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	<title>Jonathan Marlow Archives - Hammer to Nail</title>
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	<title>Jonathan Marlow Archives - Hammer to Nail</title>
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	<item>
		<title>A CONVERSATION WITH BETH HARRINGTON (BEYOND THE DUPLEX PLANET)</title>
		<link>https://www.hammertonail.com/interviews/beth-harrington/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Sat, 14 Mar 2026 13:56:19 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[active listening]]></category>
		<category><![CDATA[aging and creativity]]></category>
		<category><![CDATA[Beth Harrington]]></category>
		<category><![CDATA[Beth Harrington interview]]></category>
		<category><![CDATA[Beyond the Duplex Planet]]></category>
		<category><![CDATA[David Greenberger]]></category>
		<category><![CDATA[documentary editing]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[Ed Ruscha]]></category>
		<category><![CDATA[fanzine culture]]></category>
		<category><![CDATA[film fundraising]]></category>
		<category><![CDATA[independent filmmaking]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Jonathan Richman and the Modern Lovers]]></category>
		<category><![CDATA[NRBQ]]></category>
		<category><![CDATA[nursing home art]]></category>
		<category><![CDATA[oral history]]></category>
		<category><![CDATA[outsider art]]></category>
		<category><![CDATA[passage of time]]></category>
		<category><![CDATA[Penn Jillette]]></category>
		<category><![CDATA[punk rock documentary]]></category>
		<category><![CDATA[Scarecrow Video]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[The Duplex Planet]]></category>
		<category><![CDATA[The Winding Stream]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55231</guid>

					<description><![CDATA[<div><img width="300" height="236" src="https://www.hammertonail.com/wp-content/uploads/2026/03/Beth-Harrington-courtesy-of-the-director-300x236.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/Beth-Harrington-courtesy-of-the-director-300x236.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/Beth-Harrington-courtesy-of-the-director-1024x805.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/Beth-Harrington-courtesy-of-the-director-768x604.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/Beth-Harrington-courtesy-of-the-director-1536x1208.jpeg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>It is said that you cannot go home again. Literally, you can go home but which version of you goes? Not the one that disappeared. That version is long-gone. [These words are written from the dining room table of Jonathan [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/beth-harrington/">A CONVERSATION WITH BETH HARRINGTON (BEYOND THE DUPLEX PLANET)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>All Because Robert Redford Started a Film Festival</title>
		<link>https://www.hammertonail.com/features/redford-2025/</link>
		
		<dc:creator><![CDATA[Don R. Lewis]]></dc:creator>
		<pubDate>Mon, 19 Jan 2026 23:56:46 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1990s film]]></category>
		<category><![CDATA[Chris Gore]]></category>
		<category><![CDATA[Faye Dunaway]]></category>
		<category><![CDATA[film festival memories]]></category>
		<category><![CDATA[film industry]]></category>
		<category><![CDATA[Film Threat]]></category>
		<category><![CDATA[filmmaker stories]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[iconic film festivals]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Indie Filmmaking]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Melanie Addington]]></category>
		<category><![CDATA[Park City Utah]]></category>
		<category><![CDATA[Robert Altman Sundance]]></category>
		<category><![CDATA[Robert Redford]]></category>
		<category><![CDATA[Robert Redford legacy]]></category>
		<category><![CDATA[Robert Redford tribute]]></category>
		<category><![CDATA[Scarecrow Video]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[Sundance Film Festival history]]></category>
		<category><![CDATA[Sundance friendships]]></category>
		<category><![CDATA[Sundance volunteers]]></category>
		<category><![CDATA[The Violent Kind]]></category>
