<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>documentary filmmaking Archives - Hammer to Nail</title>
	<atom:link href="https://www.hammertonail.com/tag/documentary-filmmaking/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.hammertonail.com/tag/documentary-filmmaking/</link>
	<description>What to Watch</description>
	<lastBuildDate>Fri, 24 Apr 2026 18:31:50 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>https://www.hammertonail.com/wp-content/uploads/2020/01/cropped-logo02-1-32x32.png</url>
	<title>documentary filmmaking Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/documentary-filmmaking/</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>A Conversation with  Lynne Sachs (EVERY CONTACT LEAVES A TRACE)</title>
		<link>https://www.hammertonail.com/interviews/lynne-sachs/</link>
		
		<dc:creator><![CDATA[Jonathan Marlow]]></dc:creator>
		<pubDate>Fri, 24 Apr 2026 18:16:52 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[avant-garde cinema]]></category>
		<category><![CDATA[Betty Leacraft]]></category>
		<category><![CDATA[Bradley Eros]]></category>
		<category><![CDATA[business cards]]></category>
		<category><![CDATA[creative process]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[documentary performance]]></category>
		<category><![CDATA[Every Contact Leaves a Trace]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[film and poetry]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[filmmaker interview]]></category>
		<category><![CDATA[Gunvor Nelson]]></category>
		<category><![CDATA[hybrid filmmaking]]></category>
		<category><![CDATA[IDFA documentary]]></category>
		<category><![CDATA[Lynne Sachs]]></category>
		<category><![CDATA[Lynne Sachs interview]]></category>
		<category><![CDATA[memory and ephemera]]></category>
		<category><![CDATA[non-narrative film]]></category>
		<category><![CDATA[Scarecrow Video Archive]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54805</guid>

					<description><![CDATA[<div><img width="300" height="160" src="https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-300x160.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-300x160.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-1024x546.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-768x410.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/04/Screenshot-2026-04-24-at-11.30.40-AM-1536x819.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Some filmmakers are known for their documentary works. Others for their narrative films. Still others—the better filmmakers (for me), generally—do not fit comfortably into either category. Or any category whatsoever. Poet / artist / filmmaker Lynne Sachs is one of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/lynne-sachs/">A Conversation with  Lynne Sachs (EVERY CONTACT LEAVES A TRACE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Felipe Bustos Sierra (EVERYBODY TO KENMURE STREET)</title>
		<link>https://www.hammertonail.com/interviews/felipe-bustos-sierra/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Sat, 07 Feb 2026 17:03:21 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Aamer Anwar]]></category>
		<category><![CDATA[civil disobedience documentary]]></category>
		<category><![CDATA[Colin Monie editing]]></category>
		<category><![CDATA[community protest]]></category>
		<category><![CDATA[crowd-sourced footage]]></category>
		<category><![CDATA[dawn raid protest]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Emma Thompson documentary]]></category>
		<category><![CDATA[Everybody to Kenmure Street]]></category>
		<category><![CDATA[exile and filmmaking]]></category>
		<category><![CDATA[Felipe Bustos Sierra]]></category>
		<category><![CDATA[Glasgow Girls]]></category>
		<category><![CDATA[Glasgow protest]]></category>
		<category><![CDATA[human rights film]]></category>
		<category><![CDATA[immigration raid]]></category>
		<category><![CDATA[immigration rights]]></category>
		<category><![CDATA[Kenmure Street protest]]></category>
		<category><![CDATA[Kickstarter documentary]]></category>
		<category><![CDATA[Nae Pasaran]]></category>
		<category><![CDATA[peaceful protest]]></category>
		<category><![CDATA[Pollokshields]]></category>
		<category><![CDATA[Scottish activism]]></category>
		<category><![CDATA[Scottish solidarity]]></category>
		<category><![CDATA[Sundance 2026 documentary]]></category>
		<category><![CDATA[Van Man]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=55008</guid>

