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	<title>fair use Archives - Hammer to Nail</title>
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	<title>fair use Archives - Hammer to Nail</title>
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	<item>
		<title>A Conversation with Maya Annik Bedward (BLACK ZOMBIE)</title>
		<link>https://www.hammertonail.com/interviews/maya-annik-bedward/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Wed, 25 Mar 2026 19:44:19 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Afro-Caribbean history]]></category>
		<category><![CDATA[agency]]></category>
		<category><![CDATA[Atlantique]]></category>
		<category><![CDATA[Black Zombie]]></category>
		<category><![CDATA[breaking the fourth wall]]></category>
		<category><![CDATA[cultural appropriation]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[fair use]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[George A. Romero]]></category>
		<category><![CDATA[Get Out]]></category>
		<category><![CDATA[Haitian Vodou]]></category>
		<category><![CDATA[Hammer to Nail]]></category>
		<category><![CDATA[horror film history]]></category>
		<category><![CDATA[Jordan Peele]]></category>
		<category><![CDATA[Mati Diop]]></category>
		<category><![CDATA[Maya Annik Bedward]]></category>
		<category><![CDATA[Migrant crisis]]></category>
		<category><![CDATA[Night of the Living Dead]]></category>
		<category><![CDATA[reenactment]]></category>
		<category><![CDATA[sugar cane field]]></category>
		<category><![CDATA[SXSW 2026]]></category>
		<category><![CDATA[SXSW Film Festival]]></category>
		<category><![CDATA[The Magic Island]]></category>
		<category><![CDATA[The Serpent and the Rainbow]]></category>
		<category><![CDATA[Tom Savini]]></category>
		<category><![CDATA[Vodou representation]]></category>
		<category><![CDATA[White Zombie]]></category>
		<category><![CDATA[William Seabrook]]></category>
		<category><![CDATA[zombie origins]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55348</guid>

					<description><![CDATA[<div><img width="300" height="178" src="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-300x178.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-300x178.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-1024x608.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01-768x456.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/03/SXSW2026_2026-03-14_BLACK-ZOMBIE-interview_01.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>The documentary Black Zombie marks director Maya Annik Bedward’s feature debut. In the film, Bedward examines how the cinematic zombie has its roots in the Haitian Vodou faith, even though the original term refers to a live person enslaved by a sorcerer, and [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/maya-annik-bedward/">A Conversation with Maya Annik Bedward (BLACK ZOMBIE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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			</item>
		<item>
		<title>A Conversation with Joe Tropea and Robert A. Emmons Jr. (SICKIES MAKING FILMS)</title>
		<link>https://www.hammertonail.com/interviews/tropea-emmons-interview/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Thu, 07 Jun 2018 16:35:06 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2018 Maryland Film Festival]]></category>
		<category><![CDATA[All Quiet on the Western Front –]]></category>
		<category><![CDATA[Barbara Gamse]]></category>
		<category><![CDATA[Diagram for Delinquents]]></category>
		<category><![CDATA[fair use]]></category>
		<category><![CDATA[film censorship]]></category>
		<category><![CDATA[Hit & Stay]]></category>
		<category><![CDATA[Joe Tropea]]></category>
		<category><![CDATA[John Waters]]></category>
		<category><![CDATA[Los Angeles Plays Itself]]></category>
		<category><![CDATA[Mary Avara]]></category>
		<category><![CDATA[Melvin Van Peebles]]></category>
		<category><![CDATA[Pink Flamingos]]></category>
		<category><![CDATA[Pope of Trash]]></category>
		<category><![CDATA[Robert A. Emmons Jr.]]></category>
		<category><![CDATA[Senna]]></category>
		<category><![CDATA[Sickies Making Films]]></category>
		<category><![CDATA[Skizz Cyzyk]]></category>
		<guid isPermaLink="false">http://www.hammertonail.com/?p=29747</guid>

					<description><![CDATA[<p>I met with director Joe Tropea (Hit &#38; Stay) and co-writer/editor Robert A. Emmons Jr. (Diagram for Delinquents) on Friday, May 4, 2018, at the Maryland Film Festival (MdFF), to discuss their fascinating new documentary Sickies Making Films (which I [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/tropea-emmons-interview/">A Conversation with Joe Tropea and Robert A. Emmons Jr. (SICKIES MAKING FILMS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
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