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	<title>independent cinema Archives - Hammer to Nail</title>
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	<description>What to Watch</description>
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	<title>independent cinema Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/independent-cinema/</link>
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	<item>
		<title>A Conversation with Paula Gonzalez-Nasser &#038; Mimi Davila (THE SCOUT)</title>
		<link>https://www.hammertonail.com/interviews/nasser-davila/</link>
		
		<dc:creator><![CDATA[Matt Delman]]></dc:creator>
		<pubDate>Mon, 21 Sep 2026 19:06:52 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[5th Floor Pictures]]></category>
		<category><![CDATA[behind the scenes]]></category>
		<category><![CDATA[blue collar jobs]]></category>
		<category><![CDATA[burrito line]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[character study]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[creative collaboration]]></category>
		<category><![CDATA[dark comedy]]></category>
		<category><![CDATA[driving in NYC]]></category>
		<category><![CDATA[female agency]]></category>
		<category><![CDATA[Fifth Floor collective]]></category>
		<category><![CDATA[film collective]]></category>
		<category><![CDATA[Film Forum NYC]]></category>
		<category><![CDATA[film industry recognition]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[film workers]]></category>
		<category><![CDATA[Florida State]]></category>
		<category><![CDATA[Free Time]]></category>
		<category><![CDATA[Greenwich Entertainment]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[indie film]]></category>
		<category><![CDATA[Justin Zuckerman]]></category>
		<category><![CDATA[LA actress]]></category>
		<category><![CDATA[location managers]]></category>
		<category><![CDATA[location scout]]></category>
		<category><![CDATA[Matt Delman interview]]></category>
		<category><![CDATA[Miami]]></category>
		<category><![CDATA[Mimi Davila]]></category>
		<category><![CDATA[Moby Dick joke]]></category>
		<category><![CDATA[narrative device]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[Nicola Newton]]></category>
		<category><![CDATA[opening shot]]></category>
		<category><![CDATA[Paula González-Nasser]]></category>
		<category><![CDATA[production design]]></category>
		<category><![CDATA[The Scout]]></category>
		<category><![CDATA[voicemails]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56485</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/09/TheScout_Nasser-Davila-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="Mimi Davila and Paula Gonzalez-Nasser on the set of THE SCOUT" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/09/TheScout_Nasser-Davila-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/09/TheScout_Nasser-Davila-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/09/TheScout_Nasser-Davila-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/09/TheScout_Nasser-Davila-1536x864.jpg 1536w, https://www.hammertonail.com/wp-content/uploads/2026/09/TheScout_Nasser-Davila.jpg 1920w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>The Scout opens this Friday at Film Forum in NYC. Below is Matt Delman’s interview with Director Paula Gonzalez-Nasser and star Mimi Davila, edited for length and clarity. You can also read his full review here. Hammer to Nail: I [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/nasser-davila/">A Conversation with Paula Gonzalez-Nasser &#038; Mimi Davila (THE SCOUT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Mas Bouzidi (CONCESSIONS)</title>
		<link>https://www.hammertonail.com/interviews/concessions/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 02 Sep 2026 18:45:19 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[American Graffiti]]></category>
		<category><![CDATA[Billy Jack]]></category>
		<category><![CDATA[Close Encounters of the Third Kind]]></category>
		<category><![CDATA[Come and See]]></category>
		<category><![CDATA[Concessions]]></category>
		<category><![CDATA[Dazed and Confused]]></category>
		<category><![CDATA[Fast Times at Ridgemont High]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[Hamilton]]></category>
		<category><![CDATA[hangout movie]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[Ivory Aquino]]></category>
		<category><![CDATA[Jean Eustache]]></category>
		<category><![CDATA[Jonathan Demme]]></category>
		<category><![CDATA[Jonathan Lorenzo Price]]></category>
		<category><![CDATA[Josh Hamilton]]></category>
		<category><![CDATA[Kill Bill]]></category>
		<category><![CDATA[Lafayette Theater]]></category>
		<category><![CDATA[Lana Rockwell]]></category>
		<category><![CDATA[Last Night At The Alamo]]></category>
		<category><![CDATA[Mad Dog Morgan]]></category>
		<category><![CDATA[Mas Bouzidi]]></category>
		<category><![CDATA[Michael Madsen]]></category>
		<category><![CDATA[movie theater nostalgia]]></category>
		<category><![CDATA[Orlando]]></category>
		<category><![CDATA[Ozploitation]]></category>
		<category><![CDATA[Preston Sturges]]></category>
		<category><![CDATA[Richard Linklater]]></category>
		<category><![CDATA[Rob Riordan]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Robert Mitchum]]></category>
		<category><![CDATA[Robert Ryan]]></category>
		<category><![CDATA[Sally Potter]]></category>
		<category><![CDATA[Sergio Leone]]></category>
		<category><![CDATA[slacker]]></category>
		<category><![CDATA[Spaghetti Westerns]]></category>
		<category><![CDATA[Steven Ogg]]></category>
		<category><![CDATA[Taft musical]]></category>
		<category><![CDATA[The Bad Bloke]]></category>
		<category><![CDATA[The Mother and The Whore]]></category>
		<category><![CDATA[The Spectrum Albany]]></category>
		<category><![CDATA[upstate New York]]></category>
		<category><![CDATA[Wake In Fright]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56314</guid>

