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	<title>filmmaking Archives - Hammer to Nail</title>
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	<description>What to Watch</description>
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	<title>filmmaking Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/filmmaking/</link>
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	<item>
		<title>A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</title>
		<link>https://www.hammertonail.com/interviews/mendonca-filho/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Tue, 04 Nov 2025 15:37:20 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1977 Brazil]]></category>
		<category><![CDATA[anamorphic lenses]]></category>
		<category><![CDATA[Arri Alexa 35]]></category>
		<category><![CDATA[auteur theory]]></category>
		<category><![CDATA[Brazilian Cinema]]></category>
		<category><![CDATA[Brazilian director]]></category>
		<category><![CDATA[Brazilian history]]></category>
		<category><![CDATA[Cannes Film Festival 2025]]></category>
		<category><![CDATA[cinema and memory]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Evgenia Alexandrova]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[film nostalgia]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[journalism in film]]></category>
		<category><![CDATA[Kleber Mendonça Filho]]></category>
		<category><![CDATA[Latin American cinema]]></category>
		<category><![CDATA[Middleburg Film Festival]]></category>
		<category><![CDATA[military dictatorship Brazil]]></category>
		<category><![CDATA[Pictures of Ghosts]]></category>
		<category><![CDATA[political thriller]]></category>
		<category><![CDATA[Recife]]></category>
		<category><![CDATA[The Secret Agent]]></category>
		<category><![CDATA[Wagner Moura]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54353</guid>

					<description><![CDATA[<div><img width="300" height="139" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-300x139.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-1024x475.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films-768x356.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Kleber-Mendonca-Filho-with-Wagner-Moura-MK2-Films.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Winner of the Best Director and Best Actor awards at the 2025 Cannes Film Festival, The Secret Agent, from Brazilian director Kleber Mendonça Filho (Bacurau), takes place in 1977 during Brazil’s military dictatorship. It was a time of violence and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mendonca-filho/">A Conversation with Kleber Mendonça Filho (THE SECRET AGENT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>SENTIMENTAL VALUE</title>
		<link>https://www.hammertonail.com/reviews/sentimental-value/</link>
		
		<dc:creator><![CDATA[Savina Petkova]]></dc:creator>
		<pubDate>Thu, 22 May 2025 18:37:32 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Arthouse Films]]></category>
		<category><![CDATA[best movies 2025]]></category>
		<category><![CDATA[Cannes Film Festival 2025]]></category>
		<category><![CDATA[Cannes premiere]]></category>
		<category><![CDATA[drama films]]></category>
		<category><![CDATA[Elle Fanning]]></category>
		<category><![CDATA[emotional films]]></category>
		<category><![CDATA[Eskil Vogt]]></category>
		<category><![CDATA[family drama]]></category>
		<category><![CDATA[father-daughter relationship]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Inga Ibsdotter Lilleaas]]></category>
		<category><![CDATA[Joachim Trier]]></category>
		<category><![CDATA[Kaspar Tuxen cinematography]]></category>
		<category><![CDATA[melodrama]]></category>
		<category><![CDATA[movie recommendations]]></category>
		<category><![CDATA[Norwegian Cinema]]></category>
		<category><![CDATA[Oslo Trilogy]]></category>
		<category><![CDATA[Renate Reinsve]]></category>
		<category><![CDATA[Savina Petkova review]]></category>
		<category><![CDATA[Scandinavian cinema]]></category>
		<category><![CDATA[Sentimental Value movie review]]></category>
		<category><![CDATA[Stellan Skarsgård]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53212</guid>

					<description><![CDATA[<div><img width="300" height="164" src="https://www.hammertonail.com/wp-content/uploads/2025/05/senti-300x164.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/05/senti-300x164.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/05/senti-1024x561.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/05/senti-768x421.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/05/senti-1536x841.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Savina Petkova’s Sentimental Value movie review. The film just had its premiere at the Cannes Film Festival. Seen it? Join the conversation with HtN on our Letterboxd Page.) Renate Reinsve has once again captured Cannes audiences’ hearts, four years [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/sentimental-value/">SENTIMENTAL VALUE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>A Conversation with Arnaud Desplechin (SPECTATEURS!)</title>
		<link>https://www.hammertonail.com/interviews/arnaud-desplechin/</link>
		