		<category><![CDATA[volunteering at Sundance]]></category>
		<category><![CDATA[William H. Macy]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54079</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/09/redford-300x200.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/09/redford-300x200.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2025/09/redford-1024x683.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/09/redford-768x512.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2025/09/redford.jpeg 1200w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Robert Redford changed my life. It was all the way back in 1997 and my friend’s sister heard I was really getting into independent film and was particularly interested in the Sundance Film Festival. Hell, who wasn’t back in 1997? [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/features/redford-2025/">All Because Robert Redford Started a Film Festival</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>HAMMER TO NAIL’S BEST FILMS OF 2025</title>
		<link>https://www.hammertonail.com/features/htn-best-films-2025/</link>
		
		<dc:creator><![CDATA[The Editorial Staff]]></dc:creator>
		<pubDate>Sun, 04 Jan 2026 22:51:51 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[28 Years Later]]></category>
		<category><![CDATA[A Body to Live In]]></category>
		<category><![CDATA[Aaron Brookner]]></category>
		<category><![CDATA[Afternoons of Solitude]]></category>
		<category><![CDATA[All That’s Left of You]]></category>
		<category><![CDATA[André Is An Idiot]]></category>
		<category><![CDATA[Ane Dahl Torp]]></category>
		<category><![CDATA[Angel's Egg]]></category>
		<category><![CDATA[Angelo Madsen]]></category>
		<category><![CDATA[Anne Marit Jacobsen]]></category>
		<category><![CDATA[Annie Sprinkle]]></category>
		<category><![CDATA[Another Woman]]></category>
		<category><![CDATA[Apocalypse in the Tropics]]></category>
		<category><![CDATA[April]]></category>
		<category><![CDATA[Arash T. Riahi]]></category>
		<category><![CDATA[Architecton]]></category>
		<category><![CDATA[Ari Aster]]></category>
		<category><![CDATA[Austin Butler]]></category>
		<category><![CDATA[Baby]]></category>
		<category><![CDATA[Backside]]></category>
		<category><![CDATA[Being Blue]]></category>
		<category><![CDATA[Below the Clouds]]></category>
		<category><![CDATA[Benicio Del Toro]]></category>
		<category><![CDATA[Billy Shebar]]></category>
		<category><![CDATA[Black Bag]]></category>
		<category><![CDATA[BLKNWS: Terms & Conditions]]></category>
		<category><![CDATA[Boorman and the Devil]]></category>
		<category><![CDATA[Brandon Wilson]]></category>
		<category><![CDATA[Bugonia]]></category>
		<category><![CDATA[Careless Passage]]></category>
		<category><![CDATA[Caught by the Tides]]></category>
		<category><![CDATA[Chase Infiniti]]></category>
		<category><![CDATA[Christopher Llewellyn Reed]]></category>
		<category><![CDATA[Coexistence]]></category>
		<category><![CDATA[Come See Me in the Good Light]]></category>
		<category><![CDATA[Cover-Up]]></category>
		<category><![CDATA[Cutting Through Rocks]]></category>
		<category><![CDATA[Dag Johan Hagurud]]></category>
		<category><![CDATA[David Kittredge]]></category>
		<category><![CDATA[Demon Slayer: Kimetsu no Yaiba Infinity Castle]]></category>
		<category><![CDATA[Die My Love]]></category>
		<category><![CDATA[Doors]]></category>
		<category><![CDATA[Dracula]]></category>
		<category><![CDATA[Dreams (Sex Love)]]></category>
		<category><![CDATA[Eddington]]></category>
		<category><![CDATA[Eephus]]></category>
		<category><![CDATA[Ella Øverbye]]></category>
		<category><![CDATA[Emma Stone]]></category>
		<category><![CDATA[Eva Aridjis Fuentes]]></category>
		<category><![CDATA[Every Contact Leaves a Trace]]></category>
		<category><![CDATA[Exorcist II: The Heretic]]></category>
		<category><![CDATA[Fakir Musafar]]></category>
		<category><![CDATA[Familiar Touch]]></category>
		<category><![CDATA[Federico Cammarata]]></category>
		<category><![CDATA[Filippo Foscarini]]></category>
		<category><![CDATA[Folktales]]></category>
		<category><![CDATA[Frankenstein]]></category>
		<category><![CDATA[friendship]]></category>
		<category><![CDATA[Gianfranco Rosi]]></category>