					<description><![CDATA[<div><img width="300" height="120" src="https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-300x120.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-300x120.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-1024x410.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-768x307.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/09/ccover-1536x614.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Mas Bouzidi&#8217;s Concessions is a love letter to movie theaters wrapped in the melancholy of their disappearance. Shot entirely on 16mm at the Lafayette Theater in upstate New York, the film chronicles the final day at the closing Royal Alamo [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/concessions/">A Conversation with Mas Bouzidi (CONCESSIONS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>THE CURBSIDE CRITERION: HIGH AND LOW</title>
		<link>https://www.hammertonail.com/blu-ray/curbside-criterion/high-and-low/</link>
		
		<dc:creator><![CDATA[Brad Cook]]></dc:creator>
		<pubDate>Thu, 30 Oct 2025 17:54:49 +0000</pubDate>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[Curbside Criterion]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1960s film]]></category>
		<category><![CDATA[4K Ultra HD]]></category>
		<category><![CDATA[Akira Kurosawa]]></category>
		<category><![CDATA[Black and white film]]></category>
		<category><![CDATA[classic film]]></category>
		<category><![CDATA[crime story]]></category>
		<category><![CDATA[Criterion Blu ray]]></category>
		<category><![CDATA[Criterion Collection]]></category>
		<category><![CDATA[Criterion extras]]></category>
		<category><![CDATA[film restoration]]></category>
		<category><![CDATA[film review]]></category>
		<category><![CDATA[High and Low]]></category>
		<category><![CDATA[home video]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[kidnapping plot]]></category>
		<category><![CDATA[Kurosawa film]]></category>
		<category><![CDATA[police procedural]]></category>
		<category><![CDATA[Stephen Prince commentary]]></category>
		<category><![CDATA[Toho Masterworks]]></category>
		<category><![CDATA[Toshiro Mifune]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54334</guid>

					<description><![CDATA[<div><img width="300" height="186" src="https://www.hammertonail.com/wp-content/uploads/2025/10/HL0-300x186.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/10/HL0-300x186.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/10/HL0-768x475.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/10/HL0.jpg 970w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Here at Hammer to Nail are all about true independent cinema. But we also have to tip our hat to the great films of yesteryear that continue to inspire filmmakers and cinephiles alike. This week Brad Cook crosses the bridge [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/blu-ray/curbside-criterion/high-and-low/">THE CURBSIDE CRITERION: HIGH AND LOW</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Vashon Island Film Festival 2025 — Closing Night, Lasting Impressions</title>
		<link>https://www.hammertonail.com/film-festivals/vashon-25/</link>
		
		<dc:creator><![CDATA[Alan Motley]]></dc:creator>
		<pubDate>Tue, 12 Aug 2025 18:29:54 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[best actor winners]]></category>
		<category><![CDATA[Best Cinematography]]></category>
		<category><![CDATA[best screenplay winners]]></category>
		<category><![CDATA[Burton Award]]></category>
		<category><![CDATA[cinema events]]></category>
		<category><![CDATA[documentary films]]></category>
		<category><![CDATA[feature film awards]]></category>
		<category><![CDATA[film editing awards]]></category>
		<category><![CDATA[film festival highlights]]></category>
		<category><![CDATA[filmmaking excellence]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[indie film community]]></category>
		<category><![CDATA[Mickey’s Chair Award]]></category>
		<category><![CDATA[movie awards 2025]]></category>
		<category><![CDATA[Pacific Northwest film festivals]]></category>
		<category><![CDATA[Quartermaster Award]]></category>
		<category><![CDATA[short film awards]]></category>
		<category><![CDATA[short film screenings]]></category>
		<category><![CDATA[Vashon Island Film Festival 2025]]></category>
		<category><![CDATA[Vashon Theatre]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53782</guid>

