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	<title>Orlando Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Mas Bouzidi (CONCESSIONS)</title>
		<link>https://www.hammertonail.com/interviews/concessions/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 02 Sep 2026 18:45:19 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[American Graffiti]]></category>
		<category><![CDATA[Billy Jack]]></category>
		<category><![CDATA[Close Encounters of the Third Kind]]></category>
		<category><![CDATA[Come and See]]></category>
		<category><![CDATA[Concessions]]></category>
		<category><![CDATA[Dazed and Confused]]></category>
		<category><![CDATA[Fast Times at Ridgemont High]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[Hamilton]]></category>
		<category><![CDATA[hangout movie]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[Ivory Aquino]]></category>
		<category><![CDATA[Jean Eustache]]></category>
		<category><![CDATA[Jonathan Demme]]></category>
		<category><![CDATA[Jonathan Lorenzo Price]]></category>
		<category><![CDATA[Josh Hamilton]]></category>
		<category><![CDATA[Kill Bill]]></category>
		<category><![CDATA[Lafayette Theater]]></category>
		<category><![CDATA[Lana Rockwell]]></category>
		<category><![CDATA[Last Night At The Alamo]]></category>
		<category><![CDATA[Mad Dog Morgan]]></category>
		<category><![CDATA[Mas Bouzidi]]></category>
		<category><![CDATA[Michael Madsen]]></category>
		<category><![CDATA[movie theater nostalgia]]></category>
		<category><![CDATA[Orlando]]></category>
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		<category><![CDATA[Steven Ogg]]></category>
		<category><![CDATA[Taft musical]]></category>
		<category><![CDATA[The Bad Bloke]]></category>
		<category><![CDATA[The Mother and The Whore]]></category>
		<category><![CDATA[The Spectrum Albany]]></category>
		<category><![CDATA[upstate New York]]></category>
		<category><![CDATA[Wake In Fright]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56314</guid>

					<description><![CDATA[<div><img width="300" height="120" src="https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-300x120.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-300x120.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-1024x410.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-768x307.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-1536x614.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Mas Bouzidi&#8217;s Concessions is a love letter to movie theaters wrapped in the melancholy of their disappearance. Shot entirely on 16mm at the Lafayette Theater in upstate New York, the film chronicles the final day at the closing Royal Alamo [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/concessions/">A Conversation with Mas Bouzidi (CONCESSIONS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>ORLANDO: MY POLITICAL BIOGRAPHY</title>
		<link>https://www.hammertonail.com/reviews/orlando-my-political-biography/</link>
		
		<dc:creator><![CDATA[Bears Rebecca Fonte]]></dc:creator>
		<pubDate>Tue, 28 Nov 2023 17:14:11 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
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		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Janus Films]]></category>
		<category><![CDATA[Orlando]]></category>
		<category><![CDATA[Orlando My Political Biography]]></category>
		<category><![CDATA[Paul B. Preciado]]></category>
		<category><![CDATA[Sideshow]]></category>
		<category><![CDATA[Virginia Woolf]]></category>
		<category><![CDATA[Vita Sackville-West]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=40741</guid>

					<description><![CDATA[<div><img width="300" height="186" src="https://www.hammertonail.com/wp-content/uploads/2023/11/ORLANDO_slideshow-300x186.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2023/11/ORLANDO_slideshow-300x186.png 300w, https://www.hammertonail.com/wp-content/uploads/2023/11/ORLANDO_slideshow-768x477.png 768w, https://www.hammertonail.com/wp-content/uploads/2023/11/ORLANDO_slideshow.png 1000w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Bears Rebecca Fonté’s movie review of Orlando: My Political Biography, which opens in Film Forum in NYC this Friday, November 10. Opens in Los Angeles on November 17. Seen it? Join the conversation with HtN on our Letterboxd Page.) [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/orlando-my-political-biography/">ORLANDO: MY POLITICAL BIOGRAPHY</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Nick Toti’s “Digital Gods”- Season Two, Transmission Three</title>
		<link>https://www.hammertonail.com/interviews/digital-gods2-3/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Thu, 05 Jul 2018 17:10:22 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
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		<category><![CDATA[Arthur Rimbaud]]></category>
		<category><![CDATA[Des Esseintes]]></category>
		<category><![CDATA[Dostoevski]]></category>
		<category><![CDATA[Goethe’s Young Werther]]></category>
		<category><![CDATA[H.R. Giger]]></category>
		<category><![CDATA[Hamlet]]></category>
		<category><![CDATA[J.D. Salinger]]></category>
		<category><![CDATA[J.K. Huysmans]]></category>
		<category><![CDATA[Kuo’s Eyes]]></category>
		<category><![CDATA[Mayhem]]></category>
		<category><![CDATA[Michael Jackson]]></category>
		<category><![CDATA[Michael Salerno]]></category>
		<category><![CDATA[Norwegian black metal band]]></category>
		<category><![CDATA[Norwegian black metal band Mayhem]]></category>
		<category><![CDATA[O.B. De Alessi]]></category>
		<category><![CDATA[Orlando]]></category>
		<category><![CDATA[Oscar Wilde]]></category>
		<category><![CDATA[Peter Pan]]></category>
		<category><![CDATA[teenage emo video diary]]></category>
		<category><![CDATA[The Storms and Longing of Oscar Scar]]></category>
		<category><![CDATA[Virginia Woolf]]></category>
		<category><![CDATA[Virginia Woolf’s Orlando]]></category>
		<category><![CDATA[White Moon]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29866</guid>

					<description><![CDATA[<p>(After an intriguing deep dive into the experimental works of fringe filmmaker O.B. De Alessi, our Nick Toti got to have this exciting chat with her&#8230;) Hammer to Nail: Your creative work isn&#8217;t limited to filmmaking. I&#8217;m interested in the ways these [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/digital-gods2-3/">Nick Toti’s “Digital Gods”- Season Two, Transmission Three</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>QUEEN OF VERSAILLES, THE</title>
		<link>https://www.hammertonail.com/reviews/the-queen-of-versailles-film-review/</link>
					<comments>https://www.hammertonail.com/reviews/the-queen-of-versailles-film-review/#comments</comments>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Mon, 23 Jul 2012 14:30:42 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[On DVD]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2012 Sundance Film Festival]]></category>
		<category><![CDATA[David Siegel]]></category>
		<category><![CDATA[Filmmaker Magazine Pick of the Week]]></category>
		<category><![CDATA[George W. Bush]]></category>
		<category><![CDATA[Jackie Siegel]]></category>
		<category><![CDATA[Lauren Greenfield]]></category>
		<category><![CDATA[Magnolia Pictures]]></category>
		<category><![CDATA[Miss Florida]]></category>
		<category><![CDATA[Nathaniel Hawthorne]]></category>
		<category><![CDATA[Orlando]]></category>
		<category><![CDATA[The Day of the Locust]]></category>
		<category><![CDATA[The Queen of Versailles]]></category>
		<category><![CDATA[Westgate Resorts]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=18053</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2012/07/TheQueenofVersaillesthumb.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" /></div>
<p>If in the end The Queen of Versailles uses the Siegel's story, it's to reflect on the malleability of American identity, and about the bitter striving that often breeds success.</p>
<p>The post <a href="https://www.hammertonail.com/reviews/the-queen-of-versailles-film-review/">QUEEN OF VERSAILLES, THE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
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