		<category><![CDATA[Girls & Gods]]></category>
		<category><![CDATA[Goodbye Horses: The Many Lives of Q Lazzarus]]></category>
		<category><![CDATA[Grand Theft Auto]]></category>
		<category><![CDATA[H. Jon Benjamin]]></category>
		<category><![CDATA[Helen and the Bear]]></category>
		<category><![CDATA[Highest 2 Lowest]]></category>
		<category><![CDATA[Holding Liat]]></category>
		<category><![CDATA[Howard Brookner]]></category>
		<category><![CDATA[Huang]]></category>
		<category><![CDATA[I Know Catherine]]></category>
		<category><![CDATA[If I Had Legs I’d Kick You]]></category>
		<category><![CDATA[Inna Shevchenko]]></category>
		<category><![CDATA[Invention]]></category>
		<category><![CDATA[It Was Just an Accident]]></category>
		<category><![CDATA[It’s Never Over]]></category>
		<category><![CDATA[Jack Schenker]]></category>
		<category><![CDATA[Janel Tsai]]></category>
		<category><![CDATA[Jeff Buckley]]></category>
		<category><![CDATA[Jessica Baxter]]></category>
		<category><![CDATA[Jim Jarmusch]]></category>
		<category><![CDATA[Jim Lebovitz]]></category>
		<category><![CDATA[Joaquin Phoenix]]></category>
		<category><![CDATA[John Boorman]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Jonny Greenwood]]></category>
		<category><![CDATA[Kathleen Chalfant]]></category>
		<category><![CDATA[Katy Perry]]></category>
		<category><![CDATA[Killer of Killers]]></category>
		<category><![CDATA[Kontinental '25]]></category>
		<category><![CDATA[La Jetée: The Fifth Shot]]></category>
		<category><![CDATA[Ladies & Gentlemen: 50 Years of SNL Music]]></category>
		<category><![CDATA[Left-Handed Girl]]></category>
		<category><![CDATA[Leonardo DiCaprio]]></category>
		<category><![CDATA[Linda Blair]]></category>
		<category><![CDATA[Listers: A Glimpse Into Extreme Birdwatching]]></category>
		<category><![CDATA[Little Amelie or the Character of Rain]]></category>
		<category><![CDATA[Louise Fletcher]]></category>
		<category><![CDATA[Lurker]]></category>
		<category><![CDATA[M.J. O’Toole]]></category>
		<category><![CDATA[Magellan]]></category>
		<category><![CDATA[Marlee Matlin: Not Alone Anymore]]></category>
		<category><![CDATA[Marty Supreme]]></category>
		<category><![CDATA[Mary Bronstein]]></category>
		<category><![CDATA[Matt Delman]]></category>
		<category><![CDATA[Meredith Monk]]></category>
		<category><![CDATA[Merrily We Roll Along]]></category>
		<category><![CDATA[Mickey 17]]></category>
		<category><![CDATA[Miséricorde]]></category>
		<category><![CDATA[Misericordia]]></category>
		<category><![CDATA[Monk in Pieces]]></category>
		<category><![CDATA[Mr. Nobody Against Putin]]></category>
		<category><![CDATA[My Ass!]]></category>
		<category><![CDATA[My Mom Jayne]]></category>
		<category><![CDATA[My Undesirable Friends]]></category>
		<category><![CDATA[My Undesirable Friends: Part I - Last Air in Moscow]]></category>
		<category><![CDATA[Natchez]]></category>
		<category><![CDATA[Nina Ye]]></category>
		<category><![CDATA[No Country For Old Men]]></category>
		<category><![CDATA[No Other Choice]]></category>
		<category><![CDATA[Nouvelle Vague]]></category>
		<category><![CDATA[Nova ’78]]></category>
		<category><![CDATA[One Battle After Another]]></category>
		<category><![CDATA[Owen Reiser]]></category>
		<category><![CDATA[Paul Thomas Anderson]]></category>
		<category><![CDATA[Pavements]]></category>
		<category><![CDATA[Pedro Pascal]]></category>
		<category><![CDATA[Pee-Wee as Himself]]></category>
		<category><![CDATA[Peter Hujar's Day]]></category>
		<category><![CDATA[Predator: Badlands]]></category>
		<category><![CDATA[Prime Minister]]></category>
		<category><![CDATA[Q Lazzarus]]></category>
		<category><![CDATA[Quentin Reiser]]></category>
		<category><![CDATA[Rebuilding]]></category>
		<category><![CDATA[Red Rocket]]></category>
		<category><![CDATA[Reflection in a Dead Diamond]]></category>
		<category><![CDATA[Rental Family]]></category>
		<category><![CDATA[Resurrection]]></category>
		<category><![CDATA[Rodrigo Areias]]></category>
		<category><![CDATA[Ron Athey]]></category>
		<category><![CDATA[Rose Byrne]]></category>
		<category><![CDATA[Ryan Coogler]]></category>
		<category><![CDATA[Sanatorium Under the Sign of the Hourglass]]></category>
		<category><![CDATA[Sarah Friedland]]></category>