					<description><![CDATA[<div><img width="257" height="300" src="https://www.hammertonail.com/wp-content/uploads/2025/08/viff-257x300.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/08/viff-257x300.jpg 257w, https://www.hammertonail.com/wp-content/uploads/2025/08/viff.jpg 600w" sizes="auto, (max-width: 257px) 100vw, 257px" /></div>
<p>As the lights dimmed and the final credits rolled, Vashon Island Film Festival 2025 came to a close at the Vashon Theatre — the beating heart of the weekend’s events. Over four days, the historic venue buzzed with anticipation, laughter, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/film-festivals/vashon-25/">Vashon Island Film Festival 2025 — Closing Night, Lasting Impressions</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Laurynas Bareiša (DROWNING DRY)</title>
		<link>https://www.hammertonail.com/interviews/laurynas-bareisa/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Thu, 31 Jul 2025 19:32:38 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Best Director award]]></category>
		<category><![CDATA[cinematic authenticity]]></category>
		<category><![CDATA[Drowning Dry]]></category>
		<category><![CDATA[family drama]]></category>
		<category><![CDATA[film direction]]></category>
		<category><![CDATA[filmmaking techniques]]></category>
		<category><![CDATA[improvisation in acting]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[Laurynas Bareiša]]></category>
		<category><![CDATA[Lithuanian Cinema]]></category>
		<category><![CDATA[Locarno Film Festival 2024]]></category>
		<category><![CDATA[memory in cinema]]></category>
		<category><![CDATA[nonlinear storytelling]]></category>
		<category><![CDATA[psychological film]]></category>
		<category><![CDATA[trauma and memory]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53664</guid>

					<description><![CDATA[<div><img width="300" height="188" src="https://www.hammertonail.com/wp-content/uploads/2025/07/laurynas-bareisa-asmeninio-albumo-nuotr-67cbb51f49e29-300x188.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/07/laurynas-bareisa-asmeninio-albumo-nuotr-67cbb51f49e29-300x188.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/07/laurynas-bareisa-asmeninio-albumo-nuotr-67cbb51f49e29-768x482.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/07/laurynas-bareisa-asmeninio-albumo-nuotr-67cbb51f49e29.jpg 860w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Memory flows like water – delicate and elusive.  Sometimes disrupted by a person stepping into it, or by a sudden change in its calmness,  like a rock thrown in, causing ripples that affect its established course. It has the power [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/laurynas-bareisa/">A Conversation with Laurynas Bareiša (DROWNING DRY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<title>A Conversation with Alex Mallis &#038; Travis Wood (THE TRAVEL COMPANION)</title>
		<link>https://www.hammertonail.com/interviews/mallis-wood/</link>
		
		<dc:creator><![CDATA[Chris Shields]]></dc:creator>
		<pubDate>Tue, 10 Jun 2025 17:36:21 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[airport filming]]></category>
		<category><![CDATA[Alex Mallis]]></category>
		<category><![CDATA[buddy pass]]></category>
		<category><![CDATA[co-directing]]></category>
		<category><![CDATA[collaborative filmmaking]]></category>
		<category><![CDATA[documentary filmmakers]]></category>
		<category><![CDATA[film casting]]></category>
		<category><![CDATA[film comedy]]></category>
		<category><![CDATA[film festivals]]></category>
		<category><![CDATA[film industry insights]]></category>
		<category><![CDATA[film premiere]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[film Q&A]]></category>
		<category><![CDATA[filmmaking process]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[Indie Filmmaking]]></category>
		<category><![CDATA[Meerkat Media]]></category>
		<category><![CDATA[micro-budget film]]></category>
		<category><![CDATA[Narrative Film]]></category>
		<category><![CDATA[short films]]></category>
		<category><![CDATA[The Travel Companion]]></category>
		<category><![CDATA[Travis Wood]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[Tristan Turner]]></category>
		<category><![CDATA[young filmmakers]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53331</guid>

