDATA[Eisenstein in Guanajuato]]></category>
		<category><![CDATA[Fourth Man Out]]></category>
		<category><![CDATA[Guidance]]></category>
		<category><![CDATA[How to Win at Checkers (Every Time)]]></category>
		<category><![CDATA[Jason & Shirley]]></category>
		<category><![CDATA[Nasty baby]]></category>
		<category><![CDATA[Portrait of Jason]]></category>
		<category><![CDATA[That's Not Us]]></category>
		<category><![CDATA[The New Girlfriend]]></category>
		<category><![CDATA[The State of Marriage]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=25044</guid>

					<description><![CDATA[<p>Autumn in Austin, the most fabulous time of the year. September marks not only a break from the relentless heat of the Central Texas summer but also the start of a top notch film festival season. It seems only fitting [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/28th-annual-agliff-wrap-up/">28th Annual aGLIFF: Wrap-Up</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A CALL TO RECOGNIZE THE BEST PERFORMANCES IN NONFICTION FILM</title>
		<link>https://www.hammertonail.com/editorial/a-call-to-recognize-the-best-performances-in-nonfiction-film-by-robert-greene/</link>
					<comments>https://www.hammertonail.com/editorial/a-call-to-recognize-the-best-performances-in-nonfiction-film-by-robert-greene/#comments</comments>
		
		<dc:creator><![CDATA[Robert Greene]]></dc:creator>
		<pubDate>Mon, 03 Jun 2013 14:22:23 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[12 O'Clock Boys]]></category>
		<category><![CDATA[AJ Schnack]]></category>
		<category><![CDATA[Ameena Matthews]]></category>
		<category><![CDATA[American Movie]]></category>
		<category><![CDATA[At the Edge of Russia]]></category>
		<category><![CDATA[Bart Layton]]></category>
		<category><![CDATA[Caucus]]></category>
		<category><![CDATA[Chris Smith]]></category>
		<category><![CDATA[Chronicle of a Summer]]></category>
		<category><![CDATA[Cinema Eye Honors]]></category>
		<category><![CDATA[Dieter Dengler]]></category>
		<category><![CDATA[Eric Kohn]]></category>
		<category><![CDATA[Frédéric Bourdin]]></category>
		<category><![CDATA[Frederick Wiseman]]></category>
		<category><![CDATA[Jean Rouch]]></category>
		<category><![CDATA[Joshua Oppenheimer]]></category>
		<category><![CDATA[Kati Genthner]]></category>
		<category><![CDATA[Kati With An I]]></category>
		<category><![CDATA[Little Dieter Needs to Fly]]></category>
		<category><![CDATA[Lotfy Nathan]]></category>
		<category><![CDATA[Michal Marczak]]></category>
		<category><![CDATA[Miguel Gomes]]></category>
		<category><![CDATA[Nanook of the North]]></category>
		<category><![CDATA[Our Beloved Month of August]]></category>
		<category><![CDATA[Portrait of Jason]]></category>
		<category><![CDATA[Robert Flaherty]]></category>
		<category><![CDATA[Sarah Polley]]></category>
		<category><![CDATA[Shirley Clarke]]></category>
		<category><![CDATA[Steve James]]></category>
		<category><![CDATA[Stories We Tell]]></category>
		<category><![CDATA[The Act of Killing]]></category>
		<category><![CDATA[The Imposter]]></category>
		<category><![CDATA[The Interrupters]]></category>
		<category><![CDATA[Victor Kossakovsky]]></category>
		<category><![CDATA[Werner Herzog]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=20905</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2013/06/INTERRUPTERS-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2013/06/INTERRUPTERS-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2013/06/INTERRUPTERS-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2013/06/INTERRUPTERS-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2013/06/INTERRUPTERS-600x338.jpg 600w, https://www.hammertonail.com/wp-content/uploads/2013/06/INTERRUPTERS.jpg 1920w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>The time has come to recognize an aspect of nonfiction cinema that has been overlooked for too long. The nature of documentary, of course, is that the image is based in reality. But it has come to be axiomatic that [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/a-call-to-recognize-the-best-performances-in-nonfiction-film-by-robert-greene/">A CALL TO RECOGNIZE THE BEST PERFORMANCES IN NONFICTION FILM</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.hammertonail.com/editorial/a-call-to-recognize-the-best-performances-in-nonfiction-film-by-robert-greene/feed/</wfw:commentRss>
			<slash:comments>3</slash:comments>
		