		<category><![CDATA[Sean Baker]]></category>
		<category><![CDATA[Sean Penn]]></category>
		<category><![CDATA[Selome Emnetu]]></category>
		<category><![CDATA[Sentimental Value]]></category>
		<category><![CDATA[Shifty]]></category>
		<category><![CDATA[Shih-Ching Tsou]]></category>
		<category><![CDATA[Shih-Yuan Ma]]></category>
		<category><![CDATA[Silence of the Lambs]]></category>
		<category><![CDATA[Sinners]]></category>
		<category><![CDATA[Sirât]]></category>
		<category><![CDATA[Snowbird]]></category>
		<category><![CDATA[Sorry]]></category>
		<category><![CDATA[Sound of Falling]]></category>
		<category><![CDATA[Splitsville]]></category>
		<category><![CDATA[Starlet]]></category>
		<category><![CDATA[Strange Journey: The Story of Rocky Horror]]></category>
		<category><![CDATA[Suburban Fury]]></category>
		<category><![CDATA[Swim to Me]]></category>
		<category><![CDATA[Take Out]]></category>
		<category><![CDATA[Tangerine]]></category>
		<category><![CDATA[Teenage Wasteland]]></category>
		<category><![CDATA[Teyana Taylor]]></category>
		<category><![CDATA[The Brutalist]]></category>
		<category><![CDATA[The Encampments]]></category>
		<category><![CDATA[The Florida Project]]></category>
		<category><![CDATA[The Ice Tower]]></category>
		<category><![CDATA[The Librarians]]></category>
		<category><![CDATA[the Log Lady]]></category>
		<category><![CDATA[The Long Walk]]></category>
		<category><![CDATA[The Love That Remains]]></category>
		<category><![CDATA[The Mastermind]]></category>
		<category><![CDATA[The Perfect Neighbor]]></category>
		<category><![CDATA[The Phoenician Scheme]]></category>
		<category><![CDATA[The Secret Agent]]></category>
		<category><![CDATA[The Shrouds]]></category>
		<category><![CDATA[The Testament of Ann Lee]]></category>
		<category><![CDATA[The Voice of Hind Rajab]]></category>
		<category><![CDATA[Tom DiCillo]]></category>
		<category><![CDATA[Train Dreams]]></category>
		<category><![CDATA[Turbulence]]></category>
		<category><![CDATA[Twinless]]></category>
		<category><![CDATA[Verena Soltiz]]></category>
		<category><![CDATA[Videoheaven]]></category>
		<category><![CDATA[Waking Hours]]></category>
		<category><![CDATA[Weapons]]></category>
		<category><![CDATA[Where to Land]]></category>
		<category><![CDATA[William Friedkin]]></category>
		<category><![CDATA[William S. Burroughs]]></category>
		<category><![CDATA[Ye]]></category>
		<category><![CDATA[ZODIAC KILLER PROJECT]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54718</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/12/HtN_BestFilms2025_CoverPhoto-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/HtN_BestFilms2025_CoverPhoto-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/HtN_BestFilms2025_CoverPhoto-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/HtN_BestFilms2025_CoverPhoto-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/HtN_BestFilms2025_CoverPhoto-1536x864.jpg 1536w, https://www.hammertonail.com/wp-content/uploads/2025/12/HtN_BestFilms2025_CoverPhoto.jpg 1920w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>There has been no shortage of artistically strong films in 2025, which is why the critics at Hammer to Nail offer up such a great variety of titles in their respective Top 10 lists of the year. Our choices run [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/features/htn-best-films-2025/">HAMMER TO NAIL’S BEST FILMS OF 2025</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>SOUND FOR SILENTS; THE SAN FRANCISCO SILENT FILM FESTIVAL 2025</title>
		<link>https://www.hammertonail.com/film-festivals/sfsff-2035/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Thu, 13 Nov 2025 19:59:26 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2025 San Francisco Silent Film Festival]]></category>
		<category><![CDATA[A Story of Floating Weeds]]></category>
		<category><![CDATA[Abel Gance]]></category>
		<category><![CDATA[Akira Kurosawa]]></category>
		<category><![CDATA[Cinematheque Francaise]]></category>
		<category><![CDATA[City Lights]]></category>
		<category><![CDATA[Criterion Collection]]></category>
		<category><![CDATA[Die Büchse der Pandora]]></category>
		<category><![CDATA[Die Nibelungen]]></category>
