Womb favors mood to plot, and as a result we're made to float through the proceedings as observers of a story that, far from answering any questions, often seems hesitant to reveal the very questions it's asking.

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Once upon a time, while vacationing in Estonia, Bela Tarr watched a double-bill of Dead Man and Lost Highway and went to sleep. Then he had a dream. The Temptation of St. Tony is that dream, transferred to black-and-white 35mm celluloid.

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