					<description><![CDATA[<div><img width="300" height="150" src="https://www.hammertonail.com/wp-content/uploads/2026/02/Felipe-Bustos-Sierra-landscape-blur-300x150.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/Felipe-Bustos-Sierra-landscape-blur-300x150.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/Felipe-Bustos-Sierra-landscape-blur-1024x513.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/Felipe-Bustos-Sierra-landscape-blur-768x385.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/Felipe-Bustos-Sierra-landscape-blur-1300x650.jpg 1300w, https://www.hammertonail.com/wp-content/uploads/2026/02/Felipe-Bustos-Sierra-landscape-blur.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Everybody to Kenmure Street (which I recently reviewed), from director Felipe Bustos Sierra (Nae Pasaran), just premiered at the 2026 Sundance Film Festival. The documentary highlights a 2021 protest in Glasgow, Scotland, over a dawn raid to kidnap two immigrant [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/felipe-bustos-sierra/">A Conversation with Felipe Bustos Sierra (EVERYBODY TO KENMURE STREET)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with David Greaves, Liani Greaves, Anne de Mare &#038; Lynn True (ONCE UPON A TIME IN HARLEM)</title>
		<link>https://www.hammertonail.com/interviews/once-upon-a-time-in-harlem/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Sun, 01 Feb 2026 23:20:45 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm film]]></category>
		<category><![CDATA[A. Philip Randolph]]></category>
		<category><![CDATA[Albert Maysles]]></category>
		<category><![CDATA[Anne de Mare]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Arna Bontemps]]></category>
		<category><![CDATA[Bill Brand]]></category>
		<category><![CDATA[black filmmakers]]></category>
		<category><![CDATA[Black Filmmakers Hall of Fame]]></category>
		<category><![CDATA[Black Journal]]></category>
		<category><![CDATA[Countee Cullen]]></category>
		<category><![CDATA[David Greaves]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Duke Ellington]]></category>
		<category><![CDATA[Experimental Film]]></category>
		<category><![CDATA[film editing]]></category>
		<category><![CDATA[film preservation]]></category>
		<category><![CDATA[George Schuyler]]></category>
		<category><![CDATA[Hammer to Nail interview]]></category>
		<category><![CDATA[Harlem Renaissance documentary]]></category>
		<category><![CDATA[Harlem townhouse]]></category>
		<category><![CDATA[Hubert Harrison]]></category>
		<category><![CDATA[Ida B. Wells: A Passion for Justice]]></category>
		<category><![CDATA[In Transit]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Ishmael Reed]]></category>
		<category><![CDATA[Langston Hughes]]></category>
		<category><![CDATA[Leigh Whipper]]></category>
		<category><![CDATA[Liani Greaves]]></category>
		<category><![CDATA[Louise Archambault Greaves]]></category>
		<category><![CDATA[Lynn True]]></category>
		<category><![CDATA[Marcus Garvey]]></category>
		<category><![CDATA[Nathan Huggins]]></category>
		<category><![CDATA[National Film Registry]]></category>
		<category><![CDATA[Nugent]]></category>
		<category><![CDATA[Once Upon a Time in Harlem]]></category>
		<category><![CDATA[Ontological-Hysteric Theater]]></category>
		<category><![CDATA[Ralph Bunche: An American Odyssey]]></category>
		<category><![CDATA[Richard B. Moore]]></category>
		<category><![CDATA[Richard Foreman]]></category>
		<category><![CDATA[Schomburg Center]]></category>
		<category><![CDATA[Steve Buscemi]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Sundance film]]></category>
		<category><![CDATA[Symbiopsychotaxiplasm: Take One]]></category>
		<category><![CDATA[W.E.B. Du Bois]]></category>
		<category><![CDATA[William Greaves]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54961</guid>