		<category><![CDATA[Donald Sosin]]></category>
		<category><![CDATA[early cinema]]></category>
		<category><![CDATA[Eye Filmmuseum]]></category>
		<category><![CDATA[F.W. Murnau]]></category>
		<category><![CDATA[Fantomas]]></category>
		<category><![CDATA[film preservation]]></category>
		<category><![CDATA[film restoration]]></category>
		<category><![CDATA[Flicker Alley]]></category>
		<category><![CDATA[Georges Franju]]></category>
		<category><![CDATA[Günter Buchwald]]></category>
		<category><![CDATA[Henri Langlois]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Kino Lorber]]></category>
		<category><![CDATA[Körkarlen]]></category>
		<category><![CDATA[Le Souriante Madame Beudet]]></category>
		<category><![CDATA[live film accompaniment]]></category>
		<category><![CDATA[Lonesome]]></category>
		<category><![CDATA[Lori Goldston]]></category>
		<category><![CDATA[Matti Bye]]></category>
		<category><![CDATA[moving pictures]]></category>
		<category><![CDATA[Napoléon]]></category>
		<category><![CDATA[One Wonderful Sunday]]></category>
		<category><![CDATA[Orinda Theater]]></category>
		<category><![CDATA[Pandora's Box]]></category>
		<category><![CDATA[Paul Fejos]]></category>
		<category><![CDATA[photoplays]]></category>
		<category><![CDATA[Scarecrow]]></category>
		<category><![CDATA[Scarecrow Video]]></category>
		<category><![CDATA[silent film]]></category>
		<category><![CDATA[silent film accompaniment]]></category>
		<category><![CDATA[silent film composer]]></category>
		<category><![CDATA[silent film music]]></category>
		<category><![CDATA[Stephen Horne]]></category>
		<category><![CDATA[Sunrise]]></category>
		<category><![CDATA[SV ARCHIVE]]></category>
		<category><![CDATA[The General]]></category>
		<category><![CDATA[The Goddess]]></category>
		<category><![CDATA[The Phantom Carriage]]></category>
		<category><![CDATA[Timothy Brock]]></category>
		<category><![CDATA[Undercrank Productions]]></category>
		<category><![CDATA[Wu Yonggang]]></category>
		<category><![CDATA[Yasujiro Ozu]]></category>
		<category><![CDATA[Zvenigora]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54421</guid>

					<description><![CDATA[<div><img width="300" height="174" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-13-at-11.53.31 AM-300x174.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-13-at-11.53.31 AM-300x174.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-13-at-11.53.31 AM-1024x594.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-13-at-11.53.31 AM-768x446.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-13-at-11.53.31 AM-1536x892.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Among the lingering ghosts of the cinematheque, our less-than-apt “silent” retronym persists. Nearly everyone refers to early films as such now; no one called them that then. These were moving pictures. Photoplays. As the saying goes in the decades since, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/film-festivals/sfsff-2035/">SOUND FOR SILENTS; THE SAN FRANCISCO SILENT FILM FESTIVAL 2025</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>THE CURBSIDE CRITERION: THE UNINVITED</title>
		<link>https://www.hammertonail.com/reviews/the-uninvited/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Sat, 01 Nov 2025 14:26:55 +0000</pubDate>
				<category><![CDATA[Curbside Criterion]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1944 movie]]></category>
		<category><![CDATA[Charles Brackett]]></category>
		<category><![CDATA[classic film review]]></category>
		<category><![CDATA[classic horror film]]></category>
		<category><![CDATA[Dorothy Macardle adaptation]]></category>
		<category><![CDATA[film noir influences]]></category>
		<category><![CDATA[Gail Russell]]></category>
		<category><![CDATA[Ghost Story]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[haunted house movie]]></category>
		<category><![CDATA[independent cinema inspiration]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Lewis Allen director]]></category>
		<category><![CDATA[Paramount Pictures]]></category>
		<category><![CDATA[Ray Milland]]></category>
		<category><![CDATA[Ruth Hussey]]></category>
		<category><![CDATA[Stella by Starlight]]></category>
		<category><![CDATA[The Uninvited]]></category>
