Blood Simple Archives - Hammer to Nail https://www.hammertonail.com/tag/blood-simple/ What to Watch Wed, 19 Jun 2024 13:16:50 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 https://www.hammertonail.com/wp-content/uploads/2020/01/cropped-logo02-1-32x32.png Blood Simple Archives - Hammer to Nail https://www.hammertonail.com/tag/blood-simple/ 32 32 A DESERT https://www.hammertonail.com/reviews/a-desert/ Tue, 18 Jun 2024 18:15:57 +0000 https://www.hammertonail.com/?p=51056

(The 2024 Tribeca Film Festival ran June 5-16, and as always, we have many boots on the ground. Check out M.J. O’Toole’s’s A Desert movie review. Seen it? Join the conversation with HtN on our Letterboxd Page.) What lurks beneath the barren, yet […]

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]]> THE CURBSIDE CRITERION: BLOOD SIMPLE https://www.hammertonail.com/reviews/criterion-blood-simple/ Tue, 27 Sep 2016 18:21:29 +0000 http://www.hammertonail.com/?p=27037

(We here at Hammer to Nail are all about true independent cinema. But we also have to tip our hat to the great films of yesteryear that continue to inspire filmmakers and cinephiles alike. This week, our “The Curbside Criterion” […]

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]]> Times Change Inside BAMCinematek’s 1980s Time Capsule https://www.hammertonail.com/shorts-contest/times-change-inside-bamcinemateks-1980s-time-capsule/ Mon, 10 Aug 2015 04:49:33 +0000 http://www.hammertonail.com/?p=24913 (BamCinematek has really been bringing some amazing retrospectives to Brooklyn of late. From their John Carpener retrospective to their look at cinematic memory with “The Vertigo Effect” those of us who don’t live on the east coast are getting mighty jealous of those […]

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]]> Barry Sonnenfeld’s Cinematography Master Class at 2009 HIFF https://www.hammertonail.com/editorial/essays/barry-sonnenfeld%e2%80%99s-cinematography-master-class-at-2009-hiff/ Tue, 14 Apr 2009 11:40:21 +0000 http://www.hammertonail.com/?p=2934 Barry Sonnenfeld hates panning. Throughout his hour-long Kodak-sponsored Cinematography Master Class at the 2009 Hamptons International Film Festival (moderated by the Museum of Moving Image’s Chief Curator David Schwartz), Sonnenfeld pummeled that particular technique-of-the-trade into submission. “That’s why movies are […]

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