					<description><![CDATA[<div><img width="300" height="104" src="https://www.hammertonail.com/wp-content/uploads/2026/02/cover-300x104.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2026/02/cover-300x104.png 300w, https://www.hammertonail.com/wp-content/uploads/2026/02/cover-1024x356.png 1024w, https://www.hammertonail.com/wp-content/uploads/2026/02/cover-768x267.png 768w, https://www.hammertonail.com/wp-content/uploads/2026/02/cover-1536x533.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Once Upon a Time in Harlem is the best film I saw at Sundance this year. It is also, in a sense, a miracle. In 1972, the legendary documentary filmmaker William Greaves—director of the avant-garde masterpiece Symbiopsychotaxiplasm: Take One (1968), [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/once-upon-a-time-in-harlem/">A Conversation with David Greaves, Liani Greaves, Anne de Mare &#038; Lynn True (ONCE UPON A TIME IN HARLEM)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Nathan Silver (CAROL &#038; JOY)</title>
		<link>https://www.hammertonail.com/interviews/nathansilver/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 14 Jan 2026 20:15:01 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[16mm film documentary]]></category>
		<category><![CDATA[98-year-old musician]]></category>
		<category><![CDATA[aging artist documentary]]></category>
		<category><![CDATA[artistic pursuit]]></category>
		<category><![CDATA[artistic regret]]></category>
		<category><![CDATA[Between the Temples]]></category>
		<category><![CDATA[C. Mason Wells]]></category>
		<category><![CDATA[Carol & Joy]]></category>
		<category><![CDATA[Carol Kane]]></category>
		<category><![CDATA[Carol Kane interview]]></category>
		<category><![CDATA[Carol Kane mother]]></category>
		<category><![CDATA[Criterion Channel documentary]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[film on 16mm]]></category>
		<category><![CDATA[film portrait]]></category>
		<category><![CDATA[French influence documentary]]></category>
		<category><![CDATA[Hamptons Film Festival]]></category>
		<category><![CDATA[hidden New York]]></category>
		<category><![CDATA[Hunter Zimny]]></category>
		<category><![CDATA[independent documentary]]></category>
		<category><![CDATA[John Magary edit]]></category>
		<category><![CDATA[Joy documentary]]></category>
		<category><![CDATA[Joy Kane]]></category>
		<category><![CDATA[late-life creativity]]></category>
		<category><![CDATA[mother-daughter bond]]></category>
		<category><![CDATA[music teacher documentary]]></category>
		<category><![CDATA[Nathan Silver]]></category>
		<category><![CDATA[New York City portrait]]></category>
		<category><![CDATA[New York Film Festival]]></category>
		<category><![CDATA[New York stories]]></category>
		<category><![CDATA[nuanced documentary]]></category>
		<category><![CDATA[piano lessons documentary]]></category>
		<category><![CDATA[regret and art]]></category>
		<category><![CDATA[Sean Price Williams cinematography]]></category>
		<category><![CDATA[Short Film]]></category>
		<category><![CDATA[Telluride Film Festival]]></category>
		<category><![CDATA[Upper West Side apartment]]></category>
		<category><![CDATA[Woodstock Film Festival]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54841</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2026/01/cover-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2026/01/cover-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2026/01/cover-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2026/01/cover-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2026/01/cover.jpg 1200w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Nathan Silver&#8217;s Carol &#38; Joy is a 38-minute documentary portrait of Academy Award-nominated actress Carol Kane and her 98-year-old mother Joy, a music teacher who still gives lessons and plays piano in their Upper West Side apartment. Shot on 16mm by cinematographers [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/nathansilver/">A Conversation with Nathan Silver (CAROL &#038; JOY)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Julia Loktev (MY UNDESIRABLE FRIENDS: PART 1–LAST AIR IN MOSCOW)</title>
		<link>https://www.hammertonail.com/interviews/julia-loktev/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Mon, 15 Dec 2025 17:01:51 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2025 Independent Film Site Network Advocate Award]]></category>
		<category><![CDATA[Anna Nemzer]]></category>
		<category><![CDATA[authoritarianism documentary]]></category>
		<category><![CDATA[community resistance]]></category>
		<category><![CDATA[documentary co-direction]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[documentary shot on iPhone]]></category>
		<category><![CDATA[Elena Kostyuchenko]]></category>
		<category><![CDATA[exile film]]></category>
		<category><![CDATA[fascism rise documentary]]></category>
		<category><![CDATA[five-hour documentary]]></category>
		<category><![CDATA[historical documentary]]></category>
		<category><![CDATA[IDFA film]]></category>
		<category><![CDATA[independent journalism Russia]]></category>
		<category><![CDATA[intimate documentary]]></category>
		<category><![CDATA[journalism under censorship]]></category>
		<category><![CDATA[Julia Loktev documentary]]></category>
		<category><![CDATA[Ksenia Mironova]]></category>
		<category><![CDATA[Michael Taylor editor]]></category>
		<category><![CDATA[moral courage documentary]]></category>
		<category><![CDATA[My Undesirable Friends: Part I - Last Air in Moscow]]></category>
		<category><![CDATA[Olga Churakova]]></category>
		<category><![CDATA[political documentary]]></category>
		<category><![CDATA[Putin regime foreign agents]]></category>
		<category><![CDATA[Russia Ukraine war documentary]]></category>
		<category><![CDATA[Russian activists]]></category>
		<category><![CDATA[Russian independent journalists]]></category>
		<category><![CDATA[Russian journalists in exile]]></category>
		<category><![CDATA[Russian opposition film]]></category>
		<category><![CDATA[Sonya Groysman]]></category>
		<category><![CDATA[truth under dictatorship]]></category>
		<category><![CDATA[TV Rain documentary]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54656</guid>