		<category><![CDATA[Val Lewton style]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54348</guid>

					<description><![CDATA[<div><img width="300" height="189" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-01-at-7.25.52 AM-300x189.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-01-at-7.25.52 AM-300x189.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-01-at-7.25.52 AM-1024x646.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-01-at-7.25.52 AM-768x485.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Screenshot-2025-11-01-at-7.25.52 AM-1536x970.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Here at Hammer to Nail are all about true independent cinema. But we also have to tip our hat to the great films of yesteryear that continue to inspire filmmakers and cinephiles alike. This week Jonathan Marlow checks in to [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/the-uninvited/">THE CURBSIDE CRITERION: THE UNINVITED</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>QUATRE NUITS D’UN RÊVEUR (FOUR NIGHTS OF A DREAMER)</title>
		<link>https://www.hammertonail.com/reviews/four-nights-of-a-dreamer/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Thu, 04 Sep 2025 14:18:05 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1970s Paris]]></category>
		<category><![CDATA[4K restoration]]></category>
		<category><![CDATA[art house film]]></category>
		<category><![CDATA[Bresson movie]]></category>
		<category><![CDATA[cinephile]]></category>
		<category><![CDATA[classic film restoration]]></category>
		<category><![CDATA[Dostoyevsky adaptation]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[film review]]></category>
		<category><![CDATA[film within a film]]></category>
		<category><![CDATA[Four Nights of a Dreamer]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Janus Films]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[movie screening]]></category>
		<category><![CDATA[Robert Bresson]]></category>
		<category><![CDATA[Robert Bresson director]]></category>
		<category><![CDATA[romantic comedy]]></category>
		<category><![CDATA[Scarecrow Video]]></category>
		<category><![CDATA[White Nights movie]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53968</guid>

					<description><![CDATA[<div><img width="300" height="225" src="https://www.hammertonail.com/wp-content/uploads/2025/09/Bresson-300x225.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/09/Bresson-300x225.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/09/Bresson-768x577.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/09/Bresson.jpg 947w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Johnathan Marlow&#8217;s movie review of Four Nights of a Dreamer. A new 4K restoration plays September 5-18 at Film Forum in New York before hitting more theaters this fall. Seen it? Join the conversation with HtN on our Letterboxd Page.) [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/four-nights-of-a-dreamer/">QUATRE NUITS D’UN RÊVEUR (FOUR NIGHTS OF A DREAMER)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Charles Burnett (KILLER OF SHEEP)</title>
		<link>https://www.hammertonail.com/interviews/charles-burnett/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Mon, 28 Apr 2025 19:59:32 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1970s cinema]]></category>
		<category><![CDATA[African American cinema]]></category>
		<category><![CDATA[Barry Jenkins]]></category>
		<category><![CDATA[Billy Woodberry]]></category>
		<category><![CDATA[black filmmakers]]></category>
		<category><![CDATA[BLESS THEIR LITTLE HEARTS]]></category>
		<category><![CDATA[Charles Burnett]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[independent filmmaking]]></category>
		<category><![CDATA[Italian Neorealism]]></category>
		<category><![CDATA[James Earl Jones]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Killer of Sheep]]></category>
		<category><![CDATA[LA Rebellion]]></category>
		<category><![CDATA[Margot Kidder]]></category>
		<category><![CDATA[Milestone Films]]></category>
		<category><![CDATA[NOTHING BUT A MAN]]></category>
		<category><![CDATA[Oscar Micheaux]]></category>
		<category><![CDATA[Roberto Rossellini]]></category>
		<category><![CDATA[Ross Lipman]]></category>
