<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>35mm film Archives - Hammer to Nail</title>
	<atom:link href="https://www.hammertonail.com/tag/35mm-film/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.hammertonail.com/tag/35mm-film/</link>
	<description>What to Watch</description>
	<lastBuildDate>Mon, 29 Dec 2025 16:32:16 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>https://www.hammertonail.com/wp-content/uploads/2020/01/cropped-logo02-1-32x32.png</url>
	<title>35mm film Archives - Hammer to Nail</title>
	<link>https://www.hammertonail.com/tag/35mm-film/</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>A Conversation with Darius Khondji (MARTY SUPREME)</title>
		<link>https://www.hammertonail.com/interviews/darius-khondji/</link>
		
		<dc:creator><![CDATA[Christopher Reed]]></dc:creator>
		<pubDate>Mon, 29 Dec 2025 16:32:16 +0000</pubDate>
				<category><![CDATA[In Theatres]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[2025 movies]]></category>
		<category><![CDATA[35mm film]]></category>
		<category><![CDATA[360mm lens]]></category>
		<category><![CDATA[Amour]]></category>
		<category><![CDATA[anamorphic lens]]></category>
		<category><![CDATA[Ari Aster]]></category>
		<category><![CDATA[Betty Blue]]></category>
		<category><![CDATA[Bong Joon-Ho]]></category>
		<category><![CDATA[Christopher Llewellyn Reed]]></category>
		<category><![CDATA[cinematographer]]></category>
		<category><![CDATA[cinematography techniques]]></category>
		<category><![CDATA[Darius Khondji]]></category>
		<category><![CDATA[David Fincher]]></category>
		<category><![CDATA[Delicatessen]]></category>
		<category><![CDATA[Diva]]></category>
		<category><![CDATA[Eddington]]></category>
		<category><![CDATA[film vs digital]]></category>
		<category><![CDATA[Francesco Rosi]]></category>
		<category><![CDATA[Funny Games]]></category>
		<category><![CDATA[Gianni Di Venanzo]]></category>
		<category><![CDATA[Iranian-French cinematographer]]></category>
		<category><![CDATA[Jack Fisk]]></category>
		<category><![CDATA[James Gray]]></category>
		<category><![CDATA[Jean-François Robin]]></category>
		<category><![CDATA[Jean-Jacques Beineix]]></category>
		<category><![CDATA[Jean-Pierre Jeunet]]></category>
		<category><![CDATA[Josh Safdie]]></category>
		<category><![CDATA[Marc Caro]]></category>
		<category><![CDATA[Marty Supreme]]></category>
		<category><![CDATA[Michael Haneke]]></category>
		<category><![CDATA[Mickey 17]]></category>
		<category><![CDATA[Miyako Bellizzi]]></category>
		<category><![CDATA[My Blueberry Nights]]></category>
		<category><![CDATA[Panavision]]></category>
		<category><![CDATA[Panic Room]]></category>
		<category><![CDATA[Philippe Rousselot]]></category>
		<category><![CDATA[Safdie Brothers]]></category>
		<category><![CDATA[Se7en]]></category>
		<category><![CDATA[table tennis cinematography]]></category>
		<category><![CDATA[The City of Lost Children]]></category>
		<category><![CDATA[The Immigrant]]></category>
		<category><![CDATA[The Lost City of Z]]></category>
		<category><![CDATA[Timothée Chalamet]]></category>
		<category><![CDATA[timothy chalamet]]></category>
		<category><![CDATA[Uncut Gems]]></category>
		<category><![CDATA[Wong Kar Wai]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54762</guid>

					<description><![CDATA[<div><img width="300" height="200" src="https://www.hammertonail.com/wp-content/uploads/2025/12/Darius-Khondji-and-Josh-Safdie-300x200.jpg" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/Darius-Khondji-and-Josh-Safdie-300x200.jpg 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/Darius-Khondji-and-Josh-Safdie-1024x683.jpg 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/Darius-Khondji-and-Josh-Safdie-768x512.jpg 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/Darius-Khondji-and-Josh-Safdie.jpg 1500w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Iranian-French cinematographer Darius Khondji turned 70 in October of this year and shows no sign of slowing down in any way. His credits include such masterpieces as Marc Caro and Jean-Pierre Jeunet’s 1991 Delicatessen and 1995 The City of Lost Children, David Fincher’s [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/darius-khondji/">A Conversation with Darius Khondji (MARTY SUPREME)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Lotfy Nathan (THE CARPENTER&#8217;S SON)</title>
		<link>https://www.hammertonail.com/interviews/lotfy-nathan/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Wed, 10 Dec 2025 18:51:25 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[VOD Release]]></category>
		<category><![CDATA[35mm film]]></category>
		<category><![CDATA[apocalyptic thriller]]></category>
		<category><![CDATA[biblical horror]]></category>
		<category><![CDATA[demonic forces]]></category>
		<category><![CDATA[divine horror]]></category>
		<category><![CDATA[doubt and faith]]></category>
		<category><![CDATA[faith vs fear]]></category>
		<category><![CDATA[FKA Twigs]]></category>
		<category><![CDATA[FKA twigs Mary]]></category>
		<category><![CDATA[Greek landscape shooting]]></category>
		<category><![CDATA[Infancy Gospel of Thomas]]></category>
		<category><![CDATA[Isla Johnston Satan]]></category>
		<category><![CDATA[Jesus adolescence]]></category>
		<category><![CDATA[Jesus and Satan]]></category>
		<category><![CDATA[Joseph and Jesus conflict]]></category>
		<category><![CDATA[Lotfy Nathan]]></category>
		<category><![CDATA[Lotfy Nathan interview]]></category>
		<category><![CDATA[Nicolas Cage]]></category>
		<category><![CDATA[Nicolas Cage Joseph]]></category>
		<category><![CDATA[Nicolas Cage scream]]></category>
		<category><![CDATA[Old Testament carnage]]></category>
		<category><![CDATA[overwhelming visions]]></category>
		<category><![CDATA[protective father Joseph]]></category>
		<category><![CDATA[realistic divine]]></category>
		<category><![CDATA[Roman-era Egypt]]></category>
		<category><![CDATA[Satan origin story]]></category>
		<category><![CDATA[supernatural horror]]></category>
		<category><![CDATA[tactile filmmaking]]></category>
		<category><![CDATA[The Carpenter's Son]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=54619</guid>