		<dc:creator><![CDATA[Rory O'Connor]]></dc:creator>
		<pubDate>Thu, 27 Feb 2025 19:07:04 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Christmas Tale]]></category>
		<category><![CDATA[Age of Innocence]]></category>
		<category><![CDATA[Armageddon Time]]></category>
		<category><![CDATA[Arnaud Desplechin]]></category>
		<category><![CDATA[Beastiari Herbari Lepadari]]></category>
		<category><![CDATA[Belfast]]></category>
		<category><![CDATA[Broken Arrow]]></category>
		<category><![CDATA[Carax]]></category>
		<category><![CDATA[Charles Gillibert]]></category>
		<category><![CDATA[Charlotte Rampling]]></category>
		<category><![CDATA[Cheyenne Autumn]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinema appreciation]]></category>
		<category><![CDATA[cinephile]]></category>
		<category><![CDATA[Claude Lanzmann]]></category>
		<category><![CDATA[Coppola]]></category>
		<category><![CDATA[directors]]></category>
		<category><![CDATA[Emerson]]></category>
		<category><![CDATA[Emilia Pérez]]></category>
		<category><![CDATA[Fabelmans]]></category>
		<category><![CDATA[Fahrenheit 451]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[film festivals]]></category>
		<category><![CDATA[film history]]></category>
		<category><![CDATA[film nostalgia]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[François Civil]]></category>
		<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[Godard]]></category>
		<category><![CDATA[Guadagnino]]></category>
		<category><![CDATA[James Gray]]></category>
		<category><![CDATA[John Woo]]></category>
		<category><![CDATA[Joker]]></category>
		<category><![CDATA[Kamen Velkovsky]]></category>
		<category><![CDATA[Kazan]]></category>
		<category><![CDATA[Lars von Trier]]></category>
		<category><![CDATA[Mathieu Amalric]]></category>
		<category><![CDATA[Megalopolis]]></category>
		<category><![CDATA[Melancholia]]></category>
		<category><![CDATA[Minority Report]]></category>
		<category><![CDATA[movie clips]]></category>
		<category><![CDATA[movie recommendations]]></category>
		<category><![CDATA[My Golden Days]]></category>
		<category><![CDATA[My Sex Life… or How I Got Into An Argument]]></category>
		<category><![CDATA[Nancy Hsueh]]></category>
		<category><![CDATA[NOPE]]></category>
		<category><![CDATA[Paul Guilhaume]]></category>
		<category><![CDATA[Pier Paulo Pasolini]]></category>
		<category><![CDATA[Roma]]></category>
		<category><![CDATA[Sam Mendes]]></category>
		<category><![CDATA[Spectateurs!]]></category>
		<category><![CDATA[Stanley Cavell]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[TÁR]]></category>
		<category><![CDATA[The 400 Blows]]></category>
		<category><![CDATA[Theroux]]></category>
		<category><![CDATA[Tom Cruise]]></category>
		<category><![CDATA[Wes Anderson]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52692</guid>

					<description><![CDATA[<div><img width="300" height="181" src="https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-300x181.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-300x181.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-1024x618.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-768x464.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/Arnaud-Desplechin-1536x927.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>“You know, you’re Irish, so when I’m saying Dédalus you’re probably thinking Joyce.” It’s early December in Avelino and Arnaud Desplechin isn’t really talking  A Portrait of the Artist as a Young Man. The French director’s latest, Spectateurs!, reintroduces the [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/arnaud-desplechin/">A Conversation with Arnaud Desplechin (SPECTATEURS!)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>BURDEN OF DREAMS Restoration Trailer: Les Blank&#8217;s BTS Look of Werner Herzog&#8217;s &#8216;Fitzcarraldo&#8217; Gets the 4K Treatment</title>
		<link>https://www.hammertonail.com/trailer/burden-of-dreams-restoration/</link>
		