		<category><![CDATA[Satyajit Ray]]></category>
		<category><![CDATA[South Central Los Angeles]]></category>
		<category><![CDATA[THE ANNIHILATION OF FISH]]></category>
		<category><![CDATA[UCLA film school]]></category>
		<category><![CDATA[Vittorio De Sica]]></category>
		<category><![CDATA[Watts riots]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53083</guid>

					<description><![CDATA[<div><img width="300" height="155" src="https://www.hammertonail.com/wp-content/uploads/2025/04/Cb-300x155.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/04/Cb-300x155.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/04/Cb-1024x530.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/04/Cb-768x398.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/04/Cb-1536x795.png 1536w, https://www.hammertonail.com/wp-content/uploads/2025/04/Cb.png 1704w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Imagine this peculiar back-and-forth as mere embellishment. There is a far superior interview—in Interview, no less—with the great Charles Burnett and Barry Jenkins “You’re Either a Storyteller or a Liar” Go read that. Then, if interest persists, you can return [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/charles-burnett/">A Conversation with Charles Burnett (KILLER OF SHEEP)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>QUEER POSEURS, CINEMATIC MUSES: K8 HARDY’S INSPIRATIONS FOR OUTFITUMENTARY</title>
		<link>https://www.hammertonail.com/reviews/metrograph-k8hardy/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Wed, 14 Dec 2022 21:59:07 +0000</pubDate>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[LBGTQ+]]></category>
		<category><![CDATA[Queer]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alphaville]]></category>
		<category><![CDATA[Cinematic Muses: K8 Hardy's Inspirations for Outfitumentary]]></category>
		<category><![CDATA[Eddie Constantine]]></category>
		<category><![CDATA[I-Be Area]]></category>
		<category><![CDATA[John Waters]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[K8 Hardy]]></category>
		<category><![CDATA[Kate Bush]]></category>
		<category><![CDATA[Madeleine Molyneaux]]></category>
		<category><![CDATA[Metrograph]]></category>
		<category><![CDATA[Outfitumentary]]></category>
		<category><![CDATA[Peer Raben]]></category>
		<category><![CDATA[Pink Flamingos]]></category>
		<category><![CDATA[Portrait of a Female Drunkard]]></category>
		<category><![CDATA[Queer Poseurs]]></category>
		<category><![CDATA[Rainer Werner Fassbinder]]></category>
		<category><![CDATA[Running Up That Hill]]></category>
		<category><![CDATA[Ryan Trecartin]]></category>
		<category><![CDATA[Tabea Blumenschein]]></category>
		<category><![CDATA[Ticket of No Return]]></category>
		<category><![CDATA[Ulrike Ottinger]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=38579</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2022/12/k8hardy-300x169.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2022/12/k8hardy-300x169.png 300w, https://www.hammertonail.com/wp-content/uploads/2022/12/k8hardy-768x432.png 768w, https://www.hammertonail.com/wp-content/uploads/2022/12/k8hardy.png 1024w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(New York&#8217;s Metrograph is presenting a program entitled Queer Poseurs, Cinematic Muses: K8 Hardy&#8217;s Inspirations for Outfitumentary wherein New York-based artist and filmmaker K8 Hardy &#8220;shares some of her filmic inspirations, spotlighting a suite of cinema’s most rebellious fashion iconoclasts and idols.&#8221; Outfitumentary [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/metrograph-k8hardy/">QUEER POSEURS, CINEMATIC MUSES: K8 HARDY’S INSPIRATIONS FOR OUTFITUMENTARY</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>RAY LOBO AND JONATHAN MARLOW TACKLE BREATHLESS</title>
		<link>https://www.hammertonail.com/editorial/lobo-marlow-breathless/</link>
		
		<dc:creator><![CDATA[The Editorial Staff]]></dc:creator>
		<pubDate>Fri, 24 Sep 2021 16:03:32 +0000</pubDate>
				<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Agnes Varda]]></category>
		<category><![CDATA[Bonjour Tristesse]]></category>
		<category><![CDATA[Breathless]]></category>
		<category><![CDATA[Breathless 4k]]></category>