					<description><![CDATA[<div><img width="300" height="171" src="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-15-at-8.59.25 AM-300x171.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-15-at-8.59.25 AM-300x171.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-15-at-8.59.25 AM-1024x584.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-15-at-8.59.25 AM-768x438.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-15-at-8.59.25 AM-1536x876.png 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>In October 2021, Soviet-born American filmmaker Julia Loktev arrived in Moscow with her iPhone to document Russian independent journalists being declared &#8220;foreign agents&#8221; by Putin&#8217;s regime. At the start of filming she had no idea it would become a five-and-a-half-hour [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/julia-loktev/">A Conversation with Julia Loktev (MY UNDESIRABLE FRIENDS: PART 1–LAST AIR IN MOSCOW)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Zaradasht Ahmed (THE LIONS BY THE RIVER TIGRIS)</title>
		<link>https://www.hammertonail.com/interviews/zaradasht-ahmed/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Tue, 09 Dec 2025 15:44:42 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Bashar Mosul]]></category>
		<category><![CDATA[cinema verite]]></category>
		<category><![CDATA[cultural heritage preservation]]></category>
		<category><![CDATA[DOC NYC 2025]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Fakhri antique collector]]></category>
		<category><![CDATA[heritage looting]]></category>
		<category><![CDATA[human resilience]]></category>
		<category><![CDATA[Iraq war film]]></category>
		<category><![CDATA[ISIS aftermath]]></category>
		<category><![CDATA[Kurdish-Norwegian filmmaker]]></category>
		<category><![CDATA[memory and home]]></category>
		<category><![CDATA[Mesopotamian history]]></category>
		<category><![CDATA[Mosul documentary]]></category>
		<category><![CDATA[Nowhere to Hide]]></category>
		<category><![CDATA[objective journalism]]></category>
		<category><![CDATA[Old City Mosul]]></category>
		<category><![CDATA[post-war recovery]]></category>
		<category><![CDATA[rebuilding Mosul]]></category>
		<category><![CDATA[River Tigris]]></category>
		<category><![CDATA[The Lions by the River Tigris]]></category>
		<category><![CDATA[urban reconstruction]]></category>
		<category><![CDATA[war documentary]]></category>
		<category><![CDATA[war trauma]]></category>
		<category><![CDATA[Zaradasht Ahmed]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54607</guid>

					<description><![CDATA[<div><img width="300" height="199" src="https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-300x199.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-300x199.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-1024x679.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-768x509.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/indiefilm_zaradacht_WIDE_foto_stian_servoss-1-1536x1019.jpg 1536w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>In 2017, after three years under the control of the Islamic State (ISIS), the people of Mosul, Iraq fought to reclaim their city. The nine-month battle to liberate Mosul was marked by catastrophic violence, especially in the historic Old City. [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/zaradasht-ahmed/">A Conversation with Zaradasht Ahmed (THE LIONS BY THE RIVER TIGRIS)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Marialuisa Ernst (A PLACE OF ABSENCE)</title>
		<link>https://www.hammertonail.com/interviews/marialuisa-ernst/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Wed, 19 Nov 2025 19:02:18 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[A Place of Absence]]></category>
		<category><![CDATA[Ambiguous loss]]></category>
		<category><![CDATA[Anita COFAMIDE]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Argentina Dirty War]]></category>
		<category><![CDATA[Caravan of Mothers]]></category>
		<category><![CDATA[Central American migration]]></category>
		<category><![CDATA[Cofamide]]></category>
		<category><![CDATA[CONADEP]]></category>
		<category><![CDATA[Desaparecidos]]></category>
		<category><![CDATA[Disappeared persons]]></category>
		<category><![CDATA[DOC NYC 2025]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[El Salvador]]></category>
		<category><![CDATA[Grief and perseverance]]></category>
		<category><![CDATA[human rights activism]]></category>
		<category><![CDATA[human rights documentary]]></category>
		<category><![CDATA[Latin America documentary]]></category>
		<category><![CDATA[Leti Caravan]]></category>
		<category><![CDATA[Marialuisa Ernst]]></category>
		<category><![CDATA[Mass graves]]></category>
		<category><![CDATA[Migrant crisis]]></category>
		<category><![CDATA[Migrant disappearances]]></category>
		<category><![CDATA[Military dictatorship Argentina]]></category>
		<category><![CDATA[Missing migrants]]></category>
		<category><![CDATA[Mothers of Plaza de Mayo]]></category>
		<category><![CDATA[National Reorganization Process]]></category>
		<category><![CDATA[Performance art documentary]]></category>
		<category><![CDATA[Plaza de Mayo mothers]]></category>
		<category><![CDATA[Searching for the disappeared]]></category>
		<category><![CDATA[stop-motion animation]]></category>
		<category><![CDATA[Transgenerational trauma]]></category>
		<category><![CDATA[Unmarked graves]]></category>
		<category><![CDATA[Verité filmmaking]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54466</guid>