		
			</item>
		<item>
		<title>FILMS OF SHIRLEY CLARKE, THE</title>
		<link>https://www.hammertonail.com/reviews/documentary/the-films-of-shirley-clarke-film-review/</link>
					<comments>https://www.hammertonail.com/reviews/documentary/the-films-of-shirley-clarke-film-review/#comments</comments>
		
		<dc:creator><![CDATA[Cullen Gallagher]]></dc:creator>
		<pubDate>Wed, 22 Apr 2009 21:08:17 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Short Film]]></category>
		<category><![CDATA[A Study in Choreography for Camera]]></category>
		<category><![CDATA[Andre S. Labarthe]]></category>
		<category><![CDATA[Anthology Film Archives]]></category>
		<category><![CDATA[Bebe Barron]]></category>
		<category><![CDATA[Bergdorf Goodman]]></category>
		<category><![CDATA[Bigger Thomas]]></category>
		<category><![CDATA[Bosley Crowther]]></category>
		<category><![CDATA[Bridges-Go-Round]]></category>
		<category><![CDATA[Bright Lights Film Journal]]></category>
		<category><![CDATA[Chelsea]]></category>
		<category><![CDATA[cinema verite]]></category>
		<category><![CDATA[Cullen Gallagher]]></category>
		<category><![CDATA[Dance in the Sun]]></category>
		<category><![CDATA[Dizzy Gillespie]]></category>
		<category><![CDATA[Frederick Wiseman]]></category>
		<category><![CDATA[Hampton Clanton]]></category>
		<category><![CDATA[Hans Richter]]></category>
		<category><![CDATA[Harlem]]></category>
		<category><![CDATA[Jack Gelber]]></category>
		<category><![CDATA[Jackie McLean]]></category>
		<category><![CDATA[Jacques Rivette]]></category>
		<category><![CDATA[James Dean]]></category>
		<category><![CDATA[Jim Stark]]></category>
		<category><![CDATA[John Cassavetes]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[Louis Barron]]></category>
		<category><![CDATA[Manhattan]]></category>
		<category><![CDATA[Maya Deren]]></category>
		<category><![CDATA[Meditation on Violence]]></category>
		<category><![CDATA[Miles Davis]]></category>
		<category><![CDATA[Moment in Love]]></category>
		<category><![CDATA[Native Son]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[Noel Burch]]></category>
		<category><![CDATA[Open City]]></category>
		<category><![CDATA[Ornette Coleman]]></category>
		<category><![CDATA[Ornette: Made in America]]></category>
		<category><![CDATA[Portrait of Jason]]></category>
		<category><![CDATA[Rebel Without a Cause]]></category>
		<category><![CDATA[Richard Wright]]></category>
		<category><![CDATA[Robert Frost: A Lover's Quarrel With the World]]></category>
		<category><![CDATA[Roberto Rossellini]]></category>
		<category><![CDATA[Rome Burns: A Portrait of Shirley Clarke]]></category>
		<category><![CDATA[Shadows]]></category>
		<category><![CDATA[Shirley Clarke]]></category>
		<category><![CDATA[Sidney Poitier]]></category>
		<category><![CDATA[Sketches of Spain]]></category>
		<category><![CDATA[Stanley Kramer]]></category>
		<category><![CDATA[Teepee Video Space Troupe]]></category>
		<category><![CDATA[Teo Macero]]></category>
		<category><![CDATA[The Connection]]></category>
		<category><![CDATA[The Cool World]]></category>
		<category><![CDATA[The Film-Makers' Cooperative]]></category>
		<category><![CDATA[The Films of Shirley Clarke]]></category>
		<category><![CDATA[The Living Theater]]></category>
		<category><![CDATA[The New York Times]]></category>
		<category><![CDATA[The Plaza]]></category>
		<category><![CDATA[the Public Library]]></category>
		<category><![CDATA[Tom Sutpen]]></category>
		<category><![CDATA[Treasures IV: American Avant-Garde Film 1947-1986]]></category>
		<category><![CDATA[Yoko Ono]]></category>
		<category><![CDATA[Yuseff Lateef]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=844</guid>

					<description><![CDATA[<div></div>
<p>(The Films of Shirley Clarke screens at Anthology Film Archives from April 22nd-28th, 2009. If you’re not able to attend, you can purchase the DVD set Treasures IV: American Avant-Garde Film, 1947-1986 at Amazon, which includes Clarke’s 1958 film Bridges-Go-Round.) [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/documentary/the-films-of-shirley-clarke-film-review/">FILMS OF SHIRLEY CLARKE, THE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.hammertonail.com/reviews/documentary/the-films-of-shirley-clarke-film-review/feed/</wfw:commentRss>
			<slash:comments>2</slash:comments>
		
		
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