		<dc:creator><![CDATA[M.J. O'Toole]]></dc:creator>
		<pubDate>Thu, 20 Jun 2024 19:51:06 +0000</pubDate>
				<category><![CDATA[Coming Soon]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[TRAILERS]]></category>
		<category><![CDATA[4K restoration]]></category>
		<category><![CDATA[Argot Pictures]]></category>
		<category><![CDATA[behind the scenes]]></category>
		<category><![CDATA[Burden of Dreams]]></category>
		<category><![CDATA[Claudia Cardinale]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[Film Forum]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Fitzcarraldo]]></category>
		<category><![CDATA[Jason Robards]]></category>
		<category><![CDATA[Klaus Kinski]]></category>
		<category><![CDATA[Les Blank]]></category>
		<category><![CDATA[Mick Jagger]]></category>
		<category><![CDATA[Werner Herzog]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=51072</guid>

					<description><![CDATA[<div><img width="300" height="226" src="https://www.hammertonail.com/wp-content/uploads/2024/06/Werner.boat_.back_-300x226.jpg" class="attachment-medium size-medium wp-post-image" alt="Werner Herzog in Les Blank&#039;s BURDEN OF DREAMS" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2024/06/Werner.boat_.back_-300x226.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2024/06/Werner.boat_.back_-1024x771.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2024/06/Werner.boat_.back_-768x578.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2024/06/Werner.boat_.back_-1536x1157.jpg 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>If you thought Heart of Darkness gave you a hard enough look into the challenges of making a masterpiece of cinema in the jungle, try experiencing the frenzied making of Werner Herzog&#8217;s 1982 epic Fitzcarraldo. Iconic documentary filmmaker Les Blank&#8217;s [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/trailer/burden-of-dreams-restoration/">BURDEN OF DREAMS Restoration Trailer: Les Blank&#8217;s BTS Look of Werner Herzog&#8217;s &#8216;Fitzcarraldo&#8217; Gets the 4K Treatment</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>Qualities Of Better Films #32 of 32: IMPASSIONED POINT OF VIEW</title>
		<link>https://www.hammertonail.com/better-films/qualities-of-better-films-32-of-32-impassioned-point-of-view/</link>
		
		<dc:creator><![CDATA[Ted Hope]]></dc:creator>
		<pubDate>Wed, 30 Sep 2009 14:50:13 +0000</pubDate>
				<category><![CDATA[Let's Make Better Films]]></category>
		<category><![CDATA[filmmaking]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=1464</guid>

					<description><![CDATA[<p>Filmmaking should be a scary proposition for anyone who undertakes it. To project your feelings, your attitude, your hopes and your horrors up on a large screen to a big audience is very brave. Cinema is made to be a [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/better-films/qualities-of-better-films-32-of-32-impassioned-point-of-view/">Qualities Of Better Films #32 of 32: IMPASSIONED POINT OF VIEW</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>Qualities Of Better Film #31 of 32: DEPTH OF CHARACTER / DEPTH OF CHARACTERS</title>
		<link>https://www.hammertonail.com/better-films/qualities-of-better-film-31-of-32-depth-of-character-depth-of-characters/</link>
		
		<dc:creator><![CDATA[Ted Hope]]></dc:creator>
		<pubDate>Mon, 07 Sep 2009 20:18:23 +0000</pubDate>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Let's Make Better Films]]></category>
		<category><![CDATA[character]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[plot]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=1092</guid>

					<description><![CDATA[<p>I don’t like characters to be solely in service to the plot. To relegate characters to this secondary position, values actions over the people who take them. Audiences will not recognize these characters as real people if they feel everyone [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/better-films/qualities-of-better-film-31-of-32-depth-of-character-depth-of-characters/">Qualities Of Better Film #31 of 32: DEPTH OF CHARACTER / DEPTH OF CHARACTERS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>Qualities Of Better Film #30 of 32: EMOTIONAL USE OF TECHNIQUE</title>
		<link>https://www.hammertonail.com/better-films/qualities-of-better-film-30-of-32-emotional-use-of-technique/</link>
		