					<description><![CDATA[<div><img width="300" height="300" src="https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-300x300.jpeg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-300x300.jpeg 300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-1024x1024.jpeg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-150x150.jpeg 150w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-768x767.jpeg 768w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-1536x1534.jpeg 1536w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-650x650.jpeg 650w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-1300x1300.jpeg 1300w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-24x24.jpeg 24w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-48x48.jpeg 48w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-96x96.jpeg 96w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst-250x250.jpeg 250w, https://www.hammertonail.com/wp-content/uploads/2025/11/Dir.-Marialuisa-Ernst.jpeg 1560w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>During Argentina’s Dirty War between 1976 and 1983, up to 30,000 people disappeared. Many were dissidents and activists publicly opposing the military dictatorship, Proceso de Reorganización Nacional (National Reorganization Process), though others were citizens suspected of being “terrorists” for having [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/marialuisa-ernst/">A Conversation with Marialuisa Ernst (A PLACE OF ABSENCE)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Emily Mkrtichian (THERE WAS, THERE WAS NOT)</title>
		<link>https://www.hammertonail.com/interviews/emily-mkrtichian/</link>
		
		<dc:creator><![CDATA[Kaitlyn Hardy]]></dc:creator>
		<pubDate>Tue, 21 Oct 2025 18:10:16 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[archival footage]]></category>
		<category><![CDATA[Armenian genocide]]></category>
		<category><![CDATA[Armenian women]]></category>
		<category><![CDATA[Artsakh film]]></category>
		<category><![CDATA[conflict journalism]]></category>
		<category><![CDATA[de-miners Artsakh]]></category>
		<category><![CDATA[displacement]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Emily Mkrtichian]]></category>
		<category><![CDATA[ethnic cleansing]]></category>
		<category><![CDATA[feminist film]]></category>
		<category><![CDATA[Gayane feminist leader]]></category>
		<category><![CDATA[memory and storytelling]]></category>
		<category><![CDATA[Nagorno-Karabakh documentary]]></category>
		<category><![CDATA[oral history]]></category>
		<category><![CDATA[personal essay film]]></category>
		<category><![CDATA[post-conflict society]]></category>
		<category><![CDATA[Remove term: There Was There Was Not There Was There Was Not movie]]></category>
		<category><![CDATA[resilience]]></category>
		<category><![CDATA[Siranush politician]]></category>
		<category><![CDATA[Sosé Judo champion]]></category>
		<category><![CDATA[Sundance Institute]]></category>
		<category><![CDATA[Sveta deminer]]></category>
		<category><![CDATA[There Was There Was Not]]></category>
		<category><![CDATA[True/False Film Festival]]></category>
		<category><![CDATA[war documentary]]></category>
		<category><![CDATA[Women in War]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54284</guid>

					<description><![CDATA[<div><img width="200" height="300" src="https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-200x300.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-200x300.jpg 200w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-683x1024.jpg 683w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-768x1152.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-1024x1536.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-1365x2048.jpg 1365w, https://www.hammertonail.com/wp-content/uploads/2025/10/Emily-Mkrtichian-headshot-photo-credit-Chris-Natalie-scaled.jpg 1707w" sizes="auto, (max-width: 200px) 100vw, 200px" /></div>
<p>It may be incongruous to characterize a film about war and destruction as “gentle,” or a film of loss and ethnic cleaning as “tender,” but Emily Mkrtichian’s debut feature There Was, There Was Not is a film that continuously breaks [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/emily-mkrtichian/">A Conversation with Emily Mkrtichian (THERE WAS, THERE WAS NOT)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>ROOM TO MOVE</title>
		<link>https://www.hammertonail.com/reviews/room-to-move/</link>
		