					<description><![CDATA[<div><img width="300" height="152" src="https://www.hammertonail.com/wp-content/uploads/2025/06/newcover-300x152.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/06/newcover-300x152.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/06/newcover-1024x517.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/06/newcover-768x388.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/06/newcover-1536x776.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>We’ve all seen a bad Q and A after a film screening. They’re awkward, often they overstay their welcome, and inevitably someone has to ask, “what camera did you use?” If you go to a lot of film screenings they [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mallis-wood/">A Conversation with Alex Mallis &#038; Travis Wood (THE TRAVEL COMPANION)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>LA JETÉE THE FIFTH SHOT</title>
		<link>https://www.hammertonail.com/reviews/fifth-shot-of-la-jetee/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Thu, 13 Mar 2025 18:00:36 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Grin Without a Cat]]></category>
		<category><![CDATA[Alain Resnais]]></category>
		<category><![CDATA[Algerian immigrants]]></category>
		<category><![CDATA[avant-garde cinema]]></category>
		<category><![CDATA[Chris Marker]]></category>
		<category><![CDATA[Chris Marker films]]></category>
		<category><![CDATA[Christian François Bouche-Villeneuve]]></category>
		<category><![CDATA[ciné-roman]]></category>
		<category><![CDATA[cinematic essays]]></category>
		<category><![CDATA[cinematic mysteries]]></category>
		<category><![CDATA[DOG’S DIALOGUE]]></category>
		<category><![CDATA[Dominique Cabrera]]></category>
		<category><![CDATA[Dominique Cabrera documentary]]></category>
		<category><![CDATA[Éditions du Seuil]]></category>
		<category><![CDATA[Esprit]]></category>
		<category><![CDATA[experimental films]]></category>
		<category><![CDATA[Exploratorium]]></category>
		<category><![CDATA[Exploratorium screenings]]></category>
		<category><![CDATA[film archeology]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[film curation]]></category>
		<category><![CDATA[film history]]></category>
		<category><![CDATA[film photography]]></category>
		<category><![CDATA[film restoration]]></category>
		<category><![CDATA[First Look]]></category>
		<category><![CDATA[FIRST LOOK 2025]]></category>
		<category><![CDATA[FIRST LOOK film festival]]></category>
		<category><![CDATA[François Reichenbach]]></category>
		<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[French colonial history]]></category>
		<category><![CDATA[French New Wave]]></category>
		<category><![CDATA[Guillaume-en-Égypte]]></category>
		<category><![CDATA[iconic short films]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[Kurba Mikurda]]></category>
		<category><![CDATA[La Jetée]]></category>
		<category><![CDATA[LA JETÉE analysis]]></category>
		<category><![CDATA[LA JOLI MAI]]></category>
		<category><![CDATA[LEVEL FIVE]]></category>
		<category><![CDATA[Liz Keim]]></category>
		<category><![CDATA[Lynne Sachs]]></category>
		<category><![CDATA[Museum of the Moving Image]]></category>
		<category><![CDATA[Orly Airport]]></category>
		<category><![CDATA[Palace of Fine Arts]]></category>
		<category><![CDATA[Panama-Pacific International Exposition]]></category>
		<category><![CDATA[Petite Planète]]></category>
		<category><![CDATA[Pierre Lhomme]]></category>
		<category><![CDATA[political documentaries]]></category>
		<category><![CDATA[rare film collaborations]]></category>
		<category><![CDATA[Raul Ruiz]]></category>
		<category><![CDATA[San Francisco film events]]></category>
		<category><![CDATA[SAN SOLEIL]]></category>
		<category><![CDATA[Santiago Álvarez]]></category>
		<category><![CDATA[Small Planet]]></category>
		<category><![CDATA[Solaris mon amour]]></category>
		<category><![CDATA[speculative fiction]]></category>
		<category><![CDATA[SUNLESS]]></category>
		<category><![CDATA[Sylvia Savadjian]]></category>
		<category><![CDATA[THE FIFTH SHOT OF LA JETÉE]]></category>
		<category><![CDATA[THE JETTY]]></category>
		<category><![CDATA[THE PIER]]></category>
		<category><![CDATA[time-travel movies]]></category>
		<category><![CDATA[Tom Luddy]]></category>
		<category><![CDATA[visual storytelling]]></category>
		<category><![CDATA[Walerian Borowczyk]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52784</guid>