		<category><![CDATA[Claude Chabrol]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[From the Journals of Jean Seberg]]></category>
		<category><![CDATA[Gian Carlo Menotti]]></category>
		<category><![CDATA[Godard]]></category>
		<category><![CDATA[Gun Crazy]]></category>
		<category><![CDATA[Jack Kerouac]]></category>
		<category><![CDATA[Jacques Rivette]]></category>
		<category><![CDATA[Jean Seberg]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Jean-Paul Belmondo]]></category>
		<category><![CDATA[Jean-Pierre Melville]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Joseph Lewis]]></category>
		<category><![CDATA[jump-cut]]></category>
		<category><![CDATA[Les hautes solitudes]]></category>
		<category><![CDATA[Mark Rappaport]]></category>
		<category><![CDATA[Martial Solal]]></category>
		<category><![CDATA[Mary Beth Hurt]]></category>
		<category><![CDATA[Nico]]></category>
		<category><![CDATA[Nouvelle Vague]]></category>
		<category><![CDATA[on the road]]></category>
		<category><![CDATA[Paint Your Wagon]]></category>
		<category><![CDATA[Philippe Garrel]]></category>
		<category><![CDATA[Ray Lobo]]></category>
		<category><![CDATA[Samuel Barber]]></category>
		<category><![CDATA[Soviet Montage]]></category>
		<category><![CDATA[Two Men in Manhattan]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=35512</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2021/09/breathless_0-300x169.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2021/09/breathless_0-300x169.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2021/09/breathless_0-1024x576.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2021/09/breathless_0-768x432.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2021/09/breathless_0-1536x864.jpeg 1536w, https://www.hammertonail.com/wp-content/uploads/2021/09/breathless_0-600x338.jpeg 600w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Jean-Luc Godard&#8217;s Breathless (which has a fantastic 4k restoration, plays September 24-October 7 at NYC&#8217;s Film Forum) has been analyzed by critics, directors, writers, academics, and cinephiles across the world. Hammer to Nail contributors Jonathan Marlow and Ray Lobo share [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/editorial/lobo-marlow-breathless/">RAY LOBO AND JONATHAN MARLOW TACKLE BREATHLESS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>BRING YOUR OWN BRIGADE</title>
		<link>https://www.hammertonail.com/reviews/bring-your-own-brigade/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Thu, 05 Aug 2021 21:49:22 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Bela Lugosi’s Dead]]></category>
		<category><![CDATA[Brad Weldon]]></category>
		<category><![CDATA[Bring Your Own Brigade]]></category>
		<category><![CDATA[California wildfire]]></category>
		<category><![CDATA[doc]]></category>
		<category><![CDATA[Jonathan Marlow]]></category>
		<category><![CDATA[Lucy Walker]]></category>
		<category><![CDATA[Mark Twain]]></category>
		<category><![CDATA[The Gilded Age]]></category>
		<category><![CDATA[The Gilded Age: A Tale of Today]]></category>
		<category><![CDATA[Waste Land]]></category>
		<category><![CDATA[Wildland Urban Interface]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=35269</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2021/08/BRING-YOUR-OWN-BRIGADE-still-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2021/08/BRING-YOUR-OWN-BRIGADE-still-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2021/08/BRING-YOUR-OWN-BRIGADE-still-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2021/08/BRING-YOUR-OWN-BRIGADE-still-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2021/08/BRING-YOUR-OWN-BRIGADE-still-600x338.jpg 600w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Lucy Walker&#8217;s documentary Bring Your Own Brigade hits theaters Friday, August 6. Like what you see here on Hammer to Nail? Why not give just $1.00 per month via Patreon to help keep us going?) &#8220;Everyone talks about the weather but nobody does anything [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/bring-your-own-brigade/">BRING YOUR OWN BRIGADE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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