		<dc:creator><![CDATA[Ted Hope]]></dc:creator>
		<pubDate>Mon, 31 Aug 2009 14:36:00 +0000</pubDate>
				<category><![CDATA[Let's Make Better Films]]></category>
		<category><![CDATA[Ang Lee]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[James Schamus]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=1432</guid>

					<description><![CDATA[<p>There is an emotional quality inherent in camera placement and lens choice. There is a similar effect with color palate and fabric texture. I don’t think anyone would argue that editing style and pacing also qualifies for this honor. As [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/better-films/qualities-of-better-film-30-of-32-emotional-use-of-technique/">Qualities Of Better Film #30 of 32: EMOTIONAL USE OF TECHNIQUE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>Qualities Of Better Film #29 of 32: LEAVING SOME THINGS UNEXPLAINED</title>
		<link>https://www.hammertonail.com/better-films/qualities-of-better-film-29-of-32-leaving-some-things-unexplained/</link>
		
		<dc:creator><![CDATA[Ted Hope]]></dc:creator>
		<pubDate>Tue, 25 Aug 2009 14:33:15 +0000</pubDate>
				<category><![CDATA[Let's Make Better Films]]></category>
		<category><![CDATA[Alive In Joberg]]></category>
		<category><![CDATA[David Bordwell]]></category>
		<category><![CDATA[District 9]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Miyazaki]]></category>
		<category><![CDATA[Neil Blomkamp]]></category>
		<category><![CDATA[Ponyo]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=1428</guid>

					<description><![CDATA[<p>When did American movies start trying to clarify absolutely everything? What is our national obsession with trying to provide a psychological explanation for all characters&#8217; behavior? If you ask me, I think we have gone overboard. Way overboard. Time to [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/better-films/qualities-of-better-film-29-of-32-leaving-some-things-unexplained/">Qualities Of Better Film #29 of 32: LEAVING SOME THINGS UNEXPLAINED</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>Qualities Of Better Films #28 of 32: DIFFERENTATION AMONG CHARACTERS AND ENVIRONMENTS</title>
		<link>https://www.hammertonail.com/better-films/qualities-of-better-films-28-of-32-differentation-among-characters-and-environments/</link>
		
		<dc:creator><![CDATA[Ted Hope]]></dc:creator>
		<pubDate>Mon, 22 Jun 2009 15:05:03 +0000</pubDate>
				<category><![CDATA[Let's Make Better Films]]></category>
		<category><![CDATA[dialogue]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Indie Filmmaking]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=1492</guid>

					<description><![CDATA[<p>Does everyone talk in the same voice with the same cadence and vernacular? They don’t in my world and they shouldn’t in any filmic world either. Does the filmmaker understand or look to exploit this difference, and if not, then, [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/better-films/qualities-of-better-films-28-of-32-differentation-among-characters-and-environments/">Qualities Of Better Films #28 of 32: DIFFERENTATION AMONG CHARACTERS AND ENVIRONMENTS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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		<title>Qualities Of Better Films #27 of 31: ACCESS TO THE SUBCONSCIOUS</title>
		<link>https://www.hammertonail.com/better-films/qualities-of-better-films-27-of-31-access-to-the-subconscious/</link>
		
		<dc:creator><![CDATA[Ted Hope]]></dc:creator>
		<pubDate>Tue, 16 Jun 2009 14:48:38 +0000</pubDate>
				<category><![CDATA[Let's Make Better Films]]></category>
		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Indie Filmmaking]]></category>
		<category><![CDATA[Luis Bunuel]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=1460</guid>

					<description><![CDATA[<p>As film combines so many diverse elements, it has a profound ability to access what lies beneath. We experience emotions and sensations in a way with cinema that we do nowhere else. David Lynch is certainly the leader among contemporary [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/better-films/qualities-of-better-films-27-of-31-access-to-the-subconscious/">Qualities Of Better Films #27 of 31: ACCESS TO THE SUBCONSCIOUS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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