					<description><![CDATA[<div><img width="300" height="168" src="https://www.hammertonail.com/wp-content/uploads/2025/03/25th-300x168.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/03/25th-300x168.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/03/25th-1024x573.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/03/25th-768x429.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/03/25th-1536x859.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(The Museum of Moving Image’s First Look Festival runs March 12-16. Chrck out Jonathan Marlow&#8217;s movie review of The Fifth Shot of La Jetée. Seen it? Join the conversation with HtN on our Letterboxd Page.) “We’re entertaining ghosts now.” One year to [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/fifth-shot-of-la-jetee/">LA JETÉE THE FIFTH SHOT</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>Hammer to Nail&#8217;s Guide to the Best Indie Streamers</title>
		<link>https://www.hammertonail.com/best-of/indie-streamers/</link>
		
		<dc:creator><![CDATA[M.J. O'Toole]]></dc:creator>
		<pubDate>Wed, 19 Jul 2023 16:33:53 +0000</pubDate>
				<category><![CDATA[Best of]]></category>
		<category><![CDATA[EDITORIAL]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[AMC]]></category>
		<category><![CDATA[arthouse film]]></category>
		<category><![CDATA[Arthouse Films]]></category>
		<category><![CDATA[Criterion Channel]]></category>
		<category><![CDATA[Debra Granik]]></category>
		<category><![CDATA[Fandor]]></category>
		<category><![CDATA[IFC Films]]></category>
		<category><![CDATA[IFC Unlimited]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[indie streaming]]></category>
		<category><![CDATA[Kanopy]]></category>
		<category><![CDATA[Metrograph]]></category>
		<category><![CDATA[Metrograph at Home]]></category>
		<category><![CDATA[Metrograph Pictures]]></category>
		<category><![CDATA[MUBI]]></category>
		<category><![CDATA[OVID]]></category>
		<category><![CDATA[OVID.tv]]></category>
		<category><![CDATA[Shudder]]></category>
		<category><![CDATA[Sundance Now]]></category>
		<category><![CDATA[The Criterion Collection]]></category>
		<category><![CDATA[Topic]]></category>
		<category><![CDATA[Topic Studios]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=39928</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2023/07/HtN_IndieStreamingServices-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2023/07/HtN_IndieStreamingServices-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2023/07/HtN_IndieStreamingServices-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2023/07/HtN_IndieStreamingServices-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2023/07/HtN_IndieStreamingServices-1536x864.jpg 1536w, https://www.hammertonail.com/wp-content/uploads/2023/07/HtN_IndieStreamingServices.jpg 1920w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>If you found yourself canceling all your subscriptions to certain streaming services lately, that doesn’t mean you have to devoid yourselves of outstanding films of the past and present. So if you’re looking to expand your palette with more independent [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/best-of/indie-streamers/">Hammer to Nail&#8217;s Guide to the Best Indie Streamers</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>THE WINDS THAT SCATTER</title>
		<link>https://www.hammertonail.com/shorts-contest/the-winds-that-scatter-movie-review/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Mon, 22 Jun 2015 15:04:34 +0000</pubDate>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[Ahmad Chahrour]]></category>
		<category><![CDATA[Christopher Jason Bell]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[The Winds That Scatter]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=24749</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2015/06/WindsThatPoster.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" /></div>
<p>Christopher Jason Bell's The Winds That Scatter reflects more than just the Muslim immigrant experience. Sadly, this is a story of modern day working class existence in the United States.</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/the-winds-that-scatter-movie-review/">THE WINDS THAT SCATTER</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<item>
		<title>KRISHA</title>
		<link>https://www.hammertonail.com/shorts-contest/krisha-film-review/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Mon, 06 Apr 2015 18:30:16 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[On the Festival Circuit]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SHORT FILM CONTEST]]></category>
		<category><![CDATA[2015 SXSW Film Festival]]></category>
		<category><![CDATA[family drama]]></category>
		<category><![CDATA[independent cinema]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[KRISHA]]></category>
		<category><![CDATA[low budget]]></category>
		<category><![CDATA[realism]]></category>
		<category><![CDATA[Trey Edward Shults]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=24298</guid>

					<description><![CDATA[<div><img width="145" height="216" src="https://www.hammertonail.com/wp-content/uploads/2015/04/KRISHATHUMB.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" /></div>
<p>Trey Edward Shults' film is getting a ton of buzz for its use of the writer/directors own family members in a scorching portrayal of a family undone by addiction.</p>
<p>The post <a href="https://www.hammertonail.com/shorts-contest/krisha-film-review/">KRISHA</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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