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	<title>film interview Archives - Hammer to Nail</title>
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	<description>What to Watch</description>
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	<title>film interview Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with John Trengrove (THE SMELL OF APPLES)</title>
		<link>https://www.hammertonail.com/interviews/john-trengrove/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Mon, 21 Sep 2026 18:08:58 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[1970s South Africa]]></category>
		<category><![CDATA[1974 Cape Town]]></category>
		<category><![CDATA[2026 Toronto International Film Festival]]></category>
		<category><![CDATA[Afrikaner boy]]></category>
		<category><![CDATA[apartheid film]]></category>
		<category><![CDATA[apartheid history]]></category>
		<category><![CDATA[apartheid system]]></category>
		<category><![CDATA[Birrie le Roux]]></category>
		<category><![CDATA[casting process]]></category>
		<category><![CDATA[child actors]]></category>
		<category><![CDATA[Christian nationalism]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[coming-of-age film]]></category>
		<category><![CDATA[Dawian van der Westhuizen]]></category>
		<category><![CDATA[False Bay]]></category>
		<category><![CDATA[film adaptation]]></category>
		<category><![CDATA[film interview]]></category>
		<category><![CDATA[John Trengrove]]></category>
		<category><![CDATA[Kalk Bay]]></category>
		<category><![CDATA[Lennert Hillege]]></category>
		<category><![CDATA[Mark Behr]]></category>
		<category><![CDATA[Mark Behr novel]]></category>
		<category><![CDATA[Opa's Ghost]]></category>
		<category><![CDATA[production design]]></category>
		<category><![CDATA[South African cinema]]></category>
		<category><![CDATA[South African director]]></category>
		<category><![CDATA[The Smell of Apples]]></category>
		<category><![CDATA[TIFF 2026]]></category>
		<category><![CDATA[white supremacy]]></category>
		<category><![CDATA[willful blindness]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56479</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2026/09/TIFF-2026-John-Trenrgove_01-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/09/TIFF-2026-John-Trenrgove_01-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/09/TIFF-2026-John-Trenrgove_01-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/09/TIFF-2026-John-Trenrgove_01-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/09/TIFF-2026-John-Trenrgove_01.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>In The Smell of Apples, South African director John Trengrove examines the dawning consciousness of an Afrikaner boy as he begins to realize the horrors of the apartheid system. An adaptation of the 1993 book by Mark Behr, the movie [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/john-trengrove/">A Conversation with John Trengrove (THE SMELL OF APPLES)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Hirokazu Kore-eda (SHEEP IN THE BOX)</title>
		<link>https://www.hammertonail.com/interviews/kore-eda/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 06 Aug 2026 19:19:58 +0000</pubDate>
				<category><![CDATA[Coming of Age]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Foreign]]></category>
		<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2026 film]]></category>
		<category><![CDATA[AI resurrection]]></category>
		<category><![CDATA[Artificial Intelligence]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Daigo Yamamoto]]></category>
		<category><![CDATA[family drama]]></category>
		<category><![CDATA[film interview]]></category>
		<category><![CDATA[grief and loss]]></category>
		<category><![CDATA[grieving parents]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[Haruka Ayase]]></category>
		<category><![CDATA[Hirokazu Kore-eda]]></category>
		<category><![CDATA[humanoid robot]]></category>
		<category><![CDATA[Jack Schenker]]></category>
		<category><![CDATA[Japanese cinema]]></category>
		<category><![CDATA[Marriage Story]]></category>
		<category><![CDATA[NEON release]]></category>
		<category><![CDATA[Palme d'Or winner]]></category>
		<category><![CDATA[parental grief]]></category>
		<category><![CDATA[robot child]]></category>
		<category><![CDATA[sci-fi drama]]></category>
		<category><![CDATA[Sheep in the Box]]></category>
		<category><![CDATA[Shoplifters director]]></category>
		<category><![CDATA[The Little Prince reference]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=56170</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2026/08/Hirokazu-Kore-eda-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/08/Hirokazu-Kore-eda-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/08/Hirokazu-Kore-eda-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/08/Hirokazu-Kore-eda-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/08/Hirokazu-Kore-eda-1536x1024.jpg 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Hirokazu Kore-eda has spent his career making quiet, humane films about families, and he won the Palme d’Or for one of them, Shoplifters, in 2018. Sheep in the Box, his seventeenth feature, keeps its attention on parents and children but [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/kore-eda/">A Conversation with Hirokazu Kore-eda (SHEEP IN THE BOX)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>A Conversation with Park Jeong-min &#038; Yeon Sang-ho  (THE UGLY)</title>