		<dc:creator><![CDATA[Brandon Wilson]]></dc:creator>
		<pubDate>Tue, 01 Jul 2025 16:00:00 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Latest Reviews]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[Alexander Hammer documentary]]></category>
		<category><![CDATA[Amy Schumer]]></category>
		<category><![CDATA[autism and dance]]></category>
		<category><![CDATA[Behind the Scenes filmmaking]]></category>
		<category><![CDATA[Bob Fosse editing style]]></category>
		<category><![CDATA[Brandon Wilson]]></category>
		<category><![CDATA[Chris Fischer]]></category>
		<category><![CDATA[dance performance documentary]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[Frederick Wiseman influence]]></category>
		<category><![CDATA[GoodCompany]]></category>
		<category><![CDATA[Homecoming Beyoncé editor]]></category>
		<category><![CDATA[indie documentary reviews]]></category>
		<category><![CDATA[Jenn Freeman dancer]]></category>
		<category><![CDATA[kinetic film editing]]></category>
		<category><![CDATA[Letterboxd movie reviews]]></category>
		<category><![CDATA[mental health in film]]></category>
		<category><![CDATA[neurodivergent representation in film]]></category>
		<category><![CDATA[non-fiction cinema]]></category>
		<category><![CDATA[NYC dance scene]]></category>
		<category><![CDATA[Room to Move movie review]]></category>
		<category><![CDATA[self-discovery documentary]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53559</guid>

					<description><![CDATA[<div><img width="300" height="169" src="https://www.hammertonail.com/wp-content/uploads/2025/07/Room-300x169.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/07/Room-300x169.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/07/Room-768x432.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/07/Room.png 980w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>(Check out Brandon Wilson’s Room to Move movie review, it’s coming soon from GoodCompany. Seen it? Join the conversation with HtN on our Letterboxd Page.) How we feel about non-fiction filmmaking says a lot about what we really think about cinema. [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/reviews/room-to-move/">ROOM TO MOVE</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Darcy McKinnon &#038; Suzannah Herbert (NATCHEZ)</title>
		<link>https://www.hammertonail.com/interviews/mckinnon-herbert/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Mon, 23 Jun 2025 18:43:31 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[African American perspectives]]></category>
		<category><![CDATA[antebellum South]]></category>
		<category><![CDATA[Darcy McKinnon]]></category>
		<category><![CDATA[Debbie plantation residence]]></category>
		<category><![CDATA[documentary filmmaking]]></category>
		<category><![CDATA[lost cause myth]]></category>
		<category><![CDATA[Mississippi history]]></category>
		<category><![CDATA[Natchez community screening]]></category>
		<category><![CDATA[Natchez documentary]]></category>
		<category><![CDATA[National Park Service Forks of the Road]]></category>
		<category><![CDATA[Noah Collier cinematography]]></category>
		<category><![CDATA[plantation tours]]></category>
		<category><![CDATA[racial reconciliation]]></category>
		<category><![CDATA[Rev Black tour guide]]></category>
		<category><![CDATA[Southern documentary filmmakers]]></category>
		<category><![CDATA[Southern stories]]></category>
		<category><![CDATA[Suzannah Herbert]]></category>
		<category><![CDATA[Tribeca Festival 2025]]></category>
		<category><![CDATA[uncomfortable historical discussions]]></category>
		<category><![CDATA[White Lotus meets Gone with the Wind]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=53409</guid>

					<description><![CDATA[<div><img width="300" height="180" src="https://www.hammertonail.com/wp-content/uploads/2025/06/Director-Suzannah-Herbert_credit-Luz-Gallardo-horizontal-300x180.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://www.hammertonail.com/wp-content/uploads/2025/06/Director-Suzannah-Herbert_credit-Luz-Gallardo-horizontal-300x180.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/06/Director-Suzannah-Herbert_credit-Luz-Gallardo-horizontal-1024x614.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/06/Director-Suzannah-Herbert_credit-Luz-Gallardo-horizontal-768x461.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/06/Director-Suzannah-Herbert_credit-Luz-Gallardo-horizontal.jpg 1500w" sizes="auto, (max-width: 300px) 100vw, 300px" /></div>
<p>Director Suzannah Herbert’s most recent documentary, Natchez, just played the 2025 Tribeca Festival (where I reviewed it) and it won not only the best documentary feature prize but also special jury awards for cinematography. The movie delivers an intriguing portrait [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/mckinnon-herbert/">A Conversation with Darcy McKinnon &#038; Suzannah Herbert (NATCHEZ)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/?utm_source=w3tc&utm_medium=footer_comment&utm_campaign=free_plugin

Database Caching 43/43 queries in 0.020 seconds using Disk

Served from: www.hammertonail.com @ 2026-06-27 09:24:11 by W3 Total Cache
-->