					<description><![CDATA[<div><img width="300" height="152" src="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-10-at-10.45.45 AM-300x152.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-10-at-10.45.45 AM-300x152.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-10-at-10.45.45 AM-1024x519.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-10-at-10.45.45 AM-768x389.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/12/Screenshot-2025-12-10-at-10.45.45 AM-1536x778.png 1536w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>The Carpenter&#8217;s Son reimagines the untold adolescence of Jesus in Roman-era Egypt through the lens of supernatural horror. Writer-director Lotfy Nathan draws from the apocryphal Infancy Gospel of Thomas to craft a provocative thriller starring Nicolas Cage as Joseph, a [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/lotfy-nathan/">A Conversation with Lotfy Nathan (THE CARPENTER&#8217;S SON)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>A Conversation with Chloé Robichaud, writer Catherine Léger, Karine Gonthier-Hyndman &#038; Laurence Leboeuf (TWO WOMEN)</title>
		<link>https://www.hammertonail.com/interviews/two-women/</link>
		
		<dc:creator><![CDATA[Jack Schenker]]></dc:creator>
		<pubDate>Thu, 06 Mar 2025 19:15:32 +0000</pubDate>
				<category><![CDATA[FILM FESTIVALS]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SLIDESHOW]]></category>
		<category><![CDATA[35mm film]]></category>
		<category><![CDATA[Catherine Léger]]></category>
		<category><![CDATA[Chloé Robichaud]]></category>
		<category><![CDATA[comedy about women]]></category>
		<category><![CDATA[complex female characters]]></category>
		<category><![CDATA[contemporary Quebec writers]]></category>
		<category><![CDATA[female bodies on screen]]></category>
		<category><![CDATA[female chemistry]]></category>
		<category><![CDATA[female desire]]></category>
		<category><![CDATA[female empowerment]]></category>
		<category><![CDATA[female liberation]]></category>
		<category><![CDATA[female perspective]]></category>
		<category><![CDATA[female sexuality]]></category>
		<category><![CDATA[female-centric storytelling]]></category>
		<category><![CDATA[female-driven narrative]]></category>
		<category><![CDATA[French-language comedy]]></category>
		<category><![CDATA[friendship]]></category>
		<category><![CDATA[housing cooperative]]></category>
		<category><![CDATA[intimacy]]></category>
		<category><![CDATA[Karine Gonthier-Hyndman]]></category>
		<category><![CDATA[Laurence Leboeuf]]></category>
		<category><![CDATA[modern life]]></category>
		<category><![CDATA[modern relationships]]></category>
		<category><![CDATA[monogamy]]></category>
		<category><![CDATA[motherhood]]></category>
		<category><![CDATA[Quebec cinema]]></category>
		<category><![CDATA[Quebec filmmakers]]></category>
		<category><![CDATA[rebellion]]></category>
		<category><![CDATA[societal expectations]]></category>
		<category><![CDATA[societal norms]]></category>
		<category><![CDATA[Sundance Film Festival 2025]]></category>
		<category><![CDATA[transgressive characters]]></category>
		<guid isPermaLink="false">https://www.hammertonail.com/?p=52731</guid>

					<description><![CDATA[<div><img width="300" height="164" src="https://www.hammertonail.com/wp-content/uploads/2025/03/front-300x164.png" class="attachment-medium size-medium wp-post-image" alt="" style="margin-bottom: 15px;" decoding="async" srcset="https://www.hammertonail.com/wp-content/uploads/2025/03/front-300x164.png 300w, https://www.hammertonail.com/wp-content/uploads/2025/03/front-1024x560.png 1024w, https://www.hammertonail.com/wp-content/uploads/2025/03/front-768x420.png 768w, https://www.hammertonail.com/wp-content/uploads/2025/03/front.png 1122w" sizes="(max-width: 300px) 100vw, 300px" /></div>
<p>Two Women, an official selection of the 2025 Sundance Film Festival, marks the latest feature from acclaimed Quebec filmmaker Chloé Robichaud (Sarah Prefers to Run, Boundaries). The French-language comedy, adapted from Catherine Léger&#8217;s stage play, inspired by the 1970s films of [&#8230;]</p>
<p>The post <a href="https://www.hammertonail.com/interviews/two-women/">A Conversation with Chloé Robichaud, writer Catherine Léger, Karine Gonthier-Hyndman &#038; Laurence Leboeuf (TWO WOMEN)</a> appeared first on <a href="https://www.hammertonail.com">Hammer to Nail</a>.</p>
]]></description>
		
		
		
			</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/?utm_source=w3tc&utm_medium=footer_comment&utm_campaign=free_plugin

Database Caching 43/43 queries in 0.021 seconds using Disk

Served from: www.hammertonail.com @ 2026-05-19 21:00:09 by W3 Total Cache
-->