		<link>https://www.hammertonail.com/interviews/theugly-min-ho/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Mon, 22 Sep 2025 13:55:55 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[blind engraver]]></category>
		<category><![CDATA[computer graphics in film]]></category>
		<category><![CDATA[dual role]]></category>
		<category><![CDATA[Edward Yang]]></category>
		<category><![CDATA[film interview]]></category>
		<category><![CDATA[graphic novel adaptation]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[human brutality]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Kiyoshi Kurosawa]]></category>
		<category><![CDATA[Korean cinema]]></category>
		<category><![CDATA[Korean film]]></category>
		<category><![CDATA[low-budget filmmaking]]></category>
		<category><![CDATA[method actor]]></category>
		<category><![CDATA[mystery thriller]]></category>
		<category><![CDATA[Park Jeong-min]]></category>
		<category><![CDATA[The Ugly]]></category>
		<category><![CDATA[TIFF 2025]]></category>
		<category><![CDATA[Toronto International Film Festival 2025]]></category>
		<category><![CDATA[Train to Busan]]></category>
		<category><![CDATA[Train to Busan director]]></category>
		<category><![CDATA[Yeon Sang-ho]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54105</guid>

					<description><![CDATA[<div><img width="300" height="150" src="https://www.hammertonail.com/wp-content/uploads/2025/09/Park-Jeong-min-and-Yeon-Sang-ho-collage-300x150.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/09/Park-Jeong-min-and-Yeon-Sang-ho-collage-300x150.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/09/Park-Jeong-min-and-Yeon-Sang-ho-collage-1024x512.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/09/Park-Jeong-min-and-Yeon-Sang-ho-collage-768x384.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/09/Park-Jeong-min-and-Yeon-Sang-ho-collage-1300x650.jpg 1300w, https://www.hammertonail.com/wp-content/uploads/2025/09/Park-Jeong-min-and-Yeon-Sang-ho-collage.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>South Korean director Yeon Sang-ho (Train to Busan) just premiered his latest movie, The Ugly (based on his graphic novel), at the 2025 Toronto International Film Festival, where I reviewed it. Set in two different time periods, the film features actor Park Jeong-min in [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/theugly-min-ho/">A Conversation with Park Jeong-min &#038; Yeon Sang-ho  (THE UGLY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>THE CURBSIDE CRITERION: THE GRIFTERS</title>
		<link>https://www.hammertonail.com/blu-ray/curbside-criterion/the-grifters/</link>
		
		<dc:creator><![CDATA[Brad Cook]]></dc:creator>
		<pubDate>Wed, 12 Feb 2025 21:56:11 +0000</pubDate>
				<category><![CDATA[Curbside Criterion]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[1990 film]]></category>
		<category><![CDATA[Anjelica Huston]]></category>
		<category><![CDATA[Annette Bening]]></category>
		<category><![CDATA[bonus features]]></category>
		<category><![CDATA[commentary track]]></category>
		<category><![CDATA[Criterion]]></category>
		<category><![CDATA[Criterion 4K Ultra HD]]></category>
		<category><![CDATA[Dennis Gassner]]></category>
		<category><![CDATA[Donald E. Westlake]]></category>
		<category><![CDATA[Elmer Bernstein]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[film commentary]]></category>
		<category><![CDATA[film extras]]></category>
		<category><![CDATA[film interview]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[film remastering]]></category>
		<category><![CDATA[Geoffrey O'Brien]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Jim Thompson]]></category>
		<category><![CDATA[Jim Thompson legacy]]></category>
		<category><![CDATA[John Cusack]]></category>
		<category><![CDATA[long-term cons]]></category>
		<category><![CDATA[making-of documentary]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[mobster]]></category>
		<category><![CDATA[Movie Review]]></category>
		<category><![CDATA[neo-noir]]></category>
		<category><![CDATA[race tracks]]></category>
		<category><![CDATA[short-term cons]]></category>
		<category><![CDATA[Stephen Frears]]></category>
		<category><![CDATA[The Grifters]]></category>
		<category><![CDATA[The Hit]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52575</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/02/grifters-300x169.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/02/grifters-300x169.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/02/grifters-1024x576.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/02/grifters-768x432.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/02/grifters-1536x864.jpg 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Here at Hammer to Nail, we are all about true independent cinema. But we also have to tip our hat to the great films of yesteryear that continue to inspire filmmakers and cinephiles alike. This week, Brad Cook hustles into [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/blu-ray/curbside-criterion/the-grifters/">THE CURBSIDE CRITERION: THE GRIFTERS</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
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